Kliknij ten link, aby zobaczyć inne rodzaje publikacji na ten temat: Johann Sebastian.

Rozprawy doktorskie na temat „Johann Sebastian”

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Sprawdź 50 najlepszych rozpraw doktorskich naukowych na temat „Johann Sebastian”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Przeglądaj rozprawy doktorskie z różnych dziedzin i twórz odpowiednie bibliografie.

1

Beisswenger, Kirsten. "Johann Sebastian Bachs Notenbibliothek /." Kassel ; Basel ; London : Bärenreiter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35518086m.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Linsley, Dennis Edward. "Melodic inversion in J. S. Bach's keyboard suites / by Dennis Edward Linsley." Connect to title online (Scholars' Bank), 2008. http://hdl.handle.net/1794/7770.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Chung, Erin H. "The Well-tempered clavier by J.S. Bach : a performance guide to twelve selected preludes and fugues arranged in order of ascending difficulty /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/11280.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Elbon, Virginia Elizabeth. "Symmetry and proportion generative and formative procedures of J.S. Bach's Brandenburg concerto no. 3 /." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1961.

Pełny tekst źródła
Streszczenie:
Thesis (M.M.)--West Virginia University, 2001.<br>Title from document title page. Document formatted into pages; contains vii, 33 p. : music, ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 31-32).
Style APA, Harvard, Vancouver, ISO itp.
5

Felix, Werner. "Wie familiär war Johann Sebastian Bach?" Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37242.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Matyl, Ulrich. "Die Choralbearbeitungen der Schüler Johann Sebastian Bachs /." Kassel ; Basel ; London : Bärenreiter, 1995. http://catalogue.bnf.fr/ark:/12148/cb36959513p.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Sackmann, Dominik. "Bach und Corelli : Studien zu Bachs Rezeption von Corellis Violinsonaten op. 5 unter besonderer Berücksichtigung der "Passagio-Orgelchoräle" und der langsamen Konzertsätze /." München ; Salzburg : Katzbichler, 2000. http://catalogue.bnf.fr/ark:/12148/cb37120125j.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Mašlaň, Petr. "Johann Sebastian Bach. Kantáty s obligátním violoncellem." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177718.

Pełny tekst źródła
Streszczenie:
This thesis is engaged in cantatas of Johann Sebastian Bach, in which composer calls for violoncello piccolo. It is divided into four chapters. The first chapter deals with the issue of instrument, the following chapter is dedicated to the historical kontext of cantatas and their instrumentation in connection with violoncello piccolo. The third chapter is a musical analysis of individual arias in nine subsections. The fourth chapter deals with the question, on which instrument can be now these solos. The thesis contains actual score examples and the footnotes.
Style APA, Harvard, Vancouver, ISO itp.
9

Peters, Manfred. "Johann Sebastian Bach als Klang-Redner : die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen." Saarbrücken Pfau, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=014738632&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Cho, Yoonju. "A study of Baroque tempo practices and their applications to the Violoncello suite no. 2 by Johann Sebastian Bach /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11292.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
11

Boresch, Hans-Werner. "Besetzung und Instrumentation : Studien zur kompositorischen Praxis Johann Sebastian Bachs /." Kassel ; Basel ; London : Bärenreiter, 1993. http://catalogue.bnf.fr/ark:/12148/cb35642932h.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
12

Fanselau, Clemens. "Mehrstimmigkeit in J.S. Bachs Werken für Melodieinstrumente ohne Begleitung /." Sinzig : Studio, 2000. http://catalogue.bnf.fr/ark:/12148/cb39996123d.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
13

Zwetzschke, Jana. ""...ich bin sicher, dass ich ihn lieben lerne..." : Studien zur Bach-Rezeption in Russland /." Hildesheim : G. Olms, 2008. http://catalogue.bnf.fr/ark:/12148/cb41430472w.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
14

Green, Curtis A. "A comparison of selected editions of Bach's Suite no. 5 in C minor, BWV 1011." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/822.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
15

Deppert, Heinrich. "Einige Anmerkungen zu Johann Sebastian Bachs vierstimmigen Choralgesängen." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37234.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
16

Cosma, Viorel. "Enescus Interpretation der Musik von Johann Sebastian Bach." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38304.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
17

Lee, Yoonnah Lim. "A Pedal Study of Johann Sebastian Bach's Orgelbuchlein." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1368086071.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
18

Cuddeford, Tara. "Performance techniques for selected works of: J.S. Bach, J. Brahms and E. Elgar /." St. Lucia, Qld, 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16408.pdf.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
19

Bertling, Rebekka. "Das Arioso und das ariose Accompagnato im Vokalwerk Johann Sebastian Bachs /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1992. http://catalogue.bnf.fr/ark:/12148/cb355394673.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
20

Turnbull, Catherine. "Performing the Bach cello suites on the viola /." [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19293.pdf.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
21

Jokic, Natasa. "Flute partita a-minor BWV 1013 : arrangement for guitar." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-60.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
22

Cole, Warwick. "The performance of small-note Vorschläge in the keyboard and chamber music of J.S. Bach". Thesis, Birmingham City University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248605.

Pełny tekst źródła
Streszczenie:
This study is concerned with conventions of notation and of performance in the music of Johann Sebastian Bach. The small-note Vorschlag represents one of the most puzzling and least understood aspects of western musical notation during the period under discussion. Although the issue has been examined extensively in the past. the lack of consensus among scholars and performers - coupled with Bach's copious use of the small-note Vorschlag - indicates that a reassessment is warranted. The aim is to arrive at an understanding of Bach's notation of the Vorschlag and its implications for informed pe
Style APA, Harvard, Vancouver, ISO itp.
23

Säfström, Lovisa. "Cellosvit nr 1 av J.S. Bach." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2082.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
24

Kempen, Suzanne van. "Bach - musikpädagogisch betrachtet." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/996278222/04.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
25

Klingfors, Gunno. "Bach går igen : källkritiska studier i JS Bachs uppförandepraxis /." Göteborg : Göteborgs universitet, 1991. http://catalogue.bnf.fr/ark:/12148/cb36955876f.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
26

Kao, Shu Phyllis. "Affective gesture in J.S. Bach's keyboard music with special reference to selected works in D minor /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B17313867.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
27

Salmen, Rebecca L. "Performance practice and analysis of Johann Sabastian Bach's Aria for tenor and flute obbligato, Wo wird in diesem Jammertale, from Cantata BWV 114." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/827.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
28

Dehnhard, Walther. "Kritik der zahlensymbolischen Deutung im Werk Johann Sebastian Bachs." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37250.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
29

Justi, Katia Regina Kato. "A missa em si menor de Johann Sebastian Bach = a poética e o trágico = Johann Sebastian Bach's B minor mass : poetic and the tragic." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284540.

Pełny tekst źródła
Streszczenie:
Orientador: Paulo Mugayar Kühl<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-22T02:53:23Z (GMT). No. of bitstreams: 1 Justi_KatiaReginaKato_D.pdf: 3770115 bytes, checksum: 6eb29bd8ac1ceaed915ae65400aadb14 (MD5) Previous issue date: 2013<br>Resumo: A proposta deste trabalho é fazer uma investigação da Missa em Si menor, BWV 232, de Johann Sebastian Bach, seguindo parâmetros que enfoquem alguns procedimentos poéticos e retóricos nela utilizados. Investigando a luz das poéticas clássicas, sobretudo da Poética de Aristóteles, e
Style APA, Harvard, Vancouver, ISO itp.
30

Schubert, Benedikt [Verfasser]. "Bild, Affekt, Inventio : Zur «Johannespassion» Johann Sebastian Bachs / Benedikt Schubert." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/114480258X/34.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
31

Dequevauviller, Vincent. "Etude sur certains procédés architectoniques, en particulier numériques, dans la composition des oeuvres de Jean-Sébastien Bach." Paris 4, 2003. http://www.theses.fr/2003PA040070.

Pełny tekst źródła
Streszczenie:
L'objectif de la thèse est analytique : essayer de mettre en valeur des régularités formelles récurrentes dans quelques pièces et cycle de Bach. On observe d'abord que le triple-prélude et la triple-fugue en mi bémol majeur, opposés en apparence, utilisent le même principe de construction : une succession de périodes disposées par paires (quatre paires pour le prélude, trois pour la fugue). En outre, la longueur des périodes (c'est-à-dire leur nombre de mesures) suit des règles arithmétiques rigoureuses, utilisant des catégories particulières de "nombres remarquables" (signatures, miroirs, etc
Style APA, Harvard, Vancouver, ISO itp.
32

Weman, Ericsson Lena. ""... världens skridskotystnad före Bach" : historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach." Piteå Department of music and media, Luleå University of Technology, 2008. http://epubl.ltu.se/1402-1544/2008/54/LTU-DT-0854-SE.pdf.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
33

Lim, Aesook. "The long chorale preludes of J.S. Bach (1685-1750) study of accompaniments, together with three recitals of selected work by Dietrich Buxtehude (1637-1707), J.S. Bach, and Louis Vierne (1870-1937) and others /." connect to online resource. Access restricted to the University of North Texas campus, 2006. http://www.unt.edu/etd/all/May2006/lim%5Faesook/index.htm.

Pełny tekst źródła
Streszczenie:
Thesis (D.M.A.)--University of North Texas, 2006.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 15, 1999, July 16, 2001, Apr. 29, 2005, and Nov. 17, 2005. Includes bibliographical references (p. 36-37).
Style APA, Harvard, Vancouver, ISO itp.
34

Ngo, Nightingale. "From the Baroque to the Classical: The Organ Works and Contributions of W. F. Bach, C. P. E. Bach, J. C. Bach, and J. Krebs." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/187.

Pełny tekst źródła
Streszczenie:
Johann Sebastian Bach is considered the foremost organist and composer of organ music of his time. His vast knowledge of the instrument and his ability to reveal the organ?s brilliance were unparalleled, taking the organ to its peak in the Baroque era. Bach perfected many musical styles and forms of the day, and also became well-known for his improvisational skills. However, by the end of Bach?s life, the styles and forms began to change. The forms Bach knew so well slowly gave way to new ideas, signaling the beginning of what music historians label the ?Classical? period. It was during this
Style APA, Harvard, Vancouver, ISO itp.
35

Harris, Raymond Stanley. "Scripture in song J.S. Bach's exegesis of Matthew 26 and 27 in the S̲t̲.̲ M̲a̲t̲t̲h̲e̲w̲ P̲a̲s̲s̲i̲o̲n̲ /." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
36

Person, Gretchen E. "The expression of joy." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
37

Sandberger, Wolfgang. "Das Bach-Bild Phlipp Spittas : ein Beitrag zur Geschichte der Bach-Rezeption im 19. Jahrhundert /." Stuttgart : F. Steiner, 1997. http://catalogue.bnf.fr/ark:/12148/cb35869634t.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
38

Heinemann, Michael. "Die Bach-Rezeption von Franz Liszt /." Köln : Studio, 1995. http://catalogue.bnf.fr/ark:/12148/cb357825583.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
39

Teuber, Richard. "Die Bach-Rezeption im frühen Instrumentalwerk Paul Hindemiths /." Frankfurt am Main ; Bern ; Bruxelles : P. Lang, 2001. http://catalogue.bnf.fr/ark:/12148/cb37218777b.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
40

Cantoni, Angelo. "La référence à Bach dans les oeuvres néo-classiques de Stravinsky /." Hildesheim ; Zürich ; New York : G. Olms, 1998. http://catalogue.bnf.fr/ark:/12148/cb369686566.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
41

Cantoni, Angelo. "La référence à Bach dans les oeuvres néo-classiques de Stravinsky : sa fonction dans le renouvellement stylistique du compositeur /." Tours : [A. Cantoni], 1994. http://catalogue.bnf.fr/ark:/12148/cb401156670.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
42

Abravaya, Ido. "On Bach's rhythm and tempo /." Kassel [u.a.] : Bärenreiter, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014918243&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
43

Noyer, Jérémie. "L'utopie liturgique : la "Missa en si mineur" de Johann Sebastian Bach." Aix-Marseille 1, 2000. http://www.theses.fr/2000AIX10077.

Pełny tekst źródła
Streszczenie:
La missa en si mineur de bach pose un certain nombre de problemes lies tant a notre situation actuelle qu'a son site natif. L'absence d'activation de cette oeuvre dans toutes les situations qu'elle a rencontrees jusqu'ici, au profit de la messe en si, nous invite vraiment a l'interroger. Interroger tout d'abord sa tres faible activation dans les interpositions de toutes les couches stratigraphiques qu'elle a rencontrees, a l'interieur une demarche recursive ou a rebours, veritable demarche de recherche, et interroger cette oeuvre dans son actualite, dans toutes les dimensions qu'elle revet auj
Style APA, Harvard, Vancouver, ISO itp.
44

Schadow, Sebastian [Verfasser]. "Rechtswissenschaft und praktische Bedürfnisse : Johann Christian Hasse (1779-1830) / Sebastian Schadow." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2016. http://d-nb.info/1122043899/34.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
45

Huron, D. "Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach." Thesis, University of Nottingham, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234610.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
46

Johann, Sebastian S. [Verfasser]. "On Simultaneous Domination and Mixed Connectivity in Graphs / Sebastian S. Johann." München : Verlag Dr. Hut, 2021. http://d-nb.info/1233525549/34.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
47

Morton, Wyant. "Questions of authenticity in three motets attributed to Johann Sebastian Bach." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185862.

Pełny tekst źródła
Streszczenie:
The motets Der Gerechte kommt um, Jauchzet dem Herrn alle Welt and Ich lasse dich nicht have figured prominently in the ongoing discussion regarding the authentic and spurious motets of Johann Sebastian Bach. While the high musical quality of these compositions has long been recognized, disagreement over their authorship has continued because of the complexity of their source transmission. Evaluation of previous scholarship in light of recent investigations into the source transmission of these pieces suggests that all three works were, indeed, the handiwork of J. S. Bach. In support of this p
Style APA, Harvard, Vancouver, ISO itp.
48

Watson, Marva J. "The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/157.

Pełny tekst źródła
Streszczenie:
Johann Sebastian Bach is credited with writing over 300 cantatas. Sacred cantatas comprise most of that repertory, but there are just under forty known secular cantatas composed by Bach. About half of these secular cantatas were written to celebrate a person’s birthday. This thesis will attempt to provide a view of the life of the historical figures for which the birthday cantatas were written, reflections of the personality of the individual in the cantata, Bach’s relationship to the recipient, and political or social connotations associated with the work. From a study of the individuals con
Style APA, Harvard, Vancouver, ISO itp.
49

Alevizos, Konstantinos. "Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040033.

Pełny tekst źródła
Streszczenie:
La thèse veut démontrer que toutes les compositions contenues dans L'Art de la Fugue possèdent entre elles des liaisons strictes et essentielles qui vont au-delà de la simple coprésence et/ou élaboration du même sujet, en créant une unité et une progression de la complexité technique dans son évolution. À travers une analyse détaillée de toutes les fugues sur trois niveaux: rythmique, harmonique et morphologique, notre objectif est d’identifier et de cataloguer tous les éléments spécifiques qui créent cette unité, afin d'arriver à la présentation du système des techniques compositionnelles uti
Style APA, Harvard, Vancouver, ISO itp.
50

Pérez, Torres René. "Bach's Mass in B minor an analytical study of parody movements and their function in the large-scale architectural design of the mass /." connect to online resource, 2005. http://www.unt.edu/etd/all/Dec2005/perez%5Ftorres%5Frene/index.htm.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!