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Gotowe bibliografie tematyczne / Manipuri dance

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Gotowa bibliografia na temat „Manipuri dance”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Manipuri dance"

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Sarwal, Amit. "Louise Lightfoot and Ibetombi Devi: The Second Manipuri Dance Tour of Australia, 1957." Dance Research 32, no. 2 (2014): 208–32. http://dx.doi.org/10.3366/drs.2014.0107.

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Manipur, a small state in the North-Eastern India, is traditionally regarded in the Indian classics and epics such as Ramayana and Mahabharata as the home of gandharvas (the celestial dancers). Manipuri is one of the eleven dance styles of India that have incorporated various techniques mentioned in such ancient treatises as the Natya Shastra and Bharatarnava and has been placed by Sangeet Natak Akademi within ‘a common heritage’ of Indian classical dance forms (shastriya nritya): Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniyattam, Odissi, Sattriya, Chhau, Gaudiya Nritya, and

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Singha, Sudeshna. "THE IMPACT OF MANIPURI DANCE IN THE ROYAL COURT OF TRIPURA." International Journal of Research -GRANTHAALAYAH 9, no. 3 (2021): 360–67. http://dx.doi.org/10.29121/granthaalayah.v9.i3.2021.3785.

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Manipuri people are a small group of Tripura. During the time of the Maharaja’s these people’s song and music attained a very special status. Firstly, it was royal palace centered, secondly, in various places of Tripura in the Manipuri dominant areas and in their temples, mandaps or at various festivals. According to many writers it can be said clearly like a mirror the Manipuri culture touched Tripura during the tenure of Rajdhar Manikya from 1785 – 1804. And at that very same time the tenure of Manipuri king Bhagyachandra is 1759 – 61 and 1763 – 1798. The Manipuri Raas established by him lat

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Chanu, Nganbi. "Ritual Festival for Appeasing Ancestral Gods: A Study of Kanglei Lai-haraoba Festival of Manipur." Journal of North East India Studies 4, no. 1 (2014): 43–54. https://doi.org/10.5281/zenodo.12772378.

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Lai Haraoba is one of the most important indigenous ritual festivals celebrated by the Meitei community of Manipur. It is celebrated to propitiate and please the ancestral deities to get their blessings in return. It depicts the act of creating universe and its objects, and unveils the endless journey of universe through its ritualistic performances. It is celebrated in Manipur since time immemorial and is being continued till today. The festival includes rituals, ceremonial, dance, music, oral literatures (through hymn and songs) etc. which are handed down from one generation to another. It i

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Singh, M. Thoiba. "MANIPURI NATA SANKIRTANA." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 194–205. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.54.

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Nata-Sankirtana of Manipur is considered as Purvaranga and Mahayajna in Vaisnavite culture of Manipur. Yajna means all acts performed for the satisfaction of paramatama, pritilok, devalok and for those who have sanskar (purification), for the beings and for keeping the cycle of nature, for the goodness (Singh M. T., NATASANKIRTANA AS A MAHAYAJNA, 2017). Not only these, but it also denotes mantra performed by the believers of Sanatana Dharma, Dravya, Shraddha and different Shatkarmas. For centuries, Nata-Sankirtana has been performing as an important practice, as a Gandharva Vidya, Purvaranga,

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Singh, Jay, Neha Alghare, Basant Kumar Sonber, and Ankita Deshmukh. "Classical Indian Dance Genres for Better Mental Health: Revisiting Empirical Evidences." Mind and Society 13, no. 04 (2025): 15–24. https://doi.org/10.56011/mind-mri-134-20243.

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This narrative review is an attempt to understand the psychological advantages pertinent to Indian classical dance genres, including eight major classical dance forms like Bharatanatyam, Kathak, Manipuri, Kathakkali, Kuchipudi, Odissi, Sattriya, and Mohiniyattam. Highlighting their prospective therapeutic applications in the field of mental health is the main aim of this article. Indian classical dance forms represent a comprehensive practice that harmonizes the mind, body, and spirit, facilitating emotional expression and fostering cultural connections. Classical dance styles like Bharatanaty

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Kabui, Dr Kamei Budha, Dr Oinam Ranjit Singh, and Dr Th Mina Devi. "Socio-Cultural Significance Of Rih-Ngai Festival Of Kabuis Of Manipur." History Research Journal 5, no. 5 (2019): 159–65. http://dx.doi.org/10.26643/hrj.v5i5.8056.

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The paper is an attempt to examine the socio-cultural significance of the Rih-ngai festival of Kabui inhabitants, Manipur. The Kabui people celebrate Rih-ngai, war festival on the 13th day of Manipuri lunar month Phairen (February) for one day every year. The practice of head hunting was gone. But, it is preserved in the form of narrative. The male members of Khangchu, male’s dormitory perform the war rituals like Ritaak Phaimei, Kabaomei, Chong Kapmei etc. at the village gate to preserve and promote the rich culture and tradition of the people. The young men have opportunity learn the traditi

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Rihab, Warda. "The emergence of Nata Sankirtana: A Ritualistic Dance Performance." Dhaka University Studies 79, no. 1-2 (2023): 219–32. http://dx.doi.org/10.62296/dus202212013.

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Abstract: Nata Sankirtana is a sacred Manipuri ritualistic dance performance, deeply intertwined with spirituality and traditional rituals. While it may initially appear as a musical dance form driven by the performer’s skills, it holds a profound philosophy, requiring a holistic meditation of the body, mind, and soul. This research paper focuses on the transformation of Nata Sankirtana from local rituals to stage performances, with a particular emphasis on its elegance, unique movements, mudras, and dance styles when viewed from the perspective of Bangladesh. This exploratory research employs

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Singh, Huidrom Rakesh, and Laimayum Subhadra Devi. "The Role of Dance Education for Personality Development of Upper Primary School Students." Harmonia: Journal of Arts Research and Education 21, no. 2 (2022): 246–55. http://dx.doi.org/10.15294/harmonia.v21i2.31634.

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This paper studies the history of dance education in Manipur and social value, psychomotor domain, and creative development of students at the school curriculum in Manipur (India). Dance education plays an essential role in molding a person into a perfect human being with good health and behaviour in society. It also furnishes the essential elements humans need to live in our society other than imparting knowledge and skills. In overall development, Manipuri dance plays the most crucial role in the school curriculum. The descriptive research method used in this study revealed the importance an

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DEVI, LAISHRAM HEMANTAKUMARI, and Yaikhom Hemantakumar. "PROPAGATION OF MANIPURI DANCE TO THE WORLD." International Journal of Research -GRANTHAALAYAH 9, no. 3 (2021): 128–31. http://dx.doi.org/10.29121/granthaalayah.v9.i3.2021.3780.

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The then Manipur was a sovereign state ruled by a lineage of many kings. Inspite of being situated in a far, isolated place from other lands and countries and also surrounded by ranges of hills with thick forestation, the inhabitants of this place faced untold hardship in communicating with other external lands and countries. But the state is now recognised by the outside world due to its rich storage of custom, tradition and culture of dance and music.  Indeed, it is very surprising and happy when we think of the matter. That we cannot but remember afresh and count the Universal poet Gu

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Srivastava, Nikita, Priyanka Soni, Rajat Singh, Anchal Sharma, and Arun Kumar. "Unraveling the Importance of Indian Classical Dances on Mental Well-Being of Performers." International Journal of Social Science Research and Review 7, no. 8 (2024): 24–41. http://dx.doi.org/10.47814/ijssrr.v7i8.2185.

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Dance has held significant importance in Indian culture and history. It has been used as a form of artistic expression, as a means of indulging in recreation and leisure, as a medium of conveying emotions like joy during special occasions of wedding and festivities. The mental health field has also recognised the importance of dance in recent years with dance movement therapy becoming popular worldwide. Ayurveda has emphasized the power that dance holds in healing and creating inner awareness. Various Indian philosophies support the idea of dance and music being beneficial for human physical a

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Książki na temat "Manipuri dance"

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Devi, Adhikarimayum Radhamanbi. Manipuri dance and culture: An anthology. Akansha Publishing House, 2018.

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Danisana, R. K. Manipuri dances: A panorama of Indian culture. Rajesh Publications, 2012.

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Bandopadhay, Sruti. Manipuri dance: An assessment on history and presentation. Shubhi Publications, 2010.

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Siṃha, Phāñjaubama Ibotona. Bhaṅgī pareṃ makhala maṅā. Phāñjaubama Ibotona Siṃha, 2012.

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Debī, Ẏuṃlembama Gambhinī. Bāsaka. Ẏuṃlembama Gambhinī Debī, 2012.

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Devi, Pukhrambam Lilabati. Pedagogic perspectives in Indian classical dance: The Manipuri and the Bharatanatyam. Ruby Press & Co., 2014.

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Debī, Kshetrimaẏūma Oṃbī Thauranīśābī. Rāsa, makhala amasūṃ nūṃgī maśaka: Critical history of Manipuri Jagoi Raas. Aibī Maśā, 2006.

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Siṃha, Taurāṃbama Nadīẏā. Maṇipurī nr̥tya. Śrībhumi Pābaliśiṃ Kompānī, 1992.

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Kishore, B. R. Dances of India. Diamond Pocket Books Pvt., 1988.

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Kishore, B. R. Dances of India. Diamond Pocket Books, 1993.

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Części książek na temat "Manipuri dance"

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Sarwal, Amit. "The Hindu Dances of Manipur 1." In The Celestial Dancers. Routledge, 2022. http://dx.doi.org/10.4324/9781003205203-3.

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Bandopadhay, Sruti. "Pedagogy of Manipuri dance." In Dance Matters Too. Routledge India, 2018. http://dx.doi.org/10.4324/9781351116183-16.

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Singh, Sinam Basu. "Problems of Manipuri Dance with Reference to Classical Manipuri Solo Dance." In The Cultural Heritage of Manipur. Routledge, 2020. http://dx.doi.org/10.4324/9781003132745-9.

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"Manipuri Dance: A Lyrical Manifestation of Devotion." In Dance Matters. Routledge India, 2012. http://dx.doi.org/10.4324/9780203150450-20.

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Khoni, Khangembam. "Manipuri Diaspora and Rabindranath Tagore: Their Contribution and Nationalization of Manipuri Dance." In The Cultural Heritage of Manipur. Routledge, 2020. http://dx.doi.org/10.4324/9781003132745-12.

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Bandopadhay, Sruti. "Manipuri Dance in Santiniketan: Shaping the Pedagogy of Rabindranritya." In The Cultural Heritage of Manipur. Routledge, 2020. http://dx.doi.org/10.4324/9781003132745-7.

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Devi, A. Radhamanbi. "An Overview of Oriental Dance in Manipur: A Brief Survey." In The Cultural Heritage of Manipur. Routledge, 2020. http://dx.doi.org/10.4324/9781003132745-3.

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Singh, Rabikanta, and Peter Panmei. "Cultural Heritage of Rongmei Tribe with Reference to Dance, Religion and Festival." In The Cultural Heritage of Manipur. Routledge, 2020. http://dx.doi.org/10.4324/9781003132745-39.

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Kumar, Yaikhom Hemanta. "Dances of Manipur: Vaishnava and Pre-Vaishnava Periods." In The Cultural Heritage of Manipur. Routledge, 2020. http://dx.doi.org/10.4324/9781003132745-10.

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Singh, Sinam Basu. "Pre-Vaishnavite and Post-Vaishnavite Dance Forms of Manipur." In Himalayan Bridge. Routledge, 2020. http://dx.doi.org/10.4324/9781003105718-26.

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Streszczenia konferencji na temat "Manipuri dance"

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Devi, Mampi, Ananya Chakraborty, Alak Roy, and Dipanjoy Majumder. "Single-hand Gesture Recognition of Manipuri Classical Dance of India based on Skeletonization Technique." In 2023 International Conference on Intelligent Systems, Advanced Computing and Communication (ISACC). IEEE, 2023. http://dx.doi.org/10.1109/isacc56298.2023.10083889.

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