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Artykuły w czasopismach na temat „Love literature”

Autor: Grafiati

Data publikacji: 9 listopada 2024

Data aktualizacji: 31 lipca 2025

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1

Husain, Intizar, and Frances W. Pritchett. "Literature and Love." Manoa 27, no. 1 (2015): 220–25. http://dx.doi.org/10.1353/man.2015.0018.

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Pandian, educational trust. "சங்க காலத்தில் வாழ்ந்த தலைவன் தலைவியின் அன்பின் வெளிப்பாடு / Expression of Love of the Lover and Beloved lived in the Sangam Period". Chenkaantal 3, № 2 (2024): 8–14. https://doi.org/10.5281/zenodo.11552845.

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<em>Tamil Nadu is said to be one of the ancient lands of mankind that has been a model society built on love and other virtues that drive the way of a benevolent life. Indeed, love has existed since the beginning of the life of human beings on this earth, Sangam life portrays the importance of love through the verses mainly focussed on love and life among the Thalaivan (lover) and Thalaivi (beloved). Love is an expression of human instinct and Tamil heritage and society has been built upon the deliverance of love among the lovers. Many lives are pivotal examples of love from the Sangam Period

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Wachman, Gay, Sylvia Townsend Warner, and Claire Harman. "Life, Love and Literature." Women's Review of Books 13, no. 9 (1996): 6. http://dx.doi.org/10.2307/4022377.

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BOGDANOVA, OLGA, EKATERINA ZHILENE, YU ZHANG, and ALEXEY SVYATOSLAVSKY. "THE EMERGENCE OF POSTMODERN TRENDS IN THE LITERATURE OF SOCIALIST REALIZM (EARLY ANDREY BITOV)." AD ALTA: Journal of Interdisciplinary Research 14, no. 2 (2024): 53–56. https://doi.org/10.33543/j.1402.5356.

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The purpose of the article is to examine the beginning of the emergence of postmodern trends in Russian literature in the 1960s and 1980s and, using the example of Andrei Bitov’s short story “Penelope”, to show how the traditional theme of love underwent a gradual transformation at the end of the twentieth century. The article shows how the theme of love, which previously served as a condition for revealing the moral and ethical potential of the male protagonist in Russian and world literature, began to lose its distinct real features in postmodern prose and turn into love-mirage, love-illusio

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Rebronja, Semir. "Uzrit motifs of love and love longing in Bosniak and Serbian romanticists." Zbornik radova Islamskog pedagoškog fakulteta u Zenici (Online), no. 21 (December 15, 2023): 399–421. http://dx.doi.org/10.51728/issn.2637-1480.2023.399.

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Created in the 7th century, Uzrit love poetry or desert love poetry is inspired by love. It is named after the tribe to which poet Džemil (Ğamīl), one of the most famous love poets, belonged. In these poems, a lover spends his whole life in longing and absence, yearning for his beloved one. At the end of the 19th and the beginning of the 20th century, European romanticists sang and composed songs following, among others, Uzrit poets. Thus, Heinrich Heine sang the song Der Azra, writing down the Arab tradition of the Banu ʻUzra (Banū ʻUḏra) tribe that "for love lose their heads and die when the

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Sainan, Fu. "“Beauty in Meaning” in English Translation of Zhuang Love Songs from Variation Theory of Comparative Literature." Studies in Linguistics and Literature 8, no. 1 (2024): p53. http://dx.doi.org/10.22158/sll.v8n1p53.

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In the process of English translation of Zhuang love songs, it is impossible to fully convey the “beauty in sound”, “beauty in form” and “beauty in meaning” of the original text. Among them, “beauty in meaning” is the most important, so we must not lose “beauty in meaning” in pursuit of “beauty in form” or “beauty in sound”. This paper will focus on the existing English versions of Zhuang love songs with love as the theme, such as Liu Sanjie’s ballads, Poya Love Songs, Liao Songs of Pingguo Zhuang etc., from the perspective of variation theory of comparative literature, to explore the “beauty

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7

R, Veerapathiran. "Insights on Romantic Medieval Literature." Indian Journal of Multilingual Research and Development 1, no. 1 (2021): 27–33. http://dx.doi.org/10.34256/ijmrd2014.

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Literature (Tholkapiyar) originated under the name of love, as later epistemological grammars expanded on the levels of theft and chastity found in the Tholkapiyar period. In Sangam literature, the human love was sung over the leader and gradually became the divine love in the devotional literature and later turned into human love again in the cynical period. Romantic Medieval Literature were created in defiance of the notion that the leader should not be named in the songs, and that the hunting action was based on the side. It was a combination of love and heroism. Although Romantic Medieval

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8

Nunes, Natália Maria Lopes. "O mito de Layla e Majnun na literatura universal: do amor humano ao amor divino." Elyra, no. 24 (2024): 131–46. https://doi.org/10.21747/2182-8954/ely24a7.

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The pre-Islamic myth of Layla and Majnun influenced world literature, particularly troubadour poetry, with regard to “mad love” and “dying of love”. However, this theme also underlies the medieval romance Tristan and Isolde and, later, Shakespeare, in the play Romeo and Juliet. Some Portuguese authors have also expressed reminiscences of the myth of Layla and Majnun and of pure and eternal love in their works, among them Camões (in some of his poems), Camilo Castelo Branco, in Amor de Perdição and the traditional romance “José Pina e Maribela”. Furthermore, in love songs (and songs of friendsh

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9

Muminova, Dilorom. "ARTISTIC AND AESTHETIC FEATURES OF THE LETTER." INTERNATIONAL JOURNAL OF WORD ART 1, no. 3 (2020): 91–97. http://dx.doi.org/10.26739/2181-9297-2020-1-13.

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In this article, one of the most widely described characters in the noma genre of our classical literature is the image of a lover. This image is interpreted as a symbol of vital beauty in various forms in the works of nomanavis, progressive representatives of our classical literature. In the interpretation of the beauty of the lover by the word artists, the beauty of life is expressed, the love of man for life through the love of the lover. In classical poetry, especially in the noma genre, artistic means play an important role.

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10

Iyyappan, K. "One Sided Love in Tamil Literature." Shanlax International Journal of Tamil Research 8, no. 1 (2023): 71–84. http://dx.doi.org/10.34293/tamil.v8i1.6376.

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Kaikilai is the lust that appears only in one of the two, male and female. In short, a kaikilai is a one-sided love affair. Kai means smallness. kilai means relationship. A petty relationship or a prideless relationship means a branch. The content explains that the branch is monogamous. During Tolkappiyar period, it was called kaikilai to make love to a woman who had not reached sexual maturity. A branch was also said to be masculine. A woman is not told to fall in love with a man who has not reached puberty. However, the unilateral preference of the male and female who has reached puberty is

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11

Weber, Alison. "Lope de Vega's Rimas sacras: Conversion, Clientage, and the Performance of Masculinity." PMLA/Publications of the Modern Language Association of America 120, no. 2 (2005): 404–21. http://dx.doi.org/10.1632/003081205x52400.

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In 1614 Lope de Vega, recently ordained, published the Rimas sacras, a confessional canzoniere replete with allusions to his past promiscuity and recent religious conversion. I argue that Lope addressed his collection not only to a public of anonymous readers but also to a specific, private reader: his patron, the duke of Sessa. For the previous eight years, Lope had served as Sessa's erotic amanuensis, writing love letters and poems for the duke's various mistresses. I propose that the collection as a whole and several sonnets in particular constitute an implicit reproach to Sessa. Through hi

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Adhea Tsabitah Sulistiyo and Syihabuddin Syihabuddin. "Cinta: Objek dan Puisi (Konsep Cinta Erich Fromm dalam Puisi-puisi Karya W.S Rendra)." Jurnal Pendidikan, Bahasa dan Budaya 2, no. 1 (2022): 01–18. http://dx.doi.org/10.55606/jpbb.v1i2.883.

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Love can be used as an answer to the question of human existence. So many philosophers from the west and east offer concepts about love, Erich Fromm is one of them who considers that love is an art. The purpose of this study is to classify five objects of love from Erich Fromm's thoughts in poems by W.S Rendra. Poetry was chosen as the object of research because poetry can be used as a means for someone to express love. This research method is a literature study as well as a literature review. The results of this study are five titles of poems that represent the five objects of love. First, ob

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13

Baez, Josefina, and Daisy Cocco-DeFilippis. "If You Love You Lose." Callaloo 23, no. 3 (2000): 1044. http://dx.doi.org/10.1353/cal.2000.0129.

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Chanda, Snehangshu Shekhar, Md Akhtar Hossain, and Sabrina Yasmin Chowdhury*. "Romanticism in Bengali Literature." International Journal of Research and Scientific Innovation XII, no. III (2025): 647–54. https://doi.org/10.51244/ijrsi.2025.12030048.

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This comprehensive study deals with romantic elements used in Bengali Literature as well as in English literature by the authors. Result indicates that each writer uses romanticism in different ways following different romantic poets. Love of nature and imagination are the most important parts of romanticism. In the poems of Jibanananda Das, it seems that love for nature and imagination are preferred. In jashim Uddin’s work romantic love through agony of human heart and the suffering of human soul as well as pastoral setting have been preferred interestingly. In case of Rabindranath Tagore it

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15

Manickam, T., and K. Nagarathinam. "The Representation of Unattainable Love in T.S Pillai’s Chemmeen." Shanlax International Journal of English 10, S1-Jan (2022): 63–66. http://dx.doi.org/10.34293/english.v10is1-jan2022.4734.

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This paper clearly focuses on The Representation of Unattainable love in T.S Pillai’s Chemmeen. Chemmeen is one of the celebrated works in Indian Literature. He is known as Malayalam novelist and Short story writer. His novels and short stories mostly focused on oppressed classes of Kerala in the mid twentieth century. Chemmeen is translated by Anita Nair from Malayalam into English in 2011. The author portrays Karuthamma and Pareekutty as lovers in the novel. The pitiable lovers of the novel are playing a vital role in the novel. They struggle a lot to express their love each other. They don’

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16

Kahn, Victoria. "Margaret Cavendish and the Romance of Contract*." Renaissance Quarterly 50, no. 2 (1997): 526–66. http://dx.doi.org/10.2307/3039189.

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All things by war are in a Chaos hurl'dBut love alone first made,And still preserves the world.— Alexander BromeI have heard [William Cavendish] say several times, that his love to his gracious master King Charles the Second was above the love he bore to his wife, children, and all his posterity, nay, to his own life: and when, since his return into England, I answered him that I observed his gracious master did not love him so well as he loved him; he replied, that he cared not whether his Majesty loved him again or not; for he was resolved to love him.— The Life of William, Duke of Newcastle

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17

Murong, Xi, Tony Barnstone, and Newton Liu. "Love." Chicago Review 39, no. 3/4 (1993): 305. http://dx.doi.org/10.2307/25305787.

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Garrett, Daniel, and Toni Morrison. "Love." World Literature Today 79, no. 1 (2005): 90. http://dx.doi.org/10.2307/40158814.

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Irvanets, Oleksander, V. M. Sosiura, and Michael M. Naydan. "Love!" World Literature Today 79, no. 3/4 (2005): 29. http://dx.doi.org/10.2307/40158928.

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Kalogeris, George. "Love." Literary Imagination 20, no. 2 (2018): 160–61. http://dx.doi.org/10.1093/litimag/imy054.

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Allman, John. "Love." Yale Review 90, no. 2 (2008): 40–41. http://dx.doi.org/10.1111/0044-0124.00602.

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Fagan, Aaron. "Love." Yale Review 90, no. 3 (2008): 79. http://dx.doi.org/10.1111/0044-0124.00631.

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Parker, Fred. "Love’s Object, or, Unrequitable Love: Reflections on the literature of Passion between Rousseau and Percy Shelley." Espacio Tiempo y Forma. Serie IV, Historia Moderna, no. 36 (November 7, 2023): 41–64. http://dx.doi.org/10.5944/etfiv.36.2023.38675.

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This discussion of the literature of unrequited love deals with the elusiveness of love’s object in the world, and asks whether that elusiveness may be intrinsic to the passion. If love is dependent upon the imagination, this implies vulnerability to disappointment or unappeasable longing: but it also makes space for the imagination as creative function or power. The unrequited lover in the texts under discussion is significantly also a writer, a maker of letters or books or poems; the artwork is understood less as a displacement of desire than as a model for its instantiation in the world. Te

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Kochetkova, Tatyana Nikolaevna, and Oksana Vladimirovna Litvin. "CONCEPT OF LOVE IN ANCIENT LITERATURE." V mire nauchnykh otkrytiy, no. 11.1 (November 26, 2014): 474. http://dx.doi.org/10.12731/wsd-2014-11.1-4.

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Petersen, Sue A. "A Love Affair with American Literature." English Journal 89, no. 2 (1999): 40. http://dx.doi.org/10.2307/822138.

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Goodrich, Peter. "Erotic Melancholia: Law, Literature, and Love." Law and Literature 14, no. 1 (2002): 103–30. http://dx.doi.org/10.1525/lal.2002.14.1.103.

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Grier, Barbara, and Rhonda J. Factor. "A Burning Love for Lesbian Literature." Journal of Lesbian Studies 5, no. 3 (2001): 87–94. http://dx.doi.org/10.1300/j155v05n03_10.

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Petersen, Sue A. "A Love Affair with American Literature." English Journal 89, no. 2 (1999): 40–48. http://dx.doi.org/10.58680/ej1999517.

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Sue A. Petersen discusses how she changed her approach to teaching American literature from a teacher-centered, just-the-classics, new critical approach course for future English teachers to a student-centered, broad-based, reader response literature class designed to hook kids on reading and literature. Peterson includes the booklists from her “seminars” on American literature.

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Shaikkızı (Mammadova), Khalida. "Salman Mumtaz's love for folk literature." Filologiya məsələləri Journal of Philological Issues, no. 3 (2025): 413. https://doi.org/10.62837/2025.3.413.

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Apla, Komlan. "Conceptions of love in middle age literature: case of Aucassin and Nicolette." Speech and Context. International Journal of Linguistics, Semiotics and Literary Science XV, no. 1 (2023): 25–34. http://dx.doi.org/10.62413/lc.2023(1).02.

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The present study deals with the conceptions of love in medieval literature, more specifically with the case of Aucassin and Nicolette. The aim is to highlight the various facets of love that the two heroes Aucassin and Nicolette have shown in the narrative. In order to re-store the quintessence of the results of this study, we had to apply a mixture of three approaches, on the one hand the prospective and descriptive approaches, and on the other hand the socio-critical approach. The results obtained clearly showed the physiognomy and the polysemy of love expressed by the two young lovers Auca

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Kelly, Brendan D. "Love as delusion, delusions of love: erotomania, narcissism and shame." Medical Humanities 44, no. 1 (2017): 15–19. http://dx.doi.org/10.1136/medhum-2017-011198.

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Erotomania has a long, colourful history in psychiatry. It is a rare condition in which the patient (‘subject’) develops the belief that he or she is loved from afar by another person (‘object’). The subject is generally female, though men predominate in forensic samples. The object is generally perceived to belong to a higher social class, reflecting a sociopolitical element in the construction of love. Erotomania requires active treatment and risk management as it can be associated with stalking and other offending behaviour. In addition to featuring in the psychiatry literature, erotomania

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Chia, Philip Suciadi. "Revisiting ΣΤΟΡΓΗ and ΑΓΑΠΗ IN Sirach, 3 and 4 Maccabees". Perichoresis 22, № 3 (2024): 18–27. http://dx.doi.org/10.2478/perc-2024-0020.

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Abstract Both στοργή and ἀγάπη are widely translated as love. BDAG understands στοργή as the love of spouse: husband to his wife or wife to her husband. Αγάπη, on the other hand, generally refers to a sacrificial love revealed in Christ in the Christian literature. This research, however, refuses BDAG’s limited aspect of στοργή and a general understanding of ἀγάπη as God’s sacrificial love in Christ. This article, therefore, attempts to provide more comprehensive understandings of these two loves by revisiting στοργή and ἀγάπη in the book of Sirach, 3 and 4 Maccabees. To achieve this goal, thi

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A, Deepa, and Karpagam E. "Theories of Inappropriate Love as Pointed Out in Sangam literature." International Research Journal of Tamil 4, no. 4 (2022): 182–90. http://dx.doi.org/10.34256/irjt22423.

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The Ettutthokai (The Eight Anthologies) and the Pathuppaattu (The Ten Idylls) are considered to be the oldest literary works of the Tamil people. The literature that appeared thousands of years ago beautifully captures the feelings of human beings, their lifestyles, and their habits. If a generation exists, then it can be attributed to the existence of society by adhering to the principle laid down by the previous generation. Any relationship formed through love will last and live on. Similarly, in the Sangam literature, the basis of the true feelings of love is inappropriate love first, only

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Sharrock, A. R. "Womanufacture." Journal of Roman Studies 81 (November 1991): 36–49. http://dx.doi.org/10.2307/300487.

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Women are ‘perceived’. We speak often not just of ‘women’, but of ‘images’, ‘representations’, ‘reflections’ of women. Woman perceived is woman as art-object; and paradigmatic of this phenomenon is the myth of Pygmalion.This article will consider Ovid's version of the myth, the story of the artist who loved his own creation. I shall suggest that the story reflects on the eroto-artistic relationship between the poet and his puella explored in Latin love elegy. The Metamorphoses myth of the art-object which becomes a love-object mirrors the elegiac myth of love-object as art-object. The elegists

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Uddin, Md Abu Saleh Nizam. "Feminism and Its Impact on the Literature of Love." Language Circle: Journal of Language and Literature 16, no. 2 (2022): 364–76. http://dx.doi.org/10.15294/lc.v16i2.33108.

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Writers, readers and critics of literature have long been engaged with the appreciation of Feminist characters and Feminist themes in literary texts. But analyzing Feminism itself, to know about its impact on the literature of love is also an area to be explored. When Feminism is studied, we find in it traits opposing the love of mankind, which increases misery for women and others resulting in the decrease and even disappearance of the literature of love, a priceless possession of human beings. Thus, this paper aims at exploring how Feminism is antagonistic to the love of mankind by being pro

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Blum, V. L. "Love Studies: Or, Liberating Love." American Literary History 17, no. 2 (2005): 335–48. http://dx.doi.org/10.1093/alh/aji018.

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Mąkowska, Joanna. "The Architecture of Love in the Poetic Thinking of James Baldwin and Jericho Brown." James Baldwin Review 9, no. 1 (2023): 70–88. http://dx.doi.org/10.7227/jbr.9.4.

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By situating Baldwin’s Jimmy’s Blues and Other Poems in conversation with Jericho Brown’s 2019 poetry collection The Tradition, this article examines the theory of love in their poetic thinking. It argues that in their poetry, love emerges as a multifaceted mode of knowing and feeling, grounded in corporeal intensity and imbued with sociopolitical and historical meanings. Both Baldwin and Brown view love as integral to the understanding of queer sexuality and racial politics, foregrounding at the same time the challenges of loving and being loved in a historically anti-Black society. Their poe

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K, RaviKanth, and Chandrasekhar K. "The Theme of Romanticism in Medieval British Literature." Technoarete Transactions on Language and Linguistics 1, no. 1 (2022): 19–21. http://dx.doi.org/10.36647/ttll/01.01.a005.

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Romanticism is the term based on the love and affection for nature by the writers. The concept of romanticism was introduced in the middle age of European evolution after industrialization. The term medieval refers to the middle revolution age of Europe. Writers assumed nature as their teacher and ultimate beauty,therefore romanticism was based on the writer's love towards nature rather than human love. Personification is the term that was widely used by the poets at that time to address nature as a person

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Schor, Hilary M. "Love." Victorian Literature and Culture 46, no. 3-4 (2018): 752–56. http://dx.doi.org/10.1017/s1060150318000748.

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Kallendorf, Hilaire. "Love Madness and Demonic Possession in Lope de Vega." Romance Quarterly 51, no. 3 (2004): 162–82. http://dx.doi.org/10.3200/rqtr.51.3.162-182.

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Gardiner, Kelly. "Love on the Rocks: Lighthouses in Literature as Gendered Geographies of Love." Feminist Encounters: A Journal of Critical Studies in Culture and Politics 7, no. 2 (2023): 31. http://dx.doi.org/10.20897/femenc/13559.

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The lighthouse has long been a familiar setting for stories of love, conflict, and epiphany. That isolated tower on the clifftop brims with symbolic possibility and sometimes cliché, positioning it as a site of gendered love, with popular fiction titles embedding the trope of the contained world revolving, like the lit lamp, around the male authority. But the lighthouse also has an explicit historical situatedness. The nineteenth century British lighthouses, in particular, were seen as outposts of empire. They are immovable inscriptions of the outlines of islands, the edges of continents – the

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Pintarič, Miha. "Hate Speech and French Mediaeval Literature." Acta Neophilologica 51, no. 1-2 (2018): 63–70. http://dx.doi.org/10.4312/an.51.1-2.63-70.

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Hate speech is spoken or written word which expresses a hostile attitude of a dominating majority towards any kind of minority. The author analyses a few examples of hate speech in literary history and concludes that such a phenomenon is typical of The Song of Roland, whether uttered in a direct way or spoken between the lines. One will expect hate speech in epic and heroic poetry, less in the Troubadour poetry. Yet we come across this awkward characteristic even in their love poetry. To be quite clear, in the poetry of Bernart de Ventadorn. The last part of the article is about the courtly ro

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Faizullah Nasri. "Comparative Study of Love in Eastern and Western Literature: From Rumi to Shakespeare." International Journal of Literature Studies 4, no. 2 (2024): 64–69. http://dx.doi.org/10.32996/ijts.2024.4.2.9.

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This paper compares and contrasts the writings of William Shakespeare and Mawlana Jalaluddin Rumi to examine the issue of love in both Eastern and Western literature. Shakespeare, an English playwright and poet from the 16th century, and Rumi, a Persian poet and Sufi mystic from the 13th century, both present complex and nuanced depictions of love that are a reflection of their distinct philosophical and cultural backgrounds. Love is portrayed in Rumi's poetry as a means of achieving unity with God, with an emphasis on spiritual enlightenment and divine love. Shakespeare, on the other hand, fr

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Lee, Yeonhwa. "Study on the Meaning of ‘Spring Night’ in Korean Modern Literature." Korean Society of Culture and Convergence 44, no. 12 (2022): 333–51. http://dx.doi.org/10.33645/cnc.2022.12.44.12.333.

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As this study pays attention to the ‘difference’ that plays an important role to understand reality from the viewpoint of Kim Su-Young and Kwon Yeo-Seon, it examines the meaning of love in there works by being based on relationship with other people. This study has the purpose to examine the characteristics on the ethics of love in their works by through the theories of Levinas. Therefore, this study states a ‘difference’ that despair and collapse are not just terrible tragedies, but make an ethical love possible. The combination of opposing images in spring night becomes a crucial way that th

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Graf, Derek. "Love Tree." Pittsburgh Undergraduate Review 3, no. 2 (2024): 1–9. http://dx.doi.org/10.5195/pur.2024.74.

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Judas Iscariot awakes in the ninth circle of hell, confused yet assured of his belonging there. He experiences multiple different realities simultaneously as he attempts to grapple with his situation and former life—a counternarrative focusing on the created realities of literature and legacies for fictional and religious characters.

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ரா., பிரியா /. R. Priya. "தமிழர் பண்பாட்டு மரபில் காதல் / Love in Tamil Culture". IJTLLS 7, SPL 1 (2024): 302–13. https://doi.org/10.5281/zenodo.15129674.

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<em>Sangam literature is a valuable collection of old Tamil poems. It shows the greatness of Tamil culture and traditions. Love is very important in Tamil culture. The songs in Sangam literature talk about the love life of Tamil people. These songs describe the happy and sad moments of love and the feelings that come as a consequence of it. Sangam poets have a tradition of singing about love in a very honest way without any expectations. True love happens only once. Love is a very special feeling that cannot be repeated. It is a sacred one that makes us all human. Without love, humans would be

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Hadda, Janet. "Being in Love." PMLA/Publications of the Modern Language Association of America 117, no. 3 (2002): 498–500. http://dx.doi.org/10.1632/003081202x61250.

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Recently, a gifted undergraduate came to me with some urgent questions: Should he major in literature? And if he did, what practical benefits might he realize? I asked one question: “Are you in love?” By this I meant, “Are you in love with literature?” Then I inquired, “Does your heart skip a beat when you encounter your love? Do you ache when the two of you are separated? Do you resent anything that intrudes on you and your love?”

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Hakamies, Inkeri. "Eat, Share, Love." Ethnologia Fennica 45 (December 25, 2018): 135–38. http://dx.doi.org/10.23991/ef.v45i0.74239.

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Katja Uusihaka & Matti Eräsaari (eds) 2016. Ruoan kulttuuri. Antropologisia näkökulmia ruoan tutkimukseen. [The culture of food. Anthropological perspectives to the study of food.] Suomalaisen Kirjallisuuden Seuran Toimituksia 1419. Helsinki: Finnish Literature Society. 241 pp. ISBN 978-952-222-712-6. ISSN 0335-1768.Jani Kaaro (ed.) 2017. Ruoka-Kalevala – eli makumuistoja Suomesta. [The Food Kalevala – or taste memories from Finland.] Helsinki: Finnish Literature Society. 432 pp. ISBN 978-952-222-826-0. ISSN 2323-7392.

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Bränström Öhman, Annelie. "Kvinnan, kärleken och Lord Byrons förbannelse." Tidskrift för genusvetenskap 16, no. 4 (2022): 14–24. http://dx.doi.org/10.55870/tgv.v16i4.4768.

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The traditional image of the woman who loves is the woman who waits. Lord Byron's famous words about love as a woman's whole existence, still today works as a curse for all women who writes about love in different genres. How are you going to write about wliat you yourself are? In this artide the relation between gender, love and authorship is discussed from several perspectives. The male 19th century writer Stendhal illustrates an illusory "objective" approach on the subject of love, which is still Iteld as an ideal. A revisory female approach is here represented by the modernist novels House

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P, Senthilnathan. "Latent Meat (Grammar) Techniques in Nedunalvaadai." International Research Journal of Tamil 4, S-13 (2022): 19–24. http://dx.doi.org/10.34256/irjt224s133.

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Sangam literature is the literature that can bring before our eyes the life stories of the Sangam people. The poets of the Sangam period used love genre literary techniques such as similes and metaphors to convey the love feeling as a cover-up in their poems. An implicit strategy is to make another object visible along with the apparent object. People who were in love expressed love and affection indirectly rather than directly expressing it. As far as Agam (Love Genre) literature is concerned, the techniques used to express love in the ethics of the Agam people are highly specialized. Agam Pe

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