Gotowe bibliografie tematyczne / John Jacob Glessner House

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  3. Książki

Gotowa bibliografia na temat „John Jacob Glessner House”

Autor: Grafiati
Data publikacji: 29 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "John Jacob Glessner House"

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Molloy, Mary Alice. "Richardson's Web: A Client's Assessment of the Architect's Home and Studio." Journal of the Society of Architectural Historians 54, no. 1 (1995): 8–23. http://dx.doi.org/10.2307/991023.

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John Jacob Glessner appears to have been the only person outside Henry Hobson Richardson's circle of friends and employees to have written a detailed account of his experiences visiting the architect's home and office in Brookline, Mass. Glessner's account documents the interrelationship between house and work spaces in Richardson's career and details the ways in which Richardson used both places to urge his client to accept his ideas for a proposed residence in Chicago. Richardson died believing he had convinced Glessner of the rightness of all of his proposals. Glessner's second thoughts, ho
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Sharma, Aparajita. "Book review: John Dayal and Sunny Jacob, Educating India: A Response to the Modi Government ’s Education Policy." Social Change 51, no. 2 (2021): 266–69. http://dx.doi.org/10.1177/00490857211015692.

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Förster, Hans. "Die Begegnung am Brunnen (Joh 4.4–42) im Licht der „Schrift“: Überlegungen zu den Samaritanern im Johannesevangelium." New Testament Studies 61, no. 2 (2015): 201–18. http://dx.doi.org/10.1017/s0028688514000320.

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Within the narrative of John 4.4–42 (the Samaritan woman at the well) the fact is mentioned that ‘Jacob's well’ had been given to his son Joseph (John 4.5). By calling Jacob ‘our father’ (John 4.12), the woman claims for the Samaritans a direct lineage from Jacob via Joseph. The Samaritans are designated as ‘children of Israel’ and members of the tribes of Ephraim and Manasseh (i.e. the ‘house of Joseph’). The genealogy is embedded in a motif occurring in Scripture (the encounter at the well). Thus, it is questionable whether the passage of the woman at the well can primarily be seen as ‘missi
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I, Jacob John. "Revolutionize Withering Process and Technology for World Tea Industry." International Journal of Trend in Scientific Research and Development 2, no. 5 (2018): 2439–45. https://doi.org/10.31142/ijtsrd18343.

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Withering is the first stage of manufacturing process. The role of Withering is described as the changes that occur in the green leaf from the moment it is plucked from the bush to the time of maceration. As tea manufacturing technology evolves, the method and value of withering on black tea quality appears to be changing. In the production of flavour teas where tea is rolled, withering is considered vital for quality. Maceration machines operate most effectively within fairly narrow leaf moisture range. Unwithered leafs is difficult to ferment and dry. Withering can be used as a means of stor
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Damsté, P. H. "De geschiedenis van het portret van Jaspar Schade door Frans Hals1." Oud Holland - Quarterly for Dutch Art History 99, no. 1 (1985): 30–42. http://dx.doi.org/10.1163/187501785x00035.

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AbstractOnly a few weeks after seeing the Frans Hals portrait of Jaspar Schade in the 1962 exhibition in Haarlem, the author came upon it again in the home of Mr. and Mrs. Waller in Utrecht (Figs. 1 and 2, Note I). He learnt that this particular painting had been in Mr. Waller's family for nearly a century and that it was a copy of the one now in Prague. The story was that the latter had been sold by Mr. Waller's grandfather Beukerfrom his country-house 'Zandbergen', which he had bought in 1865, to his friend P.E.H. Praetorius, on condition that the latter had a copy painted as a replacement.
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See, Pamela Mei-Leng. "Branding: A Prosthesis of Identity." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1590.

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This article investigates the prosthesis of identity through the process of branding. It examines cross-cultural manifestations of this phenomena from sixth millennium BCE Syria to twelfth century Japan and Britain. From the Neolithic Era, humanity has sort to extend their identities using pictorial signs that were characteristically simple. Designed to be distinctive and instantly recognisable, the totemic symbols served to signal the origin of the bearer. Subsequently, the development of branding coincided with periods of increased in mobility both in respect to geography and social strata.
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Melleuish, Greg. "Of 'Rage of Party' and the Coming of Civility." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1492.

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There is a disparity between expectations that the members of a community will work together for the common good — and the stark reality that human beings form into groups, or parties, to engage in conflict with each other. This is particularly the case in so-called popular governments that include some wider political involvement by the people. In ancient Greece stasis, or endemic conflict between the democratic and oligarchic elements of a city was very common. Likewise, the late Roman Republic maintained a division between the populares and the optimates. In both cases there was violence as
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Khamis, Susie. "Nespresso: Branding the "Ultimate Coffee Experience"." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.476.

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Introduction In December 2010, Nespresso, the world’s leading brand of premium-portioned coffee, opened a flagship “boutique” in Sydney’s Pitt Street Mall. This was Nespresso’s fifth boutique opening of 2010, after Brussels, Miami, Soho, and Munich. The Sydney debut coincided with the mall’s upmarket redevelopment, which explains Nespresso’s arrival in the city: strategic geographic expansion is key to the brand’s growth. Rather than panoramic ubiquity, a retail option favoured by brands like McDonalds, KFC and Starbucks, Nespresso opts for iconic, prestigious locations. This strategy has been
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Lyubchenko, Irina. "NFTs and Digital Art." M/C Journal 25, no. 2 (2022). http://dx.doi.org/10.5204/mcj.2891.

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Introduction This article is concerned with the recent rise in popularity of crypto art, the term given to digital artworks whose ownership and provenance are confirmed with a non-fungible token (NFT), making it possible to sell these works within decentralised cryptocurrency art markets. The goal of this analysis is to trace a genealogy of crypto art to Dada, an avant-garde movement that originated in the early twentieth century. My claim is that Dadaism in crypto art appears in its exhausted form that is a result of its revival in the 1950s and 1960s by the Neo Dada that reached the current
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Cantrell, Kate Elizabeth. "Ladies on the Loose: Contemporary Female Travel as a "Promiscuous" Excursion." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.375.

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In Victorian times, when female travel narratives were read as excursions rather than expeditions, it was common for women authors to preface their travels with an apology. “What this book wants,” begins Mary Kingsley’s Travels in West Africa, “is not a simple preface but an apology, and a very brilliant and convincing one at that” (4). This tendency of the woman writer to depreciate her travel with an acknowledgment of its presumptuousness crafted her apology essentially as an admission of guilt. “Where I have offered my opinions,” Isabella Bird writes in The Englishwoman in America, “I have
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Rozprawy doktorskie na temat "John Jacob Glessner House"

1

Meyerhöfer, Dietrich. "Johann Friedrich von Uffenbach. Sammler – Stifter – Wissenschaftler." Doctoral thesis, 2020. http://hdl.handle.net/21.11130/00-1735-0000-0005-13B0-E.

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Książki na temat "John Jacob Glessner House"

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Rhodes, John, and Dean Ellis Smith. I Was There. Northwest Publishing, 1996.

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Memorial tributes held in the House of Representatives of the United States together with memorial services in eulogy of Jacob Joseph Chestnut and John Michael Gibson, U.S. Capitol Police officers, One Hundred Fifth Congress, second session. U.S. G.P.O., 1998.

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