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Artykuły w czasopismach na temat „Literary Translingualism”

Autor: Grafiati
Data publikacji: 19 października 2024
Data aktualizacji: 31 lipca 2025

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1

Milu, Esther. "Hip-Hop and the Decolonial Possibilities of Translingualism." College Composition & Communication 73, no. 3 (2022): 376–409. http://dx.doi.org/10.58680/ccc202231872.

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Drawing on Kenyan hip-hop, this article: (1) illustrates the decolonial possibilities of translingualism, including paths to linguistic decolonization; (2) showcases how translingualism can facilitate the recovery of Indigenous hybrid languaging practices; (3) highlights how global Western capitalism threatens translingualism’s decolonial potential; and (4) offers further implications for rhetoric and writing scholars and teachers.
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Kellman, Steven G. "Literary Translingualism: What and Why?" Polylinguality and Transcultural Practices 16, no. 3 (2019): 337–46. http://dx.doi.org/10.22363/2618-897x-2019-16-3-337-346.

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The article is devoted to a comprehensive understanding of the theory of translingualism. Its author, Professor Steven Kellman, discusses the essence of the term he proposed in the context of world literature, citing numerous examples of translingual imagination. Based on the work of writers such as Joseph Conrad, Vladimir Nabokov and others, Professor Kellman demonstrates how the mechanism of intercultural and translational interaction of linguistic and extralinguistic elements works in each individual case. The theory of translingualism enriched the cycle of the humanities (from linguistics
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3

Falola, Toyin. "Nigerian Translingualism: Negotiation and Desirability of Language in Nigerian Literature." Yoruba Studies Review 7, no. 1 (2022): 1–18. http://dx.doi.org/10.32473/ysr.v7i1.131429.

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The power to communicate effectively and the politics of language were over the years intertwined, compelling writers used foreign languages to reach a wider audience, make sense of our world, describe different worlds, and create other experiences. Translingualism is also like a bridge for readers who cannot speak an author’s native language. The adoption of literary translingualism is a knotted discourse, but the texts of Wole Soyinka, Amos Tutuola, Chinua Achebe, Ben Okri, and Chimamanda Adichie reviewed to examine this loosely defined term. This essay dissects the essence of literary trans
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Kellman, Steven G. "Response to Special Issue of Journal of World Literature on Literary Translingualism." Journal of World Literature 3, no. 2 (2018): 217–24. http://dx.doi.org/10.1163/24056480-00302006.

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Abstract The articles in this special issue on Literary Translingualism by Helgesson and Kullberg, Robinson, Boyden, and Bodin all insist on language as fluid and non-discrete. What Boyden calls “amphilingualism” is a useful way to describe the porousness of languages. These and other scholars of translingualism are at odds with the ascendant nativism that is enforcing boundaries between nations and languages. Translations further problematize the sovereignty of language and national culture, and they are crucial to the process of elevating a text in the global hypercanon. What Bodin calls “he
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Kingery, Sandra. "Nimble Tongues. Studies in Literary Translingualism." Translation Review 109, no. 1 (2021): 66–68. http://dx.doi.org/10.1080/07374836.2021.1904199.

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Lei, Jing, and Serafín M. Coronel-Molina. "Delving into the translator identity from a translingualism perspective." Translation and Translanguaging in Multilingual Contexts 10, no. 2 (2024): 139–65. http://dx.doi.org/10.1075/ttmc.00131.lei.

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Abstract The theory of translingualism has been well constructed in sociolinguistics, yet it has not been applied fully to the study of literary translation and translator identity. This paper attempts to analyze the English version of Mayra Montero’s Spanish novel In the Palm of Darkness (1997) within the framework of translingualism. Through the analysis of code-meshing and code-switching events, this article focuses on the identity construction of Edith Grossman, the English translator of the novel In the Palm of Darkness. The occurrence of translingualism is attributed to the complex dynam
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Galaktionov, Semyon Sergeevich, and Zoya Grigor'evna Proshina. "Translingualism and intercultural narratives in Kiana Davenport’s “House of Many Gods”." Russian Journal of Linguistics 27, no. 1 (2023): 216–34. http://dx.doi.org/10.22363/2687-0088-33328.

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Language and culture contacts resulting from the migration of population, as well as current geopolitical and technological processes, enhance the increase of translingual works that reveal symbiotic phenomena of languages and cultures in contact. However, there are still many unsolved problems in defining the translingual discourse and linguistic devices for creating it. The article discusses intercultural narratives in a novel by Kiana Davenport, an American author of Hawaiian descent, whose literary creative translingual work is enhanced by intercultural phenomena related to the contacts of
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Trimbur, John. "Translingualism and Close Reading." College English 78, no. 3 (2016): 219–27. http://dx.doi.org/10.58680/ce201627652.

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This essay traces a branch of translingualism in US college composition to the era of open admissions, when the emergence of basic writing precipitated a new kind of reading on the part of composition teachers and a new understanding of what error or language differences might mean. It locates one of the antecedents of a translingual approach in the close reading derived from literary studies that developed out of the experience of basic writing, from Mina Shaughnessy’s Errors and Expectations to David Bartholomae’s “The Study of Error” to the present-day work of Min-Zhan Lu and Bruce Horner.
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9

Sabo, Oana. "Translingualism 2.0." Contemporary French and Francophone Studies 28, no. 2 (2024): 302–16. http://dx.doi.org/10.1080/17409292.2024.2311539.

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Sorvari, Marja. "Ylirajaiset venäläiset nykykirjailijat Suomessa." Idäntutkimus 27, no. 1 (2020): 22–37. http://dx.doi.org/10.33345/idantutkimus.91923.

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Artikkelini keskittyy kirjallisuuden ylirajaisuuteen ja erityisesti venäjänkielisiin kirjailijoihin, jotka asuvat kotimaansa ulkopuolella ja kirjoittavat muulla kuin äidinkielellään. Käsittelen kahta Suomessa asuvaa venäjänkielistä kirjailijaa, Zinaida Lindéniä ja Polina Kopylovaa, jotka kirjoittavat kaunokirjallisia tekstejä ruotsiksi ja venäjäksi sekä suomeksi ja venäjäksi. Tarkastelen, miten he lähestyvät monikielistä luomisprosessia, mitä heille merkitsee kirjoittaminen kahdella kielellä ja miten se heijastuu heidän kaunokirjallisissa teksteissään. Tarkasteluni pohjautuu kirjallisuuden yli
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11

Yakovleva, S. V. "ON LITERARY TRANSLINGUALISM (BASED ON CHINGIZ AITMATOV’S NOVEL “MOTHER EARTH”)." RUDN Journal of Language Education and Translingual Practices 14, no. 3 (2017): 499–503. http://dx.doi.org/10.22363/2312-8011-2017-14-3-499-503.

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12

Popescu-Sandu, Oana. "Translingualism as Dialogism in Romanian-American Poetry." Journal of World Literature 3, no. 1 (2018): 50–71. http://dx.doi.org/10.1163/24056480-00301005.

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Abstract This essay examines how translingual poetry by immigrant Romanian writers who live in or travel to the United States requires a transnational community framing rather than a national one and raises new questions about cultural and linguistic identity formation that reflect on both national and world literature issues. This analysis of the Romanian-American contemporary poets Mihaela Moscaliuc, Andrei Guruianu, Claudia Serea, and Aura Maru uses literary and rhetorical translingual theory to show that the “national literature” framing is no longer sufficient to address works created bet
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13

Brauer, Matthew. "Perec's Arabic: Producing Translingualism in Les revenentes." L'Esprit Créateur 59, no. 4 (2019): 54–67. http://dx.doi.org/10.1353/esp.2019.0041.

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Smith, Blake. "Translingualism in Francophone Writing from South Asia." L'Esprit Créateur 59, no. 4 (2019): 68–80. http://dx.doi.org/10.1353/esp.2019.0042.

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Edwards, Natalie. "Pia Petersen, Translingualism and Disruption." Contemporary French and Francophone Studies 28, no. 2 (2024): 217–29. http://dx.doi.org/10.1080/17409292.2024.2311523.

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Kulieva, Sheker A. "Translingual text within a meaning-generating context of Russian literature." RUDN Journal of Studies in Literature and Journalism 25, no. 4 (2020): 657–70. http://dx.doi.org/10.22363/2312-9220-2020-25-4-657-670.

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In this article, the translingual text in the aspect of its interconnection with the meaning-generating context of classical Russian literature is analyzed. The literary translingualism is defined as the phenomenon of writers who create texts in more than one language or in a language other than their primary one. This is an urgent problem for modern literary criticism, requiring an interdisciplinary approach to its study. Within the framework of translingualism theory, as the text is comprehended not only as a product of speech activity subjected to structural preparation. It turns into a zon
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17

Martyn, David. "Genius, Idiotism, Translingualism: Maimon and Kant." MLN 136, no. 3 (2021): 587–99. http://dx.doi.org/10.1353/mln.2021.0041.

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Mohammad Ali. "Sociolinguistic Dimensions in E.M. Forster’s A Passage to India: Linguistic Imperialism and Translingualism." International Journal of Science and Research Archive 14, no. 3 (2025): 1014–16. https://doi.org/10.30574/ijsra.2025.14.3.0793.

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E.M. Forster’s A Passage to India (1924) serves as a critical literary artifact that reflects the sociolinguistic realities of British colonial rule in India. This paper examines the novel through the lenses of linguistic imperialism and translingualism, exploring how language functions as both a tool of power and a means of resistance. By analyzing dialogues, narrative structures, and character interactions, this study elucidates the complex interplay between English and indigenous languages in colonial discourse.
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19

Sorvari, Marja. "Altering language, transforming literature: Translingualism and literary self-translation in Zinaida Lindén’s fiction." Translation Studies 11, no. 2 (2017): 158–71. http://dx.doi.org/10.1080/14781700.2017.1399820.

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Gwiazda. "Ghosts and Anchors: Translingualism in Contemporary U.S. Poetry." Criticism 63, no. 3 (2021): 255. http://dx.doi.org/10.13110/criticism.63.3.0255.

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De los Santos, René Agustín, Tatiana Galvan de la Fuente, Saúl González Medina, and Priscilla Nuñez Tapia. "Revealing the Educational Experiences of Los Otros DREAMers." College Composition & Communication 72, no. 2 (2020): 172–97. http://dx.doi.org/10.58680/ccc202031034.

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We focus on the binational educational lives of Otros DREAMers students to address Keith Gilyard’s insistence that if translingualism is to become an attractive alternative to scholars invested in combating pernicious language instruction, it must promote analyses that don’t overlook or devalue the struggles of traditionally underrepresented groups.
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22

이유혁. "Language, Aesthetics, Creativity: A Study of Literary Translingualism in Ha Jin’s A Free Life." Jungang Journal of English Language and Literature 57, no. 3 (2015): 371–96. http://dx.doi.org/10.18853/jjell.2015.57.3.019.

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Nikonova, Natalia, and Yulia Tikhomirova. "The father of Russian Romanticism’s literary translingualism: Vasilii Zhukovskii’s German compositions and self-translations." Translation Studies 11, no. 2 (2018): 139–57. http://dx.doi.org/10.1080/14781700.2018.1434085.

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Ostashevsky, Eugene. "Translingualism: A Poetics of Language Mixing and Estrangement." boundary 2 50, no. 4 (2023): 171–94. http://dx.doi.org/10.1215/01903659-10694267.

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Abstract This essay attempts to think through what a “translingual” poetics might be like for contemporary poetry. Its first section discusses the term translingual as it is used in some areas of applied linguistics. The second section constructs an imaginary scenario where a poem employs more than one language and examines the relations between them. The third section asks whether the term translingual poetry might be used to refer not just to language-mixing but rather to a special way of handling even a single language. The fourth section tries to think of “translingual poetry” as one where
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25

Loda, Alice. "“Surging Tide at Dusk”: Translingual Poetics between Italy and Australia." Journal of Literary Multilingualism 2, no. 2 (2024): 190–221. http://dx.doi.org/10.1163/2667324x-20240203.

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Abstract This study delves into the realm of translingual poetics by examining the works of two Italian-Australian authors: Paolo Totaro and Enoe Di Stefano. Having migrated to Australia at different times—Di Stefano in 1949 and Totaro in 1963—both authors have developed remarkable literary paths that foreground their ability to move fluidly across different languages and cultures. This research adds to the ongoing critical discourse surrounding the relational and transformative nature of translingual writing, which has gained increasing recognition in literary scholarship. More specifically,
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Feshchenko, Vladimir. "Translingualism in “Migrating” Russian Poetry: From Mnatsakanova to Contemporary Practices." Novoe literaturnoe obozrenie, no. 5 (2022): 303–16. http://dx.doi.org/10.53953/08696365_2022_177_5_303.

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Dianova, Ljudmila P. "Translingual Poetry by Bakhyt Kairbekov." Polylinguality and Transcultural Practices 20, no. 3 (2023): 524–34. http://dx.doi.org/10.22363/2618-897x-2023-20-3-524-534.

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The article is devoted to the analysis of a translingual literary text, which is a methodologically complex object of study due to its belonging to two (or more) linguocultural fields. The theory of translinguism is an actual course of interdisciplinary research, the problems of which affect the features of the creation and functioning of a text created by the author in a language that is not ethnically primary for him. A brief review of theoretical works devoted to the scientific concept of “translingualism” is given. On the material of individual poems by B. Kairbekov from the poetic collect
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Lazzari, Gabriele. "Place-Based Translingualism, Identity, and the Contemporary World Literary Space: Jhumpa Lahiri’s Turn to Italian." Comparative Literature Studies 60, no. 2 (2023): 312–35. http://dx.doi.org/10.5325/complitstudies.60.2.0312.

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ABSTRACT This article discusses Jhumpa Lahiri’s recent turn to Italian through a formal and linguistic analysis of the creative and editorial projects she has undertaken in the last decade. By analyzing the author’s trajectory from In Other Words (2016) to Whereabouts (2021) and by discussing two short stories she has published in the interval between her linguistic autobiography and her first Italian novel, the article argues that Lahiri’s aesthetic and political concerns have transitioned from a utopian search for cosmopolitan encounters to a sharper attention to place-making and grounded re
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Kondratieva, Natalya V., and Natalia V. Ilina. "“We Post and Post, and Others Will Come to Like Us...”, or Translingual Practices in B. Anfinogenov’s Poetry." Polylinguality and Transcultural Practices 20, no. 2 (2023): 334–45. http://dx.doi.org/10.22363/2618-897x-2023-20-2-334-345.

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The article deals with the study of translingual practices in the works by the Udmurt poet B.V. Anfinogenov. The interest to the questions of transcultural literature is due to the importance of research in cultural diversity of multilingual regions of Russia. The methodological basis of the article is the linguistic analysis of a literary text, synthesis-generalization of the achievements of modern literary criticism, structural analysis of a poetic text, etc. The collection of poetic texts by B. Anfinogenov “Dz’ikya Promo” (2023) is used as the material for analysis. Based on the analysis, t
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Lvovich, Natasha. "Translator and Translated Twice Removed: Multilingual Selfhood in Rabih Alameddine's An Unnecessary Woman." CounterText 7, no. 2 (2021): 251–62. http://dx.doi.org/10.3366/count.2021.0232.

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This article analyses the novel An Unnecessary Woman (2013) by the American-Lebanese writer Rabih Alameddine from the perspective of multilingual selfhood, echoing Borges's vision of ‘writing as translation’ as it expands to considerations of literary translingualism. The narrator/protagonist of the novel, Aaliya Saleh, is a translator whose main occupation is translation into Arabic from the existing English and French translations: from literary West into East. The significance of the author's creative choice of what is referred to as a twice-removed translator is explored with the following
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King, Gemma. "Translingualism and Race Passing in Samba: On Fantasies of Migrant Identity in Contemporary France." L'Esprit Créateur 59, no. 4 (2019): 84–108. http://dx.doi.org/10.1353/esp.2019.0044.

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Tchemodanova, Sofiya Mariya V. "Writer’s Bilingualism and Biculturalism: Nicholas Kotar’s Mythopoetic Literary Works." Polylinguality and Transcultural Practices 20, no. 3 (2023): 515–23. http://dx.doi.org/10.22363/2618-897x-2023-20-3-515-523.

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This article examines the matter of bilingualism and biculturalism of bilingual authors analyzing the literary work of Nicholas Kotar, an American bilingual writer who is a descendant of the first-wave of Russian émigrés. The relevance of this topic stems from a growing interest among scholars of bilingual studies in researching the features of bilingual writers who efficiently use two languages and two cultures to create literary images and express their ideas, leading to translingualism and transculturalism in their work. The article analyzes how bilingualism and biculturalism of Nicholas Ko
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Hansen, Julie. "Translating the translingual text." Contexts of Russian Literary Translation 11, no. 1 (2016): 100–117. http://dx.doi.org/10.1075/tis.11.1.06han.

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This article examines strategies applied in selected passages of Elena Petrova’s Russian translation of Olga Grushin’s anglophone novel The Dream Life of Sukhanov (2005). The novel is set in Moscow during the late Soviet period and depicts a crisis precipitated by the changes brought by glasnost in the life of a loyal apparatchik. Although the Russian-American writer Grushin composed the novel in her adopted language of English, it reflects a Russian cultural subtext and contains numerous Russian linguistic elements and cultural allusions. It is therefore interesting to analyze how these eleme
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Ostashevsky, Eugene. "L≠A≠N≠G≠U≠A≠G≠E: Puns and Translation in Translingual Poetry1." Journal of Literary Multilingualism 3, no. 1 (2025): 160–71. https://doi.org/10.1163/2667324x-20250112.

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This Forum, appearing in each issue of the Journal of Literary Multilingualism, aims to continue the conversation started in the very first issue, where we collected articles which assessed and debated the field of Literary Multilingualism Studies. The Forum is a space for shorter, more informal reflections on the field and its future: position papers, dialogues between scholars, roundtable discussions, responses to articles within the journal, and responses to recent multilingualism conferences or events. We welcome proposals for contributions, particularly from marginalized perspectives or o
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De Donno, Fabrizio. "Translingual Affairs of World Literature." Journal of World Literature 6, no. 1 (2020): 103–22. http://dx.doi.org/10.1163/24056480-20201005.

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Abstract This essay explores a number of texts of the exophonic, or non-native literary production, respectively in Italian and German, of translingual authors Jhumpa Lahiri and Yoko Tawada. While the paper looks at how their dominant languages, respectively English and Japanese, continue to play a role in these writers’ non-native production, it focuses on the different approaches the two authors adopt to translingualism and the “linguistic family romance” metaphor, which they equally employ in highly imaginative ways in order to address both their condition of rootlessness and their attitude
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Lebedeva, Ekaterina S., and Zoya G. Proshina. "Translingualism and transculturalism beyond fiction works (based on articles and book reviews by Olga Grushin)." Philological Sciences. Scientific Essays of Higher Education 2, no. 6 (2020): 273–79. http://dx.doi.org/10.20339/phs.6-20.273.

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The article discusses the literary creative works of the Russian-American author Olga Grushin in the framework of translingual and transcultural transformations typical of this author and her language. The author’s individual style has been influenced by two cultures — Russian, the home culture in which the author has grown and which she absorbed, and American culture in which Olga Grushin succeeded as a writer and whose language she uses in her creative writings. The goal of our research is to analyze linguistic features of Grushin’s short essays and book reviews written for international mag
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Galaktionov, Semyon S., and Zoya G. Proshina. "Patricia Grace’s “Potiki”: Indigenous Māori Narrative Through the Lens of the Transculturalism Theory." Polylinguality and Transcultural Practices 19, no. 4 (2022): 637–49. http://dx.doi.org/10.22363/2618-897x-2022-19-4-637-649.

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The article examines the identity and work of Patricia Grace, a New Zealand writer of the Māori Renaissance period. Her fate echoes the life stories of many indigenous Māori people with mixed origins, and in regards to that it is interesting to see how this aspect of her existence was reflected in the works she created. Within the framework of this study, Grace’s identity and her literary style are analyzed from the standpoint of theory of translingualism and transculturalism. Particular attention is paid to the criticism and reception of Grace’s work in the literary community and to the devel
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Brown, Tessa. "What Else Do We Know? Translingualism and the History of SRTOL as Threshold Concepts in Our Field." College Composition & Communication 71, no. 4 (2020): 591–619. http://dx.doi.org/10.58680/ccc202030726.

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This article uses storytelling, rhetorical analysis, and critical historicization to critique the color-blindness of the writing studies movement’s two key texts, Elizabeth Wardle and Douglas Down’s Writing about Writing reader and Linda Adler-Kassner and Wardle’s edited collection Naming What We Know. Juxtaposing the writing studies movement with contemporary translingual and hip-hop theory as well as the history of the Students’ Right to Their Own language resolution and CUNY’s Open Admissions period, the author argues that the writing studies movement’s pivot toward neoliberalizing higher e
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Dooley, Lauren. "‘Across Languages: Translingualism in Contemporary Women’s Writing’, IMLR, 30–31 May 2019." Journal of Romance Studies 19, no. 3 (2019): 539–44. http://dx.doi.org/10.3828/jrs.2019.36.

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Semenova, Marina. "Spanglish ecolinguistic environment as a means of sustainable development." E3S Web of Conferences 363 (2022): 04033. http://dx.doi.org/10.1051/e3sconf/202236304033.

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Sustainable development of multicultural communities affected by translingualism has gained a special importance with the recognition of mixed languages within the framework of ecolinguistical methodology, which considers language communities as ecosystems. The paper aims at the ecolinguistic analysis of the relationship between language and its environment. The study implies the dual nature of language ecology (physiological and social) and the fact that the ecology of the language depends on people studying and using it, transmitting the language to others. The extensive use Spanglish is pro
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Sulaiman, Wirda Syaheera, and Shin Yi Chew. "Covid to Beat: Creative Intermingling of Translingualism in Comic If Malaysia was Anime: Covidball Z." 3L The Southeast Asian Journal of English Language Studies 29, no. 1 (2023): 17–32. http://dx.doi.org/10.17576/3l-2023-2901-02.

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Santos de Souza, Livia. "A tradução como mediação cultural: as traduções da obra de Junot Diaz." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 273–300. http://dx.doi.org/10.5007/2175-8026.2019v72n2p273.

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This article has as its object the translations of the Dominican American writer Junot Díaz to Spanish, with special emphasis on the work of the Cuban-born translator Achy Obejas. Author of a short but remarkable work, Díaz elaborates his narratives in a variety of English that often incorporates elements of Spanish. His writing poetics includes the lexicon of Caribbean Spanish and syntactic structures and proper rhythm of his native language, which results in a strongly hybrid text. The translation of this text into a language that is so intensely present in the original is a challenge. To un
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Trendel, Aristi. "Steven G. Kellman and Natasha Lvovich (eds.), The Routledge Handbook of Literary Translingualism. New York: Routledge, 2022. isbn 9780367279189. 426pp. $US 250." Journal of Literary Multilingualism 1, no. 1 (2023): 138–41. http://dx.doi.org/10.1163/2667324x-20230110.

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Chemodurova, Zinaida M. "The mechanisms of representing transcultural authorial modality in 20th–21st century translingual fiction." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 92 (2024): 133–58. https://doi.org/10.17223/19986645/92/7.

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The article addresses the issue of constructing and interpreting fiction created by bilingual writers in what is known as "postmonolingual era". The translingual turn in modern philology accounts for the fast growing interest in literary translingualism as an interdisciplinary area of research carried out by cognitive linguists, sociolinguists, narratologists, literary scholars, and stylisticians all over the world. The article hypothesizes transcultural authorial modality as a constituent textual property of translingual fiction and offers its definition as a special kind of authorial modalit
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Wanner, Adrian. "A Forgotten Translingual Pioneer: Elizaveta Kul’man and her Self-Translated Poetry." Polylinguality and Transcultural Practices 16, no. 4 (2019): 562–79. http://dx.doi.org/10.22363/2618-897x-2019-16-4-562-579.

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Elizaveta Borisovna Kul’man (1808-1825) is a unique figure in the history of Russian literature, or more precisely, the history of Russian, German, and Italian literature. A child prodigy with formidable linguistic gifts, Kul’man stands out both with her polyglot prowess and outsized literary productivity. At the time of her premature death at age seventeen, Kul’man left behind a vast unpublished oeuvre in multiple languages. The edition of her works published by the Imperial Russian Academy in 1833 contains a trilingual compendium of hundreds of parallel poems written in Russian, German, and
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Maessen, Francine, Bibi Burger, and Mathilda Smit. "In-between spaces in Klara du Plessis’s Ekke: Identity, language and art." Tydskrif vir Letterkunde 59, no. 1 (2022): 7–13. http://dx.doi.org/10.17159/tl.v59i1.13298.

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In this review article, we focus on the depiction of the transnational and translingual as a state of being in-between in Klara du Plessis’s debut poetry collection, Ekke (2018). This in-between state has implications for how identity, place and visual art feature in the collection. Ekke contains fragments of German and French, but consists mainly of English interspersed with Afrikaans. The creation of meaning through this linguistic slippage reflects the idea of identity as always in-process that comes to the fore throughout the collection. Ekke also represents an intervention in South Africa
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Roguska-Németh, Magdalena. "W spadku po rodzicach." Politeja 18, no. 1(70) (2021): 99–110. http://dx.doi.org/10.12797/politeja.18.2021.70.08.

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Inherited from Parents: Identity Reconstruction Processes in the Narratives of Translingual Writers of Hungarian Origin Translingualism in the context of literature is a phenomenon that describes the works of authors who do not write in their mother tongue. Their works are narratives that transcend the boundaries of cultures and literary conventions and, as such, are not easily definable and analyzable. This fact is often the reason why their works are marginalized. The article is an analysis of works written by two authors of Hungarian origin. The first one, Viviane Chocas, writes in French,
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Duché, Véronique. "Early Modern Translingualisms." L'Esprit Créateur 59, no. 4 (2019): 12–25. http://dx.doi.org/10.1353/esp.2019.0038.

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Sgaglione, Andreina. "Health Literacy, Migration Traumas, Narrative Medicine and the Language Desk. New practices in translingualism and educational processes." Italianistica Debreceniensis 29 (April 15, 2024): 77–94. http://dx.doi.org/10.34102/itde/2023/14224.

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Health literacy (HL) is a complex field encompassing a range of public health education and communication activities that are crucial for interacting with the health care system. In a sustainable world, future healthcare must be accessible to all, and we must ensure that people from migrant backgrounds have got the resources to manage their health. Inequalities in immigrants’ health profiles, a sign of ineffective integration policies, could be mitigated by improving HL levels. The aim of the study was to investigate the space given to HL within formal immigrant learning contexts; the study fe
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Bayanbayeva, А. A., A. S. Demchenko, Zh A. Bayanbayeva, and А. К. Kaliyeva. "INTERACTIVE STRATEGIES FOR ANALYZING G. BELGER’S NOVELS." Keruen 77, no. 4 (2022): 152–62. http://dx.doi.org/10.53871/2078-8134.2022.4-12.

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This article discusses interactive strategies for analyzing G. Belger's novels. The writer's works are presented in the aspect of ideological and substantive strengthening of interethnic harmony and tolerance of the peoples of Kazakhstan. Understanding these aspects is the key to successful intercultural cooperation, the result of which is the peace and well-being of the peoples of our country. Kazakhstan is a Eurasian country, a bridge between diverse cultural, political and economic spaces. The work of Gerold Belger convincingly proves that for many decades a special semiosphere has been for
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