Gotowe bibliografie tematyczne / Jin, Shengtan

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek

Gotowa bibliografia na temat „Jin, Shengtan”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 7 lutego 2022

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Jin, Shengtan”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Artykuły w czasopismach na temat "Jin, Shengtan"

1

Ge, Liangyan. "Authoring "Authorial Intention:" Jin Shengtan as Creative Critic". Chinese Literature: Essays, Articles, Reviews (CLEAR) 25 (grudzień 2003): 1. http://dx.doi.org/10.2307/3594280.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Sieber, Patricia. "Religion and Canon Formation: Buddhism, Vernacular Literature, and the Case of Jin Shengtan (1608-1661)". Journal of Chinese Religions 28, nr 1 (styczeń 2000): 51–68. http://dx.doi.org/10.1179/073776900805306649.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

West, Stephen H. "Jin Shengtan, Mao Qiling, Commentary and Sex, and theCaizi Mudan tingNotes toThe Story of the Western Wing". CHINOPERL 26, nr 1 (czerwiec 2005): 99–128. http://dx.doi.org/10.1179/chi.2005.26.1.99.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Hedberg, William C. "RECLAIMING THE MARGINS: SEITA TANSŌ'S SUIKODEN HIHYŌKAI AND THE POETICS OF CROSS-CULTURAL INFLUENCE". International Journal of Asian Studies 12, nr 2 (lipiec 2015): 193–215. http://dx.doi.org/10.1017/s1479591415000121.

Pełny tekst źródła
Streszczenie:
This article focuses on the literary criticism of the Edo-period scholar, Seita Tansō (1719–1785). Although a historian by vocation, Tansō additionally lectured extensively on the Chinese vernacular novel, Shuihu zhuan (Jp. Suikoden, En. The Water Margin). While earlier generations of Chinese fiction aficionados in Japan had also discussed Shuihu zhuan, early eighteenth-century analysis was primarily limited to philological explication—a task necessitated by the extensive use of colloquial language in the novel. In contrast to this tradition of philological exegesis, Tansō turned his attention to the ethical content and literary structure of Shuihu zhuan. Tansō was heavily influenced by the writing of the Chinese fiction commentator Jin Shengtan (1608–1661), and in this article, I discuss Tansō's use of Jin's fiction criticism in the construction of his own interpretation of the novel. I argue that the dissemination of Chinese novels in Edo-period Japan cannot be discussed without an understanding of Japanese engagement with Chinese narrative theory, and I identify Seita Tansō as an important figure in a transition from philological to more purely narratological analysis of Chinese vernacular fiction.
Style APA, Harvard, Vancouver, ISO itp.
5

Kwan-Hee Cho. "The Narrative Theory of 'Repetition' in Chinese Classic Novels - Focusing on the Arguments of Jin Shengtan and Mao Zonggang". Journal of the research of chinese novels ll, nr 49 (sierpień 2016): 67–89. http://dx.doi.org/10.17004/jrcn.2016..49.003.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Wong, Hugo Wai-ho. "Discussion on Imperial Examination and “Literates without honours” in the Late Ming Dynasty: JIN Shengtan as a Case Study and Illustration". Journal of Chinese Studies 87 (28.02.2019): 155–86. http://dx.doi.org/10.35982/jcs.87.7.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Yi Kimyun. "A Study on Literary Theory of Jin Shengtan's Self-Establishment". Journal of Chinese Language and Literature ll, nr 38 (wrzesień 2008): 183–201. http://dx.doi.org/10.26586/chls.2008..38.009.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

SeHyun Ahn. "The Aspect of Accepting Jin Shengtan's Criticism by Lee Ok". Society for Korean Language & Literary Research 39, nr 3 (wrzesień 2011): 411–39. http://dx.doi.org/10.15822/skllr.2011.39.3.411.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Hao, Ji. "CONFRONTING THE PAST: JIN SHENGTAN’S COMMENTARIES ON DU FU’S POEMS". Ming Studies 2011, nr 64 (wrzesień 2011): 63–95. http://dx.doi.org/10.1179/175975911x13204014980076.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

HAYASHI, Kana. "The Shengman jing shuji in Light of Ji's Writings". Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 61, nr 2 (2013): 756–61. http://dx.doi.org/10.4259/ibk.61.2_756.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Rozprawy doktorskie na temat "Jin, Shengtan"

1

Tan, Yuan. "Jin Shengtan ping dian xue yan jiu = The study of Jin Sheng-Tan's literary criticism theories /". click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15941206a.pdf.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Lanselle, Rainier. "Jin Shengtan (1608-1661) et le commentaire du Pavillon de l'ouest : lecture et interprétation dans une poétique de l'indirect". Paris 7, 1999. http://www.theses.fr/1999PA070091.

Pełny tekst źródła
Streszczenie:
La thèse examine la poétique élaborée par le critique Jin Shengtan (1608 - 1661) sur le Pavillon de l'ouest (Xixiangji) de Wang Shifu (vers 1300). Dans une première partie, elle étudie l'établissement de l’édition de l'œuvre par le poéticien, sa conception d'un art " théâtral" exclusivement destiné à la lecture, et la manière, très élaborée, dont il installe son commentaire au cœur même du texte, établissant ainsi un appareil critique sophistiqué capable d' << ausculter >> en profondeur les moindres détails du texte. Une deuxième partie se consacre à l'étude d'une poétique de l'indirect conçue comme reposant sur le mode de la naturalité. Le pavillon de l'ouest fait figure, aux yeux du poéticien, d'un <> de l'ordre même de la nature, un ordre dans lequel l'accès au sens nécessite un cheminement toujours détourné. La terminologie critique du commentateur est examinée de façon aussi exhaustive que possible, notamment à travers une étude des << procédés littéraires >> (fa) que Jin Shengtan estime être à l'œuvre dans l'art de l'écrire de l'auteur ; des références sont faites à cette occasion aux importants fa développés dans sa critique du roman au bord de l'eau. Sont également étudiés les éléments qui, dans cette terminologie, contribuent à conférer à l'œuvre cohérence et continuité d'ensemble, ainsi que les diverses stratégies d'indirect que le commentateur estime avoir été développées par l'auteur. Une troisième partie se consacre à une retombée de cet art de l'indirect : la moralisation radicale d'une œuvre à la fois admirée et jugée scandaleuse. Cette entreprise est fondée sur la poétique même de l'indirect précédemment étudiée, poétique marquée de manière foncière par la notion de paradoxe. Dans cette partie, des références sont faites à la littérature de contes (huaben) développée au XVIIe siècle à partir de thèmes en relation avec le Pavillon de l'ouest. La conclusion nous amène à une conception globale de la pièce comme reposant sur la notion d'indifférenciation, condition de l'avènement de tout phénomène particulier. Elle ouvre aussi une perspective sur une possible valeur emblématique de la pièce : celle, d'ordre politique, d'un rapport acceptable entre le prince et le ministre, dans lequel une relation idéale du masculin et du féminin servirait de paradigme.
Style APA, Harvard, Vancouver, ISO itp.
3

Chu, Li-chuan, i 朱麗娟. "Jin Shengtan comment 《Outlaws of Marsh》study". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/sr2w5p.

Pełny tekst źródła
Streszczenie:
碩士
南華大學
文學系碩士班
97
As far as the comments regarding to "Tales of the marshes" by Jin Shengtan are concerned, Jin Shengtan''s viewpoints not only creates meaningful inspirations toward people but also pave a solid ground for his distinguish achievements in the history of criticism of Chinese novel. Jin Shengtan conducts some literature rebuilding through literature criticism and revising published novel (like revised version of Tales of the marshes) with his passion and earnestness. In respect to Jin Shengtan''s viewpoints, the most noticeable feature is the affirmation of subjective sense which is related to author, readers and commentator. Furthermore, Jin Shengtan''s assertion about readers'' sense of awareness is a worthy subject for studying. 　 　　Jin Shengtan claims some prerequisites for writing such as talent, loose writing rules and keen sense and he also emphasizes the importance of analyzing readers'' acceptance in advance. This thesis is proposed to discuss Jin Shengtan and the book "revised Tales of the marshes" written by him. This thesis will also be focused on readers'' sense of awareness looking for obtaining some contribution in this field. 　 　　This thesis is divided into five aspects to be discussed: 　　Chapter 1 will be used to explain the motivation and purposes of this study, overview all utilized references and needed descriptions about methodologies and steps used in this thesis. 　 　　Chapter 2: Conducting a survey focused on Jin Shengtan''s personality and his thinking for better understanding the interconnections of his literature activities and cultural background. 　 　　Chapter 3 and chapter 4: describing the Jin Shengtan''s viewpoints in novel and writing skills in "revised Tales of the marshes", the fictional characteristics of a novel as well as the subject, personality, scenarios and expressing skills in an invented novel so as to explore Jin Shengtan’s major concerns for a perfect novel. 　 　　Chapter 5: Special explanations will be given due to Jin Shengtan possessing reader and writer both identities and dedicated explications will lead readers to having an insight into the novel''s writer by means of deep reading and accumulated perceiving abilities. 　 　　Chapter 6 is the conclusion of this thesis : main elements will be Jin Shengtan''s special appreciations and achievements in novel, the influences toward follow-on literature criticism and readers'' sense of awareness which will be given special emphasis. Jin Shengtan''s theories and thinking will also be analyzed and explored because its'' constructive contributions to the innovating and criticizing of the contemporary literature.
Style APA, Harvard, Vancouver, ISO itp.
4

Morrison, Mark Benjamin. "Commentated Into His Own Image: Jin Shengtan and His Commentary Edition of the Shuihu Zhuan". Thesis, 2013. http://hdl.handle.net/1828/4825.

Pełny tekst źródła
Streszczenie:
This thesis examines three aspects of the commentary edition of the Chinese vernacular novel Shuihu Zhuan written by Ming Dynasty literatus Jin Shengtan (ca. 1610-1661), analyzing three of the most innovative features that the commentary brings to our understanding of the novel, and what Jin Shengtan desired for the reader of his commentary to understand. The first chapter looks at a series of techniques that Jin outlines in the preliminary "How to Read" section of the commentary (dufa), where the techniques are shown to be very similar in focus and style to the literary theory of narratology as written about by Gerard Genette through a sample comparison of five of the techniques with varying characteristics of narratology. The second chapter looks at how Jin Shengtan constructs the image of the author, Shi Nai'an, through both his interlineal commentary (jiapi) and his preliminary chapter commentary (zongpi). We see through this analysis that Jin Shengtan has gone against the tradition of shu er bu zuo -- a Confucian tradition that relegates the position of the author to the background of his work -- and has brought the author into a position of prominence through his construction of the image of an unparalleled genius. The third and final chapter looks at the idea of "heroism" (xia) and how Jin's commentary reworks the way many of the primary characters of the novel and their heroic actions are seen and interpreted, focusing especially on the characters of Wu Song, Lu Zhishen, Song Jiang and Li Kui, where we see that Jin's commentary focuses on parallels between the heroes such as Wu Song and Lu Zhishen in the first portion of the novel, while switching to a more juxtapositional perspective in the latter half of the novel through Song Jiang and Li Kui.
Graduate
0305
0332
mblsm00@gmail.com
Style APA, Harvard, Vancouver, ISO itp.
5

"金聖嘆《西廂記》評點硏究". 2000. http://library.cuhk.edu.hk/record=b5890520.

Pełny tekst źródła
Streszczenie:
歐陽潔美.
"2000年6月"
論文 (哲學碩士)--香港中文大學, 2000.
參考文獻 (leaves 131-153)
附中英文摘要.
"2000 nian 6 yue"
Ouyang Jiemei.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000.
Can kao wen xian (leaves 131-153)
Fu Zhong Ying wen zhai yao.
Chapter 第一章 --- 緒論 --- p.1
Chapter 第一節 --- 硏究目的 --- p.2
Chapter 第二節 --- 金批西廂的硏究槪況 --- p.6
Chapter 第三節 --- 金聖嘆《第六才子書西廂記》簡介 --- p.12
Chapter (一) --- 金聖嘆之評點及《第六才子書西廂記》的成書年代 --- p.12
Chapter (二) --- 版本 --- p.13
Chapter 1. --- 原刻本及原刻翻印本 --- p.17
Chapter 2. --- 鄒聖脈本 --- p.19
Chapter 3. --- 鄧汝寧本 --- p.20
Chapter 4. --- 校注本 --- p.21
Chapter (三) --- 體例特色 --- p.24
Chapter 第二章 --- 金批《西廂記》的底本問題 --- p.11
Chapter 第一節 --- 金批《西廂記》所據之底本 --- p.27
Chapter 第二節 --- 金批《西廂記》對底本的删改 --- p.31
Chapter 第三章 --- 《西廂記》的評點源流 --- p.35
Chapter 第一節 --- 《西廂記》的評點版本 --- p.35
Chapter 第二節 --- 《西廂記》評點的發展 --- p.40
Chapter 第三節 --- 《西廂記》評點的三大類別 --- p.42
Chapter (一) --- 考證角度 --- p.42
Chapter (二) --- 演出角度 --- p.45
Chapter (三) --- 鑑賞角度 --- p.49
Chapter 第四節 --- 金批西廂所屬的評點類型 --- p.52
Chapter 第四章 --- 金聖嘆《西廂記》評點與八股文的關係 --- p.53
Chapter 第一節 --- 八股文的特點及其與戲曲評點的關係 --- p.54
Chapter 第二節 --- 金聖嘆《西廂記》評點中的八股文章法 --- p.57
Chapter (一) --- 結構 --- p.58
Chapter (二) --- 尊題 --- p.60
Chapter (三) --- 細密 --- p.63
Chapter (四) --- 代人立言 --- p.64
Chapter (五) --- 金聖嘆所標舉的筆法 --- p.66
Chapter 第三節 --- 金聖嘆《西廂記》八股評點的評價 --- p.69
Chapter 第五章 --- 金聖嘆《西廂記》評點的主導性 --- p.72
Chapter 第一節 --- 評點者的角色 --- p.73
Chapter (一) --- 評點者與作者 --- p.74
Chapter (二) --- 評點者與讀者 --- p.78
Chapter 第二節 --- 評點者的權力 --- p.84
Chapter (一) --- 改動權 --- p.84
Chapter (二) --- 詮釋權 --- p.85
Chapter (三) --- 否定權 --- p.86
Chapter 第三節 --- 對閱讀過程的影響 --- p.88
Chapter (一) --- 全知視角 --- p.88
Chapter (二) --- 對讀者的干擾 --- p.90
Chapter 第六章 --- 金聖嘆《西廂記》評點的隨意性 --- p.94
Chapter 第一節 --- 無嚴密系統 --- p.94
Chapter (一) --- 主題與手法混淆 --- p.94
Chapter (二) --- 隨文而發 --- p.98
Chapter 第二節 --- 閑筆 --- p.100
Chapter (一) --- 突發的聯想 --- p.100
Chapter (二) --- 宗教議論 --- p.103
Chapter (三) --- 插科打諢 --- p.105
Chapter (四) --- 與斲山的對話紀錄 --- p.106
Chapter (五) --- 閑筆的意義 --- p.107
Chapter (六) --- 閑筆與說書的關係 --- p.108
Chapter 第三節 --- 詳略的安排 --- p.112
Chapter (一) --- 觀點重複 --- p.112
Chapter (二) --- 過度詳細 --- p.116
Chapter (三) --- 過度簡略 --- p.117
Chapter 第四節 --- 前後矛盾 --- p.120
Chapter (一) --- 語言運用 --- p.120
Chapter (二) --- 情節結構 --- p.122
Chapter (三) --- 人物塑造 --- p.123
Chapter 第七章 --- 結論 --- p.129
參考資料 --- p.131
Style APA, Harvard, Vancouver, ISO itp.
6

Tsai, Yu-Chu, i 蔡羽筑. "A study on the development of Bao-Guang Jan-De Institute of I-Kuan Tao — Using the Shenglin Site of Taoist Rituals as an example". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/p7s582.

Pełny tekst źródła
Streszczenie:
碩士
國立東華大學
臺灣文化學系
100
The introduction of various sects of I-Kuan Tao (IKT) to Taiwan beginning in 1946 had resulted in conflicts between the religion and the government due to the promulgation of martial law in Taiwan at the time. Crackdown by law enforcements, negative reports by medias, and criticisms of IKT as an evil cult led to a series of opposition against IKT; it was not until after 1987 that IKT was recognized and legalized by the Taiwanese government. There are currently many sects of IKT distributed throughout parts of Taiwan, each with its own unique development and features; many IKT sects also recently started to establish IKT institutes to target youths. Although Bao-Guang Jan-De Institute realized the need to establish a site for college students in 1991, due to problems initially encountered trying to establish a common goal and organizational operations and later a shortage of manpower and funds, the project was eventually dropped. It was not until 2003 that the project was re-planned under a unified operation to avoid the problems that occurred in 1991. With support from conventional Sites, the Shenglin Site of Taoist Rituals, which is part of Bao-Guang Jan-De Institute, was successfully established in 2004. The establishment of the Shenglin Site of Taoist Rituals aims to continue college education for students who have studied at Bao-Guang Jan-De Institute since childhood. The Shenglin Site of Taoist Rituals hopes that when IKT youths leave home to pursue further studies, they can become friendly and accept course arrangements made by the Shenglin Site of Taoist Rituals to achieve the purpose of talent cultivation. In many recent activities held by Bao-Guang Jan De Institute, one concept has been constantly emphasized, “IKT needs youths as youths need IKT” with the hope of passing down the spirit of IKT through youth cultivation; Bao-Guang Jan De Institute also hopes that spreading the concepts of IKT outwards through the power of youths, chances and channels for IKT development can also be increased.
Style APA, Harvard, Vancouver, ISO itp.

Książki na temat "Jin, Shengtan"

1

Chen, Dengyuan. Jin Shengtan zhuan. [Beijing: Beijing zhong xian tuo fang ke ji fa zhan you xian gong si, 2012.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Fangren, Cao, i Zhou Xishan, red. Jin Shengtan quan ji. [Nanjing shi]: Jiangsu gu ji chu ban she, 1985.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Nanjing da xue. Zhongguo si xiang jia yan jiu zhong xin., red. Jin Shengtan ping zhuan. Nanjing Shi: Nanjing da xue chu ban she, 2006.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Jin Shengtan ping zhuan. Chengdu: Sichuan ren min chu ban she, 1998.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Jin, Shengtan. Jin Shengtan chi du. [Taipei]: Guang wen shu ju, 1991.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Gui cai Jin Shengtan. Taibei Shi: Shi xue she, 2000.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Fangren, Cao, i Zhou Xishan, red. Jin Shengtan quan ji. [Nanjing shi]: Jiangsu gu ji chu ban she, 1985.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Jin Ping Mei yu Jin Shengtan. Taibei Shi: Shui niu chu ban she, 1988.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Defang, Chen, i Wang Shifu fl 1295-1307, red. Jin Shengtan ping Xi xiang ji. Chengdu: Sichuan wen yi chu ban she, 2000.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Guoguang, Zhang, red. Jin Shengtan shi wen ping xuan. Changsha Shi: Yuelu shu she, 1986.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Części książek na temat "Jin, Shengtan"

1

Sieber, Patricia. "Xixiang ji Editions, the Bookmarket, and the Discourse on Obscenity: Wang Jide (d. 1623), Jin Shengtan (1608–61), and the Creation of Uncommon Readers". W Theaters of Desire, 123–61. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403982490_4.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

"2. The Manic Preface: Jin Shengtan’s (1608–1661) Shuihu zhuan". W Obscene Things, 47–80. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822383444-004.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

"5 Appropriating Genius: Jin Shengtan’s Construction of Textual Authority and Authorship in His Commented Edition of Shuihu Zhuan (The Water Margin Saga)". W That Wonderful Composite Called Author, 163–94. BRILL, 2014. http://dx.doi.org/10.1163/9789004279421_007.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Możesz być także zainteresowany rozszerzonymi bibliografiami na temat „Jin, Shengtan” dla poszczególnych typów źródeł:
Artykuły w czasopismach Książki
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!

Do bibliografii