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Książki na temat „Jungle – Au cinéma”

Autor: Grafiati
Data publikacji: 23 listopada 2024
Data aktualizacji: 31 lipca 2025

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1

Mounier, Fabienne. La vie trépidante des Bolkodaz. L'École des loisirs, 2014.

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2

Gréville, Edmond T. Trente-cinq ans dans la jungle du cinéma. Institut Lumière, 1995.

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Convegno internazionale di studi Nuovo cinema tedesco, storia, figure, eredità (2011 : Rome, Italy), ed. Nuovo cinema tedesco: (Junger/neuer deutscher Film) : 17 studi. Edizioni Fondazione Ente dello spettacolo, 2014.

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4

Violle, Nicolas. Je(ux) d'enfants: Littérature et cinéma italiens du XXe siècle. Presses universitaires Blaise Pascal, 2016.

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5

Bordwell, David. Film art: An introduction. 3rd ed. McGraw-Hill, 1990.

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Bordwell, David. Film art: An introduction. 2nd ed. Knopf, 1986.

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7

Bordwell, David. Film art: An introduction. McGraw Hill, 2001.

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8

Bordwell, David. Film art: An introduction. 2nd ed. McGraw-Hill, 1985.

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9

Bordwell, David. Film art: An introduction. McGraw-Hill Higher Education, 2009.

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10

Bordwell, David. Film art: An introduction. 7th ed. McGraw-Hill, 2004.

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11

1951-, Alister Ian, ed. Jung & film: Post Jungian takes on the moving image. Brunner-Routledge, 2001.

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12

1950-, Thompson Kristin, ed. Film art: An introduction/ seventh edition. 7th ed. McGraw-Hill, 2004.

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13

1950-, Thompson Kristin, ed. Film art: An introduction. 3rd ed. McGraw-Hill, 1990.

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14

1950-, Thompson Kristin, ed. Film art: An introduction. McGraw-Hill, 2012.

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15

1950-, Thompson Kristin, ed. Film art: An introduction. 4th ed. McGraw-Hill, 1993.

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16

1950-, Thompson Kristin, ed. Film art: An introduction. 6th ed. McGraw Hill, 2001.

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17

1950-, Thompson Kristin, ed. Film Art: An Introduction/ Second Edition. 2nd ed. Knopf, 1986.

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18

1950-, Thompson Kristin, ed. Film art: An introduction. 5th ed. The McGraw-Hill Companies, 1996.

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19

1950-, Thompson Kristin, and Peng Jixing, eds. Dian ying yi shu: Xing shi yu feng ge. 5th ed. Beijing da xue chu ban she, 2003.

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1950-, Thompson Kristin, ed. Film art: An introduction. McGraw-Hill Higher Education, 2009.

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21

1950-, Thompson Kristin, ed. Film art: An introduction. 8th ed. McGraw Hill, 2008.

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22

author, Thompson Kristin 1950, ed. Film art: An introduction. McGraw-Hill Education, 2015.

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23

Jungle du Cinéma. Creative Media Partners, LLC, 2023.

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24

Jungle du Cinéma. Creative Media Partners, LLC, 2023.

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25

Deuxième Livre de la Jungle: Le Deuxième Volet du Célèbre Livre de Kipling, Tant de Fois Personnifié Au Cinéma. Independently Published, 2021.

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26

Disney, Walt. Le Livre de La Jungle, Cinema Les Chefs-D'Oeuvre. Hachette Book Group USA, 2008.

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27

Where the Boys Are: Cinemas of Masculinity and Youth (Contemporary Approaches to Film and Television). Wayne State University Press, 2005.

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28

Woods, Philip. Newsreel Cameramen. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190657772.003.0007.

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This chapter looks at the work of the only two newsreel cameramen filming the campaign, Alec Tozer and Maurice Ford. It raises the practical problems of filming in tropical and jungle conditions. It brings into question the faking or reconstruction of battle scenes, but also the gap between what the cameramen reported and the stories that reached the cinema audiences. It argues that for reasons intrinsic to the cinema industry, the newsreels gave an altogether more optimistic and therefore more misleading view of the campaign than the newspapers did.
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29

Iaccino, James F. Jungian Reflections within the Cinema. Greenwood Publishing Group, Inc., 1998. http://dx.doi.org/10.5040/9798400675218.

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Exploring the relevance of Jungian theory as it applies to science fiction, horror and fantasy films, this text demonstrates the remarkable correlation existing between Jung's major archetypes and recurring themes in various film genres. An introduction acquaints readers with basic Jungian theory archetypes before proceeding to film analysis. A diverse selection of movie and television summaries illustrate the relationship between a particular Jungian image and the examined films. Among the various Jungian patterns studied are the father archetype, the split between persona and shadow, the sea
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30

Second Jungle Book: The Second Part of Kipling's Famous Book, Personified in the Cinema So Many Times. Independently Published, 2021.

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31

White, John. British Cinema and a Divided Nation. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481021.001.0001.

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This book examines representations of the nation found within contemporary British cinema against a backdrop of rising political tensions and deepening social divisions following the ‘Brexit’ referendum of 23 June 2016. It offers an exploration of the ways in which the contest of ideologies always at work within media representation have played out post-2016. The focus is on historical and contemporary drama films. Contemporary British Cinema and a Divided Nation analyses a nation’s contested understandings of its past, present and future, probing the various ways recent mainstream films have
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32

Majumdar, Neepa. Gossip, Labor, and Female Stardom in Pre-Independence Indian Cinema. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0014.

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This chapter examines Shanta Apte's tactical use of the hunger strike to protest Prabhat Film Company's withholding pay for the days in June that she had not come to work. Beginning on the evening of July 17, 1939, Apte, a singing star, sat and remained on the bench a bench outside Prabhat studios in Pune—dressed in men's clothing—for two nights and one day and drank only salted water. Eventually her doctor and her brother succeeded in persuading her to return home. Apte's hunger strike is one of those small events out of which the vaster network of women's film history is constituted. This ch
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33

Pomerance, Murray. Edge of the Screen. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765128343.

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This book is a series of seventeen mediations that revolve around the notion of the viewer’s placement at the edge of the screen. Every page is an opportunity to think about an aspect of film, or of film viewing, in new ways, and to begin reconsidering deeply ingrained ways of unthinkingly characterizing and accounting for what it is that we watch when we watch a film, what happens to us, and how we make sense of and appreciate it. This volume follows from three others by the author:Virtuoso: Film Performance and the Actor’s Magic(2020);The Film Cheat: Cinematic Artifice and Viewing Pleasure(2
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34

Hillebrand, Michaela. 'Leben zwischen den Kulturen' - Aspekte der Identitätsfindung junger Erwachsener im interkulturellen Spannungsfeld: Analyse anhand ausgewählter Werke des cinéma beur und des Deutsch-türkischen Films. GRIN Verlag GmbH, 2010.

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35

Robertson, Kate. Trouble Every Day. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859241.001.0001.

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Transgressive both in its narrative and in its filmmaking, Trouble Every Day (2001) envisions the monster inside, unspeakable urges and an overwhelming need for complete incorporation. A plant discovered in the South American jungle produces in its test subjects a terrible, unnatural and uncontrollable hunger. Vicious, all-consuming desire begets excessive violence and a turn to cannibalism, which situates Trouble Every Day into a tradition of challenging cinema, a film maudit that pushes the boundaries of what can be shown on screen. But while it is certainly an unflinching film, it is deserv
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36

Waddell, Calum. Cannibal Holocaust. Liverpool University Press, 2016. http://dx.doi.org/10.3828/liverpool/9781911325116.001.0001.

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This book is one of the most controversial horror films ever made. Despite not achieving huge success when it was first released, the Italian production found an audience on home video in the 1980s and became a 'must-see' for connoisseurs of extreme cinema. Indeed, Cannibal Holocaust's foremost legacy is in the United Kingdom, where it obtained its reputation as one of the most harrowing and offensive 'video nasties' — a term used to refer to a group of films deemed to be 'obscene' by the Department of Public Prosecutions. However, as the years have progressed, Cannibal Holocaust has been re-e
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37

Thompson, Kristin, and David Bordwell. Film Art: An Introduction. 7th ed. McGraw-Hill Companies, 2003.

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38

Bordwell, David. Film Art (McGraw-Hill International Editions S.). McGraw-Hill, 1989.

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39

Thompson, Kristin, and David Bordwell. Film Art: An Introduction. 4th ed. Mcgraw-Hill College, 1992.

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40

D. & THOMPSON BORDWELL. Film Art: An Introduction. 2nd Edition. Random House USA Inc, 1988.

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41

Thompson, Kristin, and David Bordwell. Film Art w/ Film Viewer's Guide and Tutorial CD-ROM. McGraw-Hill Humanities/Social Sciences/Languages, 2003.

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42

Thompson, Kristin, and David Bordwell. Film Art. 2nd ed. McGraw-Hill Education, 1989.

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43

Bordwell, David. Film Art: An Introduction. 8th ed. Mcgraw-Hill College, 2006.

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44

Thompson, Kristin, and David Bordwell. Film Art w/ Film Viewer's Guide and Tutorial CD-ROM. 7th ed. McGraw-Hill Humanities/Social Sciences/Languages, 2003.

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45

Thompson, Kristin, and David Bordwell. Film Art: An Introduction. McGraw-Hill Companies, 2003.

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46

D. & THOMPSON BORDWELL. Film Art: An Introduction. 2nd Edition. Random House USA Inc, 1988.

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47

Bordwell, David. Film Art: An Introduction. McGraw-Hill Education, 2017.

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48

Bordwell, David, Kristin Thompson, and Jeff Smith. Film Art: An Introduction. McGraw-Hill Education, 2015.

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49

Thompson, Kristin, and David Bordwell. Film Art: An Introduction with Tutorial CD-ROM. McGraw-Hill Humanities/Social Sciences/Languages, 2006.

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Thompson, Kristin, and David Bordwell. Film Art: An Introduction. Mcgraw-Hill College, 1992.

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