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1

Kim, Lynn. "Body Language." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587494555861933.

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Гладченко, Оксана Робертівна, Оксана Робертовна Гладченко, Oksana Robertivna Hladchenko, and I. Golysheva. "Body language in business." Thesis, Вид-во СумДУ, 2009. http://essuir.sumdu.edu.ua/handle/123456789/17152.

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Shan, Caifeng. "Inferring facial and body language." Thesis, Queen Mary, University of London, 2008. http://qmro.qmul.ac.uk/xmlui/handle/123456789/15020.

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Machine analysis of human facial and body language is a challenging topic in computer vision, impacting on important applications such as human-computer interaction and visual surveillance. In this thesis, we present research building towards computational frameworks capable of automatically understanding facial expression and behavioural body language. The thesis work commences with a thorough examination in issues surrounding facial representation based on Local Binary Patterns (LBP). Extensive experiments with different machine learning techniques demonstrate that LBP features are efficient
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Vermeer, Leslie Anne. "Mina Loy, the language of the body, the language of attack." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq22560.pdf.

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Wilson, Conor J. R. "Writing_making : object as body, language and material." Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1764/.

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A turn away from language and the human mind as the dominant (or only) determinants of reality can be identified within many disciplines, including anthropology, philosophy and literature, reflecting a growing acceptance of human and non-human, living and non-living entities as real, complex and partially withdrawn agents in the world. In Object Oriented Ontology the definition of object is extended to include humans, who have no special ontological status. Timothy Morton proposes rhetoric as a means of drawing closer to other objects, of contacting the ‘strange stranger’; objects cannot be kn
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Hetherington, F. M. L. "Language and the body : Merleau-Ponty's critique of the philosophy of language." Thesis, University of Essex, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371176.

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Tiljander, Cristina. "Social gender norms in body language : The construction of stereotyped gender differences in body language in the American sitcom Friends." Thesis, Karlstad University, Karlstad University, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1599.

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<p>Nonverbal communication such as body language is a vital component of our communication, and since scholars agree that there are some notable differences in the way men and women use body language, the study of gendered nonverbal communication as a social construction is vital to our understanding of how we create gendered identities. The aim of this paper is to investigate how social gender norms concerning body language appear in constructed communication. By studying the body language of the characters in the American sitcom Friends, and with focus on leg postures, I examine how the show
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Shi, Wenhua. "Paul's message of the cross as body language /." Tübingen : Mohr Siebeck, 2008. http://d-nb.info/988962217/04.

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Nicholls, B. L. "Languages of the body and the body of language : a comparative analysis of two beat writers and two Southern African writers." Thesis, University of Essex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343547.

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Kenner, Andrew N. "Consistencies in body-focused hand movements /." Title page, contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phk358.pdf.

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Bandelin, Jakob. "Avatar Body Language : Supporting Emotive Communication in Virtual Environments." Thesis, Linköping University, Department of Computer and Information Science, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-57541.

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<p>This thesis tells the story of a design case creating an user interface for a MMORPG where the player are able control the body language of the avatar. By this the game can achieve a gameplay about drama and strong characterization. The thesis addresses considerations on what aspects of body language that can be important for computer games and other virtual environments. It also offers design considerations when designing interfaces for using gestures and other body signals to communicate emotions in virtual environments such as computer games. The main design consideration when creating t
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Beck, Aryel. "Perception of emotional body language displayed by animated characters." Thesis, University of Portsmouth, 2011. https://researchportal.port.ac.uk/portal/en/theses/perception-of-emotional-body-language-displayed-by-animated-characters(1e1ab3cb-a5eb-453a-8ee4-d432997aeb93).html.

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Virtual Environments have demonstrated effectiveness for social task training such as medical training (Anolli, Vescovo, Agliati, Mantovani, & Zurloni, 2006). These types of Virtual Environments have used emotional animated characters. Even though emotions have a strong influence on human-human interactions (Gratch, Mao, & Marsella, 2006), typical system evaluation does not assess whether human and animated emotional displays are perceived similarly by observers. Moreover, the Uncanny Valley, which is a drop in believability as characters become more realistic, threatens the assumption that em
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Kansa, Metee. "Body part-related metaphors in Thai and English." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259310.

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The study of body part metaphors provides a convenient way to examine human conceptual structuring because we start from what we as humans share. This study collected and compared Thai and English body part metaphors: one hundred and eighty-four English body part expressions and four hundred and eighty-eight Thai body part expressions were considered.The data are discussed in terms of the body part involved, the underlying conceptual metaphors, and syntactic and morphological form. The data show that basically, Thai and English share many conceptual metaphors, and there are a number of equival
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Fredal, James. "Beyond the fifth canon : body rhetoric in Ancient Greece /." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487953204280387.

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Anderson, Kathryn. "Body language : ballet as form in literary modernism, 1915-1935." Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/59609/.

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This dissertation undertakes an examination of the evolving relationship between text and dance via the ballet texts of literary modernism. My selected texts illuminate a spectrum of performativity, ranging from the blueprints for performance used in the collaborative enterprises of European ballet companies like the Ballets Russes and the Ballets Suédois to later unperformed works by canonical writers. Some texts serve the utilitarian purpose of instructing production, but others independently claim their own aesthetic importance. My study reveals how text infiltrated ballet in the 20th centu
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Botre, Shrikant. "The body language of caste : Marathi sexual modernity (1920-1950)." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/110543/.

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Late colonial Maharashtra witnessed a proliferation of sex literature that claimed to be scientific. Sexual-health journals and books on sexual science and eugenics, as well as marriage manuals insisting on sex reforms, were produced in Marathi in considerable numbers between 1920 and 1950. Why did sex reformism blossom in Maharashtra? What was reformed in the name of sex and science? What larger purpose did this writing serve in late colonial times? The present research work answers these questions while problematising the Marathi sexual modernity articulated through this literature. In criti
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Watkins, Megan. "Discipline and learn : theorising the pedagogic body /." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20031001.154138/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, 2003.<br>"A thesis submitted to the University of Western Sydney in fulfilment of the requirements for the degree of Doctor of Philosophy" Bibliography : leaves 314-323.
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Aoki, Hiromi. "Hearership as interactive practice a multi-modal analysis of the response token Nn and head nods in Japanese casual conversation /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1568188241&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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O'Loughlin, Antoinette, of Western Sydney Nepean University, and of Performance Fine Arts and Design Faculty. "The ambivalent skin of language." THESIS_FPFAD_XXX_OLoughlin_A.xml, 1993. http://handle.uws.edu.au:8081/1959.7/208.

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The position of the maternal body within patriarchy is the topic of this discussion where, rather than looking at a linear sequence of events, various aspects of this position are explored. On an individual level, the intrusion of the father into the dyadic, and potentially incestuous mother-child relationship, marks the entry of the child into the Symbolic Order, and this reflects the mythical account of creation in the Old Testament, where actual maternity is repressed in favour of a paternal monopoly in creation. Just as monotheism both represses and appropriates many aspects of the goddess
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Videtto, Aubrey. "The Underground House: A Body Memoir." TopSCHOLAR®, 2005. http://digitalcommons.wku.edu/theses/485.

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The creative non-fiction genre, in particular memoir and travel writing, is in a state of constant evolution. Furthermore, as we progress further into postmodern times, writing (both fiction and non-fiction, as well as poetry and drama) becomes more and more confessional and fragmented. These two facts make it difficult to classify the following memoir. It is both travel narrative and memoir on the body, but perhaps none of the traditional writers in either of these camps would claim my piece. Nevertheless, I call it a body memoir, and under essay it should be filed. In three sections (plus an
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21

Montani, Alessandro. "Mystical language and the problem of the body Jacopone da Todi." Thesis, University of Reading, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273903.

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Mui, Sian. "Dead body language : deciphering corpse positions in early Anglo-Saxon England." Thesis, Durham University, 2018. http://etheses.dur.ac.uk/12829/.

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This work provides a study of corpse positioning as an aspect of mortuary practice. The positional representation of the dead body is fundamental to the perception of death and the deceased, but this aspect of burial treatment has been overlooked and under-theorised in archaeological and anthropological scholarship. With an aim to explore the significance of the positioning of the corpse and its place within wider debates surrounding dying and death, this research examines burial positioning in inhumation graves in early Anglo-Saxon England, c AD 400–750. Bringing together 3,053 graves from 32
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Barclay, Gedney Harrison. "A shape is a sound : reflections on the body and language." Thesis, Massachusetts Institute of Technology, 2016. http://hdl.handle.net/1721.1/106366.

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Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2016.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>"June 2016." Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (pages 51-52).<br>This thesis examines the practice and projects of the author as both an actor and an artist as an ongoing investigation into the relationship between the body and language, between movement, line, shape,
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Ali, Ahmad, and Svensson Marcus. "Animation through Body Language : A study using the fictional character Mokhtar." Thesis, Uppsala universitet, Institutionen för speldesign, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-297660.

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Learning to read body language is something we do throughout our whole life. It is a complex non-verbal language that can express more than words. In this study we investigate the possibility to use only body language to portray emotions to the viewer. In a background of a game project we have used a character that has his face covered, therefore, facial expression is not visible during the online survey, which we used as a method for our investigation. As a foundation we have created four character animations to portray anger, frustration, exhaustion and hurt. To find the answer if it is poss
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Slaney, Helen. "Language and the body in the performance reception of Senecan tragedy." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:72f9cf38-6e9c-40a1-b387-12a754e4d0ea.

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Seneca’s contribution to the development of Western European theatre and conceptions of theatricality has been underestimated in comparison to that of Greek tragedy. This thesis argues for the continuous importance of Senecan drama in theatrical theory and practice from the sixteenth century until the present day. It examines significant instances of Seneca in performance, and shows how these draw on particular aspects of Seneca’s style and dramaturgical technique to coalesce into a sub-genre of tragedy termed here ‘hypertragedy’ or the ‘senecan aesthetic’. The underlying premise of this repre
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Hyon, Katherine Sungwon. "In the Body." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/english_diss/34.

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This dissertation is comprised of a collection of nine short stories concerning two young women raised in the same Korean American church environment. In their adolescence, both women are exposed to the influence of a religious cult; one joins, the other does not. This dissertation explores the crises that occur in the wake of a collision between culture and religion as each character seeks to find redemption and renewed faith in God, in family, and in herself.
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Slagle, Judith Bailey. "Performance Review of The Busy Body, by Susanna Centlivre." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/3213.

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Review of Susanna Centlivre’s The Busy Body: A Comedy, directed by John Sipes, adapted by Misty Anderson and John Sipes, Clarence Brown Theatre at The University of Tennessee, Knoxville, February 22-March 12, 2017.
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Watkins, Megan. "Discipline and learn : theorising the pedagogic body." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/23481.

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This thesis, grounded in an empirically-based study of pedagogic practice in primary school classrooms, examines the corporeality of learning and its role in the process of learning how to write. The central concern in the formation of scholarly habits in the primary years and the degree to which the embodiment of specific dispositions is fundamental in students acquiring the ability and desire to write. This thesis explores the enabling dimensions of embodiment and how these can be generated through the pedagogic practices of schooling. The body is not simply perceived as being shaped by the
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Tico, Jenna N. "Body Language: Representations of Dis/Ability in Life Writing and Improvisational Dance." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/87.

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This thesis looks into autobiographical representations of disability and illness in life writing, a flexible form of creative nonfiction, and Contact Improvisation, a postmodern dance form, to argue how the structure of representation must incorporate the physical and emotional/intellectual in order to convey the necessary overlap between the mind and body. Chapter One looks at Plaintext, by Nancy Mairs, to analyze the way her sporadic writing style mirrors the unpredictability of her multiple sclerosis. Chapter Two focuses on Autobiography of a Face, by Lucy Grealy, and examines how the irre
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Collins, Shane Maurice. "The language of the body : an analysis of Chaucer, Dunbar and Henryson." Thesis, Durham University, 2012. http://etheses.dur.ac.uk/5902/.

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The role of the body in social life is a problem that occupies much of medieval thought. This thesis considers the poetic use of the language of the body to convey contemporary concerns and to explore the paradigms of the body that constituted medieval social normality. Each poet considered is deeply influenced by the dominant modes of bodily discourse in medieval life; medicine, religion and natural philosophy. This thesis examines each of these modes of discourse and demonstrates their prevalence in the poetry of Geoffrey Chaucer, Robert Henryson and William Dunbar. It is argued that each po
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Phillips, Louise. "A language of its own? : approaches to the body and mental illness." Thesis, University of Kent, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270817.

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Gunter, Elizabeth. "The mark of a silent language : the way the body-mind draws." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6656.

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Thesis (PhD)--University of Stellenbosch, 2011.<br>ENGLISH ABSTRACT: The thesis deals with the notion that individuation in drawing provides visible evidence of experiential cognition as embodied action. It asserts that trait as enaction signifies constructive and inventive processes that involve the body-mind. Trait emerges as nonrepresentationist, non-expressive component of drawing that marks the pre-conceptual as conceptual. Therefore, drawing functions as a complex interface between drafter and world that unifies antimonies such as inside and outside; convention and invention; remot
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Massoura, Kiriaki. "The politics of body and language in the writing of Margaret Atwood." Thesis, University of York, 2001. http://etheses.whiterose.ac.uk/10907/.

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Benson, Elizabeth M. "Disordered: A Tale of the Body." DigitalCommons@USU, 2009. https://digitalcommons.usu.edu/etd/373.

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While a body of creative nonfiction writing exists regarding experiences with various psychological disorders, few personal accounts have been written about the physical complications of Generalized Anxiety Disorder. Some memoirs tell a tale of serious illness in a straightforward narrative line. On the opposite end of this spectrum, other memoirs intentionally blur the lines of truth and heighten the confusion of a disorder. This thesis is as much a narrative of my experience with Generalized Anxiety Disorder as it is a response to the void in creative nonfiction surrounding this specific dis
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Alexander, Robyn Gaye. "Body/sexuality/control : female identity in four Fay Weldon novels." Master's thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/20451.

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Bibliography: pages 154-163.<br>This thesis explores the manner in which female identity is depicted and the concept itself deployed in four novels by Fay Weldon (1931- ), a contemporary English writer. The novels examined are Puffball (1980), The President's Child (1982), The Cloning of Joanna May (1989) and Growing Rich (1992). The thesis's· theoretical focus is feminist, and it makes use of terms, arguments and insights provided by contemporary feminist literary and cultural theory. It thus in part also explores the usefulness of insights provided by recent feminist poststructuralist theory
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Black, Fiona Catherine. "The grotesque body in the Song of Songs." Thesis, University of Sheffield, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311696.

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Xia, Li. "Exploring the understanding of culture specific body language among Chinese learners of English." HKBU Institutional Repository, 2010. http://repository.hkbu.edu.hk/etd_ra/1205.

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Larsson, Pernilla. "Discerning Emotion Through Movement : A study of body language in portraying emotion in animation." Thesis, Högskolan i Gävle, Avdelningen för Industriell utveckling, IT och Samhällsbyggnad, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-16807.

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Animators are so often taught more about how to perfect their animations than toconsider what it is that makes the animation come alive. They work away withprinciples and physics, sometimes completely overlooking a characterscommunication tools. The following thesis is a study of emotive expressive bodylanguage and its purpose in animation. The project studies various angles of bodylanguage, in an attempt at summarizing key features that could work as guidelinesfor animators in the future. It deals with the role of body language in animation andwhy it is necessary for a more realistic feel in
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Shoemaker, Ryan Craig. ""The Memory of the Body" and other stories /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1464.pdf.

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Yung, Hiu-yu. "Theorizing the translation of body language a study of nonverbal behaviors in literature /." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44051785.

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Grechuta, Klaudia. "Grounding body ownership and language in action: evidence from healthy and damaged brains." Doctoral thesis, Universitat Pompeu Fabra, 2019. http://hdl.handle.net/10803/667128.

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Contrary to the classical theory of mind, largely inspired by dualism, the theoretical framework of embodiment emphasizes the constitutive role of the body in the process of cognition. This view also referred to as the sensorimotor approach has been supported by a number of clinical and empirical studies suggesting that at the basis of both lower-level processes and higher-level functions is the coupling between the body, brain, and environment through action. Critically, these results challenge the traditional theories which view both the experience of the body and the conceptualization of th
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Stoddard, Christine. "The fall into woman, female body/language in the drama of medieval York." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0012/MQ36535.pdf.

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Zhao, Yisu. "Human Emotion Recognition from Body Language of the Head using Soft Computing Techniques." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23468.

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When people interact with each other, they not only listen to what the other says, they react to facial expressions, gaze direction, and head movement. Human-computer interaction would be enhanced in a friendly and non-intrusive way if computers could understand and respond to users’ body language in the same way. This thesis aims to investigate new methods for human computer interaction by combining information from the body language of the head to recognize the emotional and cognitive states. We concentrated on the integration of facial expression, eye gaze and head movement using soft com
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Yung, Hiu-yu, and 翁曉羽. "Theorizing the translation of body language: a study of nonverbal behaviors in literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44051785.

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CRUZ, ANDRE LUIZ BENTES FERREIRA DA. "THE INDIVIDUATION AS AESTHETIC PHENOMENON: ART, BODY AND LANGUAGE IN THE YOUNG NIETZSCHE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=15617@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>O presente estudo tem como foco o pensamento de juventude de Nietzsche, bem como o contexto em que se insere. Nosso objetivo geral consiste em apontar os pontos fundamentais para a compreensão de O nascimento da tragédia, sua primeira obra publicada, bem como as influências filosóficas que giram em torno desse período, na Alemanha. O objetivo específico consiste em compreender como sua teoria da arte pôde ser apresentada por intermédio de uma tradução de estados fisiológicos, a ponto dos próprios indivíduos serem considerados as
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Collard, Teresa Y. "Facial nonverbal communication and deception detection /." View online, 1986. http://repository.eiu.edu/theses/docs/32211998880495.pdf.

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Stevenson, Dustin. "The Speculative Trunk." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1891.

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The Speculative Trunk is concerned with the body. Where poems are ideas they are also things always. The physical body of a poem receives certain treatment by the human body engaged in consuming it. But, speaking generally, the bodies of poems have tended to be dictated, not by play within a vital contextual space, but by tradition and the limitations of material means of replication. The Speculative Trunk is an adventure; a mess; a re-fleshing of the body of the poem. This concern extends beyond to text to the human bodies that handle a work, or your hand. These poems speak of and circulate a
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Leverton, Tara Juliette Corinna. "A rotten and dead body : disabled villainy on the early modern stage." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/13118.

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Includes bibliographical references.<br>Analysing the different ways in which the persistent trope of the disabled villain manifests on the early modern stage is, I believe, necessary work. There has been no extended scholarly account of this phenomenon; analyses of the fictional disabled villain have generally served as side arguments to larger discussions regarding the placement of disability in cultural consciousness.
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Achmed, Imran. "Upper body pose recognition and estimation towards the translation of South African sign language." Thesis, University of the Western Cape, 2011. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_2493_1304504127.

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<p>Recognising and estimating gestures is a fundamental aspect towards translating from a sign language to a spoken language. It is a challenging problem and at the same time, a growing phenomenon in Computer Vision. This thesis presents two approaches, an example-based and a learning-based approach, for performing integrated detection, segmentation and 3D estimation of the human upper body from a single camera view. It investigates whether an upper body pose can be estimated from a database of exemplars with labelled poses. It also investigates whether an upper body pose can be estimated usin
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Karipidou, Kelly. "Modelling the body language of a musical conductor using Gaussian Process Latent Variable Models." Thesis, KTH, Datorseende och robotik, CVAP, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-176101.

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Motion capture data of a musical conductor's movements when conducting a string quartet is analysed in this work using the Gaussian Process Latent Variable Model (GP-LVM) framework. A dimensionality reduction on the high dimensional motion capture data to a two dimensional representation using a GP-LVM is performed, followed by classification of conduction movements belonging to different interpretations of the same musical piece. A dynamical prior is used for the GP-LVM, resulting in a representative latent space for the sequential conduction motion data. Classification results with great per
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