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Rozprawy doktorskie na temat „Lament”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Lebedin, Natalia A. "Displaced, a lament." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ62777.pdf.

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Tatýrek, Lukáš. "Prototyp zařízení pro recyklaci filamentu." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2021. http://www.nusl.cz/ntk/nusl-442859.

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Master thesis is focusing on possibility of recycling waste from 3D prints. Goal was to degin a make lament extruder and winder. Design is based on research of avaible comercial and OpenSource solutions. The result is working machine with compact oor prejction, which is able to produce 110 grams of lament per hour. Deviation from diameter was ±0, 07. Conclusion place great emphasis on further improving and testing, beacuse it has not been reached limits of machine.

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Chung, Kyung-Young. "Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4668/.

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Scholars have considered Italian chamber recitative laments only a transitional phenomenon between madrigal laments and laments organized on the descending tetrachord bass. However, the recitative lament is distinguished from them by its characteristic attitude toward the relationship between music and text. Composer of Italian chamber recitative laments attempted to express more subtle, refined and sometimes complicated emotion in their music. For that purpose, they intentionally created discrepancies between text and music. Sometimes they even destroy the original structure of text in o

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Chung, Kyung-Young. "Reconsidering the lament form, content, and genre in Italian chamber recitative laments, 1608-1640 /." connect to online resource. Access restricted to the University of North Texas campus, 2004. http://www.library.unt.edu/theses/all/Dec2004/chung%5Fkyung-young/index.htm.

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Torres, Kimberly. "Resurrecting Inanna lament, gender, transgression." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/629.

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This essay, which is at once a literary critical examination and a theological exploration of the Hebraic scriptural book of Lamentations in relation to ancient Sumerian lament, employs a mixed critical approach (e.g., form, feminist, postmodern, reader response), to address various lyrical, contextual, and thematic elements common to both the biblical Lamentations and the older Sumerian compositions. Specific focus is given to issues of gender and gender-malleability, as well as the notion of "transgression" and the various meanings that may be attached to this word in various contexts, theol

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Cech, Andrew J. "Brother's lament for wind ensemble." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1244578892.

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Hickok, Alan B. "Using the lament Psalms in counseling." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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8

Polster, Ronald B. "Evil and the biblical discourse of lament." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0010/NQ41487.pdf.

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9

Aldrovandi, Cibele Elisa Viegas. "As exéquias do Buda Sãkyamuni : morte, lamento e transcendência na iconografia indiano-budista de Gandhara." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-10012007-095712/.

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Esta tese tem por objetivo verificar se a incorporação do esquema iconográfico do Lamento Fúnebre presente no repertório do Ciclo do Mahãparinirvãna do Buda Sãkyamuni, possuiu uma origem estrangeira: a representação da próthesis - a exposição do morto - grega. Essa iconografia foi desenvolvida entre os séculos I e III d.C. em Gandhãra, na fronteira noroeste do subcontinente indiano. O Corpus Documental desta pesquisa é composto por uma vertente indiano-budista e outra greco-romana, sistematizadas em um Banco de Dados e Imagens. Foram utilizadas evidências arqueológicas assim como fontes textua

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10

Mahokoto, Marlene S. "Lament in liturgy : a critical reflection from an URCSA perspective." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/97038.

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Thesis (PhD)--Stellenbosch University, 2015.<br>ENGLISH ABSTRACT: South Africa faces many challenges, as a country. Our communities are struggling with many issues such as poverty, inequality, rape, abuse, violence, corruption and many more. Yet, our faith community seems reluctant to lament these issues during their worship services. This research looks specifically at the practice of the Uniting Reformed Church in Southern Africa. The question that this research wrestles with is: “Given the challenging times that we live in, in what way could a re-discovery or a re-claiming of lament in litu

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11

Salfen, Kevin McGregor. "Paintings and Palaces, or the Lament of the Burger Flipper." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2186/.

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The opera is scored for chamber orchestra consisting of one oboe, two Bb clarinets, two horns in F, one trumpet in C, one tenor trombone, two percussionists (playing snare drum, bass drum, tambourine, wood block, triangle, suspended cymbal, crash cymbal, agogo bells, cow bell, brake drum, metal whistle, whip, large gong, Glockenspiel, chimes, timpani in F (low) and C), eight or more violins in two parts, six or more violas in two parts, and eight or more cellos in two parts. The characters are Alejandro Jiminez, a dramatic tenor; the Manager of Burger Palace, a baritone; the Suits 1/Fast Food

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12

Henry, April Lynn Starkey Kathryn. "The female lament agency and gender in medieval German literature /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1959.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Dec. 11, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Germanic Languages." Discipline: Germanic Languages; Department/School: Germanic Languages.

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13

Aidoo, Mark S. [Verfasser]. "Shame in the Individual Lament Psalms and African Spirituality / Mark S. Aidoo." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1138919764/34.

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14

Miller, J. Scott. "A tearful alleluia the funeral as lament and witness to the resurrection /." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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15

Torr, Stephen Charles. "A dramatic Pentecostal/Charismatic Anti-Theodicy : improvising on a divine performance of lament." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3681/.

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By engaging with Kevin Vanhoozer’s Theo-dramatic paradigm for understanding the metanarrative of salvation history, this thesis sets up and answers the question: What does it mean to produce a fitting Pentecostal/Charismatic performance in the face of seemingly innocent, meaningless suffering when God appears to be absent? The answer offered – classified, in reference to previous and current responses to the problem of evil and suffering, as an ‘Anti-Theodicy’ – provides Biblically rooted, systematic guidance for such a performance by proposing an improvisation on the divine command performanc

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16

McGinlay, Jane. "Divine abandonment, lament and survivors of clerical sexual abuse : an inter-disciplinary study." Thesis, University of Liverpool, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722140.

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Dhanaraj, Dharmakkan. "Theological significance of the motif of enemies in selected psalms of individual lament /." Glückstadt : J. J. Augustin, 1992. http://catalogue.bnf.fr/ark:/12148/cb38945227n.

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SCARATTI, MARTA. "The Funeral Lament as an Anthropopoietical Ritual: an Ethnographic Investigation in Contemporary Morocco." Doctoral thesis, Università degli studi di Genova, 2018. http://hdl.handle.net/11567/929623.

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19

Olson, Ted. "Recording Review of Alexis Zoumbas: A Lament for Epirus, 1926-1928 and Five Days Married & Other Laments: Song and Dance from Northern Greece, 1928-1958." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1144.

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Matthews, Richard John Howden. "Der Epitaphios Adonidos = A doctoral dissertation on the "Epitaphios Adōnidos" or Lament for Adonis : being a Hellenistic funeral lament generally attributed to Bion of Smyrna and thus written approx. 100-50 B.C /." Bigorio : [s.n.], 1991. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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Bautch, Richard J. "Developments in genre between post-exilic penitential prayers and the psalms of communal lament /." Leiden [u.a.] : Brill, 2003. http://www.loc.gov/catdir/toc/ecip047/2003017262.html.

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Voigt, Astrid. "Female lament in Greek and Roman epic poetry : its cultural discourses and narrative presentation." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.403991.

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Tsironis, Niki J. "The lament of the Virgin Mary from Romanos the Melode to George of Nicodemia." Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/the-lament-of-the-virgin-mary-from-romanos-the-melode-to-george-of-nicodemia(c652c3c6-3d01-41c8-be4a-a575ae733a05).html.

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Knight, Jason D. "The rhetorical-theological function of the divine epithets of protection in the lament Psalms." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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Sifoleli, Israel. "A leitura da Bíblia na perspectiva de João Calvino: uma introdução à hermenêutica calvinista a partir dos salmos de lamento." Universidade Presbiteriana Mackenzie, 2007. http://tede.mackenzie.br/jspui/handle/tede/2473.

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Made available in DSpace on 2016-03-15T19:48:36Z (GMT). No. of bitstreams: 1 Israel Sifoleli.PDF: 843828 bytes, checksum: be8c605a0d6b29fb5fbbf9bf112699c8 (MD5) Previous issue date: 2007-08-31<br>In this work the author looks for to rescue the reading that Calvin made of the Psalms of lament. It has as intention to present an introduction to the Calvin s hermeneutics. It calls attention for the fact of that although the great contribution of Calvin, its hermeneutics still is, in many aspects, stranger in Brazil. The author makes an attempt to establish the influences on Calvin s thought that

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Baumann, Igor Pohl. "O SALMO DE JEREMIAS 20.7-18 NA PERSPECTIVA DA LINGUAGEM DA LAMENTAÇÃO DO ANTIGO ISRAEL." Universidade Metodista de São Paulo, 2011. http://tede.metodista.br/jspui/handle/tede/205.

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Made available in DSpace on 2016-08-03T12:18:56Z (GMT). No. of bitstreams: 1 IGOR POHL.pdf: 2150293 bytes, checksum: 123d8bb07ab5521c47aa2bdb3ba7047d (MD5) Previous issue date: 2011-11-25<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A presente dissertação se situa no campo das Ciências da Religião. É um estudo da perícope de Jeremias 20.7-18 na perspectiva do fenômeno de lamentação na área da literatura e religião do mundo bíblico. Jeremias 20.7-18 é um dos textos de lamentação representativos dentre os que se encontram fora do saltério, na literatura profética. O tema d

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27

Landfair, Valerie Ranee. ""Trouble in My Way, I Have to Cry Sometimes"| Silent Prayers of Sorrow & Lament." Thesis, Regent University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10680915.

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<p> This dissertation addresses the role and functions of silent prayers of lament and sorrow in light of individual and communal suffering of black women due to their triple oppression of sexism, racism, and classism. Silence is used theologically in two respects: (1) it refers to the rarity of articulated sentences, but not to the absence of sound; and (2) it refers to the various forms of lament from the disenfranchised that historically and contemporarily are silent within the dominant theological discourse. Silence is the intimate communication which may be quietness or the audible sounds

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Ellington, Scott Arthur. "Reality, remembrance, and response : the presence and absence of God in the psalms of lament." Thesis, University of Sheffield, 1999. http://etheses.whiterose.ac.uk/3057/.

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This study explores the ways in which Israel understood Yahweh to be present by focusing on those psalms of lament which report that God is silent, absent, or hidden and which present him with memories of his presence to save. The study begins by examining the use of memory recitals of Yahweh's creation, the exodus experience of Israel, and the personal experiences of the writer as the primary resources for approaching God in the psalms of lament. Special attention is given to the tension created by the psalmist between the present experience of God's absence and memories of his presence to sa

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McGeachy, Margaret Gillian. "Lonesome words, the vocal poetics of the Old English lament and the African-American blues song." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/NQ45700.pdf.

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King, Thomas Edward. "From Foreskin's Lament to Skin and Bone: Challenging Perceptions Of Masculinity in New Zealand, 1980-2003." Thesis, University of Canterbury. English, 2005. http://hdl.handle.net/10092/1019.

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This thesis begins by arguing that the defining moment of New Zealand nationalism occurred not at Gallipoli but in Britain in 1905 with the triumphant tour of the All Blacks. The myths were later strengthened in the 1930s cultural literary movement which placed the 'ordinary bloke', and his traditions, at the centre of importance in New Zealand society. While this literary movement diminished towards the 1970s, it continued to exert a powerful influence in New Zealand up till the 1980s when authors, such as Greg McGee, sought to challenge the relevance of this nationalism and definition of mas

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Dobbs-Allsopp, F. W. "Weep, O Daughter of Zion : a study of the city-lament genre in the Hebrew Bible /." Roma : Pontificio istituto biblico, 1993. http://catalogue.bnf.fr/ark:/12148/cb35577315x.

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Moreira, Jayme Alves. "\'Como caíram os valentes\'. Um estudo sobre a qinah em 2 Sm 1:17-27." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8158/tde-18052015-170706/.

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Este trabalho propõe uma leitura da qînh (elegia) que Davi escreveu em homenagem a Saul e Jônatas (2 Sm 1:17-27). Parte da investigação desse gênero no interior da Bíblia Hebraica, identificando os principais traços dele e comparando-o a gêneros próximos numa tentativa de compreender a sua função social nos tempos bíblicos e descobrir possíveis razões para a sua reduzida presença na Bíblia Hebraica. Também constata de que modo esse lamento torna evidentes certos traços do personagem Davi, o que enriquece o entendimento dos relatos, contidos nos livros de Samuel, que narram a sua ascensão ao tr

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au, david cohen@vose wa edu, and David John Cohen. "An Examination of the Psychodynamic Effects on Individuals Using Psalms of Lament Intentionally, in the Form of Ritual Prayer, as a Way of Engaging With Experiences of Personal Distress." Murdoch University, 2008. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20081118.153252.

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The Psalter has formed the basis of Judeo-Christian worship since ancient times. It has served, and continues to serve, individuals and communities of faith as a foundation for communal and personal devotion. As a devotional tool it is unique in that it provides prayers which address God directly concerning the whole gamut of life experience. While the Psalms can be examined and analysed as a literary text, they must be used and experienced by people to more fully discover and recognize their power in providing a pathway for expressing life experience. The lament psalms are of particula

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Bisol, Luciano Heidrich. "Threnos e goos: lamento e murmurio de andromaca." Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=18333.

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nÃo hÃ<br>O presente trabalho inclina-se sobre o mito grego de AndrÃmaca e tem por objetivo delimitar os caracteres de sua representaÃÃo. Consideraremos a evoluÃÃo das condiÃÃes de performance da autocaracterizaÃÃo da personagem, paralela Ã evoluÃÃo de dois gÃneros do discurso â os lamentos fÃnerarios thrÃnos (θρῆνος) e goos (γόος). Estas duas formas de lamento ritualÃstico manifestam-se sob forma de hexÃmetros em Homero e de versos elegÃacos em EurÃpides. Nesses lamentos, uma sÃrie de topoi â marido, cidade, viuvez, maternidade, alcova â sÃ

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Brooks, Jeremy. "Weeping at the grave, we make our song : Alleluia : lament and thanksgiving in Church of England funerals." Thesis, King's College London (University of London), 2013. https://kclpure.kcl.ac.uk/portal/en/theses/weeping-at-the-grave-we-make-our-song(bf12af74-22b4-4208-83bf-3bffa0db2272).html.

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The thesis considers the changing nature of funerals carried in England over the last twenty years and a possible response by Church of England ministers. Those changes are outlined in terms of the changes in venue of funerals, the changes in content and the changes in officials conducting funerals. As a theological basis for a response, the thesis examines the work of Hans Urs von Balthasar, and in particular his book Mysterium Paschale. Balthasar considers each of the three days of Easter in turn, finding particular power and importance in Holy Saturday. It is this weight that he gives to th

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Rachmann, Miriam Kleingesinds. "A multiplicidade de vozes no salmo 137." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-17042012-143501/.

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Este trabalho apresenta a análise do salmo 137. Apontamos quais são os sujeitos falantes neste salmo identificando, então, uma multiplicidade de vozes. Comentaristas e exegetas bíblicos analisam estas vozes sob diferentes perspectivas. Propomos apresentar um paralelo destas interpretações , assim como também analisar o modo como tais vozes estão organizadas no salmo de forma que, mesmo com múltiplos falantes, o poema convirja para um único ponto de vista, formando a unicidade do salmo: o lamento pelo exílio e as possíveis réplicas para a crise instaurada.<br>This paper presents the analysis of

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Villanueva, Federico G. "The 'Uncertainty of a Hearing' : a study of the sudden change of mood in the individual lament psalms." Thesis, University of Bristol, 2007. http://hdl.handle.net/1983/6861fcf4-c4d9-4045-ad1d-612364c621de.

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An interesting feature in the Psalter, which has been the subject of much scholarly attention for almost a hundred years now, is the sudden change of mood in the lament psalms. Unfortunately, this subject has been approached only in terms of the movement lament-praise. As the very term that has come to be associated with the subject reveals - 'Certainty of a Hearing' - lament psalms are always expected to move to praise or to some kind of resolution. Whilst not denying the presence of a movement towards praise, this dissertation seeks to offer a new approach by arguing that we do not only have

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Villanueva, Federico G. "The 'uncertainty of a hearing' : a study of the sudden change of mood in the Psalms of Lament /." Leiden [u.a.] : Brill, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016723092&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Sung-Hun, Lee. "Concept of God's Hesed as an explanatory feature in the shift to praise in the individual lament psalms." Thesis, University of Manchester, 1999. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.668963.

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Åström, Berit. "The Politics of Tradition : Examining the History of the Old English Poems The Wife's Lament and Wulf and Eadwacer." Doctoral thesis, Umeå University, Modern Languages, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-60.

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<p>Old English literary studies is a fascinating field of research which spans many various approaches including philology and linguistics as well as literary and cultural theories. The field is characterised by a certain conservatism, what in this thesis is referred to as tradition. This thesis examines the scholarship on The Wife's Lament and Wulf and Eadwacer, projecting its cumbersome affinities with tradition as a conservative force as well as the resistance against it. The investigation focuses mainly on two aspects of scholarly research: the emergence of a professional identity among An

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McIntosh, Constance. "Holy Union: The Original Unity of "The Wife's Lament" and "The Husband's Message" in Their Cultural and Ecclesiastical Context." Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/977.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>English

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DeBoer, Cornelius J. "The use of lament in pastoral care exploring its use with those working through the loss of a child /." Theological Research Exchange Network (TREN), 1993. http://www.tren.com.

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Lee, Seungyon-Seny. "Idiosyncrasy : pleasure, anger, lament and joie : an eight channel for real-time interaction composition for tape, mezzo-soprano and video /." May be available electronically:, 2002. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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D.M.A. final project--Department of Music, Stanford University, 2002.<br>Introductory materials in English include program notes, performance instructions, technical requirements, staging diagrams, and video image examples. Duration: ca. 14:30.

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Pritchard, Maureen elizabeth christine. "LEGENDS BORNE BY LIFE: MYTH, GRIEVING AND THE CIRCULATION OF KNOWLEDGE WITHIN KYRGYZ CONTEXTS." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243965149.

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Guenther, Eva. "Wisdom as a model for Jesus' ministry in the 'Lament over Jerusalem' (Matt 23:37-39 Par. Luke 13:34-35)." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/48630/.

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This thesis establishes the influence of the Jewish wisdom tradition on the shaping of the earliest christology. A concept which invests Jesus with Wisdom’s function as ‘Schöpfungsmittler’ appears already in the earliest Christian sources (1Cor 8:6; Col 1:15; Hebr 1:3; John 1:1-3), and the early patristic writers characterised the relationship between the heavenly Christ and God the Father by identifying Jesus with the pre-existent personified Wisdom of Prov 8. The object of the thesis is to explore a parallel movement, which already takes place during the formation of the gospel traditions,

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Cross, Katerina P. S. "From celebration to a "culture of lament" : a practical theological study of responses to suffering through the lens of a "secular congregation"." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=236308.

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This thesis explores the problematic nature of theodicy (theological explanations for suffering). It questions what kind of meaning-making might occur in place of theodicy in societies which are undergoing a change in attitude to religious belief and practise. In doing so, it looks to shed light on how the Church might respond to instances of mass suffering (referred to as 'ground-zero' events) and other traumatic experiences in the current social context. Drawing on a practical theological methodology, and employing ethnographic tools of investigation, this thesis includes data collected via

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Fourla, Vasiliki. "Theodore Antoniou| The Greek components of his music for flute and an analytical presentation of his work "Lament for Michelle," for solo flute." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10111171.

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<p> Antoniou’s work for solo flute <i>Lament for Michelle</i> inspired my research. I will further analyze this piece in order to shape its historical background and the tradition of the lament, which remains vital in twentieth century Greek society. </p><p> Combining musical analysis and biography, I aim to prove how Theodore Antoniou utilized a plethora of nationalistic elements in his works for flute. In addition, I will point out these elements and explain how and why they are considered Greek. Overall, this paper will contribute to the understanding of Greek composers today and h

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Auer, Janette Slater William J. "Electra in context: an investigation of a character in fifth century B.C. Athenian tragedy in the social context of the ritual lament and revenge /." *McMaster only, 2005.

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Aliberti, Chiara. "Listening as a Sanctuary from Human Annihilation: Euripides' Trojan Women and the Global Humanitarian Crisis." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8141.

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The scope of this research is to spark conversation among members of receiving communities concerning their attitudes toward displaced populations by using Euripides' Trojan Women as a facilitator. By many outside the Classics profession, the study of antiquity is often perceived as a discipline disconnected from current issues; however, remembering and examining the past can greatly shape the present. Ancient Greek theater is perhaps the genre that best lends itself to be scrutinized today for social purposes. In fact, it promoted introspection among the body of Athenian citizens by highlight

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Broidy, Lauren. "“Ni a fuego, ni a pleto” as Jewish Lament: Re-Animating Diversity and Challenging Monolithic Assumptions in the Late Ottoman Empire and Nascent Middle Eastern Nations." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2278.

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This thesis examines how Jews of the Ottoman Empire responded to newfound opportunities that emerged across the domains of the late Ottoman Empire in the nineteenth century due to the Ottoman bureaucratic reforms (Tanzimat). It challenges the discourses that argue that Jews engaged probing issues such as nationalism in a monolithic fashion. Rather, Sephardi and Arab Jews, based on socioeconomic status and geographic location in the Empire approached questions of affiliation with the Empire or attachment to new forms of nationalism based on divergent structures that informed their lives and per

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