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Gotowe bibliografie tematyczne / Metaphorical mediation apparatus

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Gotowa bibliografia na temat „Metaphorical mediation apparatus”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Metaphorical mediation apparatus"

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Mullen, Lisa. "“Sound, Substantial Flesh and Blood”." Twentieth-Century Literature 66, no. 1 (2020): 59–78. http://dx.doi.org/10.1215/0041462x-8196707.

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The shocking defamiliarization of the everyday that took place during World War II created a crisis in modernist aesthetics. This crisis emerges both in Eliot’s anguished meditation on time, space, and infinity in “East Coker,” and in Powell and Pressburger’s playful satire about an aging soldier. The curious parallels between these two works are articulated through the figure of the failing human body; in both poem and film, flesh becomes the avatar of a modernist sensorium that struggles to conjoin the perceiving subject with a fugitive and unreliable object world. Specifically, the medicali

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Mihaela, Alexandra Tudor. "Metaphorical Mediation Apparatus: The Case of the Psalms." June 30, 2017. https://doi.org/10.5281/zenodo.822348.

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This study belongs to the communication studies domain and it is focused on the Psalms as a metaphorical mediation apparatus. <em>The Psalms </em>are a memory place that transmit through a paradigmatical act of communication the meaning of the mediations which made possible their real existence: the primordial mediation through the creative Word of the world, the mediation through the revelation of the Word which has made the law of the world, the mediation through the memory of the Word creator of the history... These mediations will be, for now, an opportunity to defend the universality of “

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Nolan, Huw, and Jo Coghlan. "Mutating a Better Man." M/C Journal 28, no. 2 (2025). https://doi.org/10.5204/mcj.3170.

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Introduction Michael Gracey's Better Man (2024) presents an innovative biographical representation of British pop star Robbie Williams through a radical visual strategy—depicting its subject as a CGI primate rather than through a human actor. Filmed in Australia and partially funded by the Australian Government, the film follows a relatively standard biopic narrative tracing Williams’s trajectory from his Stoke-on-Trent childhood through his tumultuous Take That tenure to solo stardom, mapping his struggles with addiction, familial relationships, and mental health crises. What distinguishes Be

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West, Patrick Leslie. "“Glossary Islands” as Sites of the “Abroad” in Post-Colonial Literature: Towards a New Methodology for Language and Knowledge Relations in Keri Hulme’s The Bone People and Melissa Lucashenko’s Mullumbimby." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1150.

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Reviewing Melissa Lucashenko’s Mullumbimby (2013), Eve Vincent notes that it shares with Keri Hulme’s The Bone People (1984) one significant feature: “a glossary of Indigenous words.” Working with various forms of the term “abroad”, this article surveys the debate The Bone People ignited around the relative merits of such a glossary in texts written predominantly in English, the colonizing language. At stake here is the development of a post-colonial community that incorporates Indigenous identity and otherness (Maori or Aboriginal) with the historical legacy of the English/Indigenous-language

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Wallace, Derek. "'Self' and the Problem of Consciousness." M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1989.

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Whichever way you look at it, self is bound up with consciousness, so it seems useful to review some of the more significant existing conceptions of this relationship. A claim by Mikhail Bakhtin can serve as an anchoring point for this discussion. He firmly predicates the formation of self not just on the existence of an individual consciousness, but on what might be called a double or social (or dialogic) consciousness. Summarising his argument, Pam Morris writes: 'A single consciousness could not generate a sense of its self; only the awareness of another consciousness outside the self can p

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