Gotowe bibliografie tematyczne / Marimba

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
  6. Raporty organizacyjne

Gotowa bibliografia na temat „Marimba”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Marimba"

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Raush, John R., Ross Edwards, Jacob Druckman, Roger Reynolds, and Toshi Ichiyanagi. "Marimba Dances for Solo Marimba (1982)." Notes 49, no. 3 (1993): 1278. http://dx.doi.org/10.2307/899022.

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Maguraushe, Wonder. "Dissemination of Marimba Performance Skills through Workshops: The Case of Rimba Resonance Vibes Ensemble." PAN African Journal of Musical Arts Education 2, no. 1 (2024): 21–31. http://dx.doi.org/10.58721/pajmae.v2i1.611.

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The Zimbabwe Marimba music performance has been disseminated both locally and globally, transcending national barriers since the Kwanongoma marimba was designed in Bulawayo in the 1960s at the United College of Education. There has been a phenomenal rise in marimba performance activities in Europe and America, while there is relative calm in Zimbabwe where the marimba was designed. This study chronicles my role in the dissemination of marimba performance within Zimbabwe with Rimba Resonance Vibes Ensemble from an insider perspective. The lull in local activity is largely due to the country’s s
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Maguraushe, Wonder. "Autoethnographic Memoirs of Rimba Resonance Vibes Ensemble Festival Performances." PAN African Journal of Musical Arts Education 2, no. 1 (2024): 32–43. http://dx.doi.org/10.58721/pajmae.v2i1.419.

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Marimba music performance practice has emerged globally in hundreds of marimba ensembles since the Kwanongoma marimba was designed in Bulawayo in the 1960s. The purpose of the study is to explore, the situation of marimba performance within Zimbabwe from an emic perspective. The country has a fledgling economy which is a push factor leading to the problem of about eighty-five percent of the population intending to relocate to other countries. This has not spared the marimba music industry as numerous marimba builders, performers and tutors have already, or intend to migrate. In this autoethnog
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Pradana, Ridhlo Gusti, Agus Salim, and YC Budi Santoso. "Penerapan Teknik Empat Mallet Pada Lagu Tambourin Paraphrase Untuk Solo Marimba Karya Keiko Abe." PROMUSIKA 6, no. 2 (2019): 90–101. http://dx.doi.org/10.24821/promusika.v6i2.2477.

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Teknik empat mallet sudah tidak asing lagi dalam dunia musik khususnya pada musik perkusi melodis ( definite ) seperti, marimba, vibraphone. Penjabaran dalam karya tulis ini adalah tentang penerapan teknik empat mallet pada lagu Tambourin Paraprase for Solo Marimba karya Keiko Abe.Penulisan tugas akhir ini bertujuan untuk memberikan informasi kepada masyarakat umum dan mahasiswa ISI Yogyakarta khususnya mengenai permainan marimba dengan menggunakan teknik empat mallet.Proses penerapan teknik empat mallet pada lagu Tambourin Paraprase for Solo Marimba menggunakan berbagai teknik seperti, tradis
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Putra, Toni Rahmat, Ferry Herdianto, and Hafif HR. "PENYAJIAN SOLIS MARIMBA REPERTOAR WINTER ANTONIO VIVALDI, NOCTURNE IN C SHARP MINOR FREDERIC CHOPIN." Laga-Laga : Jurnal Seni Pertunjukan 7, no. 1 (2021): 57. http://dx.doi.org/10.26887/lg.v7i1.1534.

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This article about percussion music performances in marimba playing techniques as an instrument presented by solis. presenting two repertoires namely Winter (L'Inverno) created by Antonio Vivaldi from the Baroque era in the 18th century, presented in the form of a marimba solis performance and a second repertoire of a by Frederic Chopin, Nocturne In C Sharp Minor in the Romantic era presented in Solis Marimba with accompaniment Ensamble of strings. The two repertoires presented have differences ranging from difficulty levels, styles, game techniquesABSTRAK Artikel ini memuat tentang pertunjuka
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Miao, Kangyi, and Pongsapich Kaewkulthorn. "Historical Development and Learning of Marimba in Chinese Educational Institutions." International Journal of Sociologies and Anthropologies Science Reviews 4, no. 6 (2024): 553–62. http://dx.doi.org/10.60027/ijsasr.2024.5129.

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Background and Aim: The significance of the historical development and learning of the marimba in Chinese educational institutions lies in the evolutionary and developmental process of these institutions and the interesting nature of the learning process. It is necessary to study the introduction and learning process of the marimba. The aim is to explore the historical development and learning of the marimba in Chinese educational institutions. Materials and Methods: Qualitative research and content analysis were used, based on the principles of the historical development of the marimba, to co
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Sturman, Janet. "¡Arriba Suena Marimba! Currulao Marimba Music from Colombia by Grupo Naidy." Ethnomusicology 51, no. 3 (2007): 515–18. http://dx.doi.org/10.2307/20174554.

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Akmal, Muhammad Fauzan, Ferry Herdianto, and Yon Hendri. "Pertunjukan Musik Solis Marimba dan Ensambel Perkusi dengan Repertoar Concerto In E Minor For Solo Marimba, Can You Feel The Love Tonight, dan Journey To Deli (Marimba Solis Music Show and Percussion Ensemble with Repertoire Concerto In E Minor For Solo Marimba, Can You Feel The Love Tonight, and Journey To Deli)." Musica: Journal of Music 3, no. 1 (2023): 31. http://dx.doi.org/10.26887/musica.v3i1.3465.

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ABSTRAKRepertoar musik dari berbagai era seperti classic, popular dan melayu dikemas ke dalam sebuah pertunjukan solis marimba dengan menggunakan kaidah pertunjukan konvensional.Repertoar dalam pertunjukan ini terdiri dari repertoar berbagai era.Repertoar pertama dalam pertunjukan adalah repetoar era klasik yang berjudul Concerto in E minor For Solo Marimba dengan komposer Braedon Bomgardner.Repertoar kedua adalah Can You Feel The Love Tonight yang merupakan lagu popular animasi disney ciptaan Elton John. Repertoar terakhir dengan judul Journey To Deli karya dari Tengku Ryo Riezkan. Penyaji me
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May, Randall L. "MARIMBA SUSPENDED MICROPHONE SYSTEM." Journal of the Acoustical Society of America 132, no. 1 (2012): 573. http://dx.doi.org/10.1121/1.4734267.

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Larsen, Henrik Knarborg, Ole Adrian Heggli, and Bjørn Petersen. "Marimba, mallet and mind – enhancing the marimba sound by Ki-aikido approach." Journal of New Music Research 48, no. 5 (2019): 469–78. http://dx.doi.org/10.1080/09298215.2019.1657465.

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Rozprawy doktorskie na temat "Marimba"

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Sokolov, Oleg. "Marimba - vývoj a současnost." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2012. http://www.nusl.cz/ntk/nusl-156081.

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The focus of my disseraion is to proces s essential information about the marimba. Due to the fact that there is putrid informaion available about the marimba in the Czech language, I decided to undertake the task of filling in this void with my thesis. The contents of the paper include a succinct and clear history of the musical instrument, followed by main information regarding the top marimba manufacturers, and most notable modern day performers. The work is divided into three major chapters , which are further divided into subsections , together with footnotes and video attachments at the
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Smith, Sarah E. "The development of the marimba as a solo instrument and the evolution of the solo literature for the marimba." Connect to resource, 1995. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1114442870.

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deLise, Louis Anthony. "Marimba Rossa for marimba and orchestra [front for score matter]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19916.

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Music Composition<br>Ph.D.<br>ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical traditio
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deLise, Louis Anthony. "Marimba Rossa [dissertation]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19912.

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Music Composition<br>Ph.D.<br>ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical traditio
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Àlamo, Santos Juan Manuel. "A Performance Guide and Theorical Study of Keiko Abe's Marimba d'Amore and Prism Rhapsody for Marimba and Orchestra." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9803/.

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Keiko Abe's contributions to the contemporary marimba repertoire have been a milestone in the development of the marimba as a solo concert instrument. Besides the creation of a new repertoire through commissions and her own compositions, Abe's contributions to the marimba include the improvement of the sound quality of the marimba and the establishment of the five octave instrument as the standard concert marimba. During the last four decades, Abe's compositions have been performed and studied worldwide and become standard literature for the marimba. Abe has written more than sixty compositi
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deLise, Louis Anthony. "Marimba Rossa [score I]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19940.

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Music Composition<br>Ph.D.<br>ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical traditio
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deLise, Louis Anthony. "Marimba Rossa [score II]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19952.

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Music Composition<br>Ph.D.<br>ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical traditio
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deLise, Louis Anthony. "Marimba Rossa [score III]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19970.

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Music Composition<br>Ph.D.<br>ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical traditio
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Denney, Ryan James. "Performing Bach's "Chaconne" on marimba." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10167524.

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<p> Johann Sebastian Bach&rsquo;s <i>Chaconne</i> is a staple of violin repertoire. Many instrumentalists have adapted it and many arrangements now exist, ranging from simplistic to complex. This paper provides various insights on how to perform the <i>Chaconne</i> on marimba. Comparing different adaptations, as well as analyzing performances by excellent musicians, helps give direction to my own interpretation. The <i>Chaconne</i> is a challenging undertaking for any instrumentalist, but this paper will shed light on how to perform Bach&rsquo;s great work successfully, on marimba. </p>
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Bodine, Gerald Bradley. "Concerto for Marimba and Orchestra." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186388.

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Concerto for Marimba and Orchestra is a twenty-two minute work cast in a traditional three movement concerto form. The basic harmonic/melodic materials are hexads and complementary hexads built on intervallic projections as propounded in Howard Hanson's Harmonic Materials of Modern Music. The opening movement is in double exposition form with a cadenza before the recapitulation. Marimba techniques used in the opening movement include chromatic thirty-second notes, mirrored octaves and single hand alternate sticking patterns. The form of the second movement is a rondo song form: a- b- a (invers
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Książki na temat "Marimba"

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Hoyt, Richard. Marimba. Tom Doherty Associates, 1993.

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Bigné, J. R. S. Marimba. Ediciones y distribuciones Requena, 1998.

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Boccanera, Jorge A. Marimba: Antología poética. 3rd ed. Editorial 21, 1998.

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Bautista, Alfonso, and Amauri Angel. La marimba en Guatemala. 2nd ed. Marimba de Concierto de Bellas Artes, 2003.

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Castillo, Julio César Sánchez. Qué sabemos de marimba? Editora Educativa], 1997.

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Vela, David. Information on the marimba. s.n.], 1993.

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Pinto, Carlos Alvarado. La marimba: Estudio investigativo. Liga Maya Internacional, 1994.

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Inc, Marimba, ed. Official Marimba guide to Castanet. Sams.Net Publishing, 1997.

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Dolores, Carr, and Faasen Nicol, eds. Marimba: Stories from southern Africa. Kagiso, 1996.

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Tamborrino, Giovanni. Marimbaphon: La tecnica della marimba. Suvini Zerboni, 1994.

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Części książek na temat "Marimba"

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Beer, Daniel, and Andrea Salgian. "Marimba Mallet Placement Tracker." In Advances in Visual Computing. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-47966-3_24.

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Hoffman, Guy, and Gil Weinberg. "Interactive Improvisation with a Robotic Marimba Player." In Springer Tracts in Advanced Robotics. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22291-7_14.

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Dahl, Sofia, and Anders Friberg. "Expressiveness of Musician’s Body Movements in Performances on Marimba." In Gesture-Based Communication in Human-Computer Interaction. Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-24598-8_44.

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Hernández, Noé, Kerstin Eder, Evgeni Magid, Jesús Savage, and David A. Rosenblueth. "Marimba: A Tool for Verifying Properties of Hidden Markov Models." In Automated Technology for Verification and Analysis. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-24953-7_14.

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Chong, Jet Kye, and Débora Corrêa. "Predicting Marimba Stickings Using Long Short-Term Memory Neural Networks." In AI 2022: Advances in Artificial Intelligence. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-22695-3_24.

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Rodríguez Lara, Ambrosio Salvador. "13. Spatial Movement of Sound Vectors." In Meta-Xenakis. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0390.15.

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In this chapter, I discuss the concept and definition of a sound vector in acoustic space. I also explain that and how rhythmic-melodic movement meets this definition. In musical instruments such as the harp, marimba or piano, when a melody is played, sound vectors are projected simultaneously over the acoustical space as well as the physical space throughout the instrument. Using technological resources to synchronize several acoustic sources, it is possible to obtain a projection of sound impulses in wider spaces. In this chapter, electroacoustic sources and means are excluded. Sound vectors
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Wild, Gerhard. "Bâ, Mariama." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2529-1.

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Gierczynski-Bocandé, Ute. "Ndoye, Mariama." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15698-1.

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Pfeifer, Anke. "Marin, Mariana." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16193-1.

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Scorah, Rebecca. "Pessl, Marisha." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12311-1.

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Streszczenia konferencji na temat "Marimba"

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Szymanska-Stulka, Katarzyna. "IGNACY ZALEWSKI�S DIE SPINNERIN AS A CATEGORY OF �COLORFUL MINDEDNESS� IN MUSIC." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs08.20.

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Color is not only a matter of visual arts but also of music. It can influence how we feel, how we perceive the world, and even tell a lot about one�s personal artistic style based on their favorite colors choices. Color is also a powerful means of communication. It can signify action, influence mood, and even physiological reactions. Colors can stimulate creativeness and affect productivity. Some experts tells about the powerful red, restful green, emotional yellow, playful orange or intellectual blue. Colors appear in art as a kind of mix, which is why we can describe art as colourful. Colorf
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Reis, Juliano, Bráulio Guimarães, Anderson Clayton Cláudio, and Patrícia de Fátima Chaves. "RECUPERAÇÃO DE ÁREAS DEGRADADAS NO COMPLEXO MARIANA." In 41º Ironmaking and Raw Materials Seminar and 12º Brazilian Symposium on Iron Ore. Editora Blucher, 2011. https://doi.org/10.5151/2594-357x-20461.

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Vega Rivera, Jorge Alberto, and Héctor Javier Tascón Hernández. "Oí Marimbí." In Encuentro de investigación formativa en Diseño – Semilleros y Grupos de investigación RAD 2022. Red Académica de Diseño - RAD, 2022. http://dx.doi.org/10.53972/rad.eifd.2022.4.3.

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Los objetivos de salvaguardia del patrimonio inmaterial de las manifestaciones culturales como las músicas y cantos de la marimba de chonta invitan a los diferentes sectores sociales a aportar en su preservación y construcción colectiva. Este documento recoge la trayectoria de investigación creación del videojuego Oí Marimbí, el cual surge como una iniciativa para proponer un puente de contacto entre los cultores del ecosistema cultural del litoral Pacífico y las nuevas generaciones, a través del diseño de una experiencia lúdica en medios digitales. A partir del recorrido previo en el desarrol
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Weinberg, Gil, and Scott Driscoll. "The design of a robotic marimba player." In the 7th international conference. ACM Press, 2007. http://dx.doi.org/10.1145/1279740.1279786.

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Schaefer, Mathew. "Beautiful Music in the Classroom: Marimba As a Lab Experiment for Teaching Vibration Measurement." In ASME 2019 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/imece2019-11038.

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Abstract A marimba bar makes a rich and vibrant sound when played by a skilled musician. When that same marimba bar is played by the typical mechanical engineering junior, it’s a different story. Then, that same marimba key provides a complex set of vibration modes that are a useful subject for a lab experiment in their Measurements &amp; Instrumentation course. This paper will describe development of “The Marimba Experiment”, which is part of a junior-level engineering course in measurements at Milwaukee School of Engineering. Learning outcomes for this course include “provide students with h
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Schildgen, Johannes, Thomas Jorg, Manuel Hoffmann, and Stefan Dessloch. "Marimba: A Framework for Making MapReduce Jobs Incremental." In 2014 IEEE International Congress on Big Data (BigData Congress). IEEE, 2014. http://dx.doi.org/10.1109/bigdata.congress.2014.27.

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Peixoto, Guilherme De Almeida, Geraldo Ribeiro, Paulo Abreu Barros, Marco A. Meira, and Tiago Moreira Barbosa. "VASPS Prototype in Marimba Field -- Workover and Re-Start." In SPE Latin American and Caribbean Petroleum Engineering Conference. Society of Petroleum Engineers, 2005. http://dx.doi.org/10.2118/95039-ms.

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Ramalho, Vasco. "In MarImmersive Waves - a marimba performance with generative art." In 2022 Third International Conference on Digital Creation in Arts, Media and Technology (ARTeFACTo). IEEE, 2022. http://dx.doi.org/10.1109/artefacto57448.2022.10061245.

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Li, Rong, and Lei Quan. "Marimba: A Tool for Verifying Properties of Hidden Markov Models." In 2015 International Conference on Advanced Engineering Materials and Technology. Atlantis Press, 2015. http://dx.doi.org/10.2991/icaemt-15.2015.113.

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Miura, Masanobu, and Nozomiko Yasui. "Fluctuation strength on real sound: motorbike exhaust and marimba tremolo." In ICA 2013 Montreal. ASA, 2013. http://dx.doi.org/10.1121/1.4799863.

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Raporty organizacyjne na temat "Marimba"

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J., Mayifilua, Mbula D., Muliele J., and Ombeni I. Le Paysage Maringa-Lopori-Wamba: Maringa–Lopori–Wamba Landscape. Center for International Forestry Research (CIFOR), 2012. http://dx.doi.org/10.17528/cifor/003930.

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Stubbs, T., and R. Heinle. MARIBO containment data report. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/97045.

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J., Mayifilua, Mbula D., Muliele J., and Ombeni I. Maringa–Lopori–Wamba Landscape. Center for International Forestry Research (CIFOR), 2012. http://dx.doi.org/10.17528/cifor/003931.

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Luciano, Bernadette. An Interview with Marina Spada. Purdue University Press, 2013. http://dx.doi.org/10.5703/1288284315032.

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von Balthasar, Hans Urs. Maria nel monachesimo. Saint John Publications, 2023. http://dx.doi.org/10.56154/qx.

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von Speyr, Adrienne. Maria e i profeti. Saint John Publications, 2022. http://dx.doi.org/10.56154/uz.

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von Speyr, Adrienne. Maria und die Propheten. Saint John Publications, 2023. http://dx.doi.org/10.56154/qj.

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Baring-Gould, I., R. Hunsberger, C. Visser, and P. Voss. Commonwealth of Northern Mariana Islands Initial Technical Assessment. Office of Scientific and Technical Information (OSTI), 2011. http://dx.doi.org/10.2172/1018874.

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Moore, Lilly. Rainer Maria Rilkes Musik der Kräfte (Rainer Maria Rilke's Music of the Forces). Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2267.

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Conrad, M. D., and J. E. Ness. Commonwealth of the Northern Mariana Islands Strategic Energy Plan. Office of Scientific and Technical Information (OSTI), 2013. http://dx.doi.org/10.2172/1089053.

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Możesz być także zainteresowany rozszerzonymi bibliografiami na temat „Marimba” dla poszczególnych typów źródeł:
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