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1

Price, Brian R. "The Martial Arts of Medieval Europe." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103377/.

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During the late Middle Ages and into the Renaissance, fighting books—Fechtbücher—were produced in northern Italy, among the German states, in Burgundy, and on the Iberian peninsula. Long dismissed by fencing historians as “rough and untutored,” and largely unknown to military historians, these enigmatic treatises offer important insights into the cultural realities for all three orders in medieval society: those who fought, those who prayed, and those who labored. The intent of this dissertation is to demonstrate, contrary to the view of fencing historians, that the medieval works were systema
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2

Zoughari, Kacem. "Tradition du mouvement dans les écoles classiques de combat du Japon." Paris, INALCO, 2008. http://www.theses.fr/2008INAL0022.

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Joern, Albert. "The repositioning of traditional martial arts in Republican China." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=114301.

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In this thesis, I discuss how practitioners of martial arts in the Republican era of China were engaged in a process of reinventing what embodied the field of martial arts during a time when physical culture was treated as an instrument of nation-building in response to colonial discourses and the process of modernization. Martial arts were repositioned from being a loosely associated field of practice for people who engaged with a set of combative skills that focused on weapons training that championed archery and spear fighting, towards being a recreational activity with a formalized body of
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4

McNally, Ian. "Internal Cultivation or External Strength?: Claiming Martial Arts in the Qing Period." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1557155402412377.

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Castillo, Gilbert Gerard. "Gender, Identity, and Influence: Hong Kong Martial Arts Films." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3354/.

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This project is an examination of the Hong Kong film industry, focusing on the years leading up to the handover of Hong Kong to communist China. The influence of classical Chinese culture on gender representation in martial arts films is examined in order to formulate an understanding of how these films use gender issues to negotiate a sense of cultural identity in the face of unprecedented political change. In particular, the films of Hong Kong action stars Michelle Yeoh and Brigitte Lin are studied within a feminist and cultural studies framework for indications of identity formation through
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6

Ng, Pei-San. "Strength From Within| the Chinese Internal Martial Arts as Discourse, Aesthetics, and Cultural Trope (1850-1940)." Thesis, University of California, Berkeley, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10251445.

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<p> My dissertation explores a cultural history of the body as reflected in meditative and therapeutic forms of the Chinese martial arts in nineteenth and early twentieth-century China. Precursors of the more familiar present-day <i> taijiquan</i> <b>[special characters omitted]</b> and <i> qigong</i> <b>[special characters omitted],</b> these forms of martial arts techniques focus on the inward cultivation of <i>qi</i> <b> [special characters omitted]</b> and other apparently ineffable energies of the body. They revolve around the harnessing of &ldquo;internal strength&rdquo; or <i>neigong</i
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Yu, King-hei, and 余境熹. "Study of the places in "A dealy secret"." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B46089044.

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8

Wong, King-tung, and 黃競東. "Reinventing the real: transfigurations of cinematic kung fu in the 21st century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47849885.

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Kung fu is a cinematic genre investing on the discourse of the “real”. From Kwan Tak Hing, Bruce Lee, Jacky Chan, Jet Li to Donnie Yen, cinematic representations of kung fu are inextricably intertwined with realism – real techniques, real fighting and real body. This paper is a theoretical reflection of “real kung fu” as a cultural imaginary and its transfiguration since the 1950s. The discussion will focus on recent developments of the genre in two major industries – digitalization of kung fu in Hollywood and recent return of kung fu masters in Hong Kong through coproduction. Through
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9

Morris, Andrew D. "Cultivating the national body : a history of physical culture in republican China /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9907604.

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10

Kim, Gye Won. "Registering the Real: photography and the emergence of new historic sites in Japan, 1868-1882." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95052.

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This dissertation examines the way photography engaged in the emergence of new ‘historic sites (shiseki)' during the early Meiji period (1868-1882). My contention is that photography, as a distinctive and integral medium of geographical image making, occasioned a new form of visibility of space imbued with national historicity and materiality. Particular attention is paid to the four distinct sites-as history: the ‘national space' in the geo-encyclopedia, architectural topographies, ancient sites, and imperial famous places. Historic sites may be understood as the Japanese counterparts to what
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11

Meachem, Dhugal. "Virtual worlds, non humans and power beams : a neoformalist analysis of the digital animation aesthetic in Hong Kong's mythical martial arts films." HKBU Institutional Repository, 2003. http://repository.hkbu.edu.hk/etd_ra/513.

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12

Adamson, William Charles. "The Nationalism of Joachim Meyer: An Analysis of German Pride in his Fighting Manual of 1570." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1286.

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This work addresses the nationalistic elements in the 1570 work Kunst des Fechtens by Joachim Meyer of Strassburg. Meyer's teachings on the longsword are attached to the Swabian Johannes Liechtenauer and then transferred to the Italian rapier thus establishing Meyer as less concerned with nationalist purity as others of his century. His teachings are examined for their pleadings for moral conduct and the preservation of martial studies to the youth of Germany and the young Duke of Bavaria, Johann Casimir. Using modern examples alongside Meyer's writings the case is also made for the integratio
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13

Cabaret, Bruce. "Représentations religieuses et spirituelles japonaises dans la pratique des arts martiaux en France." Electronic Thesis or Diss., Université Paris sciences et lettres, 2025. http://www.theses.fr/2025UPSLP004.

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Cette étude, basée sur une enquête anthropologique effectuée en France et au Japon, a pour objectif d'analyser la pluralité des discours portant sur les arts martiaux japonais, que ce soit auprès de pratiquants ou au sein de la culture populaire qui les a inspirés (cinéma, magazines spécialisés, séries télévisées, documentaires, etc.). Nous tentons ainsi de comprendre quelles sont les principales représentations les plus communément partagées par des pratiquants français tout en les confrontant avec celles de pratiquants japonais. Ce travail permet de mettre en évidence une certaine acculturat
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14

Heath, Douglas R. "Long-Term Western Residents in Japan: Hidden Barriers to Acculturation." Scholarly Commons, 2017. https://scholarlycommons.pacific.edu/uop_etds/234.

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This study explores the acculturation experiences of long-term Western residents in Japan using a broad intercultural studies approach. First, the historical context of Westerners coming to Japan is discussed. Next, literature from the field of intercultural studies is considered. This literature is used to provide a framework for analyzing Western sojourners’ acculturation experiences in Japan, as well as for choosing the research methods for conducting a qualitative analysis. The research involved interviewing 12 expatriates from English-speaking countries who have been in Japan for at least
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15

Lackney, Lisa M. "From Nostalgia to Cruelty: Changing Stories of Love, Violence, and Masculinity in Postwar Japanese Samurai Films." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1279473191.

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16

Filho, Marcio Antonio Tralci. "Artes marciais chinesas: histórias de vida de mestres brasileiros e as tensões entre a tradição e o modelo esportivo." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/39/39133/tde-01082014-094628/.

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Essa dissertação se propôs a discutir o conceito de tradição, bem como a sua importância, no campo das artes marciais chinesas (Kung Fu) no Brasil. Para tanto, recorri às histórias orais de vida de cinco mestres brasileiros, discípulos de chineses, como fontes primárias para contribuir com essa discussão. Essas narrativas foram cotejadas com os referenciais teóricos a respeito da relação mestre-discípulo, da relação entre tradição e autoridade e de certos momentos da história do Kung Fu, com destaque para o intenso processo de transformação sofrido por essas práticas ao longo do século XX, o q
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17

Kinuhata, Hitomi. "Hugh Borton : his role in American-Japanese relations /." [Johnson City, Tenn. : East Tennessee State University], 2004. http://etd-submit.etsu.edu/etd/theses/available/etd-0629104-174631/unrestricted/KinuhataH072004f.pdf.

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Thesis (M.A.)--East Tennessee State University, 2004.<br>Title from electronic submission form. ETSU ETD database URN: etd-0629104-174631. Includes bibliographical references. Also available via Internet at the UMI web site.
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18

Humphrey, Ashley Renee. "Where's the Roda?: Understanding Capoeira Culture in an American Context." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1543574890650575.

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19

劉天枝. "論金庸武俠小說的絕境書寫 :以"射鵰"三部曲為例 = Research on the desperation narrative of Jin Yong's Martial Arts novels : taking the Condor Trilogy for instance". Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954251.

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20

馮筱然. "金庸武俠小說中《武》與《俠》的承繼與創新 = The inheritance and innovation of "wu" and "xia" in Jin Yong's novels". HKBU Institutional Repository, 2000. http://repository.hkbu.edu.hk/etd_ra/205.

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21

Tuaillon, Demésy Audrey. "L'histoire vivante médiévale. Approche socio-anthropologique." Phd thesis, Université de Franche-Comté, 2011. http://tel.archives-ouvertes.fr/tel-01062398.

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L'histoire vivante est une manière de présenter le passé, qui peut se décliner en fonction d'époques variées ; celle qui est prise en compte dans cette recherche concerne la période médiévale. La pratique s'expose à travers deux activités distinctes mais complémentaires : la reconstitution historique et les Arts martiaux historiques européens, couramment nommés AMHE. L'étude menée répond à un travail de terrain interdisciplinaire, mêlant des approches ethnologiques et sociologiques. Les données recueillies proviennent d'observations participantes, mises en place lors de différents événements,
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22

Lee, Ming-yen. "An Analysis of the Three Modern Chinese Orchestras in the Context of Cultural Interaction Across Greater China." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1397886249.

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23

Ganoe, Kristy L. "Mindful Movement as a Cure for Colonialism." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1367936488.

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24

Levy, Deborah. "Mitate et citation dans l’oeuvre de Morimura Yasumasa : autoportrait d’une histoire de l’art." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080025.

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La citation et le mitate sont des procédés mimétiques proches au regard des autoportraits photographiques de Morimura Yasumasa. En citant directement les tableaux et le cinéma occidental, l’artiste reconstitue une histoire de l’art et de l’image dans le contexte japonais et du Kansai. Pourtant, bien que la citation, l’imitation et la copie caractérisent ses œuvres, l’artiste et les critiques japonais n’ont encore jamais mis en cause l’implication de l’influence du mitate. Or, sa définition, qui se traduit par une « transposition » que l’on déplace d’un cadre spatiaux-temporel à l’autre, sous u
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25

Marta, Felipe Eduardo Ferreira. "A memória das lutas ou o lugar do "DO": as artes marciais e a construção de um caminho oriental para a cultura corporal na cidade de São Paulo." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/13145.

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Made available in DSpace on 2016-04-27T19:32:28Z (GMT). No. of bitstreams: 1 Felipe Eduardo Ferreira Marta.pdf: 3214174 bytes, checksum: c979bb5f2548cdfd91db22393962d917 (MD5) Previous issue date: 2009-07-03<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Currently, the eastern martial arts are a part of the corporal culture of the city of São Paulo. His practice is available as an opportunity to experience. In other words, anyone that desire easily can have access to those corporal practices originated at countries of the far east. But how that was possible? How an elem
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26

Levy, Deborah. "Mitate et citation dans l’oeuvre de Morimura Yasumasa : autoportrait d’une histoire de l’art." Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080025.

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La citation et le mitate sont des procédés mimétiques proches au regard des autoportraits photographiques de Morimura Yasumasa. En citant directement les tableaux et le cinéma occidental, l’artiste reconstitue une histoire de l’art et de l’image dans le contexte japonais et du Kansai. Pourtant, bien que la citation, l’imitation et la copie caractérisent ses œuvres, l’artiste et les critiques japonais n’ont encore jamais mis en cause l’implication de l’influence du mitate. Or, sa définition, qui se traduit par une « transposition » que l’on déplace d’un cadre spatiaux-temporel à l’autre, sous u
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27

Fabro, Dakota. "From Self-Doubt To Inner Peace: An Ethnographic Narrative." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cgu_etd/116.

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In the midst of honing my craft as an educator, this ethnographic narrative was done for the purposes of taking an introspective look at the many moving parts of becoming an effective educator as well as developing an ethnographic view of the students who will pass through my classroom during my tenure as an educator. This ethnographic narrative examines my individual background, the educational spaces within which I find myself, communities I serve, and the students I was given the privilege of building relationships with within the classroom. This project serves as an in-depth analysis of th
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28

Bernardi, Jeremy. "L’armement, la figure du combattant et le combat dans les peintures funéraires pariétales et vasculaires de Campanie et de Lucanie (fin Ve – début du IIIe siècle avant J.-C.)." Thesis, Paris, EHESS, 2020. http://www.theses.fr/2020EHES0173.

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Cette thèse porte sur les armes et les combattants représentés dans la peinture funéraire vasculaire et pariétale de Campanie et de Lucanie, dont la production commence dans la seconde partie du Ve siècle et s’éteint au début du IIIe siècle avant J.-C. Nous entendons montrer ici l’existence d’une idéologie élitaire particulière, dont les représentations permettent de discerner la trame et qui se situe à l’articulation des sphères religieuse (eschatologique), militaire et sociale. Cette idéologie militaire est construite autour de l’exploit militaire individuel, porté aux nues par la compositio
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29

Tsai, Yen-ping, and 蔡彥平. "The culture compare of Taiwan martial arts and Japan martial arts -Core by fist and budo-." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/07725326477696675075.

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碩士<br>大葉大學<br>應用外語研究所<br>100<br>「When we talk about “Martial arts culture”, it is a active culture developing with human history and culture. Martial arts culture is different from literature, because besides characters and writing, the inheritance of Martial arts also can be preserved through body movement. This paper presents an understanding of Chinese martial arts to compare Taiwanese martial arts and Japanese martial arts and finds out theirs similarity and dissimilarity. Firstly, we take “Chinese martial arts” which is the original Eastern martial arts as a standard to analyze the c
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Shuenn, Poh Guey, and 朴貴順. "A Comparative Study on Martial Arts' Body Notion in China, Japan, and Korea--Based on Martial Arts Books in Ming Dynasty, Edo Period, and Joseon Dynasty." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/14208519467169339522.

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博士<br>國立臺灣師範大學<br>體育學系<br>98<br>Martial arts books have been published enormously in China, Japan, and Korea since 16th century, this study analyzes martial arts books from these three countries. Based on Jixiao-Xinshu, Heihô-hidensho, Bujutsu-hayamanabi, and Muye-Dobo-Tongji, this study focuses on martial arts’ body notions in Ming Dynasty, Edo period, and Joseon Dynasty. First, Jixiao-Xinshu in Ming Dynasty and Muye-Dobo-Tongji in Joseon Dynasty are investigated in order to find out how Chinese martial arts has influenced on Muye-Dobo-Tongji. Second, the publication and the content of Heihô-
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31

Coka, Petr. "Historické a filosofické souvislosti umění lukostřelby v Japonsku." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-323572.

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Title: Historical and Philosophical Context of the Art of Archery in Japan Objectives: The objective of this thesis is to describe Japanese martial art kyudo and introduce it to the wide public with the emphasis on the historical context and its relation to philosophical and religious systems. The first part focuses on the history and development of the Japanese archery, different kinds of Japanese martial activities and basic technique and equipment of kyudo in the frame of Japanese archery. The second part describes philosophical and religious systems within the context of martial arts, espe
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32

"Movement Synchronization in Capoeira." Master's thesis, 2020. http://hdl.handle.net/2286/R.I.57234.

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abstract: Previous literature on synchronization to music using finger tapping tasks in a laboratory or otherwise controlled setting has led to some invaluable, albeit dated, theories about time and synchronization. In an effort to modernize some of the approaches utilized in research on music synchronization, this study applies established theories of music entrainment to a fieldwork study. Specifically, this study focuses on the extent to which participants of Capoeira, a Brazilian martial art disguised as a dance, synchronize to external timekeepers by analyzing icti in several types of mov
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Silver, Jana L. "Personal history and present practice: A cross cultural study of the influences on arts integration in the United States and Japan." 2012. https://scholarworks.umass.edu/dissertations/AAI3546052.

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Through observations, life history research, and qualitative data analysis, this study seeks to answer the question: Who and what influences elementary school teachers to ultimately use or not use art in their current classroom practice? This study examines the personal histories of nine elementary school general education teachers in the United States and Japan. Through reflections upon life history, pre and post teacher education this study investigates what influences the use of the arts in teaching practice and what influences the recognition of the arts as a vehicle for learning in a cros
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34

Osborne, Jaquelyn. "Sport, games, women and warriors: an historical and philosophical examination of the early Irish Ulster cycle." Thesis, 2010. https://vuir.vu.edu.au/16108/.

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This thesis identifies the early Irish Ulster Cycle of tales as a rich source of information relating to the nature and significance of sport-like activity in the ancient world. Taking the tales of the Ulster Cycle as its data, this thesis adopts a method of analysis which combines aspects of historical and postmodern philosophical processes. The relationships between and among sport, history, truth and fiction are investigated in determining the contribution that the early Irish Ulster Cycle of tales might offer the historian of sport. Central to this notion is the idea that an examination of
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