Gotowe bibliografie tematyczne / Man-woman relationships – italy – drama

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Gotowa bibliografia na temat „Man-woman relationships – italy – drama”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 19 lipca 2025

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Artykuły w czasopismach na temat "Man-woman relationships – italy – drama"

Olszewska, Maria Jolanta. "A contribution to the history of theater in the interwar period. A few words about Zofia Nałkowska’s Dom kobiet once again." Czytanie Dwudziestolecia 1 (2024): 103–20. https://doi.org/10.16926/cd.2024.01.06.

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Zofia Nałkowska’s drama Dom kobiet (1928) turns out to be an ambiguous, multi-layered and complex work. The performance on the stage of the Polish Theater in 1930 became an important cultural event in Poland at that time. The writer, known for her psychological novels, took the trouble to write a drama. Working on the drama and then staging it became a big challenge for her. Thanks to this, she got to know the world of theater, which she became fascinated with it. The house of women can be read as a moral, psychological and reflective-philosophical drama. It is a testimony of the writer’s stru

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Bollobás, Enikő. "Versions of Triangular Desire in Hungarian Literature: Reading Sándor Márai and Péter Nádas." Hungarian Cultural Studies 11 (August 6, 2018): 48–56. http://dx.doi.org/10.5195/ahea.2018.321.

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Two Hungarian authors, Sándor Márai and Péter Nádas, seem to have one thing in common: their attraction to triangular relationships. Written between 1935 and 1942 and portraying human relations in pre-World War II Hungary, Márai’s two novels and one drama all turn on a very specific triangular structure between two close friends and the woman whom they both love(d). Now they conduct a painful tête-à-tête to decide on the final ownership (or simply fate) of the woman. Written in 1979 and portraying human relations in communist Hungary, Nádas’s play has only two actors on stage, a woman of arist

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Zaichenko, Dariya A. "SEPHARDIC MATRIMONIAL RELATIONSHIPS IN THE EARLY MODERN DIASPORA." Journal of the Institute of Oriental Studies RAS, no. 4 (18) (2021): 131–44. http://dx.doi.org/10.31696/2618-7302-2021-4-131-144.

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At first sight it may seem that family relationships lie just in the sphere of private life and historical sources which describe them may tell us little about the organization of Jewish community or about the interaction between the Jewish community and local non-Jewish authorities. However, the term ‘matrimonial relationships’ has a wide range of aspects. This work is an attempt to illuminate some of them. The article is dedicated to matrimonial relationships in the Jewish community of Avignon in the second half of the sixteenth century. It is made like a case-study and based on the scandal

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Ruchira P Dudhrejiya. "A critical analysis of power dynamics in Vijay Tendulkar's theatrical tapestry." Scientific Temper 15, spl-2 (2024): 166–70. https://doi.org/10.58414/scientifictemper.2024.15.spl-2.26.

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Drama stands out from other literary genres because of its immediate appeal, which offers a level of accessibility that poetry and fiction may not always provide. Drama gains great value from this. Theatrical performances have a rich and distinguished history worldwide. In India, they are well-recognized as a popular kind of folk entertainment. When drama is presented on stage, everyone, even the most uneducated person, can understand it and enjoy it. One of the biggest advantages of drama is this. Conversely, the production of Indian plays in English is a very recent development. Dramatists l

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Kaczmarek, Tomasz. "« La lutte des sexes », ou les stéréotypes sur les femmes dans Une vie secrète de Lenormand, La Valse des toréadors d’Anouilh et Capitaine Bada de Vauthier." Romanica Silesiana 16, no. 2 (2021): 124–35. http://dx.doi.org/10.31261/rs.2019.16.12.

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August Strindberg is considered the herald of modern drama. His protean work, which goes from naturalism to mystical aesthetics, anticipating surrealism and the theater of the absurd, even today defies, as it did in his epoch, by its brutal or cruel aspects. Without any doubt, the origin of a certain mistrust towards the author of Inferno would be his declared misogyny. It could be criticized on this subject for disclosing prejudices against women, which in the form of stereotypes, survive to this day. Nevertheless, many French playwrights are inspired by the infernal conflict between man and

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Colombo, Emanuele. "A Muslim Turned Jesuit: Baldassarre Loyola Mandes (1631-1667)." Journal of Early Modern History 17, no. 5-6 (2013): 479–504. http://dx.doi.org/10.1163/15700658-12342378.

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Abstract The goal of this article is to show, through a case study of a convert from Islam to Catholicism in the seventeenth century, how multi-faceted and complex the phenomenon of conversion is, where political, social, and religious factors are intertwined. The article recounts the conversion story of Mohammed el-Attaz, later known as Baldassarre Loyola (1631-1667). Son of the king of Fez (Morocco) of the Saʿadian dynasty, Mohammed was captured on his way to Mecca by the Knights of Malta; he converted to Christianity, went to Italy, became a Jesuit, and spent some years of his life converti

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Pei, YongTing. "Opera women’s characters in the context of paired images (on the example of G. Bizet’s opera “Сarmen”)". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 68, № 68 (2023): 125–41. http://dx.doi.org/10.34064/khnum1-68.07.

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Statement of the problem. The study of the dramaturgy of the world-famous Georges Bizet’s opera «Carmen» remains an unsolved question in modern domestic musicology. However, a deep understanding of drama is the key to a successful performance and is directly related to the activity of conductors, vocalists, and instrumentalists who participate in the production of an opera. The general issues of musical dramaturgy are represented in the scientific articles by O. Beloіenko (2020), V. Vyshynsky (2016), O. Chyrkov (2006); the main problems of the opera genre are studied in the works by V. Rozhоk

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Burganova, Maria A. "Letter from the editor." Scientific and analytical journal Burganov House. The space of culture 17, no. 4 (2021): 6–8. http://dx.doi.org/10.36340/2071-6818-2021-17-4-6-8.

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Dear readers, We are pleased to present to you Issue 4, 2021, of the scientific and analytical journal Burganov House. The Space of Culture . Upon the recommendation of the Expert Council of the Higher Attestation Commission, the journal is included in the List of Leading Peer-reviewed Scien - tific Journals and Publications in which the main sci - entific results of theses for the academic degrees of doctor and candidate of science must be published. The journal publishes scientific articles by lead - ing specialists in various humanitarian fields, doctor - al students, and graduate students.

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Willemijn Fock, C. "werkelijkheid of schijn. Het beeld van het Hollandse interieur in de zeventiende-eeuwse genreschilderkunst." Oud Holland - Quarterly for Dutch Art History 112, no. 4 (1998): 187–246. http://dx.doi.org/10.1163/187501798x00211.

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AbstractOur ideas of what 17th century Dutch interiors looked like have been conditioned by the hundreds of paintings of interiors by Dutch genre painters. Even restorations and reconstructions in our own time (fig. 1) are influenced significantly by them. It is therefore of vital importance to our knowledge of the history of Dutch interior decoration to realise what we can or cannot believe, and to compare these genre interiors with other sources such as probate inventories, building specifications, plans, conditions of sale, contemporary descriptions such as travellers' reports, etc. It is t

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Schino, Mirella. "Studio per due attrici: Adelaide Ristori ed Eleonora Duse." Drammaturgia, December 22, 2023, 93–108. http://dx.doi.org/10.36253/dramma-14998.

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This essay investigates the relationship between two outstanding actresses, Adelaide Ristori and Eleonora Duse. They are the reference points for two opposing generations, and very different models in terms of art, repertoire choices, leadership. But they are linked by a surprising personal relationship. Dealing with these figures and their relationship also opens a gateway to other issues: the physiognomy of the two generations involved; the change, not only stylistic, between them; the kind of gaze of the older on the younger; women’s issue in theatre. In order to study 19th century theater,

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Rozprawy doktorskie na temat "Man-woman relationships – italy – drama"

Rees, Shelley S. "Gender and Desire in Thomas Lovell Beddoes' The Brides' Tragedy and Death's Jest-Book." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3078/.

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Thomas Lovell Beddoes' female dramatic characters are, for the most part, objectified and static, but these passive women perform a crucial narrative and thematic function in the plays. Alongside the destructive activity of the male characters, they dramatize masculine-feminine unions as idealized and contrived and, thus, unstable. Desire, power and influence, as well as the constrictive aspects of physicality, all become gendered concepts in Beddoes' plays, and socially normative relationships between men and women, including heterosexual courtship and marriage, are scrutinized and found want

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Książki na temat "Man-woman relationships – italy – drama"

Henry, James. The Aspern papers. Dover Publications, 2001.

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Henry, James. The Aspern papers. Transaction Publishers, 1999.

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Henry, James. The Aspern papers. Folio Press, 1990.

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Henry, James. The Aspern papers. Published for members of Hoc Volo [by] D.R. Godine, 1993.

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Henry, James. The Aspern papers. Dent, 1994.

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Rice, Sean Michael. Woman and man. Players Press, 2007.

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Noggle, Jolie Nunez. The drama. Jolie the Drama, 2004.

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Bernsousa, Rachael. The plans of man. Cinequest, 2008.

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Wilner, Sheri. Joan of Arkansas: A short drama. Playscripts, Inc., 2003.

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Kamath, Mrinalini. Views: A drama in one act. Playscripts, Inc., 2001.

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