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Artykuły w czasopismach na temat „Kanthapura”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Sharma, Vibha. "Teaching Kanthapura." Educare, no. 1 (February 1, 2024): 216–38. http://dx.doi.org/10.24834/educare.2024.1.1092.

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In this article, I share my experience in teaching the novel Kanthapura to undergraduate students at an Indian university over the past two decades. I discuss the evolving interpretations of the novel in the context of changing pedagogical culture and intellectual undercurrents, namely postcolonial and post-truth discourses. I reflect on the teaching strategies and techniques that I have used to engage students against the backdrop of culturally responsive pedagogy. The article comprises an empirical study of students’ responses to the novel collected by me over the last ten years.

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Selvamani, S., and H. Rizwana Parveen. "Identity Crisis in Raja Rao’s Kanthapura." Shanlax International Journal of Arts, Science and Humanities 11, S5 (2024): 99–101. http://dx.doi.org/10.34293/sijash.v11is5.7666.

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This article explores the theme of post colonialism in Raja Rao’s novel Kanthapura. By analysing the text, we examine how religion affects the Indian village of Kanthapura, its culture and its people. The narrative explores the community’s struggle to resist and adapt to the emphasizing themes of identity, struggle and cultural change. Raja Rao’s “Kanthapura” is an important work of Indian literature, depicting the impact of colonialism on a rural village in South India. The novel explores the transformation of a village in its struggle for independence through the lens of the main character,

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Pramod Kumar. "Social and Political background in Raja Rao’s Kanthapura." Creative Launcher 4, no. 4 (2019): 62–66. http://dx.doi.org/10.53032/tcl.2019.4.4.11.

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The present paper seeks to outline Social and Political background in Kanthapura. It aims a better understanding of how social and political acts in Raja Rao’s Kanthapura. This article begins by offering general introduction to Raja Rao and Kanthapura. Subsequently, it is a classic of the Gandhian movement, a work in which the Gandhian struggle for independence and its impact on the Indian masses finds, its best and fullest expression. This pre-eminence is surprising when we remember that the bulk of his published work is small. His famous works are The Cow of the Barricades and Other Stories

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Bhat, Ishfaq Hussain. "Use of Myth in Kanthapura: Parallelism Between Ramayana and Kanthapura." International Journal of Trend in Scientific Research and Development Volume-2, Issue-1 (2017): 239–42. http://dx.doi.org/10.31142/ijtsrd5940.

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Ishfaq, Hussain Bhat. "Use of Myth in Kanthapura Parallelism Between Ramayana and Kanthapura." International Journal of Trend in Scientific Research and Development 2, no. 1 (2017): 239–42. https://doi.org/10.31142/ijtsrd5940.

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Raja Rao 1908 2006 is one of the best Indian novelists writing in English. He occupies a central position in any discussion of Indian English literature. He is the foremost of those writers whose work has placed Indo English literature on the map of world literatures. His first and best known novel, Kanthapura 1938 earned him an international acclaim and acceptance as one of the major novelists in Indian English literature. Kanthapura is a novel dealing with the impact of the Gandhian freedom struggle on a remote South Indian village of that name. In this novel Raja Rao uses myths and legends

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Bhat, Ishfaq Hussain. "Kanthapura as a Postcolonial Text: Treatment of Indian Sensibility in Kanthapura." International Journal of Trend in Scientific Research and Development Volume-2, Issue-1 (2017): 374–76. http://dx.doi.org/10.31142/ijtsrd6981.

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Daigle, Amelie. "The translation of an imagined community in Raja Rao’s Kanthapura." Journal of Commonwealth Literature 53, no. 3 (2017): 497–512. http://dx.doi.org/10.1177/0021989416683542.

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In Imagined Communities, Benedict Anderson describes how sacred script languages (Arabic, Chinese, Latin) were usurped in political primacy by languages based on the spoken vernacular (French, English, German). In this article I examine one instance of these complications through Raja Rao’s classic novel of Indian independence, Kanthapura, a novel written in Indian English that works both with and against Anderson’s concept of nationalism’s linguistic underpinnings. Kanthapura not only proposes a model for Indian English speakers and writers, but performs a rhetorical argument about the necess

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Ishfaq, Hussain Bhat. "Kanthapura as a Postcolonial Text Treatment of Indian Sensibility in Kanthapura." International Journal of Trend in Scientific Research and Development 2, no. 1 (2017): 374–76. https://doi.org/10.31142/ijtsrd6981.

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Raja Rao is beyond doubt one of the most prominent Indian novelists writing in English. He has laid a strong foundation to Indian English Novel together with Mulk Raj Anand and R. K. Narayan. Raja Rao, in particular, has been very instrumental in the development of Indian English Novel. His novels are replete with Indian sensibility characterized by his unique style and subject matter. His first and best known novel Kanthapura is a remarkable expression of the Indian sensibility. The novel is Indian both in theme and treatment. Acceptance of an Indian way of writing in English and Indianizatio

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Prabhakar, R. "GANDHI’S IDEOLOGY-RAJA RAO-MOORTHY IN KANTHAPURA." International Journal of Research -GRANTHAALAYAH 4, no. 2 (2016): 87–94. http://dx.doi.org/10.29121/granthaalayah.v4.i2.2016.2816.

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Kanthapura is considered the magnum opus of Raja Rao which portrays the considerable influence of Gandhi’s ideology on the sleepy and remote village. Raja Rao is very successful in carving out the real picture of Indian village in pre-independence era. Kanthapura is the microcosm of the Indian traditional society and what happened in Kanthapura was also happened in India during 1919-1930. It is not only a political novel, but also a novel which concerns with socio-religious and economic transformation during the struggle for independence. Though his novels stray far afield, his heart is clange

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Dr., R. Prabhakar. "GANDHI'S IDEOLOGY-RAJA RAO-MOORTHY IN KANTHAPURA." International Journal of Research – Granthaalayah 4, no. 2 (2017): 87–94. https://doi.org/10.5281/zenodo.848087.

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Kanthapura is considered the magnum opus of Raja Rao which portrays the considerable influence of Gandhi’s ideology on the sleepy and remote village. Raja Rao is very successful in carving out the real picture of Indian village in pre-independence era. Kanthapura is the microcosm of the Indian traditional society and what happened in Kanthapura was also happened in India during 1919-1930. It is not only a political novel, but also a novel which concerns with socio-religious and economic transformation during the struggle for independence. Though his novels stray far afield, his heart is clange

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11

Rather, Nadeem Ahmad. "Grandmother as a Narrator in Raja Rao’s Kanthapura – A Critique." Literary Voice 1, no. 1 (2023): 108–16. http://dx.doi.org/10.59136/lv.2023.1.1.113.

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For any literary work, the narrative technique constitutes one of the essential requisites. How the art of narration is chiseled in a literary work is what lends it artistic and emotional credibility. In Kanthapura, Raja Rao experiments with the narrative technique. The novel is presented from the viewpoint of an old grandmother who relates the tale of the brave resistance of the people of Kanthapura to expel the British from India. The ancient Indian Puranic method has been preferred to the western narrative technique, which according to Raja Rao, suits the Indian credo and climate. In Kantha

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Benny, Dr N. Solomon. "Gandhian Thought in Rajarao’s Kanthapura." International Journal of English Literature and Social Sciences 9, no. 6 (2024): 333–35. https://doi.org/10.22161/ijels.96.54.

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Rajarao was one of the most significant Indian novelists in English during the middle decades of the 20th century. His novel ‘Kanthapura’ explores the facts of the freedom struggle in India. The novel basically deals with how Gandhi Gad influenced the minds of the Indians. This article also explores how the people of Kanthapura were influenced by Gandhi's thought.

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Yadav, Chesta. "Making and Breaking of Mythos in Kanthapura by Raja Rao." SMART MOVES JOURNAL IJELLH 8, no. 3 (2020): 11. http://dx.doi.org/10.24113/ijellh.v8i3.10470.

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Raj Rao is one of the best Indian writer in English. He is one of the foremost writer whose works is placed in Indo-English literature. Kanthapura earned him international acclaim. The novel portrays the period of the India during 19919 to 19913. Kanthapura and its action represent whole India during that era. The novel is perfect combination of myth, legends and folk tales. This paper attempts to show different myths prevailing in our society and how Raja Rao accepted some myth but on the same time how Raj Rao was standing against some myths of society

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Dr., Dimple. "ECHOES OF STRUGGLE FOR INDIA'S FREEDOM IN KANTHAPURA BY RAJA RAO." International Journal of Scientific Research and Modern Education (IJSRME) 5, no. 2 (2020): 17–19. https://doi.org/10.5281/zenodo.7896823.

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This research paper explores the portrayal of the Indian freedom struggle in Raja Rao's 1938 novel, Kanthapura. The novel, set in a small South Indian village, chronicles the impact of Mahatma Gandhi's teachings and the Indian National Congress's activities on rural India. Through a comprehensive analysis of the novel's characters, themes, and narrative style, this paper demonstrates how Kanthapura successfully captures the essence of the freedom struggle, both on an individual and collective level. Additionally, the paper highlights the novel's significance in understandin

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15

Agrawal, Dr Alka Rani, and Kumud Chauhan. "Raja Rao’s Kanthapura: A Journey to Decolonization." International Journal of English Literature and Social Sciences 7, no. 3 (2022): 238–43. http://dx.doi.org/10.22161/ijels.73.35.

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Kanthapura (1938) depicts the conflict between Indian villagers and the Indian British authorities. Here Raja Rao paints Moorthy as a bold follower of Gandhian ideology. As a freedom fighter he does not accept caste barriers at all. Here Bhatta, the money lender exploits the poor innocent villagers. Gandhi's plan to introduce Charkha succeeds and many villagers start earning their livelihood. Moorthy organizes the villagers for national cause and they follow Gandhian dictates. As a result the tax policy of British government gets a set back. Finally, Moorthy is arrested but not excommunicated.

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Komathi, L., Archana G.M., and S. Govindarajan. "Colonialism and its Impact on Indian Knowledge System in Raja Rao’s Kanthapura." International Journal of Research and Innovation in Applied Science X, no. V (2025): 719–22. https://doi.org/10.51584/ijrias.2025.100500064.

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Colonialism significantly influenced education in India, transforming the educational framework in multiple aspects. Here are few critical aspects to contemplate concerning the impact of colonialism on Indian education. The British instituted English as the language of instruction in educational institutions. This shift helped in promoting Western knowledge systems while often side-lining local languages and knowledge. Raja Rao’s novel “Kanthapura” is a pivotal work in Indian literature that examines topics of colonialism, tradition, and the essence of Indian identity. The narrative recounts t

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Ali Dinar, Lect Abeer. "Nationhood and Nativisation in Raja Rao’s “Kanthapura”." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 13, no. 03 (2023): 35–44. http://dx.doi.org/10.37648/ijrssh.v13i03.004.

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Raja Rao is considered to be as one of the widely acclaimed Indian American international authors and one of the pioneer literary voices in the Indian/English literature. Even though only three of his literary publications were being claimed worldwide yet he delineated the Indian struggle and the political turmoil joined with cultural celebration and broken realities. His role as an active member of the political Indian movement helped in with his higher education to write and analyze the Indian socio political and the colonial oppression in India. His novel Kanthapura published in (1938) by R

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Mondal, Anshuman. "The Ideology of Space in Raja Rao's Kanthapura." Journal of Commonwealth Literature 34, no. 1 (1999): 103–14. http://dx.doi.org/10.1177/002198949903400107.

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Prasad, Dr Rajeshwar. "Image of Mahatma Gandhi in Raja Rao’s Kanthapura." International Journal of Applied Research 9, no. 2 (2023): 96–98. http://dx.doi.org/10.22271/allresearch.2023.v9.i2b.10570.

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Dr., Annasaheb Solanke, and Balvirchandra Bapusaheb Rajurkar Dr. "Impact of Gandhian Thought in Raja Rao's Kanthapura." उदयगिरी - बहुभाषिक इतिहास संशोधन पत्रिका 01, no. 04 (2023): 737–41. https://doi.org/10.5281/zenodo.10279461.

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Et al., Bisma Butt. "An Analysis of Kanthapura by Raja Rao: A Postcolonial Study." Psychology and Education Journal 58, no. 1 (2021): 4701–8. http://dx.doi.org/10.17762/pae.v58i1.1629.

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This study focuses the ‘Kanthapura’ to analyze the construction of historical consciousness in narratives and this fiction is used as literary aspect of nationalist ideology. Particularly, this work examines the political representation of women in Indian national movement in 1930 by using the theory of nationalism by Bhabha (1990). The study demystifies this novel to find out challenges of stereotypical Indian women and how they become solidified in the building process of Indian national identity. Kanthapura (Delhi Orient) is very much concerned to focus on the construction of Vedic Hindu id

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Pandey, Vibha. "Ideological Moorings in Indian Literature: A Study of Kanthapura." Quest-The Journal of UGC-ASC Nainital 5, no. 1 (2011): 119. http://dx.doi.org/10.5958/j.0974-5041.5.1.008.

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Singh, Harleen. "Raja Rao's India: Representation, Ideology, and Art in Kanthapura." South Asian Review 23, no. 2 (2002): 39. http://dx.doi.org/10.1080/02759527.2002.11932285.

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Dr., Ajitkumar Mahapatra. "Raja Rao's Kanthapura : A Sthala-purana in fictional narrative." RESEARCH REVIEW International Journal of Multidisciplinary 03, no. 08 (2018): 832–34. https://doi.org/10.5281/zenodo.1405075.

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Raja Rao, one of the &bdquo;Big Three" of the Indian English fiction, differs from the other two stalwarts in respect of narrative art. He constantly deals with India"s freedom struggle in terms of Hindu mythology. His essentialIndian sensibilityis well reflected in the Puranic characterictics of his Kanthapura which is a sthala-purana in fictional narrative. The whole history of Gandhian revolution and its impact on Indian people have been epitomised in the fictional space of the work in purely Puranic terms with Gandhiji deified as a legendary figure, as an incarnation of God, an &bdquo;avat

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Khatun, Najma. "Gandhi Myth in Kanthapura: Co-Mingling of Fact and Fiction." International Journal of English Literature and Social Sciences 6, no. 5 (2021): 170–72. http://dx.doi.org/10.22161/ijels.65.26.

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Moorty, S. S. "Beyond the Gandhian Dimension: Mythical and Folkloric Elements in Kanthapura." South Asian Review 17, no. 14 (1993): 70–75. http://dx.doi.org/10.1080/02759527.1993.11932161.

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Garima, Dr. "Mythical narratives and anti-colonial discourse in Raja Rao’s Kanthapura." International Journal of Humanities and Arts 6, no. 2 (2024): 199–201. https://doi.org/10.33545/26647699.2024.v6.i2c.169.

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Dr., (Ms) Ramandeep Mahal. "The Marxist Approach in Sam Shepard's Buried Child and Raja Rao's Kanthapura." Criterion: An International Journal in English 16, no. 1 (2025): 685–96. https://doi.org/10.5281/zenodo.14978841.

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Drawing on the theories of Karl Marx and Friedrich Engels, Marxism in literature is a critical theory that emphasizes the connections between societal structures, economic power, and class and how these affect literature, culture, and ideology.Marxism is centered on historical materialism, which contends that economic elements, such as the mode of production, influence of culture and society. This perspective holds that the dominating economic basis is reflected in the prevalent ideals, especially those found in literature and the arts.According to Marxist critique, literature frequently serve

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Bhoil, S. "The Politics of Language, Style and Theme in Raja Rao’s Kanthapura." Todas as Letras: Revista de Língua e Literatura 17, no. 2 (2015): 82–92. http://dx.doi.org/10.15529/1980-6914/letras.v17n2p82-92.

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Rani, Dr Seema. "Understanding Symbolism and Allegory in Raja Rao’s 'Kanthapura'." International Journal of Advanced Academic Studies 4, no. 2 (2022): 135–37. http://dx.doi.org/10.33545/27068919.2022.v4.i2c.1043.

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Ziwei, Yan. "A Conversation of Rumors: Indian Subalterns’ Strategy for Micro-Political Struggle." European Journal of Theoretical and Applied Sciences 2, no. 6 (2024): 386–94. https://doi.org/10.59324/ejtas.2024.2(6).32.

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Rumor is the enabling mode of protest for Indian peasant subalterns, making it possible for them to transmit their messages with an ease and rapidity that the ruling classes often found bewildering, thus avoiding individual responsibility. The analysis of four Indian novels written in English, The Village, Kanthapura, Cradle of the Clouds and A Suitable Boy, which spans from 1920s to 1960s, when the Indian nationalist movement, the land reform and modernization after Indian independence were in full swing, makes it clear that rumor makes the peasant subalterns the subject of history with their

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Yan, Ziwei. "A Conversation of Rumors: Indian Subalterns' Strategy for Micro-Political Struggle." European Journal of Theoretical and Applied Sciences 2, no. 6 (2024): 386–94. https://doi.org/10.59324/ejtas.2024.2(6).32.

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Rumor is the enabling mode of protest for Indian peasant subalterns, making it possible for them to transmit their messages with an ease and rapidity that the ruling classes often found bewildering, thus avoiding individual responsibility. The analysis of four Indian novels written in English, <em>The Village</em>, <em>Kanthapura</em>, <em>Cradle of the Clouds </em>and <em>A Suitable Boy</em>, which spans from 1920s to 1960s, when the Indian nationalist movement, the land reform and modernization after Indian independence were in full swing, makes it clear that rumor makes the peasant sub

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Bhatt, Ruchita. "Awakening of Women and Their Role in National Freedom Movement: In Special Reference to Raja Rao’s Kanthapura." International Journal of English Literature and Social Sciences 7, no. 6 (2022): 177–82. http://dx.doi.org/10.22161/ijels.76.25.

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The history of Indian struggle for independence is replete with stories of tremendous sacrifices made by the countrymen. Though the participation of women in freedom struggle was there since it’s beginning but it was sporadic, men played the role of protagonists for the major part of the movement and women only came to the forefront after Gandhi’s Ji initiation in the second and third decade of 20th century. These tradition-bound women fought with exemplary courage and commitment, side by side with their male counterparts, even so, many of them were left unsung. Raja Rao’s ‘ Kanthapura’ accoun

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Sinha, Gopal. "RAJA RAO’S KANTHAPURA AS THE MICROCOSM OF THE INDIAN ETHOS AND CULTURE EMBODIED IN A TALE FOR FREEDOM FROM FOREIGN RULE." International Journal of Research -GRANTHAALAYAH 5, no. 6 (2017): 362–67. http://dx.doi.org/10.29121/granthaalayah.v5.i6.2017.2043.

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‘Kanthapura’ is a Gandhian saga which appears more as a ‘sthala-purana’. It is dominated by the place and not by the people. Raja Rao has not created any heores or heroines in this novel. It is not the story of the actions of any hero or god or goddess. It is the story of the actions of the entire village. The novel deals with its topography, its products, its myths and legends, its religion and society and its caste-ridden people. It describes the impact of the Gandhian freedom movement on this tiny village, its unequal fight against the forces of British imperialism and the sufferings of the

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Dr., Gopal Sinha. "RAJA RAO'S KANTHAPURA AS THE MICROCOSM OF THE INDIAN ETHOS AND CULTURE EMBODIED IN A TALE FOR FREEDOM FROM FOREIGN RULE." International Journal of Research - Granthaalayah 5, no. 6 (2017): 362–67. https://doi.org/10.5281/zenodo.821515.

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‘Kanthapura’ is a Gandhian saga which appears more as a ‘sthala-purana’. It is dominated by the place and not by the people. Raja Rao has not created any heores or heroines in this novel. It is not the story of the actions of any hero or god or goddess. It is the story of the actions of the entire village. The novel deals with its topography, its products, its myths and legends, its religion and society and its caste-ridden people. It describes the impact of the Gandhian freedom movement on this tiny village, its unequal fight against the forces of British imperialism and the sufferings of the

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Iyer, Sreedhevi. "Translation as Style and Technique in the Hybrid Englishes of Raja Rao’s Kanthapura and Eileen Chang’s Lust, Caution." Southeast Asian Review of English 56, no. 1 (2019): 45–66. http://dx.doi.org/10.22452/sare.vol56no1.5.

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Laiphrakpam, Pushparani Devi. "Symbolism in Raja Rao's Novel, 'The Cat and Shakespeare'." Symbolism in Raja Rao's Novel, 'The Cat and Shakespeare' 3, no. 1 (2024): 26–28. https://doi.org/10.53413/IJTELL.2021.3106.

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Raja Rao is one of the founding fathers of Indian EnglishLiterature along with Mulk Raj Anand and R. K. Narayan.They are considered the “Big Three”. The Cat andShakespeare is Rao’s third novel after he has successfullypublished Kanthapura (1938) and The Serpent and the Rope(1960). The Cat and Shakespeare is narrated by a Brahminnamed Ramakrishna Pai. The setting of the story takes placeat a small place in Kerala, South India. He and GovindhanNair, another character in the story are neighbours. There isnot much of a story in the novel. It revolves around the storyof the mother

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Salmani, Naisima, and Mohd Hamid Raza. "A Study of Indianness, Mythical Techniques, and Fictionalizations in the Novels of Raja Rao." JL3T (Journal of Linguistics, Literature and Language Teaching) 10, no. 2 (2024): 120–31. https://doi.org/10.32505/jl3t.v10i2.9186.

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This research paper represented the concept notes of the Indianness, mythical techniques, and fictionalizations related to the works of Raja Rao; an Indian English writer who enhanced the principles and parameters of the myth vs. reality. In this research paper, the researcher dignified the basic issues related to the socio-cultural activities and justified the ways of fictionalizations through the mythical approaches and techniques. The objective of this research paper is to focus on the significant parameters of the Indianness, Mythical Techniques, and Fictionalization in the novels of Raja

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Amireh, Haneen, and Razan Abuorabi Al-Adwan. "Pockets of Gandhian Resistance in Indian Literature: Reading Indigenous Consciousness through Fanonism and Cabralism within the Ambit of National Culture in Raja Rao’s Kanthapura." Ars Aeterna 17, no. 1 (2025): 93–113. https://doi.org/10.17846/aa-2025-17-1-93-113.

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Godavarthi, Dr. Govindaiah. "Indian Knowledge System in Indian English and Literature: A Critical Analysis of National Education Policy 2020." International Journal of Research 8, no. 4 (2023): 192–97. https://doi.org/10.5281/zenodo.7823715.

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<em>This paper explores the knowledge systems of India which were once beacon to the world. For scholars and knowledge seekers of the world like Fahien and Huen Tsang, who came to India to acquire knowledge, these Indian systems served as the reservoir and generously shared its knowledge in various fields. It saddens us to note that the youth of India flock to the West in pursuit of gaining and creating knowledge.</em> <em>With regards to the role of English in enhancing the Indian knowledge system, one may point out that English being the lingua franca serves as a platform to project the vast

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Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with th

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Kundra, Nakul. "Kanthapura as “India in Microcosm” in Raja Rao’s Kanthapura." Journal of Global Postcolonial Studies, November 27, 2024. https://doi.org/10.5744/jgps.2024.2224.

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Against the backdrop of the Indian freedom struggle, Raja Rao’s Kanthapura touches on the psycho-spiritual idea of India in a rural setting through motifs and expressions such as “Gandhi,” “Congress,” “Mother,” “Vande Mataram,” and “a thousand pillared temple.” The Kanthapurians are psychologically conditioned to collectively participate in the freedom struggle through a nationalist discourse. However, their peculiar understanding of and attitude to the national movement are unique and do not represent the essence of the multifaceted Indian independence movement. The novel has a limited scope,

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Arya, Pallavi. ""Resistance, Religion, and Representation: Gandhian Nationalism in Raja Rao’s Kanthapura." International Journal For Multidisciplinary Research 7, no. 3 (2025). https://doi.org/10.36948/ijfmr.2025.v07i03.47714.

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Abstract Raja Rao’s Kanthapura (1938) stands as a seminal text in Indian English literature, offering a unique synthesis of Gandhian nationalism, indigenous cultural idioms, and the oral narrative tradition. Through the microcosm of a South Indian village, Rao explores the political awakening of rural India during the Indian freedom struggle. Narrated by an elderly Brahmin widow, Achakka, the novel unfolds as a tapestry of myth, history, and resistance, where the arrival of a young Gandhian, Moorthy, catalyzes profound social change. This paper examines how Kanthapura functions both as a polit

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Dikheel, Hikmat Khalaf Hussein. "Plot Structure Of Rao’s Kanthapura." مجلة آداب الفراهيدي, 2019, 437. http://dx.doi.org/10.51990/2228-011-037-049.

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Jagadeesh, Anjali, and G. Beulah. "Raja Rao's Serpent and the Rope and Kanthapura." International journal of health sciences, April 17, 2022, 4899–910. http://dx.doi.org/10.53730/ijhs.v6ns2.6183.

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Rao is a great accomplishing man who has written The Serpent and the Rope and Kanthapura, the elevating and redefining works which show man’s relationship to the supernatural absolute in terms consistent with the depiction of Indianness. Evidences are sought to analyse Indianness as marks of values and philosophy behind the character analysis and physical features. Rao imbues his English with a Dravidian tinge in whole and the taste of the Kannada village dialect in specifically. The themes of self-awareness, self-transcendence, and self-fulfillment are deliberately emphasized. The Serpent and

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Tiwari, Iti, and Abhay Mudgal. "RAJA RAO’S KANTHAPURA: A STUDY IN THE LIGHT OF INDIAN ORAL TRADITIONS." International Journal of Research -GRANTHAALAYAH 13, no. 1 (2025). https://doi.org/10.29121/granthaalayah.v13.i1.2025.5967.

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Indian writers have significantly impacted literature worldwide by offering new perspectives and compelling stories to people globally. Authors such as Rushdie, R.K. Narayan, and Rabindranath Tagore have brought Indian stories and personalities to life through their works, infusing them with the rich flavours and textures of Indian culture. Raja Rao significantly contributed to the development of the English novel in India. He skillfully fictionalises the diverse socio-cultural, economic, and interpersonal interactions of different people. These elements of Indian ethos include religiosity and

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Kaushik, Dr Shalini. "Tracing the Absent-Present Gandhi in Raja Rao’s Kanthapura." Creative Saplings, May 23, 2022, 23–30. http://dx.doi.org/10.56062/gtrs.2022.1.2.4.

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The paper tries to analyse the role of Gandhi in the nationalist movement which can be witnessed in the novel Kanthapura. The figure of Gandhi is not present in the text as one of the characters (apart from the interaction which Moorthy tells about that he had with Mahatma) but the whole narrative revolves around him. It is through media and Moorthy that women in the text get to know Gandhi and they are all united in spirit though they have never met Gandhi in person. This paper also tries to explore that how Gandhi challenges, contests, and redefines masculinity and femininity, thus blurring

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TURAN, Ayşegül. "ULUSU SAYFAYA TAŞIMAK: RAJA RAO’NUN KANTHAPURA ADLI ESERİNDE ULUS TAHAYYÜLÜ." HUMANITAS - Uluslararası Sosyal Bilimler Dergisi, March 15, 2021, 353–71. http://dx.doi.org/10.20304/humanitas.797561.

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"Kanthapura: An Amazing Depiction of the Creation of National Identity." Canadian Journal of Language and Literature Studies 3, no. 1 (2023). http://dx.doi.org/10.53103/cjlls.v3i1.86.

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Dr., P.M. Patil. "A STUDY OF MYTHOLOGY OF RAMAYANA IN RAJA RAO'S KANTHAPURA." December 26, 2012. https://doi.org/10.5281/zenodo.7120607.

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The most celebrated ancient heroic text of India is the ‘Ramayana’. It provided themes for important later literary works in Indian languages. The poet Valmiki, who lived around the 3rd century BC, put the Ramayana into form. This epic tells the story of the hero Rama, the prince of Ayodhya and incarnation of the god Vishnu. Rama willingly accepts exile in the forest to redeem a promise made by his father. Rama’s wife Sita is then kidnapped and Rama rescues her by slaying her abductor, the demon king Ravana. There was great impact of Ramayana on the work of the Indian English

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