Gotowe bibliografie tematyczne / Mimesis in literature

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  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
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Gotowa bibliografia na temat „Mimesis in literature”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 1 sierpnia 2024

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Artykuły w czasopismach na temat "Mimesis in literature"

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Mitosek, Zofia. "Mimesis - między udawaniem a referencją." Przestrzenie Teorii, no. 1 (February 15, 2007): 25–46. http://dx.doi.org/10.14746/pt.2002.1.2.

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This study reformulates the old problem of mimesis in the spirit of pragmatics. It treats similarity as as a subjective-objective relation. Comparison of the conception of formal mimetism and literature as pretending of actual acts of speech leads to a conclusion on the asymmetry of these two modern applications of the category of mimesis. The first one attempts at restricting its use, the second attempts at globalisation, a kind of which is pragmatisation. Conception of mimesis as pretending strengthens the objective characterisation of categories. The function of convention is emphasised, wh
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Almeida, Marcos Vinícius. "A literatura como desvio." Jangada: crítica | literatura | artes, no. 8 (May 1, 2018): 190–97. http://dx.doi.org/10.35921/jangada.v0i8.127.

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Resumo: O presente ensaio levanta o problema clássico da mimese a partir da leitura do primeiro capítulo de São Bernardo, de Graciliano Ramos. O entendimento é que esse conceito, desde Platão e Aristóteles, apesar de uma visão distinta, não se refere a uma cópia idêntica de uma determinada essência ou objeto. Há, desde sempre, um desvio no processo mimético. E é justamente esse desvio a característica fundamental do texto literário.
 Palavras-chave: mimese, Platão, Aristóteles, Literatura.
 ______________________Abstract: This paper raises the classic problem of mimesis from reading
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Deriu, Fabrizio. "Mimesis and/Is/as Restoration of Behaviour." CounterText 8, no. 1 (April 2022): 103–22. http://dx.doi.org/10.3366/count.2022.0259.

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In light of the paradigm shift which in Theatre Studies led to the emergence of a new (post)discipline that takes the notion of performance as its cornerstone, this essay discusses the productive convergence between mimesis and ‘restored behaviour’, namely the key process of every kind of performance in art, ritual, and ordinary life. This convergence can improve the understanding of the mimetic condition in the twenty-first century, provided we rely on a postmodern and, at the same time, pre-Platonic conception of mimesis. Even though ‘restored behaviour’ is not the same as mimesis, evidence
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Borch, Christian. "Financial Contagion in an Age of COVID-19: On Biological, Human, and Algorithmic Mimesis." CounterText 8, no. 1 (April 2022): 206–26. http://dx.doi.org/10.3366/count.2022.0263.

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This article discusses the financial turmoil unleashed by the COVID-19 pandemic in March 2020. It argues that the market mayhem in which prices plummeted cannot be fully explained by real-economic factors such as uncertainty about the future global economy. Instead, I suggest analysing the events as a manifestation of financial contagion in which the mimesis of market participants becomes an independent explanatory force. In making this argument, the article returns to late nineteenth-century ideas about mimesis and social contagion as well as discussions about the collective mimesis – constit
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Feddern, Stefan, and Andreas Kablitz. "Mimesis." Poetica 51, no. 1-2 (September 22, 2020): 1–84. http://dx.doi.org/10.30965/25890530-05101001.

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Abstract This article starts off from the observation of the deeply polysemic character of the term mimesis in current literary studies. On the one hand, it is used to denote a poetics of imitation which was mainly derived from the Poetics of Aristotle and was to become the predominant conception of poetry in early modern times until the advent of Romanticism. On the other hand, besides this historical meaning, mimesis has, at the same time, a systematic significance. It refers to any poetics that defines poetry as a specific representation of reality. In this sense, the poetics of realism is
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Wolf, Philipp. "Benjamin's Mimetic Re-Turn: Language, Body, Memory." MLN 138, no. 5 (December 2023): 1460–80. http://dx.doi.org/10.1353/mln.2023.a922034.

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Abstract: Walter Benjamin is a crucial figure in modernist mimesis. He was highly receptive to mimetic influences and at the same time a prolific and sensitive theoretician of those experiences. He moved far beyond the traditional aesthetics of a realistic and representational mimesis and must be located within the post-Nietzschean, modernist 'mimetic turn or re-turn.' Even if occluded by modern rationality, the mimetic faculty still takes effect for Benjamin in 'non-sensuous similarities,' in poetic language, in drifting expression, the unconscious, the body and its memory. To place Benjamin
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Vélez, Daniel Villegas. "Apparatus of Capture: Music and the Mimetic Construction of Social Reality in the Early Modern/Colonial Period." CounterText 8, no. 1 (April 2022): 123–48. http://dx.doi.org/10.3366/count.2022.0260.

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This paper supplements Gebauer and Wulf’s analyses of mimesis as a mechanism for the construction of social reality. After situating archaic musical mimesis in the context of Homeric performance and its critique in Plato, I demonstrate how musical mimesis functions as an assemblage of inscription of social mores and values through two case studies. The first examines how this mimetic mechanism is actualised in the 1589 Medici intermedi as an allegorical apparatus of capture that enables the sovereign to control the space and time of the performance. The second examines how this apparatus is re
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Taylor, James. "Mimesis." Chicago Review 46, no. 1 (2000): 56. http://dx.doi.org/10.2307/25304455.

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Alber, Jan, Marco Caracciolo, and Irina Marchesini. "Mimesis." Poetics Today 39, no. 3 (September 1, 2018): 447–71. http://dx.doi.org/10.1215/03335372-7032690.

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Lawtoo, Nidesh. "Guest Editor's IntroductionThe Mimetic Condition: Theory and Concepts." CounterText 8, no. 1 (April 2022): 1–22. http://dx.doi.org/10.3366/count.2022.0254.

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This introductory essay articulates some of the theoretical and conceptual foundations internal to the post-literary mimetic turn. Drawing on an ERC-funded transdisciplinary project titled Homo Mimeticus, out of which this special issue on The Mimetic Condition emerged, the introduction furthers Gunther Gebauer and Christoph Wulf’s account of mimesis as a ‘human condition’ in order to propose a new theory of homo mimeticus for the post-literary age. This entails a paradigm shift from dominant translations of mimesis as realistic representation toward an embodied, immanent, and relational conce
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Rozprawy doktorskie na temat "Mimesis in literature"

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Truscott, John Robertson. "Studies in mimesis in Greek literature before Aristotle." Thesis, University of Southampton, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.236402.

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Valakas, Konstantinos. "Homeric mimesis and the Ajax of Sophocles." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/283656.

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McVittie, Marina P. de. "Eris the impulse at the root of mimesis /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/8308.

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Lyle, Messina. "Reviving the Subject: A Feminist Argument for Mimesis in Literature." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2204.

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For centuries we have taken for granted Aristotle's assertion that fiction must encourage emotional identification by representing life realistically. With the development of a more pluralistic society, Postmodernist writiers have come to question that assumption. Having repudiated our ancestor's notions of identity, these writers create stories whose sole purpose is to comment on other stories. However, as some feminist critics have shown us, we must each have an identity in order to have the collaborative society that is the Postmodernist's goal. Therefore, the notion that a story must make
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Dovey, Lindiwe. "African film adaptation of literature : mimesis and the critique of violence." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423936.

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Pellis, Vivien C., and mikewood@deakin edu au. "Inspiration and Mimesis in Plato's criticism of poetry." Deakin University. School of Social Inquiry, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.124541.

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Plato criticizes poetry in several of his dialogues, beginning with Apology, his first work, and ending with Laws, his last. In these dialogues, his criticism of poetry can be divided into two streams: poetry is criticized for either being divinely inspired, or because it is mimetic or imitative of reality. However, of the dialogues which criticize poetry in these ways, it is not until Laws that Plato mentions both inspiration and mimesis together, and then it is only in a few sentences. Furthermore, nowhere in the dialogues does Plato discuss their relationship. This situation has a parallel
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Georganta, Konstantina. "Modern mimesis : encounters between British and Greek poetry, 1922-1952." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/1196/.

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This thesis considers the crisis in the portrayal of national spaces and national identities, insecure in the multiplicity of their cultural roots and thus diasporic and hybrid, from 1922, a year marked for its importance in the disintegration of imperial Britain and in the positioning of Greece on the threshold of its European literary Modernist inheritance, until 1952, the year of Louis MacNeice’s observations of Greece in his poetry collection Ten Burnt Offerings. The boundaries of cultures, states, religious beliefs and genders are considered in the figures of T.S. Eliot’s Mr. Eugenides, C
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Stala, Krzysztof. "On the margins of reality : the paradoxes of representation in Bruno Schulz's fiction." Doctoral thesis, Stockholm : Almqvist & Wiksell, 1993. http://catalogue.bnf.fr/ark:/12148/cb37667617p.

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Cojocaru, Daniel. "Violence and dystopia : mimesis and sacrifice in contemporary Western dystopian narratives." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:f3f2848d-d349-4dcd-8bff-810010a2e8e3.

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Violence and Dystopia is a critical examination of imitative desire, scapegoating and sacrifice in selected contemporary Western dystopian narratives through the lens of René Girard’s mimetic theory. The first chapter offers an overview of the history of Western utopia/dystopia with a special emphasis on the problem of conflictive mimesis and scapegoating violence, and a critical introduction to Girard’s theory. The second chapter is devoted to J.G. Ballard’s seminal novel Crash (1973). It is argued that the car crash functions as a metaphor for conflictive mimetic desire and leads to a quasi-
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Boulanger, Ghislaine. "Feintes, essences et mimesis chez Nicole Brossard, Patrick Imbert et Marie-Claire Blais." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/29080.

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En effet, la venue de Nicole Brossard à l'écriture féminine et/ou lesbienne s'est effectuée sous le signe d'un essentialisme stratégique longtemps avant que Stephen Heath et Gayatri Spivak ne popularisent cette expression. Aussi ne peut-on s'intéresser aux points d'intersection entre essence et feintise, dans l'oeuvre brossardienne, sans par la même occasion revenir à cette époque trouble où des sujets feinteurs se disputaient l'arène du féminin, où l'écrivaine refoulait aux limites de l'écriture-femme des sujets hybrides susceptibles de mettre en abyme ses propres im/postures. Aux frontières
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Książki na temat "Mimesis in literature"

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Dami︠a︡nova, Adriana. Mythos & mimesis. Sofii︠a︡: Sema Rsh, 2002.

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Potolsky, Matthew. Mimesis. New York: Routledge, 2006.

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Lima, Luiz Costa. Vida e mimesis. Rio de Janeiro: Editora 34, 1995.

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Feldmann, Harald. Mimesis und Wirklichkeit. München: W. Fink, 1988.

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Melberg, Arne. Theories of mimesis. Cambridge [England]: Cambridge University Press, 1995.

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Thomas, Metscher, ed. Mimesis und Ausdruck. Köln: Dinter, 1999.

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Mitosek, Zofia. Mimesis: Zjawisko i problem. Warszawa: Wydawn. Naukowe PWN, 1997.

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1975-, Holmes Jonathan, and Streete Adrian, eds. Refiguring Mimesis: Representation in early modern literature. Hatfield [U.K.]: University of Hertfordshire Press, 2005.

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Zofia, Mitosek, ed. Mimesis w literaturze, kulturze i sztuce. Warszawa: Wydawn. Naukowe PWN, 1992.

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Gebauer, Gunter. Mimesis: Kultur, Kunst, Gesellschaft. Reinbek bei Hamburg: Rowohlt, 1992.

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Części książek na temat "Mimesis in literature"

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Bose, Mandakranta. "The Literature of Dance." In Movement and Mimesis, 13–107. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3594-8_2.

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Kimmel, Lawrence. "Crossblood: Literature and the Drama of Survival." In Life Creative Mimesis of Emotion, 9–22. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4265-6_2.

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Magnússon, Gísli. "Visionary Mimesis and Occult Modernism in Literature and Art Around 1900." In The Occult in Modernist Art, Literature, and Cinema, 49–66. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76499-3_3.

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Sutherland, John. "Mimesis." In 50 Schlüsselideen Literatur, 4–7. Heidelberg: Spektrum Akademischer Verlag, 2012. http://dx.doi.org/10.1007/978-3-8274-2900-1_2.

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Kleine, Sabine. "Mimesis und Imagination." In Comparative History of Literatures in European Languages, 443–59. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/chlel.xiv.30kle.

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Marin, Miguel Jarquin. "La Literatura Y La Persona Excepcional." In Life Creative Mimesis of Emotion, 257–76. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4265-6_20.

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Kraft, Helga. "Mimesis unterminiert: Drama und Theater von Frauen." In Frauen Literatur Geschichte, 279–98. Stuttgart: J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-03218-8_20.

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Brooker, Joseph. "Irish Mimes: Flann O'Brien." In A Companion to Irish Literature, 176–91. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444328066.ch40.

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Ortiz, Ricardo L. "Un-Homey States: Econo-Mimetics of Homelessness in US Latinx Poetry." In Latinx Literature Now, 59–72. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04708-5_6.

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Johnsen, William A. "Mimetic Theory, Religion, and Literature as Secular Scripture." In The Palgrave Handbook of Mimetic Theory and Religion, 303–9. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-53825-3_40.

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Streszczenia konferencji na temat "Mimesis in literature"

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Nissa, Fitri Khoirun, Herniwati, Risa Triarisanti, Asma Azizah, and Jayanti Megasari. "Forms and Translation Procedures of Korean Onomatopoeia and Mimesis in the Webtoon." In Fifth International Conference on Language, Literature, Culture, and Education (ICOLLITE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211119.046.

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Nogueira, Antônio Henrique Silva, and Amilton José Vieira de Arruda. "Design e Mimese: uma revisão sistemática da literatura." In I Seminário de Pesquisa PPGDesign. São Paulo: Editora Blucher, 2021. http://dx.doi.org/10.5151/isspppgdesign-01.

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Pimentel, Antonio Marcos Gonçalves. "Apolo e Daphne de Bernini: verossimilhança da literatura mitológica latina na escultura barroca." In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3998.

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O Mito de Apolo e Daphne é um dos mais recorrentes em toda a Antiguidade e também um dos que apresentam várias versões. Em todas elas, o ponto em comum é a fuga de Daphne das investidas amorosas de Apolo, culminando com a sua transformação em Loureiro. É esse o momento que Bernin imortaliza em sua escultura, que compõe o grupo borghesiano integrando o conjunto que retoma uma série de narrativas míticas. Influenciada pela cultura helenística e pelas estátuas desse período do qual faz parte o laocoonte, a estátua de Bernini se caracteriza pelo movimento espiralado e pelo dramatismo da cena repre
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Guo, Xiaoyu, Yuyang Jiang, and Yawei Hao. "Visual Pictures and Digital Technologies in the Digital Anthropocene: Development, Analysis, and Critical Reflection." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004966.

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This paper explores the favorable effects of visual pictures and digital technology, while critically reflecting on visual pictures and digital technology to warn humans of potential threats we may confront in the Digital Anthropocene. We cite W.J.T. Mitchell’s theory of the “pictorial turn” and Don Ihde’s phenomenology of technology to explore the development of visual pictures and the relationship between humans and visual pictures and technology, respectively. Our study focused on the visual pictures and application of digital technologies through pertinent literature and case studies. Base
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Raporty organizacyjne na temat "Mimesis in literature"

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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], July 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by
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