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Rozprawy doktorskie na temat „Medieval Illumination of book and manuscripts”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Kitzinger, Beatrice. "Cross and Book: Late-Carolingian Breton Gospel Illumination and the Instrumental Cross." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10183.

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Crosses made in metal, paint, or stone stand at a singular intersection of past, present and future in the early medieval period. The historical cross of Golgotha is the source of such manufactured crosses’ form and power. Most also represent the theology of the Cross through their form and decoration, describing the soteriology of the crucifixion and anticipating its consummation at the end of time. As manufactured crosses recount the past and look forward to the eschaton, they concurrently function in the age of the Church, offering specific, contemporary points of access to all the larger c

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2

Liles, Linda Kathleen. "Guide to the pilgrim churches at Rome a late 15th century manuscript in Yale University's Beinecke Rare Book and Manuscript Library /." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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Hansen, Kelli Bruce. "The Cross of Oviedo in medieval Spanish art /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p1418028.

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Meyer, Linda M. "Discovering the Nuances in the Book of Hours of the Virgin: A Book of Hours in the Toledo Museum of Art (1955.28)." University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1305040445.

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5

Sheppard, Jennifer M. "The Giffard Bible Bodleian Library MS Laud misc. 752 /." New York : Garland Pub, 1986. http://catalog.hathitrust.org/api/volumes/oclc/11970124.html.

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6

THOR, WATT KELLY LYNN. "THE ILLUSTRATOR'S HAND: AN INVESTIGATION USING MARGINALIA AND CAPITALS OF THE BOOK OF KELLS TO ILLUMINATE QUESTIONS OF ARTISTIC ATTRIBUTION." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1022596547.

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7

Naughton, Joan Margaret. "Manuscripts from the Dominican monastery of Saint-Louis de Poissy /." Connect to thesis, 1995. http://eprints.unimelb.edu.au/archive/00000680.

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8

Cochrane, Laura E. "'Where there is no time' the quadrivium and images of eternity in three eleventh-century Anglo-Saxon manuscripts /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 250 p, 2009. http://proquest.umi.com/pqdweb?did=1818417331&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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9

Rodrigues, Ubirajara Alencar 1966. "O colar perdido da caligrafia." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251132.

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Orientador: Milton Jose de Almeida<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2019-01-04T15:20:10Z (GMT). No. of bitstreams: 1 Rodrigues_UbirajaraAlencar_D.pdf: 41150719 bytes, checksum: dd62e343c9b0c326b696000c59b681f4 (MD5) Previous issue date: 2011<br>Resumo: Este é um estudo e uma pesquisa sobre imagens em literatura, cinema, letras e textos em manuscritos e miniaturas árabes e persas. O estudo passa pela novela O colar da pomba, de Ibn Hazm, andaluz do século XI, e suas aparições nem sempre claras no filme de Nacer Khemi

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10

Spyra, Ulrike. "Das "Buch der Natur" Konrads von Megenberg die illustrierten Handschriften und Inkunabeln /." Köln : Böhlau, 2005. http://books.google.com/books?id=LuXaAAAAMAAJ.

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11

Angelet, Gimeno Silvia. "Els manuscrits il·luminats i els llibres il·lustrats com a eina didàctica per l'ensenyament de les ciències socials. Proposta de modelització per la difusió del patrimoni medieval jueu català." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/401897.

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El patrimoni medieval jueu català, inexistent en el currículum escolar, és una assignatura pendent a les escoles del país, i a la didàctica del patrimoni. Proposem en aquesta recerca un model didàctic per a la seva transmissió entre l’alumnat de primària. Els manuscrits il·luminats són uns mitjans idonis per la transmissió del patrimoni intangible del període en el qual han estat concebuts, com intentem demostrar amb l’exemple dels Beatus de Girona i la cultura mossàrab. I en aquest sentit, disposem d’unes fonts primàries úniques que podrien ser emprades per la didàctica del patrimoni tangi

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12

Schell, Sarah. "The Office of the Dead in England : image and music in the Book of Hours and related texts, c. 1250-c. 1500." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2107.

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This study examines the illustrations that appear at the Office of the Dead in English Books of Hours, and seeks to understand how text and image work together in this thriving culture of commemoration to say something about how the English understood and thought about death in the fourteenth and fifteenth centuries. The Office of the Dead would have been one of the most familiar liturgical rituals in the medieval period, and was recited almost without ceasing at family funerals, gild commemorations, yearly minds, and chantry chapel services. The Placebo and Dirige were texts that many people

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13

Silva, Rocha Jorge Manuel Gomes da. "L'Image dans le Beatus de Lorvão: figuration, composition et visualité dans les enluminures du Commentaire de l'Apocalypse attribué au scriptorium du monastère de São Mamede de Lorvão-1189." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210535.

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L’Apocalypse de Lorvão appartient au cycle des commentaires illustrés de la vision de Jean aujourd’hui connus sous le nom de «Beatus». Ces œuvres d’exégèse, enluminées surtout dans le nord de la péninsule Ibérique pendant l’occupation musulmane, constituent un ensemble pictural à l’identité artistique indéniable. Cependant, le manuscrit copié et illustré dans le scriptorium du monastère de São Mamede de Lorvão en 1189 diverge à plusieurs reprises des options iconographiques des autres codex et les solutions picturales et stylistiques de l’oeuvre portugaise se détachent significativement de cel

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14

Pirotte, Emmanuelle. "La Chair du verbe: l'image, le texte, l'écrit dans les évangéliaires insulaires (VIIeme-IXeme siècle)." Doctoral thesis, Universite Libre de Bruxelles, 1998. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211997.

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15

Ryley, Hannah. "Sustainability and recycling in fifteenth-century manuscripts." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:84a73526-0daa-4dad-9b10-554e56b1e48a.

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This thesis examines the sustainability of fifteenth-century manuscripts. It analyses the durability of manuscripts, and the ways in which people recycled and reused their books. During the long fifteenth-century (here, 1375-1530), book production in England flourished, driven by increased demand for books. Yet while the fast-developing commercial book trade produced new books in great quantity, significantly, older books were also sustained, recycled and reused. Although there is awareness within medieval scholarship of recycled manuscript components, such as flyleaves, no sustained study has

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16

Jackson, Cailah. "Patrons and artists at the crossroads : the Islamic arts of the book in the lands of Rūm, 1270s-1370s." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:2d687f25-fb80-4470-b259-72714ba24386.

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This dissertation is the first book-length study to analyse the production and patronage of Islamic illuminated manuscripts in late medieval RÅ«m in their fullest cultural contexts and in relation to the arts of the book of neighbouring regions. Although research concerning the artistic landscapes of late medieval Rūm has made significant progress in recent years, the development of the arts of the book and the nature of their patronage and production has yet to be fully addressed. The topic also remains relatively neglected in the wider field of Islamic art history. This thesis considers the

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17

Magruder, James A. "The Sinope gospels an illuminated gospel book as anti-Chalcedonian polemic /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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18

Pulliam, Heather. "Opening the senses : the Gospel book as an instrument of salvation as articulated by the minor decoration and full-page illustrations of the Book of Kells." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15322.

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This thesis argues that the minor decoration and full-page images of the Book of Kells reflects a cohesive theme: the role of the gospel book in man's apprehension of God. This is demonstrated by an examination of the decorated initials and smaller images in relation to the text and a reinterpretation of the full-page images within the context of patristic commentary and the writings of the period. It is argued that the decorated initials and minor imagery are not merely ornamental but instead emphasize and comment upon the text. They do so in three ways: Firstly, they draw the eye to passages

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19

DeLuca, Dominique. "Ab Umbra Ad Umbram: Shadows in Late Medieval Secular Manuscripts." Case Western Reserve University School of Graduate Studies / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1575545731721228.

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20

Lehman, Jennifer Shootman. "Haimo's book : rhetorical pedagogy in a medieval clerical miscellany (Munich, Bayerische Staatsbibliothek CLM 14062, ff. 56r-119v) /." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037517.

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21

Baker, Donna Tsuruda. "The artistic and sociological imagery of the merchant-banker on the book covers of the Biccherna in Siena in the early Renaissance /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6244.

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22

Williams, Kenneth R. "The De Villers Book of Hours." DigitalCommons@USU, 1996. https://digitalcommons.usu.edu/etd/182.

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Created in France during the late fifteenth century, the illuminations, text, and family genealogy (added by one of many owners) found in De Villers Book of Hours make it an excellent example among other French books of hours from this period. In addition to acting as a repository of the style and iconography of French fifteenth-century illumination, the book's rich decorative program and varied textual content provide a remarkable document of contemporary devotional piety. This thesis provides the first detailed description and analysis of the De Villers Book of Hours. Following a description

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23

Kennedy, Cornelia Breugem. "A Book of Hours at the University of Iowa : An Analysis." Thesis, University of Iowa, 1986. https://ir.uiowa.edu/etd/5370.

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24

Johnston, Michael R. "The sociology of middle English romance: three late medieval compilers." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1186773637.

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25

Gorny, Danny. "Reading Robert Thornton’s Library: Romance and Nationalism in Lincoln, Cathedral Library MS 91 and London, British Library MS Additional 31042." Thesis, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/26301.

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Robert Thornton of East Newton, Yorkshire (c.1367-c.1465) is the most important scribe of late-medieval England: the only amateur scribe we know to be responsible for the concurrent production of multiple manuscript anthologies. This project constitutes the first extended study devoted exclusively to Robert Thornton and his books that treats them both as independent and as in conversation with each other. By uniting the concerns of codicology and cultural history, we can gain new insights into the effect of each manuscript’s textual sequences while also considering the effect of the distributi

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26

Mihan, Shiva. "Timurid manuscript production : the scholarship and aesthetics of Prince Bāysunghur’s Royal Atelier (1420-1435)." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/277827.

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Considered one of the pinnacles of the arts of the book in the entire history of Persian art, the life of the Timurid prince, Bāysunghur (1397-1433) and his royal library-atelier have been studied for more than a century. Yet previous scholarship, although solid on it own terms, has not combined study of the entirety of production with sustained analysis of individual productions of Bāysunghur’s atelier. Prior to this study, a number of manuscripts were completely neglected, and several others were studied only briefly. What is more, the single extant document describing procedures and progr

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27

Horst, Harald. "Wissensraum am Niederrhein." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät I, 2017. http://dx.doi.org/10.18452/17761.

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Das Kreuzherrenkloster Hohenbusch bei Erkelenz (Niederrhein) wurde 1802 während der Säkularisation linksrheinischer Gebiete aufgehoben. Etwa 130 Handschriften und frühe Drucke aus seiner Bibliothek befinden sich heute vorwiegend in der Diözesanbibliothek Köln sowie in München, Brüssel, New York u.a. Ein 1801 im Auftrag der französischen Verwaltung erstelltes Inventar von 265 konfiszierten Büchern bildet das einzige Verzeichnis der ehemaligen Klosterbibliothek. Auf der Grundlage dieses Inventars und der erhaltenen Bestände unternimmt die Studie eine Teilrekonstruktion der Bibliothek. Schreibhän

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Pearce, Judith M. "Text and image in the Salisbury Breviary (Paris, BN ms lat 17294) : the decorative cycle and its Paris precursors." Phd thesis, 1987. http://hdl.handle.net/1885/110012.

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The main aim of this thesis is to examine the Salisbury Breviary from the point of view of "the picture in service of text and patron". The breviary is defined as a text. and the Salisbury Breviary identified as an exceptionally richly decorated example of the genre, made in Paris during the second quarter of the fifteenth century, but written for the use of Sarum, and intended for the personal use of the Duke of Bedford, then regent in France for the infant king of England, Henry VI. In terms of the elements contributing to the hierarchy of decoration of its sanctoral, communal and tempo

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29

Lowry, Susan. "New York, Pierpont Morgan Library, M. 333 and manuscript illumination at the monastery of St.-Bertin under Abbot Odbert (986-ca. 1007)." 1993. http://catalog.hathitrust.org/api/volumes/oclc/34745342.html.

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Thesis (Ph. D.)--Columbia University, 1993.<br>Department: Art History. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 205-210).

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Thompson, Lacey. "Ogam and the integumenta of word and image in the Book of Durrow /." 2004. http://wwwlib.umi.com/dissertations/fullcit/3154245.

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Slaymaker, Peter James Victor. "Augustine and the Trinity vision in the Vita Sancti Augustini Imaginibus Adornata." Thesis, 2013. http://hdl.handle.net/1805/3886.

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Scott, Kara Desire. "Manuscripts and memory : Charles V (1364-1380) at Vincennes." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3162.

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In this thesis I examine the manuscript collection held at the château of Vincennes during the reign of Charles V of France (1364-1380). From the original collection of fifty-six, dispersed after the king’s death in 1380, ten complete manuscripts and one fragment are extant. Through an analysis of the existing manuscripts and information taken from the 1380 inventory of the king’s collections at Vincennes, I consider these manuscripts as a curatorial grouping that forms its own system of meaning, independent of the king’s larger collection of manuscripts at the Louvre. I argue that this collec

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33

Lehman, Jennifer Shootman 1968. "Haimo's book : rhetorical pedagogy in a medieval clerical miscellany (Munich, Bayerische Staatsbibliothek Clm 14062, ff. 56r-119v)." 2001. http://hdl.handle.net/2152/10675.

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Poddar, Neeraja. "Krishna in his Myriad Forms: Narration, Translation and Variation in Illustrated Manuscripts of the Latter Half of the Tenth Book of the Bhāgavata Purāṇa". Thesis, 2014. https://doi.org/10.7916/D8H70CVV.

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This dissertation focuses on a seventeenth-century (so-called) Malwa manuscript that illustrates the story of Krishna, and the copy manuscripts that were produced after it. It explores how the story is transformed in its incarnations as the vernacular text inscribed on the manuscript, the cycle of illustrations depicting that text, and then the copies made from what appear to be the initial illustrations. The claim is that narrative variations which find their way into these different embodiments should almost never be considered "mistakes," even when an act of misunderstanding seems to be cle

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35

Drimmer, Sonja. "The Visual Language of Vernacular Manuscript Illumination: John Gower's Confessio Amantis (Pierpont Morgan MS M.126)." Thesis, 2011. https://doi.org/10.7916/D8FN1BZP.

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The Confessio Amantis, a poem completed in 1393, opens with its author's pledge to: wryte of newe som matiere essampled of these olde wyse [write anew some matter modeled on these old wise books]. Expressing a commonplace among writers of vernacular literature in late medieval England, John Gower describes authorial activity as the process of translating and assimilating pre-existing narratives. This dissertation argues that such conceptualizations of authorship were embraced by illuminators of vernacular literature in their burgeoning notion of invention before the ascendance of print: as tra

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36

Lahey, Stephanie Jane. "Offcut zone parchment in manuscript codices from later medieval England." Thesis, 2021. http://hdl.handle.net/1828/13412.

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This dissertation engages with the production and use in late medieval England (c.1200–c.1500) of manuscript codices copied, in whole or in part, on offcuts: cheap, low-quality parchment scraps created as a byproduct of parchment manufacturing. After presenting a method for identifying offcuts, it explores the material through statistical techniques and case studies. Applying this mixed methodology to a corpus of 140 offcut-bearing production units spread across 75 handwritten books, it delineates a range of manuscript production stages, examining the sociocultural contexts of books recruiting

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37

Shanks, Francis. "La symbolique des couleurs dans un livre d'Heures du maître de Jean d'Albret (XVe siècle)." Thèse, 2017. http://hdl.handle.net/1866/20152.

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Ebersonová, Adéla. "Středověké rukopisné knihovny řeholních kanovníků sv. Augustina v Čechách." Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-437547.

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This dissertation examines the medieval libraries of the order of Regular Canons of St. Augustine in Bohemia. The research is concentrated on manuscripts that were written before the end of the 15th century, together with handwritten parts bound together with old prints and fragments removed from manuscripts. The aim of the study is to fill gaps in existing research and provide a systematic overview of the libraries of canonries in Bohemia, namely Roudnice, Jaroměř, Karlov in Prague, Sadská, Rokycany, Třeboň, and Borovany. The research of these libraries is based mainly on preserved manuscript

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