Gotowe bibliografie tematyczne / Mari Folk drama

Spis treści

  1. Artykuły w czasopismach
  2. Książki
  3. Części książek

Gotowa bibliografia na temat „Mari Folk drama”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Mari Folk drama"

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Kudryavtseva, Raisiya Alekseevna. "Mari folk Songs in the Artistic Structure of S. G. Chavain's Novel "Elnet"." Litera, no. 3 (March 2023): 147–75. http://dx.doi.org/10.25136/2409-8698.2023.3.39788.

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The article examines the folklore intertext of the novel "Elnet" by the classic of Mari literature Sergey Grigoryevich Chavain at the level of folk songs, reveals their place in the artistic structure of the novel text, analyzes their role in revealing the people's perception of the world and the nature of the creative personality of the intellectual-Mari, in the expression of the author's ideas. The song texts of the novel, directly borrowed from folklore or reworked by the author, as well as created by Chavain himself in the likeness of the content and stylistics of folk-poetic works, give t
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2

Driada, Dervishi. "SHADOWS OF THREE DIFFERENT PERIODS IN THE ALBANIAN THEATRE "Shadows of the Night" by Vedat Kokona – The only drama of the great Albanian translator." May 12, 2019. https://doi.org/10.5281/zenodo.2777661.

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2004 can be considered as a very successful year for the Albanian theatres due to the reappearance of Albanian drama. Even though it was obviously noticed by the critics that the Albanian drama was gradually becoming extinct, in 2004 the flow seemed to change. Bylis Theatre put triptych parts on stage of Kristo Floqi’s composition, one of the most high-toned eminent of Albanian’s Renaissance literature with Met Xhelili as a director. “Aleksander Moisiu Theatre” of Durrws puts on stage the drama called “Balkan Hotel”, which was about the occurrences of Kosovo
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3

Tömöry, Miklós. "“A Muse of the Salon”. A rediscovered poem from Laza Kostić and Serbian entertainment in the era of Romanticism." Studia Slavica Academiae Scientiarum Hungaricae, March 18, 2025. https://doi.org/10.1556/060.2024.00136.

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The present article aims to analyse and contextualise a poem by Laza Kostić, published in 1865 in the magazine Srbski letopis [Serbian Chronicle] under the title Beseda. Both its title and the definition of its genre – an “allegorical drama without dialogues” – were seen as unusual by its contemporaries, provoking a lively debate in the press. This article attempts to analyse the poem in the context of the ambitions of young Serbian intellectuals to reform radically Serbian self-representation and entertainment in the age of national Romanticism. The paper relates the structure and topics of t
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4

Kuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1155.

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The curtain rose. The howling of desert wind filled the performance hall in the Shanghai Grand Theatre. Into the center stage, where a scenic construction of a mountain cliff and a desert landscape was dimly lit, entered the character of the Daoist priest Wang Yuanlu (1849–1931), performed by Chen Yizong. Dressed in a worn and dusty outfit of dark blue cotton, characteristic of Daoist priests, Wang began to sweep the floor. After a few moments, he discovered a hidden chambre sealed inside one of the rock sanctuaries carved into the cliff.Signaled by the quick, crystalline, stirring wave of sou
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Książki na temat "Mari Folk drama"

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Lukianov, S. S. "Shanavẏl": Folʹklor ansamblʹyn folʹklor kartin st͡senarivläzhẏ. Respublikyn khalyk tvorchestvo t͡sentr, 2006.

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2

Yōseika, Kokuritsu Gekijō Okinawa Chōsa. Kenbo sansen no maki: Jishu kōen. Kokuritsu Gekijō Okinawa, 2012.

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Ramos, José de Carvalho. Barca Santa Maria: Versos e memória da brincadeira da Nau Catarineta. Bagagem Editora, 2005.

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4

Fushi chūshin no maki: Jishu kōen. Kokuritsu Gekijō Okinawa, 2012.

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Części książek na temat "Mari Folk drama"

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Lynch, Andrew. "Mark Duplass as Mumblegore Serial Killer." In Monstrous Beings and Media Cultures. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463726344_ch04.

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The Creep series comprises two US found footage horror films directed by Patrick Brice and produced by Duplass Brothers Productions as part of the “mumblegore” film movement. Mumblegore refers to horror films directed by or including the participation of filmmakers associated with the larger mumblecore indie drama movement. As a film movement and a sub-genre, mumblegore represents a distinct type of folkloresque fictional vernacular film. Both Creep (2014) and its sequel Creep 2 (2017) centre around Josef (played by indie film icon Mark Duplass), a prolific serial killer who preys on amateur f
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