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Gotowe bibliografie tematyczne / Literature, Modern, in art / Artykuły w czasopismach

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Artykuły w czasopismach na temat „Literature, Modern, in art”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Matthews, John. "Introduction: Modern and Post-Modern Arthurian Literature." Arthuriana 9, no. 1 (1999): 3–4. http://dx.doi.org/10.1353/art.1999.0033.

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2

Hammond, Marlé. "Reading Across Modern Arabic Literature and Art." Middle Eastern Literatures 18, no. 1 (2015): 102–3. http://dx.doi.org/10.1080/1475262x.2015.1075287.

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3

Shamsuddin, Salahuddin Mohd, and Siti Sara Binti Hj Ahmad. "Theatrical Art in Classical European and Modern Arabic Literature:." International Educational Research 1, no. 1 (2018): p7. http://dx.doi.org/10.30560/ier.v1n1p7.

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No doubt that Classical Arabic Literature was influenced by Greek Literature, as the modern Arabic literature was influenced by European Literature. The narrative poetry was designed for the emergence of theatrical poetry, a poetry modeled on the model of the story with its performance in the front of audience. This style was not known as Arabic poetry, but borrowed from the European literatures by the elite of poets who were influenced by European literatures looking forward to renew the Arabic poetry. It means that we use in this article the historical methodology based on the historical rel

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4

Bandrovska, Olha T. "THE AESTHETIC REGIME IN THE MODERN ERA: ART AND DISCOURSE ON ART." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 9–21. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-1.

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The article traces the changes in the aesthetic conventions of Modern art in accordance with the dynamics of literary development in Great Britain. The study focuses on three key areas: the impact of “the ancients and moderns” quarrel on European philosophical and literary thought; the nuances of critical and literary discourse in Enlightenment-era Great Britain; and the reception of the Enlightenment aesthetic values and novelties in Victorian criticism, linking them to the emergence of twentieth-century modernism. The subject involves the evolution of Enlightenment aesthetics and poetics in

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5

de Oliveira, Celso Lemos. "Brazilian Literature and Art: From Colonial to Modern." Hispania 75, no. 4 (1992): 988. http://dx.doi.org/10.2307/343866.

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6

Månsson, K. G. W. "Urology in modern/contemporary music, literature and art." European Urology Supplements 18, no. 1 (2019): e1284. http://dx.doi.org/10.1016/s1569-9056(19)30928-5.

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7

Perini Folesani, Giovanna. "Forging Historical Truth: Samples from Early Modern and Modern Italian Art Literature." Actual Problems of Theory and History of Art 14 (October 11, 2024): 357–66. https://doi.org/10.18688/aa2414-5-28.

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Drawing mostly on a number of factual and methodological contributions I have published over the years on the fabrication of visual and verbal documents in art history and/or on their interpretative manipulation, I provide a brief survey of case studies where documented facts clash against received but unsubstantiated wisdom. The sampling will be centered on Bolognese art and art literature from the 16th through to the 18th centuries. It will include the questioning of the assumed and yet unproven close relations between Cardinal Gabriele Paleotti’s pastoral and theological attitude and the Ca

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8

Povey, John, Robert Goldwater, and Katia Samaltanos. "Primitivism in Modern Art." African Arts 20, no. 3 (1987): 14. http://dx.doi.org/10.2307/3336470.

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9

Foster, Hal. "Archives of Modern Art." October 99 (January 2002): 81–95. http://dx.doi.org/10.1162/016228702317274648.

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10

Barkan, Leonard. "Making Pictures Speak: Renaissance Art, Elizabethan Literature, Modern Scholarship." Renaissance Quarterly 48, no. 2 (1995): 326–51. http://dx.doi.org/10.2307/2863068.

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Some Often Quoted Lines from Sidney's Apology for Poetry can stand both as a piece of literary history in themselves and as a methodological guide for the study of that history: “Poesy therefore is an art of imitation: for so Aristotle termeth it in the word mimesis, that is to say, a representing, counterfeiting, or figuring forth—to speak metaphorically, a speaking picture.“1 It is one of the most famous of all definitions of poetry, and like many other such definitions—Plato's in the Republic, Horace's in the Ars Poetica2- —it arrives at saliency by drawing an analogy to the visual. More su

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11

Hasanova, Lala. "Intermediality of modern art-documentary prose: “literature and music”." Scientific Bulletin 4 (2019): 113–19. http://dx.doi.org/10.54414/gzhh2184.

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This article is devoted to the problems of intermediality in artistic and documentary works. This problem was studied on the basis of the analysis of the works of Anar “Without you”, “Like Kerem” (a novel-reflection on the work of Nazim Hikmet), Ali Amirli “What did I leave in Agdam?”. It is noted that the authors turn to music in different cases, sometimes to recreate the atmosphere of the era, but mainly to recreate the complex psychological state of the characters.

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12

Hasanova, Lala Tofig. "Intermediality of modern art-documentary prose: "Literature and Music”." Scientific Bulletin 2 (2021): 79–85. http://dx.doi.org/10.54414/ikjq8371.

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The article is devoted to the problems of intermediality in artistic and documentary works. This problem was studied on the basis of the analysis of the works of Anar “Without you”, “Like Kerem” (a novel-reflection on the work of Nazim Hikmet), Ali Amirli “What did I leave in Agdam?”. It is noted that the authors turn to music in different cases, sometimes to recreate the atmosphere of the era, but mainly to recreate the complex psychological state of the characters.

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13

Cort, John E. "Religion, Art, Literature, and Society in Early Modern Rajasthan." History of Religions 64, no. 2 (2024): 109–28. https://doi.org/10.1086/732263.

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14

Ulicka, Danuta. "Między światami. Rzeczywistość w literaturze – literatura w rzeczywistości – rzeczywistość literatury." Przestrzenie Teorii, no. 28 (May 8, 2018): 21–75. http://dx.doi.org/10.14746/pt.2017.28.1.

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The author attempts to reconstruct a short history of modern Polish literary studies not from the perspective of schools or methodological orientations that are usually applied, but from the perspective of what is known in sociology as cultural themes. This point of view offers the opportunity to (re)construct the process of continuity /discontinuity in the whole field of research focused on the problem of reference, which has been recognized as the most important one in Polish studies (as well as in Polish literature, and art) since its beginning in the first decade of the 20th century. In th

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15

Goux, Jean-Joseph, Michele Sharp, Philippe Lacoue-Labarthe, and Lionel Richard. "Politics and Modern Art. Heidegger's Dilemma." Diacritics 19, no. 3/4 (1989): 10. http://dx.doi.org/10.2307/465385.

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16

Pahomov, George S. "Essential Perception: Čechov and Modern Art." Russian Literature 35, no. 2 (1994): 195–202. http://dx.doi.org/10.1016/0304-3479(94)90032-9.

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17

Suzryukova, Elena. "PATRON SAINTS OF GEORGIA IN MODERN ORTHODOX WRITERS’ LITERATURE." Проблемы исторической поэтики 18, no. 4 (2020): 348–63. http://dx.doi.org/10.15393/j9.art.2020.8762.

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Semantics and functions of images that represent Georgia’s patron saints are examined in this article as exemplified in the Georgian Rhapsody, a collection of stories by O. Nikolayeva, stories by M. Saradzhishvili (from the books Do not rush to condemn and Next to you), Exile, a short story by V. N. Lyalin, and Wonderful journey to Orthodox Georgia by O. Rozhneva. Referring to episodes from the hagiography of Georgian saints in the texts in question allow us to trace the spiritual history of Georgia since the time of adoption of Christianity. The detailed list of saints is present in the books

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18

Thompson, Raymond H. "The King Arthur Myth in Modern American Literature by Andrew E. Mathis." Arthuriana 12, no. 4 (2002): 104–5. http://dx.doi.org/10.1353/art.2002.0012.

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19

Sovhyra, Tetiana. "Digital Technologies in Modern Visual Art." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 65–71. https://doi.org/10.31866/2410-1176.42.2020.207634.

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The purpose of the article is to analyse the modern visual digitally created artworks, to find out the particularity of their application and to identify the relations between traditional and innovative methods in modern painting; to consider the method of applying paint and the functional component of 3D printing in the process of paintings “production”. The research methodology is a complex of several methods: analytical – to examine the historical literature and literature on the art studies, theoretical and conceptual method – to characterise the terminological syst

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20

Ullan, Ana M., and Manuel H. Belver. "The Meanings of Modern Art." Empirical Studies of the Arts 17, no. 1 (1999): 25–35. http://dx.doi.org/10.2190/ck2m-dy80-4xpj-ccgc.

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21

Ritchie, J. M., Edward Timms, and David Kelley. "Unreal City: Urban Experience in Modern European Literature and Art." Modern Language Review 82, no. 2 (1987): 431. http://dx.doi.org/10.2307/3728441.

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22

Cohen, Michael, Edward Timms, and David Kelley. "Unreal City: Urban Experience in Modern European Literature and Art." South Central Review 4, no. 1 (1987): 152. http://dx.doi.org/10.2307/3189612.

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23

Clarke, I. F. "Unreal city: Urban experience in modern European literature and art." Cities 3, no. 4 (1986): 363–64. http://dx.doi.org/10.1016/0264-2751(86)90086-7.

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24

Sherzodovna, Uzakova Gulbakhor. "Folk Motives in Modern Russian Literature." Tuijin Jishu/Journal of Propulsion Technology 44, no. 4 (2023): 4249–53. http://dx.doi.org/10.52783/tjjpt.v44.i4.1656.

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The article discusses folklore motifs in modern Russian literature, the use of folklore elements in their various genres, as well as issues of enriching literature with folklore elements. The main goal of the study is to show not only folklorists but also professional readers the trends of modern literature. As Academician D.S. Likhachev noted, works that do not have an author are called folklore works. In folklore, there may be a performer and a storyteller, but there is no author or writer as a unique element of the artistic structure. Folklore, like literature, is the art of words. This giv

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25

Loughery, John. "Subject Matter in Modern Art." Hudson Review 51, no. 2 (1998): 386. http://dx.doi.org/10.2307/3853074.

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26

STRĂUȚIU, Eugen. "Art and society in modern Sibiu." Dialogica 2 (August 15, 2020): 111–21. https://doi.org/10.5281/zenodo.3978114.

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The cultural chronology of Sibiu cannot overlap with the political chronology of Romania or the principality of Transylvania, having its own criteria and benchmarks regarding the beginning and end of an era. Thus, the modernity of Sibiu is similar to the period of expression of the Baroque current, imposed locally after the conquest of the city by the Habsburg Empire (1787) and declined in the decades before the revolution of 1848. The Sibiu Baroque, of Viennese expression, was fully manifested in architecture, painting, theater, sculpture and literature – through personalities educated

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27

Nizomova, Shoxista Shodiyevna. "Images In Modern Uzbek Poetry." Psychology and Education Journal 58, no. 1 (2021): 754–58. http://dx.doi.org/10.17762/pae.v58i1.824.

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Like other forms of art, fiction reflects the mental state and thoughts of the people in it. Life always consists of people’s lives, work activities, struggles, emotions, experiences. The descriptive theme of literature is, first and foremost, man. There is no image of man, and there is no fiction where it is not intended. Accordingly, the concept that occupies a central place in the science of literature is also the concept of the image hero. The concept of image has a wide and narrow meaning. While the concept of emblem in the broadest sense represents a landscape of life in which the though

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28

Morris, Daniel. "Book Review: Reconfiguring Modernism: Explorations in the Relationships Between Modern Art and Modern Literature." MFS Modern Fiction Studies 44, no. 2 (1998): 438–41. http://dx.doi.org/10.1353/mfs.1998.0042.

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29

Mathis, Andrew E. "The Grail Legend in Modern Literature. Arthurian Studies LIX by John B. Marino." Arthuriana 16, no. 1 (2006): 79–80. http://dx.doi.org/10.1353/art.2006.0015.

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30

Katkova, Irina R., and Ahamad Fauzan. "Sufism and the Modern: Mystical Conceptions in Islamic Science and Art." RADEN INTAN: Proceedings on Family and Humanity 2, no. 1 (2025): 1–9. https://doi.org/10.47352/3032-503x.49.

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Sufism in Islam is considered an ancient artifact due to its long-standing presence. Moreover, Sufism, known as mysticism in Islam, is considered illogical and irrelevant to modern science and art. This article aims to unveil the mystical concepts of Islam in modern science and art. This article uses a qualitative method, the type of article is a literature review, which analyzes in depth related to the literature of mystical conceptions in Islamic science and art. The approach used is a normative study. Data sources are obtained from literature sources related to mysticism in Islam. The resea

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31

Dickerman, Leah. "Diaspora Modern." October, no. 186 (2023): 113–36. http://dx.doi.org/10.1162/octo_a_00501.

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Abstract Diaspora is a defining condition of the history of the past century, a prehistory to our disastrous moment in time and also the foundation of our political landscape. Yet it is notably absent in much art-historical discussion of modernism, despite the fact that the experiences of diaspora and migration are often embedded in the lives of modernist artists and other actors; in the formations, networks, and dispersals of modernist institutions and group affiliations; and in the deployment of characteristically modernist artistic strategies (temporal fragmentation, collage, montage, and t

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32

BAYRAK, Tekin, and Tolga ŞENOL. "TÜRK KÜLTÜRÜNE AİT BİRER KÜLTÜREL MİRAS OLAN SEMBOLLERİN TÜRKİYE’DE MODERN SANAT VE SONRASI DÖNEMDE RESİM SANATINDA KULLANILMASI." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 33 (2022): 57–69. http://dx.doi.org/10.31567/ssd.725.

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It is thought that in the 20th century and later period, the paintings in which the symbols of Turkish culture are used do not take place sufficiently in the literature. In this context, it is important to support the production of works within the relevant framework and to increase the recognition of existing ones. The aim of this study; To explore, understand and interpret the use of symbols, which have an important place in Turkish culture, in modern art and post-painting art in Turkey in terms of form-meaning relationship. The study was carried out according to the hermeneutic pattern in l

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33

Frojmovic, Eva. "Jewish Identity in Modern Art History." Journal of Jewish Studies 52, no. 1 (2001): 188–89. http://dx.doi.org/10.18647/2337/jjs-2001.

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34

Zagidullina, Daniya. "Tatar literature at the turn of the XX–XXI centuries: transformation of realism." Przegląd Wschodnioeuropejski 9, no. 1 (2018): 309–20. http://dx.doi.org/10.31648/pw.3441.

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The scientific novelty of work consists in the appeal to modern Tatar literary process which remains almost not investigated. The choice for the analysis of works of the Tatar literature has been caused, first of all, by the novelty of their esthetic concept. Relevant texts of the Tatar prose writers in the development plan for national art of literature are considered, the main vectors of the movement of historico-literary process are traced. As a result of the conducted research, the art and esthetic nature of the realism in modern Tatar prose incorporating elements of other art systems is e

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35

Yasui, Michael. "Towards a New Poetics: Splintered Genre of Form in English Language Literature." Mendor Independent 33, no. II (2023): 101–10. https://doi.org/10.5281/zenodo.8089380.

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<em>This discussion attempts to examine why some attempts of creative writing are categorized as Literature while other attempts are relegated to being mere fiction. The discussion posits that the act engaging in this form of art results in the construction and consumption of artifice. Furthermore, discussion of the artifice has produced false conclusions in scholarship. The discussion is intended to be a part of the forthcoming work “Towards a New Poetic”, and the discussion is by no means complete. This selection merely contains the ideas that have been developed.</em>

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36

Gintere, Ieva. "ART SPACE: AN EXPERIMENTAL DIGITAL ART GAME." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 5 (May 20, 2020): 649. http://dx.doi.org/10.17770/sie2020vol5.4817.

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The article examines the discourse concerning modern game theory and suggests a new method of research and knowledge transfer in the field of digital art game creation. The method is embodied in the new game Art Space that utilizes current research results in the field of contemporary aesthetics. Art Space is an experimental digital game that is being created in collaboration between researcher, Dr.art. Ieva Gintere (Vidzeme University of Applied Sciences, Latvia) and the game artist, Mag.art. Kristaps Biters (Liepāja University, Latvia) within the framework of a post-doctoral project. The con

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37

Li, Xin. "The Modern Transformation of Traditional Literature and Art under the Background of Cultural Confidence." SHS Web of Conferences 200 (2024): 02009. http://dx.doi.org/10.1051/shsconf/202420002009.

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Various cultural forms and expressions are facing unprecedented challenges and opportunities due to globalization and accelerated modernization. Chinese cultural confidence, as a national strategy and spiritual pursuit, plays a significant role in promoting the traditional Renaissance and modern transformation. The purpose of this article is to investigate the modern transformation path and practical methods of traditional Chinese literature and art within the context of cultural confidence. Through an in-depth analysis, the article points out that to achieve the modernization transformation o

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38

Maio, Eugene A. "Tiempo De Silencioand the Aesthetics of Modern Art." Critique: Studies in Contemporary Fiction 30, no. 3 (1989): 155–62. http://dx.doi.org/10.1080/00111619.1989.9937869.

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39

Gualtieri, E. "The Impossible Art: Virginia Woolf on Modern Biography." Cambridge Quarterly 29, no. 4 (2000): 349–61. http://dx.doi.org/10.1093/camqtly/29.4.349.

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40

Mohd Abdul Ghani, Khairunnisa, Sharmiza Abu Hassan, Haslinda Abd Razak, Siti Nur Izaura Mohd Razis, and Siti Hawa Kasim. "A Study of ‘Pantuns’ in The Modern Malaysian Art." International Journal of Art & Design 1, no. 1 (2019): 39–45. http://dx.doi.org/10.24191/ijad.v1i1.2654.

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The visual artwork functions as a delivery platform in expressing personal thoughts of an artist. The classical Malay literature has gained the attention of several Malaysian artists in their painting artworks since the 1960s. The Pantun as a traditional genre of poems becomes one of the major interests among the artists. The objective of this paper is to conduct an academic study on the forms and meanings of pantuns in the painting artworks by artists such as Mohd Tajuddin Gendut and Ramli Salleh. Content analysis is the methodology used in examining the artworks which focus on the formalisti

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41

Rybakowski, Janusz. "Lithium therapy in literature and art." Pharmacotherapy in Psychiatry and Neurology 36, no. 4 (2021): 271–84. http://dx.doi.org/10.33450/fpn.2020.12.002.

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Introduction. In 1949, Australian psychiatrist John Cade described a therapeutic action of lithium carbonate in mania. This date is regarded as an introduction of lithium into contemporary psychiatric therapeutics and the beginning of modern psychopharmacology. In the early 1960s, a prophylactic activity of lithium was observed, preventing recurrences of affective episodes in mood disorders. Lithium has become a prototype of the mood-stabilising drugs and remains a drug of the first choice for the prophylaxis of recurrences in bipolar mood disorder. Literature review. Both the introduction of

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42

Harty, Kevin J. "From Camelot to Obamalot: Essays on Medieval and Modern Arthurian Literature (review)." Arthuriana 22, no. 1 (2012): 128. http://dx.doi.org/10.1353/art.2012.0004.

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Classen, Albrecht, Jeff Persels, and Russell Ganim. "Fecal Matters in Early Modern Literature and Art: Studies in Scatology." Sixteenth Century Journal 36, no. 4 (2005): 1105. http://dx.doi.org/10.2307/20477598.

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Ignatova, I. B. "Author’s column on literature in the system of modern art-columnism." Science and School, no. 4 (August 29, 2023): 57–64. http://dx.doi.org/10.31862/1819-463x-2023-4-57-64.

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45

Parkin, John. "Fecal Matters in Early Modern Literature and Art. Studies in Scatology." French Studies 59, no. 4 (2005): 535–36. http://dx.doi.org/10.1093/fs/kni228.

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46

Kapkova, S. Yu. "CHARACTONYMS IN MODERN ENGLISH CHILDREN'S LITERATURE." Modern Linguistic and Methodical-and-Didactic Researches, no. 3(38) (December 31, 2022): 77–86. http://dx.doi.org/10.36622/mlmdr.2022.68.29.008.

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Statement of the problem. The objectives of this study include determining the role of the use of charactonymsin multi-genre texts for children written by English classical and modern authors. The first task was to identify the charactonyms in the works of fiction of three English children's writers. The second task is the etymological and lexico-semantic analysis of the charactonyms in the children's works of art under study in order to obtain information about whether the character is positive or negative. The third task of the study was to identify the functions of charactonyms in the works

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47

Gossman, L. "BEYOND MODERN: The Art of the Nazarenes." Common Knowledge 14, no. 1 (2008): 45–104. http://dx.doi.org/10.1215/0961754x-2007-033.

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48

Faisal, Dr Muhammad, та Dr Hafiz Muhammad Aslam. "التطور التاريخي في كتابة السيرة الذاتية: تحليل مقارن للآداب العربية والغربية القديمة والحديثة". al-Turāṯ al-adabī 3, № 1 (2025): 69–96. https://doi.org/10.52015/al-turathal-adabi.v3i1.39.

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The study of auto-biography in the history of Arabic and western literature is a study of its own initiative purposes, types, styles and its impacts that’s indicate the boldness and authenticity of its author on his/her recognition in social and moral traditions. As we know that biographies in both Arabic and western literatures are becoming increasingly interesting branch of modern comparative literature and literary criticism that is why the both levels of literature: comparative study of auto-biography and critical analysis of auto-biography accurate and developed the writing lacks of self-

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49

Mavlonova, Ugiloy. "THE ROLE OF IRONY IN UZBEK LITERATURE." Scientific Reports of Bukhara State University 5, no. 3 (2021): 50–59. http://dx.doi.org/10.52297/2181-1466/2021/5/3/5.

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Introduction. In world literature, a number of scientific investigations are being conducted on the classification of irony, its artistic manifestations, parody, paradox, grotesque and image. The role of irony and image in the structure of the work of art in the world literary science, in which the coverage and identification of the individual skills of the writer remains one of the urgent tasks. In modern Uzbek literature, there is an approach based on various research methods of world literature in the analysis of works of art, the coverage of the poetic skills of the author. Research method

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Slonevska, I. B., and S. Yu Piroshenko. "Contemporary literature as an art representation of the phenomenon of „hybrid identity”." Bulletin of Luhansk Taras Shevchenko National University, no. 4 (335) (2020): 161–69. http://dx.doi.org/10.12958/2227-2844-2020-4(335)-161-169.

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The article considers the features of modern Western literature in postcolonial discourse. Emphasis is placed on researches that have formed the basis for understanding the phenomenon of multiculturalism in modern humanities. In this context, the concept of transculturation as a new worldview and a way of polemics with multiculturalism has been analyzed and the leading ideas have been singled out: „borderline identity”, hybridity, ambivalence, etc. The modern European literature is characterized as an artistic representation of the mentioned concepts, the so-called „borderline consciousness”,

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