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Artykuły w czasopismach na temat „Medieval Horror”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Pirotti Pereira, Gabriela. "To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the Mabinogi." Revista da Anpoll 51, no. 3 (2020): 74–83. http://dx.doi.org/10.18309/anp.v51i3.1456.

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Jason Colavito (2007) descreve “horror corporal” como uma seção na ficção de horror que se ocupa das “inquietações relacionadas ao corpo físico e seu relacionamento com o mundo natural” (p. 113). Tais narrativas frequentemente emergem durante períodos nos quais há ansiedades sociais conectadas à expansão científica e algum desafio aos valores morais. O presente artigo propõe uma leitura da história “Math, son of Mathonwy” explorando a possibilidade de que esta narrativa apresenta aspectos de horror corporal. Olhando para o contexto histórico e social do manuscrito medieval Y Mabinogi (O Mabino

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Field, Teresa. "Biblical Influences on the Medieval and Early Modern English Law of Sanctuary." Ecclesiastical Law Journal 2, no. 9 (1991): 222–25. http://dx.doi.org/10.1017/s0956618x0000123x.

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In Act Three of Shakespeare's King Richard III the Duke of Buckingham asks Cardinal Bourchier to try and persuade Elizabeth Woodville to release the young Duke of York from sanctuary at Westminster. In the event of such tactics failing, Buckingham wishes Lord Hastings to accompany the Cardinal to Westminster and ‘… from her jealous arms pluck him perforce.’ The Cardinal's initial reaction is one of horror:‘…if she be obdurateTo mild enteraties god in heaven forbidWe should infringe the holy privilgeOf blessed sanctuary not for all this landWould I be guilty of so deep a sin.’

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Buchan, Bruce. "Sight Unseen: Our Neoliberal Vision of Insecurity." Cultural Studies Review 24, no. 2 (2018): 130–49. http://dx.doi.org/10.5130/csr.v24i2.6051.

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Is security seen? Is security seen in images of peace and safety, or is it perceived in the troubled images of the horrors of violence and suffering? Vision has played a crucial role in shaping the modern Western preoccupation with, and prioritisation of security. Historically, security has been visually represented in a variety of ways, typically involving the depiction of its absence. In Medieval and Early Modern Europe especially, security and insecurity were presented as coterminous insofar as each represented separate conditions – their shared boundary envisioned in representations of the

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Dockray-Miller, Mary. "Afrisc Meowle: Exploring Race in the Old English Exodus." PMLA/Publications of the Modern Language Association of America 137, no. 3 (2022): 458–71. http://dx.doi.org/10.1632/s0030812922000281.

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AbstractAn Afrisc meowle (“African woman”) appears at the end of the Old English Exodus, a poem ostensibly celebrating religious freedom, migration, and divine justice. Amid the Hebrews’ final celebration, the explicit inclusion of the Afrisc meowle's racial difference from the Israelites exposes the horror and violence of the aftermath of war; a focus on her also invites questions about the poem's early medieval audience and how that audience could have understood her, especially since she does not appear in the source text of the Hebrew Bible. The scant critical analysis of this remarkable f

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5

Perry, R. D. "Anticipatory Trauma and Medieval Horror in Sir Gawain and the Green Knight." Exemplaria 37, no. 1 (2025): 62–76. https://doi.org/10.1080/10412573.2025.2466354.

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Fergusson, David A. S. "Predestination: A Scottish Perspective." Scottish Journal of Theology 46, no. 4 (1993): 457–78. http://dx.doi.org/10.1017/s0036930600045245.

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In contemporary Scottish culture the subject of predestination is guaranteed to evoke a variety of reactions ranging from horror and disgust on the one hand to laughter and ridicule on the other. It is viewed by some as a nightmare scenario devised by Christian theologians in their worst moments, while for odiers it is a ludicrous aberration of the medieval and Reformation mind. It is perceived frequently as the trademark of a theological mindset which is marked by harshness, legalism and a fatalistic attitude towards life. A clear example of this is Edwin Muir's biography of Knox which writes

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Minaya Gómez, Francisco Javier. "The Lexical Domains of Ugliness and Aesthetic Horror in the Old English Formulaic Style." Atlantis. Journal of the Spanish Association for Anglo-American Studies 45, no. 1 (2023): 147–67. http://dx.doi.org/10.28914/atlantis-2023-45.1.09.

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Even though as of late there has been a renewed interest in the aesthetic ideals in early Medieval England, the conceptualisation and experience of ugliness in Old English sources has been largely neglected. Drawing on the recent research carried out on aesthetic emotions and folk aesthetics, and despite the lack of academic materials on artistic and literary canons of ugliness, the purpose of this paper is to look into the terms that rendered the experience of ugliness and its closest emotional response, aesthetic horror, in order to examine how these are employed in poetic texts. The finding

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White, David Gordon. "Dracula's Family Tree: Demonology, Taxonomy, and Orientalist Influences in Bram Stoker's Iconic Novel." Gothic Studies 23, no. 3 (2021): 297–315. http://dx.doi.org/10.3366/gothic.2021.0106.

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Prior to Bram Stoker's Dracula, vampires were never represented in literature as reanimated or ‘undead’ humans capable of transforming into bats. The source of Stoker's innovation may be traced to his personal acquaintance Sir Richard Francis Burton, who in his adaptation of a South Asian anthology of ‘Gothic’ tales of horror and adventure had identified its hero's antagonist, called a vetāla in Sanskrit, as both a male vampire and a giant bat. This article surveys a number of ancient, medieval, and early modern Asian and European precursors of Stoker's vampire lore, noting that unlike Stoker'

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Mcdougall, Ian. "Serious entertainments: an examination of a peculiar type of Viking atrocity." Anglo-Saxon England 22 (December 1993): 201–25. http://dx.doi.org/10.1017/s0263675100004385.

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In a letter written to King Æthelred of Northumbria in or soon after 793, Alcuin bewails the appalling aftermath of the Viking attack on Lindisfarne. He writes, ‘vineam electam vulpes depredarunt, hereditas Domini data est populo non suo. Et ubi laus Domini, ibi ludus gentium. Festivitas sancta versa est in luctum.’1 Alcuin's horror at Viking merriment is shared by a great many other medieval historians in their accounts of the depredations of the Norsemen. Adam of Bremen, for instance, laments the Vikings' assault upon the Franks in 882, in which they made so bold as to attack King Charles II

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Classen, Albrecht. "Absurdity in Medieval Literature? Der Stricker’s Pfaffe Amîs as a Transgressive Literary Enterprise Long before Modernity." Humanities 13, no. 3 (2024): 80. http://dx.doi.org/10.3390/h13030080.

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Although the concept of the Absurd seems to be characteristic only of modernity, especially since WWII, we face the intriguing opportunity to investigate its likely first emergence in the early thirteenth century in Der Stricker’s Pfaffe Amîs (ca. 1220). While the narrative framework insinuates that meaning and relevance continue to be the key components of the priest’s life, especially because he constantly seeks new sources of income for his own generosity and hospitality, his various victims increasingly face absurd situations and are abandoned even to the threat of insanity and death. The

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Allen, Richard. "Toward a Philosophy of Melodrama." Projections 17, no. 3 (2023): 1–24. http://dx.doi.org/10.3167/proj.2023.170301.

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Abstract This article proposes a philosophy of melodrama, following the example of Noël Carroll in The Philosophy of Horror (1990). Melodrama is defined by a distinctive mode of address in which morality is dramatized through an appeal to our emotions. More narrowly conceived as the “tearjerker,” it is designed to solicit tears through the orchestration of pathos. While melodrama is associated above all with a genre of nineteenth- century theater, it is considered here as a mode that persists from at least the medieval period into the present, encompassing discrete art forms, such as theater,

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Soares, Elizangela Aparecida. "Monstros nas fronteiras da cultura: das alteridades impensáveis." Reflexão 46 (December 22, 2021): 1–12. http://dx.doi.org/10.24220/2447-6803v46e2021a5533.

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Este artigo discute aspectos da concepção sobre “raças monstruosas” que, no imaginário antigo e medieval, habitavam as bordas do mundo conhecido. Com isso, espera-se explicitar um tipo de construção do “outro” – sua identidade e representação –, via imaginário do monstro, isto é, a forma literal na qual estranhas criaturas incorporam a diferença/alteridade. Parte-se da premissa de que monstros operam primariamente em formas de imaginário que são mobilizadas por estratégias de representação. Dito de outra maneira, a corporeidade anormal e híbrida dos monstros inventados tem consequências reais

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Lampert-Weissig, Lisa. "The Wandering Jew as Monster: John Blackburn’s Devil Daddy." Humanities 14, no. 1 (2025): 17. https://doi.org/10.3390/h14010017.

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Can we think of the legendary Wandering Jew as a monster? The figure does not easily fit the common definition of a monster and yet, the Wandering Jew is extraordinary. In the medieval and early modern sources of the legend, the Wandering Jew, who once sinned against Christ and is therefore doomed to be an immortal eyewitness to the Passion, serves as a model for the faithful. In his 1796 gothic novel, The Monk, Matthew Lewis creates a new strand of the Wandering Jew tradition, a gothic Wandering Jew, a being transformed from wonder to horror through association with centuries of antisemitic a

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К., М. Богун. "КАТЕГОРІЇСТРАХУ ТА ЖАХУ В КОНТЕКСТІ АНТИФОБІАЛЬНИХ ФІЛОСОФСЬКИХ ПРАКТИК (АНТИЧНІСТЬ ТА СЕРЕДНЬОВІЧЧЯ)". Вісник Харківського національного педагогічного університету імені Г.С. Сковороди "Філософія" 2, № 45 (2015): 66–76. https://doi.org/10.5281/zenodo.32506.

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The author states that on the example of the Ancient greek philosophy we can explore the similarity of the manifestation and overcoming of fear in both philogenesis and ontogenesis. for example, a child can be pacified with the help of any explanation of a dangerous phenomenon, that appeals to a certain ontology. Similarly, the early greek philosophy sees ignorance as the source of fear, and the way out is proposed by the pre-Socratic substantionalism. for an adult person the main source of fears is the repressive side of society. Correspondently, they seek the guarantees against fear in a cer

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Hrynick, Tobias. "On England’s Green and Pleasant Land: Matthew Paris’s Map of Britain as a Reflection of the Levant." Cartographica: The International Journal for Geographic Information and Geovisualization 58, no. 2 (2023): 64–80. http://dx.doi.org/10.3138/cart-2022-0020.

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In the mid-thirteenth century, the noted English Benedictine chronicler Matthew Paris produced a substantial corpus of regional maps. Especially famous is Paris’s Map of Britain, particularly the version preserved in British Library Cotton Claudius d. vi, known for its mimetic accuracy, artistic presentation, and striking level of detail. Another of Paris’s maps, however, a map of the eastern Mediterranean preserved on Oxford Corpus Christi MS 2*, though little studied, shares many of the features which made the Map of Britain so remarkable. Internal evidence strongly suggests that the Oxford

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Talbert, Andrew R. "The Mystery of Iniquity at Work: An Anglican Reception History." Salesianum 87, no. 3 (2025): 522–44. https://doi.org/10.63343/rt3907pl.

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Anglican reception history of 2 Thessalonians 2:3-12 reaches back to the apostolic era and the interpreters of the early church, yet it takes on a decidedly English tone through medieval readers, such as the Venerable Bede and Lanfranc, as well as John Wycliffe and its early revolutionaries. With Parliament’s Act of Supremacy (1534), Henry VIII and England broke with the Roman Catholic Church and joined a litany of voices in opposition to the papacy, who saw in it the mystery of iniquity at work, the falling away, the son of perdition, and the man of lawlessness. This unleashed a bevy of inter

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Vasileva, Elmira V. "“Georeferencing” and Howard Phillips Lovecraft’s narrative strategy (on the material of “The Case of Charles Dexter Ward”)." Vestnik of Kostroma State University 27, no. 3 (2021): 170–76. http://dx.doi.org/10.34216/1998-0817-2021-27-3-170-176.

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The article approaches the narrative strategy employed by a famous American horror-writer Howard Phillips Lovecraft in his only novel “The Case of Charles Dexter Ward” (1927) and introduces new terms – “georeferencing” and “georeference.” By the latter we mean a toponymical allusion, i. e. an implicit reference to the precedential text incorporated in a toponym (e. g. the author mentions Transylvania to make a georeference to Bram Stoker’s “Dracula”). Lovecraft employs georeferencing and other forms of literary allusions to medieval legends, as well as to famous gothic novels written by his pr

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Bećir, Ante. "Moderne i suvremene predodžbe srednjovjekovlja – anakronija između bajke i horora." Radovi Zavoda za hrvatsku povijest Filozofskoga fakulteta Sveučilišta u Zagrebu 54, no. 2 (2022): 49–77. http://dx.doi.org/10.17234/radovizhp.54.10.

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The paper reviews modern and contemporary images of the Middle Ages with emphasis on popular culture in the form of selected cases from literature, cinematography and video games in the context of the notion of historical anachronism. Erroneous statements that antedate or misplace events, objects or people basically constitute an “innocent” anachronistic transgression, which can be easily rectified using verifiable data. However, faulty projection of a set of features or characteristics to an age which did not know them represents a far more dangerous fallacy because it opens the question of i

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Schmitz-Esser, Romedio. "Elina Gertsman, The Absent Image: Lacunae in Medieval Books. University Park, PA: The Pennsylvania State University Press, 2021, 232 S. mit 120 farbigen Abb." Mediaevistik 36, no. 1 (2023): 306–7. http://dx.doi.org/10.3726/med.2023.01.33.

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Was ist es, das der Mensch mehr liebt als sein Leben, was der Arme hat und der Reiche braucht, das alle Menschen in ihr Grab mitnehmen? Die bestechende Antwort ist: Nichts! Diese Einsicht ist einem Gedicht am Ende dieses inspirierenden Bandes entnommen, der sich gerade damit beschäftigt, was doch nur auf den ersten Blick als gar kein Thema der mittelalterlichen Kunstgeschichte verstanden werden könnte. Tatsächlich zeigt Elina Gertsman in diesem gedankenreichen Band, wie anregend das Nachdenken über die Absenz und das Nichts sein kann. Das konkrete Feld ihrer Studie sind dabei die mittelalterli

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Miguel Ángel, Galindo Núñez. "Páginas herejes: el manuscrito como texto sagrado en la literatura mexicana contemporánea." Argos 7, no. 19 (2019): 3–16. http://dx.doi.org/10.32870/argos.v7.n19.1a20.

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La palabra “Grimorio” deviene del provenzal “Grammaire noir” traducible como “Gramática negra” o “Gramática de la oscuridad”. Estos son los libros de magia utilizados por brujas y hechiceros desde que el Diablo formó parte de la imaginería popular. Parecería contradictorio que un texto sagrado —siguiendo las ideas de Roger Caillois y James Frazer—, correspondería con la “escrituralidad”: la estructura de su mensaje debería ser puntual y científica; pero hay ejemplos donde no se respeta esto. Dentro de la literatura fantástica hispanoamericana encontramos manuscritos y libros sagrados con una g

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Classen, Albrecht. "The Horrors of War in the History of German Literature: From Heinrich Wittenwiler and Hans Jacob Christoffel von Grimmelshausen to Rainer Maria Remarque." ATHENS JOURNAL OF HUMANITIES & ARTS 9, no. 2 (2022): 121–44. http://dx.doi.org/10.30958/ajha.9-2-2.

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As terrible as wars have always been, for the losers as well as for the winners, considering the massive killings, destruction, and general horror resulting from it all, poets throughout time have responded to this miserable situation by writing deeply moving novels, plays, poems, epic poems, and other works. The history of Germany, above all, has been filled with a long series of wars, but those have also been paralleled by major literary works describing those wars, criticizing them, and outlining the devastating consequences, here disregarding those narratives that deliberately idealized th

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Maroshi, Valerij V. "The Dog-Heads in Modern Russian Literature: Between the Monster and Christ." Critique and Semiotics, no. 1 (2024): 316–36. http://dx.doi.org/10.25205/2307-1753-2024-1-316-336.

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Cynocephali appear in ancient and medieval cosmographies, novels and travel stories. Legends about them have been preserved in the folklore of Eastern Europe. In Western cultural studies, they are studied as one of the embodiments of the Other. In Russia, religious and cultural interest in cynocephali is related to the unique iconographic image of St. Christopher the Dog-Headed. Since the late 2000s, cynocephali as characters and especially St. Christopher have firmly established themselves in Russian social and “sacred” fiction in the genres of travel, horror, and dystopia. The article analys

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Kečan, Ana. "NEOROMANTIC ELEMENTS IN J.R.R. TOLKIEN'S WRITING." Knowledge International Journal 32, no. 4 (2019): 461–65. http://dx.doi.org/10.35120/kij3204461k.

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Neoromanticism or the Neo romantic movement may be easier to define, than it is to frame within a strict time framework. Some see it as a 20th-century resurgence of romantic ideas which began around 1928 and lasted up to the mid-1950s, while others locate it within a larger framework going back to the 1880s (being a reaction against naturalism) and lasting up to today. Depending on which timeline one adopts, it is sometimes synonymous with post-romanticism and late romanticism. However, regardless of its timeline, the movement has had profound effects lasting well into the end of the 20th cent

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Shalamay, Anastasia. "The Functioning of Communicative Units in the In-game Text of Video Games." Studia Philologica, no. 22 (2024): 215–26. http://dx.doi.org/10.28925/2412-2491.2024.2215.

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This article describes the results of a pragmatic analysis of communicative units that were selected from different types of in-game text (spoken and written game plot-related text and interface text) taken from six video games of various game genres (action-shooter, action-adventure, role-playing game, simulator etc.) and narrative genres (fantasy, science fiction, horror, military, medieval, western). It further offers a model for classification of the abovementioned units based on the pragmatic aim of the utterance, i.e. to assist the player during gameplay or to express the artistic aspect

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Finke, Laurie A., and Susan Aronstein. "GOT GRAIL? MONTY PYTHON AND THE BROADWAY STAGE." Theatre Survey 48, no. 2 (2007): 289–311. http://dx.doi.org/10.1017/s0040557407000695.

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Money matters. In Act 2 of Spamalot, Eric Idle's Broadway musical based on the 1975 cult classic Monty Python and the Holy Grail, the show's star, Tim Curry, as King Arthur, comments that the characters are running around in a “dark and very expensive forest.” The joke, it turns out, is entirely on us. Monty Python and the Holy Grail was an inexpensive independent film, costing $250,000 to make, a bargain compared to the same year's The Rocky Horror Picture Show ($1,200,000) and Python's own 1979 Life of Brian ($4,000,000). From its release, Holy Grail ran continuously in many theatres, and la

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Завьялова, Мария Вячеславовна. "How Katyusha Turned into a Gorilla: Children’s Alterations of a Famous Song from a Semiotic Perspective." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 3 (September 25, 2022): 86–98. http://dx.doi.org/10.26158/tk.2022.23.3.006.

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В последнее время набирает популярность изучение детского творчества. Издаются антологии, статьи и монографии, посвященные отдельным жанрам детского фольклора. Наиболее изучены такие специфически детские жанры, как считалки, страшилки, садистские стишки. Детскому песенно-поэтическому фольклору (ироническим стишкам и переделкам песен) уделяется незаслуженно мало внимания. Возможно, причина кроется в неспецифичности этих жанров: иронические пародии встречаются и во взрослой субкультуре. Тем не менее детские пародии существенно отличаются от взрослых. В статье анализируются детские переделки изве

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Білоус, Петро. "Life and death of Knyaz Mykhailo of Chernihiv in ancient ukrainian literature." Українська література: історичний досвід і перспективи, no. 2 (November 15, 2023): 17–26. http://dx.doi.org/10.31652/3041-1084-2023-2-17-26.

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The article examines ancient Ukrainian literary works about the life and tragic death in the Horde of Prince (Kniaz) Mykhailo of Chernihiv. The article aims to trace the process of literary transformation of the ancient story and to introduce this material into the circle of research in Ukrainian medieval studies. The content of the story reflects events from the life of Mykhailo of Chernihiv, focusing on his journey with boyar Fedir to the Horde in 1245 to obtain permission from Batu Khan to own lands in Rus. There, they refused to bow to the khan according to Mongolian custom, and were kille

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Shoemaker, Karl. "The King’s Two Bodies as Lamentation." Law, Culture and the Humanities 13, no. 1 (2016): 24–35. http://dx.doi.org/10.1177/1743872114547006.

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The King’s Two Bodies is, as has long been recognized, a genealogy of modern state power. But it is also something else less clearly recognized. The King’s Two Bodies is a lamentation. In Kantorowicz’s poignant eulogy, the sovereign that medieval lawyers had made in the imago dei, was revealed at last to be an idol. Profound reverence for the rule of law crumbled into absent-minded legality. The lawful sovereign became diabolical power, forever deciding exceptions but incapable of justice or grace. In The King’s Two Bodies, Kantorowicz mournfully shows how the death and tragic afterlife of a p

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Hanly, Michael G. "Fifteenth-Century Attitudes: Perceptions of Society in Late Medieval England.Rosemary Horrox." Speculum 71, no. 3 (1996): 718–21. http://dx.doi.org/10.2307/2865820.

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Ford, Alan. "St Patrick’s Purgatory: Theology and History in the Reformation and Counter-Reformation." Studies in Church History 61 (May 20, 2025): 304–24. https://doi.org/10.1017/stc.2024.42.

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Patrick’s purgatory in Lough Derg, Donegal, is one of the great medieval pilgrimage sites. On the extreme edge of Europe, it physically embodied the theological idea of purgatory, offering pilgrims a this-worldly encounter with its horrors. Despite Protestant efforts to destroy it, it survived the Reformation and posed a classic challenge for Protestant and Roman Catholic historians. For the latter, it exemplified the continuity of Catholicism in Ireland from Patrick to the present, a living embodiment of the unchanging loyalty of the Irish people to their national saint. For Protestant histor

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Pomfyová, Bibiana. "Stredoveké kostoly v Zolnej a Hornom Jasene : poznámky k architektúre a datovaniu." Acta historica Neosoliensia 26, no. 2 (2024): 5–40. http://dx.doi.org/10.24040/ahn.2023.26.02.05-40.

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The Gothic churches in Zolná and Horné Jaseno are among the medieval rural sacral buildings in two nearby regions – in Zvolen Hollow Basin and Turiec Hollow Basin, which are often considered to be architectural or art historian circles regions. The architecture of both churches remained somewhat in the shadow of their wall paintings or the problems of monument restoration. The research so far records the basic architectural contexts as well as the fact that they are characterized by certain common features. However, a deeper analysis is lacking and the dating of both buildings is ambiguous, ra

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Quesada-García, Santiago. "Poblamiento y asentamientos rurales andalusíes: análisis del paisaje y caracterización territorial de un valle del ʿamal Šaqūra (siglos VIII-XII)". Al-Qanṭara 42, № 2 (2021): e17. http://dx.doi.org/10.3989/alqantara.2021.014.

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En el valle de los ríos Trujala, Hornos y Guadalimar en la Sierra de Segura, al noreste de la provincia de Jaén, se conserva un articulado sistema de estructuras medievales que configuran un paisaje. Para orientarse en él, hace falta un mapa que represente con precisión los elementos que intervienen en su conformación. El objetivo de este trabajo es revelar esos puntos y trazar una cartografía que sirva para comprender e interpretar el palimpsesto del paisaje. Con ese fin se realiza una prospección intensiva del territorio que documente los vestigios existentes, elaborando posteriormente un mo

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Knobler, Adam. "Timur the (Terrible/Tartar) Trope: a Case of Repositioning in Popular Literature and History'." Medieval Encounters 7, no. 1 (2001): 101–12. http://dx.doi.org/10.1163/157006701x00102.

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AbstractThis study details how the medieval Central Asian leader, Timur, looked upon by many in the Latin West as a potential savior, came to be vilified as British imperial interests moved from the Ottoman Porte to India and Central Asia. To the vast majority of those to whom his name means anything at all, it commemorates a militarist who perpetuated as many horrors in the span of twenty-four years as the last five Assyrian kings perpetrated in a hundred and twenty ... The crack-brained megalomania of [a] homicidal madman whose one idea is to impress the imagination of mankind with a sense o

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Fábián, István. "Post Traumatic Stress Disorder in E.M. Remarque's Works about the "Great War"." Acta Marisiensis. Philologia 6, no. 6 (2024): 144–48. http://dx.doi.org/10.62838/amph-2024-0117.

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Considered one the most vivid writers about the horrors of first World War, E.M Remaque was also a good observer of the human nature in condition of extreme stress. His major books about the “Great War”, All quiet on the Western Front, The Road back and a series of eight short stories are not just about war itself but about human endurance, hope, failure….and about the description of a mental affliction considered “modern”: Post Traumatic Stress Disorder (PTSD). Present in ancient, medieval or modern literary sources, PTSD haunted soldiers for millennia. In Remarque’s case, the author gives we

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Hernández Iñigo, Pilar. "LProducción y consumo de pan en Córdoba a fines de la Edad Media." Meridies. Estudios de Historia y Patrimonio de la Edad Media, no. 3 (December 10, 1996): 175–93. http://dx.doi.org/10.21071/meridies.v0i3.11748.

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Este trabajo pretende ser una aproximación más al conocimiento de un alimento fundamental en la dieta del hombre medieval -el pan- centrado en la ciudad de Córdoba durante el siglo xv. Analiza el proceso de producción del pan desde que el cereal llegaba a la ciudad hasta que, tras su molturación y cocción, era consumido bajo la forma de pan o de otros productos secundarios, describiendo detenidamente el funcionamiento de molinos y hornos. Se distingue entre el pan elaborado de manera profesional por parte de los panaderos y el de fabricación doméstica. Además, se abordan los lugares, precios y

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Salinas Pleguezuelo, Elena. "Los alfares islámicos en el entorno de las Ollerías (Córdoba): dispersión, cronología y tipología." Meridies. Estudios de Historia y Patrimonio de la Edad Media, no. 11 (March 5, 2020): 116–35. http://dx.doi.org/10.21071/meridies.vi11.12302.

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En este trabajo se realiza una aproximación a los hornos y alfares islámicos cordobeses, especialmente a raíz de los hallazgos de los últimos años. Se han analizado aspectos como la distinta tipología de los hornos cordobeses, su evolución a través de los siglos islámicos –desde época emiral a almohade-, la ubicación de las distintas áreas alfareras en Madīnat Qurtuba, principalmente la zona de las Ollerías, y los elementos necesarios en un alfar. This paper presents a summary of the Islamic pottery craft areas and kilns in the medieval Cordoba, especially in the light of the recent find

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Breeze, Andrew. "The Destruction of Jerusalem, or Titus and Vespasian, ed. Kara L. McShane and Mark J. B. Wright. Kalamazoo, Michigan: Medieval Institute Publications, 2021, ix, 228 pp." Mediaevistik 36, no. 1 (2023): 500–501. http://dx.doi.org/10.3726/med.2023.01.131.

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There are two long medieval English poems on the Fall of Jerusalem in 70 C.E. The one edited here is not the alliterative Siege of Jerusalem, but (with its two titles) the other, in couplets. It has a long and short version and was popular in the fifteenth century (twelve manuscripts survive), although not thereafter, because it is a chamber of horrors. Its author sets out the Jewish hatred of Christ, his murder by the Jews, the suffering that it brought them, ‘King’ Vespasian’s leprosy, his cure by St. Veronica’s napkin, Pontius Pilate’s unquiet grave, the besieging of Jerusalem (with famine

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Wannenmacher, Julia Eva. "Giovanni di Rupescissa. Vade mecum in tribulatione. Edited by Elena Tealdi, Robert E. Lerner and Gian Luca Potestà. (Dies Nova). Pp. 330. Milan: Vita e Pensiero, 2015. € 30.00. 978 8 8343 2998 6 - John of Rupescissa's Vade mecum in tribulacione (1356). A late medieval eschatological manual for the forthcoming thirteen years of horror and hardship. Edited by Matthias Kaup. (Church, Faith and Culture in the Medieval West). Pp. xiv + 348. London–New York: Routledge, 2017. €110.00. 978 1 4094 6399 3." Journal of Ecclesiastical History 70, no. 1 (2018): 165–66. http://dx.doi.org/10.1017/s0022046918001914.

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Hernández Sousa, José Miguel. "El urbanismo islámico en la Sevilla medieval: transformaciones e impacto en los talleres alfareros. Una aproximación al estudio de los hornos cerámicos andalusíes." Revista Historia Autónoma, no. 4 (March 1, 2014): 63–82. http://dx.doi.org/10.15366/rha2014.4.004.

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La ciudad de Sevilla ha sido siempre una gran fuente de restos arqueológicos, pero el tema de los hornos islámicos se ha tratado de una manera marginal. Con el presente trabajo pretendemos, en primer lugar, constatar los hornos islámicos documentados en la ciudad de Sevilla y, a través de ellos, trataremos de establecer una secuencia cronológica de los diferentes lugares y momentos en los que estuvieron en producción. Todo ello nos proporcionará un conocimiento más profundo de la historia de la ciudad, y nos ayudará a comprender los cambios urbanísticos, tecnológicos y sociales ocurridos en la

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Trompf, Garry. "Albrecht Classen, Freedom, Imprisonment, and Slavery in the Pre-Modern World: Cultural-Historical, Social-Literary, and Theoretical Reflections. Fundamentals of Medieval and Early Modern Culture, 25. Berlin and Boston: Walter de Gruyter, 2021, pp. viiii, 310." Mediaevistik 35, no. 1 (2022): 396–97. http://dx.doi.org/10.3726/med.2022.01.67.

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Abstract Classen has recently edited a fine collection of articles on Incarceration and Slavery in the Middle Ages and the Early Modern Age (Rowman and Littlefield, 2021), and in this monograph he widens his brief to consider medieval, Renaissance and Reformation ideas of freedom, and not just as release from prison or enslavement. As he admits, the book addresses “a highly convoluted yet meaningful topic,” so the three distinguished matters are “aspects” of the same subject “closely entwined” (p. 250), which makes it awkward for the author to follow a simple ordering of the materials. Classen

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Novitskaya, Irina V., and Victoria V. Vorobeva. "Lexical representation of the basic emotions in the Gothic language: Etymological aspect." Yazyk i kul'tura, no. 66 (2024): 62–79. https://doi.org/10.17223/19996195/66/4.

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In recent decades, linguistic research has seen an expansion of the range of issues that address the relationship between emotions and language. The importance of studying the emotive vocabulary in languages of the world is proven by an increased interest in the analysis of various aspects of emotive vocabulary, also by the development of the history of emotion as an independent theoretical concept of modern linguistics. One of the areas of analysis is the study of emotive vocabulary in texts written in ancient languages from the point of view of its etymological, functional, stylistic and sem

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Flores Escobosa, Isabel, María del Mar Muñoz Martín, and Jorge Lirola Delgado. "Las producciones de un alfar islámico en Almería." Arqueología y Territorio Medieval 6 (November 19, 1998): 207–39. http://dx.doi.org/10.17561/aytm.v6i0.1533.

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Hace aproximadamente cuatro años se procedió al derribo de un edificio situado en la actual Avenida de Pablo Iglesias, fuera del recinto fortificado de la ciudad medieval, asistiendo al hecho una serie de personas que pronto repararon en "los numerosos cacharros que sacaban las palas excavadoras". Varios de ellos recogieron cuanto pudieron y más tarde entraron en contacto con nosotros facilitándonos el material e informándonos de haber visto allí "hasta cinco hornos de parrilla con agujeros que se veían cargados de piezas y uno de ellos contenía sólo las jarras decoradas con manganeso-esgrafia

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Nielsen, Jorgen S. "The Contribution of Interfaith Dialogue toward a Culture of Peace." American Journal of Islam and Society 19, no. 2 (2002): 103–8. http://dx.doi.org/10.35632/ajis.v19i2.1954.

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Dialogue among the adherents of the major world religions has alwaystaken place, especially, but not only, among the Abrahamic faiths: Judaism,Christianity and Islam. Excellent examples of this may be found in themidst of shared histories where we are more often presented with a recordof conflicts. The high points must be the enormously rich and creative interactionswhich took place in medieval Islamic Spain and southern Italy andat various times in places as far apart as Central Asia, Baghdad, Delhi,Cairo and the Ottoman Empire.As a movement with its institutions and full-time professionals,

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Allmand, Christopher. "Rosemary Horrox. Richard III: A Study of Service. (Cambridge Studies in Medieval Life and Thought.) New York: Cambridge University Press. 1989. Pp. x, 358. $49.50." Albion 22, no. 2 (1990): 298–300. http://dx.doi.org/10.2307/4049607.

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Sabdenova, G. E., and D. S. Baigunakov. "SOME ISSUES OFTHE CONFRONTATION BETWEEN YESSIM KHAN AND TURSUN KHAN(BASED ON THE MATERIALS OF SHEZHIRE AND ORAL HISTORY)." edu.e-history.kz 30, no. 2 (2022): 221–33. http://dx.doi.org/10.51943/2710-3994_2022_30_2_221-233.

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The increasing importance of oral history and folk sources (especially shezhire in Kazakhstanhistoriography)is one of the important trends in the development of historical science. In recent years, shezhire data has become one of the active sources capable of providing interesting facts on the medieval history of Kazakhstan. Using them opens up new horizons in the history of the Kazakh Khanate. The object of the study is the political and military confrontation between Yessim Khan and Tursun Khan in 1626-1627/28. The main directions of Tursun Khan's domestic policy and military actions in the

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Quesada-García, Santiago, and Guadalupe Romero-Vergara. "El sistema de torres musulmanas en tapial de la Sierra de Segura (Jaén). Una contribución al estudio del mundo rural y el paisaje de al-Andalus." Arqueología de la Arquitectura, no. 16 (July 4, 2019): 079. http://dx.doi.org/10.3989/arq.arqt.2019.001.

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En el límite entre ġarb al-Andalus y šharq al-Andalus se ubica el valle formado por los ríos Guadalimar, Hornos y Trujala en la Sierra de Segura (Jaén). Un territorio en el que se unían los antiguos caminos medievales que llegaban de Sevilla (Ishibiya) y Granada (Gharnatah) para partir hacia Valencia (Balansiyya). En ese lugar aún subsiste un articulado sistema de torres de origen musulmán construidas en tapial durante el siglo XII. Este trabajo se centra en analizar sus características territoriales, formales y constructivas con el objetivo de documentarlas, establecer su cronología y propone

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Shalak, M. E. "The image of the Crimean Tatars in Jewish chronicles of the Khmelnytsky period." History: facts and symbols, no. 4 (December 20, 2023): 91–107. http://dx.doi.org/10.24888/2410-4205-2023-37-4-91-107.

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Introduction. The purpose of the article is a detailed analysis of the assessments contained in the Jewish historical chronicles of the Khmelnytsky uprising period and related to the characteristics of the Crimean Tatars who took an active part in the uprising of B.M. Khmelnitsky. Based on these assessments, we can reconstruct the image of the Muslim Tatars that developed in the historical consciousness of the Jewish late medieval society under the influence of the experienced catastrophe. Methods. Since the peculiarity of this study is the exceptional attention to the text of the source, meth

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Keen, Maurice. "Fifteenth-century attitudes. Perceptions of society in late medieval England. Edited by Rosemary Horrox. Pp. xii + 244 incl. 30 ills. Cambridge: Cambridge University Press, 1994. £30. 0 521 40483 5." Journal of Ecclesiastical History 47, no. 1 (1996): 169–71. http://dx.doi.org/10.1017/s0022046900019114.

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Bekmetov, R. "Omar Khayyam in Russian literary interpretation (Vardvan Varzhapetyan’s novel “The smell of a wild rose”)." Philology and Culture, no. 3 (October 18, 2024): 145–51. http://dx.doi.org/10.26907/2782-4756-2024-77-3-145-151.

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The article analyzes Vardvan Varzhapetyan”s (born in 1941) novel “The Smell of a Wild Rose” (1974–1978), a biographical narrative about Omar Khayyam, the medieval Persian thinker, mathematician and poet. The novel is part of a trilogy about writers from different national cultures and historical eras: in addition to O. Khayyam, V. Varzhapetyan artistically recreated the images of Li Bai (“The Traveler with a Candle”, 1981–1984) and Francois Villon (“The Ballad of Fate”, 1978–1981). There are practically no literary works studying the named text (as, indeed, the entire trilogy). This determines

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Jenks, Susanne. "The Parliament Rolls of Medieval England. Scholarly Digital Edition, hg. v. Paul Brand/Seymour Philipps/Mark Ormrod/Geoffrey Martin/Chris Given-Wilson/Anne Curry/Rosemary Horrox. The National Archives, Scholarly Digital Editions." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 124, no. 1 (2007): 486. http://dx.doi.org/10.7767/zrgga.2007.124.1.486a.

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