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1

Aḥmad, G̲h̲ulām. Commentary on the Holy Quran: Compiled from the writings and pronouncements of the promised Messiah and Mahdi Hazrat Mirza Ghulam Ahmad of Qadian. London Mosque, 1986.

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Aḥmad, G̲h̲ulām. Commentary on the Holy Quran: Compiled from the writings and pronouncements of the promised Messiah and Mahdi Hazrat Mirza Ghulam Ahmad of Qadian. Islam International Publications, 2004.

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3

LeBlanc, Toby. Messiah Complex. AuthorHouse, 2004.

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4

Richards, Zackary. Messiah Complex. Independently Published, 2018.

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Messiah Complex XMen. Marvel Comics, 2008.

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6

Brubaker, Ed, Mike Carey, David Peter, Craig Kyle, and Christopher Yost. X-Men: Messiah Complex. Marvel Comics, 2008.

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Brubaker, Ed, Marc Silvestri, David Peter, Craig Kyle, and Christopher Yost. X-Men Milestones: Messiah Complex. Marvel Worldwide, Incorporated, 2020.

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8

Olin-Hitt, Michael. Messiah Complex: And Other Stories. Middle Creek Publishing and Audio, 2017.

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9

Johns, Randall Scott. The Messiah Complex: Finding Heaven. WestBow Press, 2021.

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10

Lawder, Simon, and Reuben Wakeman. The Messiah Complex: A chilling story with biblical implications. Simon Lawder, 2019.

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11

The paradise complex: An exploration of the forbidden. Element, 1997.

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12

Reitman, Sanford W. The Educational Messiah Complex: American Faith in the Culturally Redemptive Power of Schooling. Caddo Gap Pr, 1992.

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The educational messiah complex: American faith in the culturally redemptive power of schooling. Caddo Gap Press, 1992.

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14

Tiemeyer, Lena-Sofia, ed. The Oxford Handbook of Isaiah. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780190669249.001.0001.

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The book of Isaiah is without doubt one of the most important books in the Hebrew Bible/Old Testament, as evidenced by its pride of place in both Jewish and Christian traditions as well as in art and music. Most people, scholars and laity alike, are familiar with the words of Isaiah accompanied by the magnificent tones of Handel’s ‘Messiah’. Isaiah is also one of the most complex books due to its variety and plurality, and it has accordingly been the focus of scholarly debate for the last 2000 years. Divided into eight sections, The Oxford Handbook of Isaiah constitutes a collection of essays
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15

Dweck, Yaacob. Dissident Rabbi. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691183572.001.0001.

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In 1665, Sabbetai Zevi, a self-proclaimed Messiah with a mass following throughout the Ottoman Empire and Europe, announced that the redemption of the world was at hand. As Jews everywhere rejected the traditional laws of Judaism in favor of new norms established by Sabbetai Zevi, and abandoned reason for the ecstasy of messianic enthusiasm, one man watched in horror. This book tells the story of Jacob Sasportas, the Sephardic rabbi who alone challenged Sabbetai Zevi's improbable claims and warned his fellow Jews that their Messiah was not the answer to their prayers. The book brings to life t
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16

Quebec Church of the Messiah (Montréal. Hymnal Compiled for the Use of the Congregation of the Church of Messiah, Montreal [microform]. Creative Media Partners, LLC, 2021.

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17

Williams, Gareth D. From Venice to Sicily. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272296.003.0004.

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Chapter 3 focuses on Bembo’s complex motivations for leaving Venice for Messina in 1492, and particularly on four individuals who shaped his humanism both before and during his time in Sicily. It is surely no coincidence that Pietro departed for Sicily soon after assisting Angelo Poliziano, that revolutionary figure in philological method, in collating, during the great man’s visit to Venice in summer 1491, the celebrated ancient manuscript of Terence that belonged to the Bembo family. Constantine Lascaris’ reputation as a teacher was far reaching, but Giorgio Valla, Lascaris’ former pupil fro
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18

Potter, Nancy Nyquist. Feminist Psychiatric Ethics in the Twenty-First Century and the Social Context of Suffering. Edited by John Z. Sadler, K. W. M. Fulford, and Cornelius Werendly van Staden. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780198732365.013.33.

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This chapter covers three central developments in feminist psychiatric ethics: nosology, forensic psychiatry, and advances in feminist theorizing the twenty-firstst century. Each of these sections raises key questions in how to think about gender and other socially marked bodies as they intersect with psychiatry. In particular, I highlight feminist challenges to nosological and ontological issues in psychiatry and their relation to ethics; the concept of relationality as it affects our understanding of intimate partner abuse; postcolonialism and how an understanding of epistemologies of ignora
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19

France, R. T. The Gospel of Matthew. Wm. B. Eerdmans Publishing Co., 2007. http://dx.doi.org/10.5040/bci-000r.

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“It is a special pleasure to introduce R. T. (Dick) France’s commentary to the pastoral and scholarly community, who should find it a truly exceptional—and helpful—volume.” So says Gordon Fee in his preface to this work. France’s masterful commentary on Matthew focuses on exegesis of Matthew’s text as it stands rather than on the prehistory of the material or details of Synoptic comparison. The exegesis of each section is part of a planned literary whole supplemented, rather than controlled, by verse-by-verse commentary, allowing the text as a complete story to come into brilliant focus. Rathe
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20

Messham-Muir, Kit, Uroš Čvoro, and Monika Lukowska-Appel, eds. The Politics of Artists in War Zones. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350386006.

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This volume explores the role contemporary art plays within conversations around war and imperialism, bringing together chapters from leading international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. What exactly is contemporary war art in the West today? The Politics of Artists in War Zones considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the ‘War on Terror’. It addresses newly-emerged contexts in which war is found: not only sites of contemporary conflic
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21

Giles, Paul. The Planetary Clock. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198857723.001.0001.

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The theme of The Planetary Clock is the representation of time in postmodern culture and the way temporality as a global phenomenon manifests itself differently across an antipodean axis. To trace postmodernism in an expansive spatial and temporal arc, from its formal experimentation in the 1960s to environmental concerns in the twenty-first century, is to describe a richer and more complex version of this cultural phenomenon. Exploring different scales of time from a Southern Hemisphere perspective, with a special emphasis on issues of Indigeneity and the Anthropocene, The Planetary Clock off
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Elam, J. Daniel, ed. Aesthetics and Politics in the Global South. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350302587.

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This digital collection brings together aesthetic and political writing from across the non-European and postcolonial world. It includes writing from South East Asia, South Asia, Africa, the Caribbean, and Latin America during the twentieth and twenty-first centuries. It is the first collection to bring these texts together, and, in many cases, the first time that many of these writings have been considered properly as ‘philosophy’. The range of writings demonstrate that, over the last century, political and aesthetic thought owes its existence and vibrancy to the imaginations of anticolonial
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