Gotowe bibliografie tematyczne / Le Corbusier

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „Le Corbusier”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Le Corbusier"

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Brott, Simone. "The Le Corbusier Scandal, or, was Le Corbusier a Fascist?" Fascism 6, no. 2 (2017): 196–227. http://dx.doi.org/10.1163/22116257-00602003.

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In 2015 an essay by the architect Marc Perelman was printed in Le Monde claiming Le Corbusier was a fascist and that the French academy had whitewashed this from architectural history. The 2015 exhibition Le Corbusier: Mesures de l’homme, a major retrospective of the architect, held at the Centre Pompidou was adduced as evidence since it did not mention Le Corbusier’s politics, despite three French books on Le Corbusier’s fascism appearing in 2015, and the scandal that erupted around them. The letter was signed by myself, Zeev Sternhell, Xavier de Jarcy, Marc Perelman, and Daniel de Roulet; an
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Váraljai, Anna. "The Inspirers of a Modernist Artist Identity: Le Corbusier’s Relationship with Naive and African Art." Papers in Arts and Humanities 4, no. 2 (2025): 87–93. https://doi.org/10.52885/rrzkb648.

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This study takes as its starting point a painting by André Bauchant, a naïve painter who inspired the modernists, most notably architect Le Corbusier. Bauchant’s Bouquet Le Corbusier (1927), which features a large vase and the figures of Le Corbusier and his wife shrunk to the size of ants, was given to Le Corbusier as a gift. Bauchant was a gardener who served on the front lines during the First World War, and he did not start painting until reaching old age. In addition to André Bauchant Le Corbusier’s other favorite painter was the indigenous, self-taught African artist Kalifala Sidibé. Le
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Charitonidou, Marianna. "Le Corbusier’s Ineffable Space and Synchronism: From Architecture as Clear Syntax to Architecture as Succession of Events." Arts 11, no. 2 (2022): 48. http://dx.doi.org/10.3390/arts11020048.

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This article examines Le Corbusier’s architectural design processes, paying special attention to his concept of “ineffable space”. Le Corbusier related “ineffable space” to mathematics, arguing that both mathematics and the phenomenon of “ineffable space” provoke an effect of “concordance”. He also argued that when the establishment of relations is “precise” and “overwhelming”, architectural artefacts are capable of “provoking physiological sensations”. For Le Corbusier, the sentiment of satisfaction and enjoyment that an architectural artefact can provoke is related to a perception of harmony
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Huet, Jacobé. "Prospective and Retrospective: Le Corbusier’s Twofold Voyage d’Orient." Muqarnas Online 38, no. 1 (2021): 291–330. http://dx.doi.org/10.1163/22118993-00381p10.

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Abstract In 1911, a twenty-three-year-old Le Corbusier embarked on a six-month journey from Dresden to Istanbul, and back to his native Switzerland through Greece and Italy. Upon his return, the young architect unsuccessfully attempted to publish his travel notes as a book in 1912 and again in 1914. Only in 1965, forty days before his death, did Le Corbusier conduct the final revision of his 1914 typescript for publication. The next year, Le Voyage d’Orient was published posthumously. Previous scholarship on this book has overlooked the importance of Le Corbusier’s 1965 edits, consequently app
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Ghosh, Nabaparna. "MODERN DESIGNS: HISTORY AND MEMORY IN LE CORBUSIER’S CHANDIGARH." Journal of Architecture and Urbanism 40, no. 3 (2016): 220–28. http://dx.doi.org/10.3846/20297955.2016.1210048.

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Located at the foothills of the Sivalik Mountains, Chandigarh was the dream city of independent India’s first Prime Minister Jawaharlal Nehru. In 1952, Nehru commissioned the Swiss-French architect Le Corbusier to design Chandigarh. Scholars often locate in Corbusier’s plans an urban modernity that required a break with the past. Moving away from such scholarship, this article will argue that Chandigarh marked a climactic moment in Le Corbusier’s career when he tried to weave together modern architecture with tradition, and through it, human beings with nature. A careful study of the cosmic ic
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Gandini, Bénédicte, and Michel Richard. "The Role of the Fondation Le Corbusier in the Conservation of the Le Corbusier's Architectural Work." LC - 50 Years After, no. 53 (2015): 12–17. http://dx.doi.org/10.52200/53.a.z5dbvfnb.

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Le Corbusier died on 27 August 1965 at Roquebrune-CapMartin, near his Cabanon. Without direct heirs and driven by the fear that his carefully conserved archives and works be scattered after his death, Le Corbusier spent the last fifteen years of his life conceiving and implementing, down to its smallest details, the project of a Foundation that would bear his name. Today the activity of the Fondation Le Corbusier comprises two main undertakings: circulating his work and spreading his ideas; preserving the architect’s work and collections. Indeed as the legatee and direct offshoot of its creato
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Bing, Judith. "Le Corbusier and the Romanian Cula." Journal of the Society of Architectural Historians 76, no. 2 (2017): 146–53. http://dx.doi.org/10.1525/jsah.2017.76.2.146.

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While Le Corbusier's famous “journey to the east” has been the subject of numerous investigations as an important chapter in the great modernist's formative years, his days in Romania while en route to Constantinople are thinly covered. Le Corbusier and the Romanian Cula helps to fill that gap by focusing on one important detail: discovery of the identity and location of a much-discussed building he sketched while there and its importance for both traditional Romanian architecture and Le Corbusier's emerging vision of modernity. Judith Bing's discussion of her long search and unexpected discov
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Pabich, Marek, and Anna Maria Wierzbicka. "Twórczość architektoniczna Le Corbusiera w Paryżu a wolność decyzji. Architektura mieszkaniowa." Środowisko Mieszkaniowe, no. 39 (October 31, 2022): 4–19. http://dx.doi.org/10.4467/25438700sm.22.009.16587.

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Autorzy przeprowadzili analizę licznych ograniczeń towarzyszących Le Corbusierowi w pracy zawodowej i ich wpływu na ostateczny kształt budynków mieszkalnych zrealizowanych w Paryżu. Wskazali na źródła tej architektury i omówili rozmaite uwarunkowania, które powodowały zmiany decyzji architekta. W tekście znajdą się spostrzeżenia autorów wynikające z wizyt w obiektach projektowanych przez Le Corbusiera, przybliżona zostanie relacja z inwestorami w trakcie projektowania domów mieszkalnych, ukazany będzie ich stan aktualny oraz przekształcenia, które nastąpiły na przestrzeni XX w. Tekst powstał w
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Bacon, Mardges. "Le Corbusier and Postwar America." Journal of the Society of Architectural Historians 74, no. 1 (2015): 13–40. http://dx.doi.org/10.1525/jsah.2015.74.1.13.

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In 1946 Le Corbusier returned to the United States in conjunction with a French mission to study American architecture, public works, and planning. He traveled with Eugène Claudius-Petit, who would become minister of reconstruction in France. Their principal objective was to visit the Tennessee Valley Authority, considered a model for postwar reconstruction. In Le Corbusier and Postwar America: The TVA and Béton Brut, Mardges Bacon argues that the TVA’s regional planning and societal synthesis served as a model for Le Corbusier’s second-machine-age civilization. The TVA’s reinforced concrete d
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Samuel, F. "Le Corbusier Before Le Corbusier." Journal of Design History 16, no. 2 (2003): 192–94. http://dx.doi.org/10.1093/jdh/16.2.192.

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Rozprawy doktorskie na temat "Le Corbusier"

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Gerber, Alex Le Corbusier Le Corbusier Le Corbusier. "L'Algérie de Le Corbusier : les voyages de 1931: thèse /." Lausanne : Ecole Polytechnique Fédérale, 1993. http://library.epfl.ch/theses/?nr=1077.

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Coll, López Jaime. "Le Corbusier : la forma acústica." Doctoral thesis, Universitat Politècnica de Catalunya, 1994. http://hdl.handle.net/10803/482045.

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La tesis, con el título "Le Corbusier: la forma acústica", consiste en un trabajo de investigación sobre la obra de Le Corbusier. Este trabajo se centra en su producción como dibujante y pintor a partir de un cuidadoso y exhaustivo estudio del material depositado en la Fundación Le Corbusier de Paris sobre el que el autor de la tesis ha trabajado directamente durante un año. Este material es analizado y ordenado en base, tanto a las claves proporcionadas por el propio material, como a las claves proporcionadas por otros documentos, diarios, anotaciones o correspondencia, así como por su relaci
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Dienstag, Ariane. "Le Corbusier, l'architecture, le droit." Paris 1, 2000. http://www.theses.fr/2000PA010502.

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Le Corbusier est aujourd'hui synonyme, célèbre, d'architecture. De nombreuses voies d'investigation ont pris le personnage pour sujet. Celle du droit, au travers principalement des archives de la fondation Le Corbusier à Paris, montre un autre visage de l'effigie. L'homme est abordé sous l'angle d'un "professionnel", au sens des codes, dont l'activité est l'architecture et l'urbanisme. Son histoire est faite de rencontres avec des professionnels, d'autres hommes qui vont définir des limites d'actions, et envers lesquels Le Corbusier aura des devoirs, des obligations, mais aussi par rapport aux
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Mackay, Toby D. "Le Corbusier: Sport and stadia." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/122565/1/Toby_Mackay_Thesis.pdf.

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This thesis presents an historical account of sport and stadia in the work of Swiss-French architect Le Corbusier. It examines the theoretical and political frameworks around sport and stadia, beginning with his major urban plans Ville Contemporaine (1922), Plan Voisin (1925), and Ville Radieuse (1930), followed by his stadium proposals Stade de 100,000 Places (1936) and Stade de Baghdad (1956-73). It reveals the significance of sport in Le Corbusier's urban theories, as well as presenting a largely untold history of sport and stadia in Le Corbusier's body of work.
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Gustafsson, Nils. "Uppsala Konstmuseum : Le Corbusier vs. Palladio." Thesis, KTH, Arkitektur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-145881.

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Två av arkitekturhistoriens främsta teoretiker, Andrea Palladio (1508-80) och Le Corbusier (1887-1965), är goda representanter för arkitekturens två huvudgrenar; klassicismen och modernismen. Samtidigt som arkitekterna i mycket utgör varandras motpoler, verkade de båda för strikta ideal beträffande hur god arkitektur skall utföras. Deras respektive avtryck i historien bör inte passeras onämnda i den hastigaste av sammanfattningar; palladianismen användes som stilbegrepp fram tills på 1920-talet då Le Corbusiers läror tog avstamp för att alltjämt hemsöka oss i dagens härskandenyfunktionalism. I
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Benoit, Alexandre Hector. "O labor secreto de Le Corbusier." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-25072014-101116/.

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Após iniciar sua trajetória como pintor junto às vanguardas parisienses do cubismo e do purismo, Le Corbusier cessa em 1923, aos olhos do público, tal atividade, mantendo-a regular e sistemática como um trabalho exclusivo seu. Afora algumas poucas exposições menores e discretas, Le Corbusier permanece cerca de 30 anos pintando sem expor até que, em 1948, inicia o redescobrimento do que veio a chamar de seu \"labor secreto\". Esse processo de retomada da pintura como a \"virtude profunda\" de sua arquitetura e de seu urbanismo converge, em 1953, para uma grande exposição em Paris, quebrando def
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Queiroz, Rodrigo Cristiano. "Oscar Niemeyer e Le Corbusier: encontros." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-27042010-135104/.

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A leitura comparativa das arquiteturas de Oscar Niemeyer e Le Corbusier aponta para a existência de um diálogo. Os três encontros ocorridos entre os arquitetos em 1936 no Rio de Janeiro, em 1947 em Nova York e 1955 em Paris prestam-se como cenário para uma troca de experiências estéticas caracterizada por uma relação de influência e contra-influência. Nos projetos que sucedem seu primeiro encontro com Le Corbusier na cidade do Rio de Janeiro em 1936, Niemeyer estrutura sua própria linguagem no instante em que, expande à escala do edifício, os elementos de caráter compositivo que Le Corbusier p
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Chiarelli, Silvia Raquel. "Le Corbusier : embaixada da França, Brasília." Universidade Presbiteriana Mackenzie, 2018. http://tede.mackenzie.br/jspui/handle/tede/3484.

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Huang, Pin-Yao. "Incidences de l'architecture de Le Corbusier." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100085.

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Le Corbusier tente de ramener l’architecture à l’utilité et de créer une esthétique de pureté en parfaite harmonie avec celle-ci. Or s’il est conduit à s’opposer à tout excès et à économiser l’espace, ses choix esthétiques semblent mal répondre à cet impératif. Un seul superflu demeure un tabou chez lui: l’ornement. Le refus de cet ajout constitue ainsi un angle pour la compréhension du caractère de ses œuvres. Une enquête sur les causes de ce rejet mène à la conclusion que l’architecture nouvelle doit avoir comme principes l’esprit puriste, l’esprit scientifique déterministe et l’esprit indiv
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Tumelero, Adriana Coradini de Freitas. "As Maisons Jaoul de Le Corbusier." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/181415.

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Em 1951, o arquiteto Le Corbusier foi convidado por seu amigo, o industrialista André Jaoul para projetar duas casas uma para ele e sua esposa e outra para a família de seu filho, no subúrbio de Paris. Devido ao orçamento reduzido, Le Corbusier adotou o uso de paredes portantes de tijolos, coberturas em abóbadas catalãs e vigas de concreto aparente. Estas escolhas definiram a estética brutalista do projeto e fizeram com que as Maisons Jaoul se tornassem conhecidas mundialmente. As Maisons Jaoul de certa forma parecem destoantes ao trabalho do arquiteto que ficou muito conhecido por ser austero
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Książki na temat "Le Corbusier"

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Vedrenne, Elisabeth. Le Corbusier. Assouline, 1999.

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Corbusier, Le. Le Corbusier. Artemis, 1994.

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Monnier, Gérard. Le Corbusier. Manufacture, 1986.

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Weber, Nicholas Fox. Le Corbusier. Knopf Doubleday Publishing Group, 2008.

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Corbusier, Le. Le Corbusier. ASB Gallery, 1988.

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Gardiner, Stephen. Le Corbusier. Da Capo Press, 1988.

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Gallery, Hayward, ed. Le Corbusier. Arts Council of Great Britain, 1987.

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Boesiger, W. Le Corbusier. 3rd ed. Gustavo Gili, 1994.

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Tentori, Francesco. Le Corbusier. Laterza, 1987.

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Monnier, Gérard. Le Corbusier. Editions La Manufacture, 1992.

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Części książek na temat "Le Corbusier"

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Mehta, Jaimini. "Le Corbusier." In Critiquing the Modern in Architecture. Routledge, 2017. http://dx.doi.org/10.4324/9781315536729-9.

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Wilson, John. "Le Corbusier." In The Faith of an Artist. Routledge, 2022. http://dx.doi.org/10.4324/9781003291282-21.

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Georgiadis, Sokratis. "Le Corbusier." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11024-1.

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Pimienta, Guy. "22. Iannis Xenakis/Le Corbusier." In Meta-Xenakis, translated by Sharon Kanach. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0390.24.

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Le Corbusier was always able to surround himself with extremely competent people, which was one of his trademarks. As such, Pierre Jeanneret, Charlotte Perriand, Pierre Faucheux, and Iannis Xenakis were exemplary spearheads. Iannis Xenakis introduced himself to Le Corbusier in 1947 to work as an engineer in his Atelier, and the latter immediately integrated him into his AtBat, the agency he had created for the construction of the Housing Unit in Marseille. When Le Corbusier accepted the commission for La Tourette in 1953, he was deeply engaged in his Chandigarh project, so he entrusted the con
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Wild, Gerhard. "Le Corbusier: Voyage d'Orient." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4189-1.

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Vodopivec, Aleš, and Rok Šnidaršič. "Le Corbusier (1887–1965)." In Edvard Ravnikar. Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-211-99204-3_33.

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Lamprakos, Michele. "Le Corbusier and Algiers." In Forms of Dominance. Routledge, 2024. http://dx.doi.org/10.4324/9781003511724-8.

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Barizza, Elisabetta. "“How’m I doing, Corbusier?”." In Louis I. Kahn in Rome and Venice. Routledge, 2021. http://dx.doi.org/10.4324/9781003173298-6.

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Hrabová, Martina. "The Le Corbusier Galaxy." In The Le Corbusier Galaxy. Routledge, 2025. https://doi.org/10.4324/9781032678597-2.

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Lee, Ju Hyun, Michael J. Dawes, and Michael J. Ostwald. "Mathematics and Le Corbusier." In Mathematics and the Built Environment. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-86390-5_3.

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Streszczenia konferencji na temat "Le Corbusier"

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Magalhães, Ana. "Le Corbusier’s legacy in the tropics: modern architecture in Angola and Mozambique (1950-70)." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.978.

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Abstract: Le Corbusier’s work and thought are a predominant influence over the Modern Movement, and their worldwide spreading acquired a significant dimension during the Second Post-War period. Such predominance of the architectural models conveyed by Le Corbusier may have originated in the rationale enunciated in his written work, which clearly explains a set of doctrinaire parameters, or in his active determinant role in international organisations such as the CIAM, but particularly in his ability to become a global architect, which led to a large international publication of his work. This
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Lus Arana, Luis M. "La Ligne Claire de Le Corbusier. Time, Space, and Sequential Narratives." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.814.

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Abstract: In 1921, issue 11-12 of L’Esprit Nouveau featured an article entitled “Toepffer, précurseur du cinema” where Le Corbusier, signing as ‘De Fayet’, vindicated the figure of Rodolphe Töpffer (1799-1846), a Swiss a pioneer of comics, as a key element in the development of cinema. Marginal as it may seem, this reference unveils a deeper relationship between Jeanneret and Töpffer’s work which started in his childhood, and would have a key role in the development of some of Le Corbusier’s trademark obsessions: travel, drawing, and cinematic narratives. In this context, “La Ligne Claire de L
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Ozorhon, Ilker Fatih, and Guliz Ozorhon. "“Who is Le Corbusier?” According to Turkish Architecture." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.594.

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Abstract: This study is to focus on the relationship between Le Corbusier and Turkish Architecture and the main question of the study is what Le Corbusier means for Turkish architecture. The method chosen in the research is to seek out answer this question over two main axes (architectural education and architectural practice). Besides a general overview in the section where Le Corbusier is examined within Turkey’s architectural education, it was consulted to student opinions and it was mentioned about the topics of master’s and doctorate theses conducted as directly related to Le Corbusier. W
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Moulis, Antony. "Architecture in Translation: Le Corbusier’s influence in Australia." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.752.

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Abstract: While there is an abundance of commentary and criticism on Le Corbusier’s effect upon architecture and planning globally – in Europe, Northern Africa, the Americas and the Indian sub-continent – there is very little dealing with other contexts such as Australia. The paper will offer a first appraisal of Le Corbusier’s relationship with Australia, providing example of the significant international reach of his ideas to places he was never to set foot. It draws attention to Le Corbusier's contacts with architects who practiced in Australia and little known instances of his connections
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Serra, Juan, Jorge Llopis, Ana Torres, and Manuel Giménez. "Criterios de combinación de colores para la arquitectura en Salubra I: estudio de tonos." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.570.

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Resumen: Realizamos un nuevo estudio de las combinaciones de colores seleccionados por Le Corbusier en los ‘claviers’ para la empresa de papeles pintados Salubra en 1931, mediante su análisis en el espacio de color Natural Color System NCS, que permite comprender las variables perceptivas de los colores (tono, negrura y cromaticidad) y sus criterios de armonía. En este artículo discutimos las gamas tonales seleccionadas y aquellas que están ausentes., e intentamos desentrañar el orden subyacente en las combinaciones de colores mediante el estudio de las similitudes y contrastes de sus tonalida
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Comas, Carlos Eduardo. "MONUMENTALIZING MODERN MOBILITY." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.949.

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Abstract: The inhabitable viaduct is one of the most intriguing design proposals of Le Corbusier. Scholarly attention has focused upon the curvilinear megastructures designed for Rio de Janeiro and Algiers and their connection to the Ville Radieuse, downplaying the introduction of the inhabitable viaduct in São Paulo, and its connection with earlier proposals for Montevideo and Buenos Aires, the Plan Voisin and Ville Contemporaine, when Le Corbusier himself suggested that all these designs make up a sequence. The inhabitable viaduct has been understood as a reaction to non-European landscape a
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Pianca, Guilherme Moreno. "Le Corbusier and São Paulo – 1929: Architecture and Landscape." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.937.

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Abstract: This article looks into Le Corbusier’s urban proposal for the City of São Paulo, as formulated during his journey to South America in 1929. It highlights the relationship between Architecture and Landscape exposed by Le Corbusier’s plan. This paper sets out to investigate the analysis that the innovative Swiss architect performed of the geography and morphology of São Paulo. It contrasts to the works and plans carried out by technicians and engineers at that time. In order to explain how Le Corbusier’s treatment of nature and landscape differs from them, we study the extent to which
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Miralles Jori, Roger. "FLC 4932. Lo inesperado en la obra de Le Corbusier. Consideraciones en torno al origen de la promenade." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.976.

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Resumen: Entender la evolución de la idea de la promenade en la crítica corbuseriana. Cómo la idea ha ido pasando de la idea del movimiento al pintoresquismo, a lo cinematográfico y finalmente a la idea de montaje. Leyendo Le Corbusier entender que lo mas relevante de la promenade es la idea de lo inesperado para el espectador. Entender de dónde viene esta idea de lo inesperado a través de la formación de Le Corbusier y, sobretodo, a partir de su formación en la crítica del S.XIX. Especialmente importante para entender la idea de lo inesperado es el libro de Mornings in Florence de Ruskin, en
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Labbé, Mickaël. "« L’espace indicible »: conceptions et textualités." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.470.

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Résumé: La notion d’« espace indicible » occupe sans conteste une position centrale dans la théorie architecturale de Le Corbusier après 1945. Loin d’être un simple mot-valise ou un signifiant vide de sens, le concept d’espace indicible vise à penser le sommet de l’expérience esthétique et spirituelle dont est passible l’architecture, cela tant pour rendre compte de l’émotion plastique ressentie face aux chefs-d’œuvre du passé que pour décrire la qualité de l’expérience que l’architecte cherche à produire par ses propres œuvres. Ainsi, dans l’œuvre de Le Corbusier, l’expression « l’espace indi
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Ilias Panigyrakis, Phoebus. "Mapping the Stylistic Affiliations of Le Corbusier’s Work." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.799.

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Abstract: The paper deals with Le Corbusier’s connection to the term “style”. A classification of his work in specific architectural styles is discussed, followed by a description of the procedure through which the style of the man Le Corbusier was constructed; in an attempt to search meaning in his continual stylistic shifts and the rationale that kept his lifetime’s work and identity strongly compact when we consider him retrospectively. Resumen: El artículo trata la conexión de Le Corbusier con el término "estilo". Se discute una clasificación de su obra en estilos arquitectónicos específic
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