Gotowe bibliografie tematyczne / Manipuri theater

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  3. Części książek

Gotowa bibliografia na temat „Manipuri theater”

Autor: Grafiati
Data publikacji: 3 czerwca 2025
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Manipuri theater"

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Tirthankar, Laskar. "The Voyage of Theatre to Drama and the Intermingling of Transitional and Experimental Phases in Tripura's Pre-Independence Drama Literature from 1900-1950." Literary Druid 6, no. 1 (2024): 26–30. https://doi.org/10.5281/zenodo.10901370.

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<em>The history of theatre in Tripura dates back 150 years, with the royal family's close connection to Manipur and Manipuri society, influencing their culture through the popular Manipuri 'Giti-Natya' ballads and Radha Krishna's Rasa Lila. In the 18<sup>th</sup> century, the 'Kaliya Daman' Jatrapalawas performed in Udaipur under the patronage of Maharaja Ratna Manikya II. Meanwhile, the theatrical company "Ujjayanta Natya Samaj" had originally been established in Tripura in 1897 A.D. by Maharaja Radha Kishore Manikya, along with the Prince&nbsp;and other royal officials. Later, Ranbir Karta a
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Sana, RK Yaibiren. "Anti-Colonial Performance Traditions in Manipur: Perspectives from Shumang Kumhei Theatre." eTropic: electronic journal of studies in the Tropics 22, no. 1 (2023): 100–118. http://dx.doi.org/10.25120/etropic.22.1.2023.3962.

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Post-colonialism has not brought to an end the perpetuation of colonial power structures and suppression. The ex-colonized countries still suffer from many forms of colonialism. In Manipur, a state located in the northeastern corner of India within the monsoonal tropics, complex political and cultural issues such as insurgencies, militarization and problems of Hinduization interweave through the post-colonial scenario. The rise of insurgencies after Manipur’s merger to the Indian Union in 1949, have resulted in armed conflicts within the state and have brought situations of turmoil and sufferi
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Mandal, Pranab Kumar. "SILENCE AS THE RHETORIC OF RESISTANCE IN HEISNAM KANHAILAL’S THEATRE PRACTICE." ShodhKosh: Journal of Visual and Performing Arts 3, no. 2 (2022): 252–58. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.179.

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The theatre practice of Heisnam Kanhailal and his cocreator of performance, Heisnam Sabitri is less of words, speeches and dialogues than found in conventional proscenium theatre. Both Kanhailal and Sabitri believe that theatre has a language of its own and that language is not necessarily a language of verbal communication. In their theatre, action is expressed more through body movements, physical gestures and sounds than through spoken words as they believe that non-verbal silent communication of a theatrical action or feeling is more powerful than the spoken ones. This unusual mode of thea
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Kabyashree Borgohain, Augusty Kashyap, Bishnu Pal Hazarika. "Women, Nation and the State: A study on North- East India with special reference to Manipur." Tuijin Jishu/Journal of Propulsion Technology 44, no. 3 (2023): 3167–72. http://dx.doi.org/10.52783/tjjpt.v44.i3.1425.

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North –East India which is considered as the most vulnerable region of India consists of eight states which are Assam, Arunachal Pradesh, Meghalaya, Mizoram, Tripura ,Manipur and Sikkim. North –East region of India is the home of diverse nationalities and ethnic minorities. The Northeast region of India is a classic example of linguistic and ethno-cultural diversity. Conflicts and ethnic differences are neither new nor unusual in India's northeast. India's Northeast part has been also termed as a minefield of militant activities and a theatre of inferno( Kom,2010). This paper is an attempt to
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Roy, L. Somi. "A Window on the World: A Remote Corner of Asia Puts on a Play about 9/11." TDR/The Drama Review 48, no. 2 (2004): 68–75. http://dx.doi.org/10.1162/105420404323063409.

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This installment of Critical Acts tours the apartment of Marvin Carlson, where Helen Paris, Leslie Hill, and Lois Weaver offer On the Scent, a piece of installation-theatre of smell-filled rooms; a sumaang leela performance about the events of 9/11 that toured the isolated state of Manipur, India, the home of one of the Trade Tower victims who worked at Windows on the World; and iMumbo Jumbo, a production by Third World Bunfight, a South African theatre troupe.
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Bharucha, Rustom. "The Indigenous Theatre of Kanhailal." New Theatre Quarterly 8, no. 29 (1992): 10–22. http://dx.doi.org/10.1017/s0266464x00006278.

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Our coverage of Indian theatre in NTQ, as in the original Theatre Quarterly, has been as full as opportunities allowed — notably, including a major four-part assessment by Kenneth Rea in TQ30–34 (1978–79), and a three-part personal casebook by Rustom Bharucha of his production of Kroetz's Request Concert, as adapted to the needs of different Indian cities, in NTQ11–13 (1987–88). The fact that we have never covered the theatre of the state of Manipur, which adjoins Burma and Bangladesh on India's north-eastern border, is all too symptomatic of its more general neglect – at one extreme by centra
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7

Sinha, Prathma. "Role of Aesthetic in Understanding Literature: A Study of Tempest." International journal of Research 8, no. 6 (2022): 525–32. https://doi.org/10.5281/zenodo.7978004.

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<em>This paper aims to study Shakespeare&rsquo;s play Tempest through Rasa theory. Rasa is the study of universal human emotion. Aesthetic has always been the centre of Indian philosophy. The theory of rasa forms aesthetic, which is the foundation of all the Indian theatre and classical dance forms like Bharatanatyam, Kathak, Kathakali, Odissi, Manipuri and others. The Natyashastra portrays the bhavas used to create each rasa bhava or state of mind and rasa are the term concerned with Indian drama and literature. Rasas are created by bhavas. Bharata muni has described it in the Natyashastra, w
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8

Yadav, Monika, Rohan Pal, Somorjit H. Sharma, and Sulochana D. Khumanthem. "Microbiological surveillance of operation theatre in a tertiary care hospital in North East India." International Journal of Research in Medical Sciences 5, no. 8 (2017): 3448. http://dx.doi.org/10.18203/2320-6012.ijrms20173538.

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Background: Good hospital hygiene is an integral part of infection control programme. “Microbiological surveillance” provides data about the factors contributing to infection. Bacterial counts in operation theatres are influenced by number of individual present, ventilation and air flow methods. Purpose of the study is to find out prevalence rate of microorganisms in Operation Theatre, to find out the frequency of contamination from various sites in operation theatre.Methods: The study was conducted in the department of microbiology, Regional institute of medical sciences, Imphal, Manipur, Ind
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9

Silveira, Camila Nunes Duarte, Maria Cleidiana Oliveira de Almeida, and Ana Palmira Bittencourt Santos Casimiro. "A arte de dominar: o teatro de José de Anchieta como instrumento de reconstrução da memória coletiva indígena." Dramaturgia em foco 5, no. 1 (2025): 89–108. https://doi.org/10.5281/zenodo.14930428.

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Jos&eacute; de Anchieta fez amplo uso de seus conhecimentos adquiridos no Col&eacute;gio das Artes, em Coimbra, para criar um teatro adaptado ao seu p&uacute;blico, formado principalmente por ind&iacute;genas, com o objetivo de apresentar-lhes o &ldquo;mundo crist&atilde;o&rdquo;. Objetivamos analisar o teatro de Jos&eacute; de Anchieta, com foco no <em>Auto da prega&ccedil;&atilde;o universal</em>, como elemento ret&oacute;rico motivador para uma reconstru&ccedil;&atilde;o da mem&oacute;ria coletiva ind&iacute;gena, no contexto do s&eacute;culo XVI e, por conseguinte, uma estrat&eacute;gia de
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10

Roy, Somi. "Imasi Document: M.K. Binodini Devi in Modern Manipuri Culture." July 26, 2017. https://doi.org/10.5281/zenodo.834802.

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On M.K. Binodini Devi and Her Place in Modern Manipuri Culture L. Somi Roy, M.K. Binodini Memorial Lecture Program Booklet, 2014 [<em>Excerpt</em>] Maharaj Kumari Binodini Devi is the key renaissance figure of modern, contemporary Manipuri culture. A Manipuri writer who bridged the two worlds of ancient royalty and modern life, M.K. Binodini Devi was born as a princess into a palace life. Yet she transcended the constraints of royalty to live to the full the life of an enlightened commoner and emerged as the iconic pioneer in the evolution of Manipuri modernism. M.K. Binodini Devi brought a de
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Książki na temat "Manipuri theater"

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Siṃha, Noṃmāithema Tombī. Maṇipurī sāhityada anaubā mīt̲ẏeṃ amā. Bhī. Āi. Pablikeśansa, 1985.

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Siṃha, Taurāṃbama Nadīẏā. Maṇipurī nr̥tya. Śrībhumi Pābaliśiṃ Kompānī, 1992.

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3

Seagull Foundation for the Arts. Theatre in Manipur today. Naveen Kishore for the Seagull Foundation for the Arts, 1997.

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Debī, Ṭi Eca Ranajanā. Haisnāma Kanhāilālagī phambākakūmmai amaśuṃ Manipurī phokalora. Rinda Publications, 2015.

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Manipuri dance: An assessment on history and presentation. Shubhi Publications, 2010.

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Sahitya Amasum Thiyetara. Asamba Kamiunikesana, 2010.

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Sahitya Amasum Thiyetara. Asamba Kamiunikesana, 2010.

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Panja, Shormishtha, and Babli Moitra Saraf, eds. Performing Shakespeare in India. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9789356407770.

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This book is envisaged as an intervention in the ongoing explorations in social and cultural history, into questions of what constitutes Indianness for the colonial and the postcolonial subject and the role that Shakespeare plays in this identity formation.Performing Shakespeare in Indiapresents studies of Indian Shakespeare adaptations on stage, on screen, on OTT platforms, in translation, in visual culture and in digital humanities and examines the ways in which these construct Indianness. Shakespeare in India has had multiple local interpretations in different media and equally wide-ranging
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Paliwal, Avinash. India's Near East. Oxford University Press, 2024. https://doi.org/10.1093/oso/9780197794692.001.0001.

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Abstract India’s near east encompasses Bangladesh, Myanmar and the Indian states of the “Northeast”—Arunachal Pradesh, Sikkim, Assam, Nagaland, Manipur, Meghalaya, Tripura, and Mizoram. Celebrated as a theatre of geo-economic connectivity typified by India’s “Act East” policy, the region is key not only to India’s great-power rivalry with China, which first boiled over in the 1962 war, but to the idea(s) of India itself. It is also one of the most intricately partitioned lands anywhere on Earth. Rent by communal and class violence, the region has birthed extreme forms of religious and ethnic n
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Części książek na temat "Manipuri theater"

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Shivaprakash, H. S., and Kamalakar Bhat. "Manipuri Theatre: Myth and Reality." In The Word in the World. Routledge, 2023. http://dx.doi.org/10.4324/9781003427803-25.

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Davis, Paul K. "Imphal." In Besieged. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195219302.003.0093.

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Abstract War came to Burma in January 1942, when Japanese forces invaded from French Indochina. British forces in Burma were rapidly over-whelmed and fled for India, which they reached in May. Had the Japanese kept pushing, India lay open, but their unexpectedly quick occupation of Burma, coupled with the oncoming monsoon, convinced them to stop and consolidate first. That consolidation, owing to the drain on Imperial Japanese Army resources in other theaters, lasted eighteen months. The British Indian Army had not been lax in taking advantage of their respite and had been reinforcing Lieutena
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