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Rozprawy doktorskie na temat „Modern English literature”

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Data publikacji: 2 czerwca 2025
Data aktualizacji: 31 lipca 2025

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1

Allen, Lea Knudsen. "Cosmopolite subjectivities and the Mediterranean in early modern England." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318286.

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Jones, Melissa J. "Early modern pornographies." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3278243.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2007.<br>Source: Dissertation Abstracts International, Volume: 68-09, Section: A, page: 3870. Adviser: Linda Charnes. Title from dissertation home page (viewed May 8, 2008).
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Bingham, Sarah. "Colour in early modern English literature and culture." Thesis, Queen's University Belfast, 2018. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.766284.

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In early modern England, colour was both a material and a textual preoccupation. However, the polychromatic palette that surrounded English men and women, and the particoloured palette of early modern writers, has thus far received little scholarly attention. This thesis rethinks the culture of colour in England between c. 1580 and c. 1660 to stimulate and enhance critical appreciation of colour in early modern literature. In contradistinction to the monochromatic trend of current cultural histories and early modern research, in this thesis I analyse all colours, situating these within their o
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Clark, Douglas Iain. "Theorising the will in early modern English literature." Thesis, University of Strathclyde, 2015. http://digitool.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=26032.

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This thesis examines how the faculty of the will was conceptualised in early modern English literature. The attempt to understand its function and purpose was a crucial concern for a vast range of Elizabethan and Jacobean writers, largely because of the important role the notion of the will played in the development of classical philosophy and the reformation of Christian theology. Providing a coherent definition of the will, its powers and associated functions in the human subject did, nonetheless, pose a significant problem for many early modern writers. Although scholars have documented the
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Barrett, Christine. "Navigating Time: Cartographic Narratives in Early Modern English Literature." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10320.

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In the sixteenth century, the cartographic revolution was rapidly changing the experience of everyday life in England. Modes of thinking and inhabiting space (such as astronomy, trigonometry, surveying, and cartography) were advanced and refined, and in England, the map went from rarity to ubiquity in less than seventy years. Navigating Time explores how literary strategies changed in response to this rapid shift in the technology of spatial representation. I consider four epics, the epic being the early modern genre most overtly invested in matters of empire (and thus, in matters of space
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Rossouw, Jean-Pierre. "Detection and the modern city." Master's thesis, University of Cape Town, 1993. http://hdl.handle.net/11427/18264.

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This dissertation examines detective fiction as a form which has evolved in close relation to the modern city from the nineteenth century to the present. The argument runs that the link between the urban setting and the detective story is an essential characteristic of the form which has been undervalued in the study of detective fiction. The importance of this relationship to the genre is delineated and emphasized through the use of representative examples, beginning with Edgar Allan Poe and then moving to Arthur Conan Doyle, Dashiell Hammett and finally a number of later writers in the field
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Collins, Nicholas J. "Forming the nation : early modern England and modern Ireland." Thesis, University of Warwick, 2015. http://wrap.warwick.ac.uk/77249/.

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Previous work links early modern England with modern Ireland solely through the figure of Shakespeare. This thesis broadens the connection to early modern literature more generally, and examines the deeper cultural tie between the two temporo-geographical spaces. In forming nations, writers in the two periods adopt the same strategies; England and Ireland as nation-states emerge into modernity in the same manner because they share a cradle of modernity, characterised by widespread cultural production. The respective polities of Elizabethan England and the Irish Republic are shaped by the same
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Frazer, P. "Deviant mobility in early modern English literature and culture." Thesis, Queen's University Belfast, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546343.

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Hong, Sara. "Moving Imitation: Performing Piety in Early Modern English Literature." Thesis, Boston College, 2009. http://hdl.handle.net/2345/644.

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Thesis advisor: Mary T. Crane<br>Using the rich concept of imitatio as an organizing theme, this study explores the tangibility of faith and a privileging of an affective, embodied religious subjectivity in post-Reformation England. Moving Imitation asserts that literary and devotional concepts of imitatio--as the Humanist activity of translation and as imitatio Christi--were intensely interested in semiotics. Indeed, if the Renaissance was a period in which literary imitatio flourished, advancements in translation theory were not unaccompanied by anxieties--in this case, anxieties about the s
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10

Ashworth-King, Erin L. Barbour Reid. "The ethics of satire in early modern English literature." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2593.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2009.<br>Title from electronic title page (viewed Oct. 5, 2009). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature." Discipline: English and Comparative Literature; Department/School: English and Comparative Literature.
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11

McIntosh, Malachi. ""Home" : emigration, identity and modern Caribbean literature." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/35526/.

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Caribbean writing is an emigrant tradition. The first waves of native-born authors from the region all spent significant portions of their lives abroad and, almost without exception, built their fame upon the desires of metropolitan audiences for knowledge of their colonies. Accordingly, the famous names of Lamming, Naipaul, Selvon, Césaire and Glissant are all stamped with a slightly less famous departure date. While many critics have noted these facts, there has been little sustained analysis of how the unique social positions and preoccupations of emigrants have affected the works of these
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12

Pappa, Joseph. "Carnal reading early modern language and bodies /." Diss., Online access via UMI:, 2008.

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13

De, Ornellas K. P. "Troping the horse in early modern English literature and culture." Thesis, Queen's University Belfast, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273067.

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14

Laurinavičiūtė, Inga. "THE PECULIARITIES OF GRAMMATICAL TRANSLATION TRANSFORMATIONS IN MODERN ENGLISH LITERATURE." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100902_230723-01563.

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The aim of this research paper is to analyze the peculiarities of grammatical translation transformations in modern English novel “Bridget Jones’s Diary” (1996) written by Helen Fielding and its translated Lithuanian version. To achieve this aim the following objectives have been set: 1. To present the theoretical background about translation as a science. 2. To represent the linguistic theory about the role of grammar in translation practice. 3. To explain the usage of grammatical translation transformations in the target text. 4. To reveal the distribution of pure and mixed grammatical trans
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15

Zlatkin, Rachel L. "Remembering Mothers: Representations of Maternity in Early Modern English Literature." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1368014379.

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Johnson, Toria Anne. "'Piteous overthrows' : pity and identity in early modern English literature." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4197.

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This thesis traces the use of pity in early modern English literature, highlighting in particular the ways in which the emotion prompted personal anxieties and threatened Burckhardtian notions of the self-contained, autonomous individual, even as it acted as a central, crucial component of personal identity. The first chapter considers pity in medieval drama, and ultimately argues that the institutional changes that took place during the Reformation ushered in a new era, in which people felt themselves to be subjected to interpersonal emotions – pity especially – in new, overwhelming, and diff
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17

Cairns, Daniel. "As it likes you early modern desire and vestigial impersonal constructions /." Waltham, Mass. : Brandeis University, 2009. http://dcoll.brandeis.edu/handle/10192/23236.

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18

Wright, Myra. "Whores and their metaphors in early modern English drama." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=86819.

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Several clusters of metaphors were routinely used to represent the sex trade onstage in early modern England. Close philological study of these figures reveals that even the most conventional metaphors for whores and their work were capable of meaning many things at once, especially in the discursive context of the drama. This project follows a practice of reading that admits multiple significations for the words used by characters on the early modern stage. I argue that metaphors are social phenomena with consequences as varied and complex as the human interactions they're meant to describ
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19

Morris, Robert Blair. "Shakespearean secularizations: endangering beliefs on the early modern stage." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=117007.

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This dissertation sets out to offer a renewed perspective on the participation of Shakespeare's theatre in the secularization of early modern England. It engages with current theories of secularization, in which the pluralization of beliefs is recognized as fuelling secularizing processes, as opposed to longstanding subtraction theories of secularization, which have mistakenly charted a comprehensive decline of belief. While this study acknowledges the historical reality of Shakespeare's involvement in the secularization of the religious landscape of early modernity, it also resists the common
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20

Campbell, Timothy P. "Commercial temporality and modern historicism in Britain, 1745-1819." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3324508.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2008.<br>Title from PDF t.p. (viewed on May 12, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3158. Adviser: Deidre Lynch.
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21

Decamp, Eleanor Sian. "Performing barbers, surgeons and barber-surgeons in early modern English literature." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:42cdcea1-56b8-4d3d-961f-d2a3e7fa0d13.

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This study addresses the problem critics have faced in identifying contemporary perceptions of the barber, surgeon and barber-surgeon in early modernity by examining the literature, predominantly the drama, from the period. The name ‘barber-surgeon’ is not given formally to any character in extant early modern plays; only within the dialogue or during stage business is a character labelled the barber-surgeon. Barbers and surgeons are simultaneously separate and doubled-up characters. The differences and cross-pollinations between their practices play out across the literature and tell us not j
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22

Taylor, Natalie. "Mapping mystic spaces in the self and its stories: Reading (through) the gaps in Ernest Buckler's "The Mountain and the Valley", Alice Munro's "Lives of Girls and Women", Peter Ackroyd's "The House of Doctor Dee", Adele Wiseman's "Crackpot", and A S Byatt's "Possession"." Thesis, University of Ottawa (Canada), 2006. http://hdl.handle.net/10393/29374.

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In their novels, Ernest Buckler, Alice Munro, Peter Ackroyd, Adele Wiseman and A. S. Byatt have each explored moments when their characters experience expanded states of consciousness. Narratives such as these, as well as those of various mystical literatures, posit the idea that the barriers of the known self can be broken through, often repeatedly. Each of the novels to be studied here portrays a gap- or flaw-ridden self in the act of perpetuating and/or penetrating various forms of narrative and identity constructs. Each also features an encounter with what is other when these narrative and
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23

Toth, Leah Hutchison. "Resonant Texts: Sound, Noise, and Technology in Modern Literature." UKnowledge, 2016. http://uknowledge.uky.edu/english_etds/29.

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“Resonant Texts” draws from literary criticism, history, biography, media theory, and the history of technology to examine representations of sound and acts of listening in modern experimental fiction and drama. I argue that sound recording technology, invented in the late 19th century, equipped 20th century authors including James Joyce, Virginia Woolf, Ralph Ellison, and Samuel Beckett with new resources for depicting human consciousness and experience. The works in my study feature what I call “close listening,” a technique initially made possible by the phonograph, which forced listeners t
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24

Lavery, Hannah. "The development of the impotency poem into early modern English literature." Thesis, University of Sheffield, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489100.

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In this thesis I explore some of the key influences and lines of descent whereby we arrive at the Restoration 'imperfect enjoyment' poem. I demonstrate how the notion of 'influence' as a necessary part of the development of the impotency poem leads to satiric reinterpretation in reference to different cultural and historical contexts. This recognises the tradition's vitality and force, allowing the impotency poem to transgress cultural and linguistic boundaries with ease, and yet maintains a clear focus on the core elements of the original impotency poems.
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Fowler, Adrian. "Distinct society: Cultural identity in twentieth-century Newfoundland literature." Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/28954.

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This thesis examines selected representations of Newfoundland cultural identity in twentieth century Newfoundland literature from Norman Duncan, E. J. Pratt and George Allan England to Bernice Morgan, Patrick Kavanagh and Wayne Johnston. The discussion is located within a broad context of popular and scholarly writings on the subject and a conceptual framework influenced by Benedict Anderson's book Imagined Communities and Seamus Heaney's essay "The Sense of Place." Nineteenth century attempts to maintain the distinctiveness of Newfoundland identity were politically motivated by advocates of h
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Dhrodia, Reshma. ""Have you met Miss Jones?": Feminism and difference in the Bridget Jones diaries." Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/27125.

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Helen Fielding's Bridget Jones novels are popular with countless readers all over the world. They are "ripe for feminist interpretation and investigation" because they are "contemporary women's novels" that discuss the everyday lives of women, particularly unmarried women in the West (Whelehan 2004, 38). Imelda Whelehan argues that if the Bridget Jones novels do not "offer a 'true' reflection of contemporary single life for women, they perhaps present its tensions more boldly than ever" (2004, 30). This thesis is a feminist study of the Bridget Jones novels and the film adaptation of Bridget J
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Conlon, Rachel. "Muriel Spark's comic manifesto: Wit as weapon, tool, and cure." Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28228.

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Muriel Spark's detached, and often dark, sense of humour has brought her prolific body of work both popular and critical acclaim. However, some critics lament that she treats the events and characters of her novels too lightly; that her deliberately cultivated sense of distance prevents her works from dealing with truly important issues. This thesis argues that Spark's sense of purpose lies within her comic and satirical tone, as opposed to existing in spite of it. In her interviews and speeches, Spark reveals a preoccupation with the idea of ridicule as a method of confronting evil. Her 1971
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Richardson, Jillian Joan. "Marking territory with London's East End: Arthur Morrison and the imagination of modern borders." Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28287.

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In their writings on London's East End slums at the end of the nineteenth century, contemporary urban planners, social reformers, and novelists often attributed many of the slum's social "evils" to the deeper problem of overcrowding. This thesis explores how overcrowding functions as an import ant narrative device in each of Arthur Morrison's own East End novels, A Child of the Jago, To London Town, and The Hole in the Wall. I argue that overcrowding contributes not only to violence and depravity among his characters, but also to their violation of the slum's topographical borders: the pressur
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Harper, Jill K. "Mapping the monster| Locating the other in the labyrinth of hybridity." Thesis, San Jose State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1567994.

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<p> By the last two decades of the nineteenth century, Great Britain led the European contest for imperial dominion and successfully extended its influence throughout Africa, the Americas, South East Asia, and the Pacific. National pride in the world's leading empire, however, was laced with an increasing anxiety regarding the unbridled frontier and the hybridization of Englishness and the socio-ethnic and cultural Other. H. Rider Haggard's <i> She,</i> Bram Stoker's <i>Dracula,</i> and Richard Marsh's <i> The Beetle,</i> three Imperial Gothic novels, personify the monstrosity of hybridity in
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Bird, Tanya. "Freedom and shared storytelling in J R R Tolkien's "The Lord of the Rings"." Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/26443.

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This thesis explores the freedom of shared storytelling in Tolkien's seminal essay, "On Fairy-Stories," and applies these principles to his fiction. In The Lord of The Rings, authentic storytelling is developed not through domination of others, but within the context of free relationships. Ultimately, the literary freedom that the author enjoys, and extends to the audience or to characters, is grounded in the Primary Creator's gift of freedom and invitation to engage in "subcreation." While Sauron ruptures the subcreative relationship by forging the ring of power to dominate others ("magic"),
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Tibbs, Simon John. "Lineages of Turkish power in early modern writing in English." Thesis, University of Newcastle Upon Tyne, 2003. http://hdl.handle.net/10443/571.

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The Ottoman Turks were of England's cultural others perhaps the most widely written about in the early modem period. The texts devoted to them cover a wide range of literary kinds, including history, drama, travel narrative, religious tract, newsbook, and ballad. This thesis concentrates pincipally on history writing and drama,a ddressing the image of the Turks as one of violent power, expressed in their immemorial hostility towards Christians, and in their internal dynastic relationships. The difference of the Turks is closely bound up in early modern writings with their descent, both in rela
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Albano, Caterina. "Representations of food and starvation in early modern English drama." Thesis, Birkbeck (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314188.

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Hill, Alexandra Nicole. ""Bloudy tygrisses" murderous women in early modern English drama and popular literature /." Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002727.

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Anderson, David. "Violence against the sacred: tragedy and religion in early modern England." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32544.

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This dissertation argues that the tragedy of the English Renaissance reflects the religious culture of the era in its depiction of sacrificial violence. It contests New Historicist assumptions about both the relationship between religion and politics, and the relationship between religion and literature, by arguing that the tragedians were reflecting the Girardian sacrificial crisis that characterized martyr executions in the sixteenth century and which was fuelled by uncertainty within the church over th
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35

Bertram, Benjamin Glenn. "Skepticism and social struggle in early modern England /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9804020.

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Campbell, Alexandra. "Archipelagic poetics : ecology in modern Scottish and Irish poetry." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/9102/.

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This thesis examines a range of poets from Ireland, Northern Ireland and Scotland from the Modernist period to the present day, who take the relationship between humans, poetry and the natural world as a primary point of concern. Through precise, materially attentive engagements with the coastal, littoral, and oceanic dimensions of place, Louis MacNeice, Hugh MacDiarmid, Derek Mahon, Michael Longley, Kathleen Jamie, John Burnside, Moya Cannon, Mary O’Malley and Jen Hadfield, respectively turn towards the vibrant space of the Atlantic archipelago in order to contemplate new modes of relation th
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Hoffman, Tiffany. "Virtuous passions: Shakespeare and the culture of shyness in early modern England." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=122962.

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The dissertation develops an interdisciplinary account of the psychological and affective state of shyness, and examines representations of the emotion, along with its variant states shame, bashfulness, and modesty, in Shakespeare and in other early English literature. It brings together work from various fields: literature, psychology, neuroscience, sociology, religious studies, classics, and ancient philosophy. It is a literary study, but also considers medical, political, theological, and social tracts. The dissertation begins with an exploration of the classical emotion concept the fear of
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Hartmann, Anna-Maria Regina. "Reading the ancient fable : early modern English mythographers 1590-1650." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610786.

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Wood, Jennifer Linhart. "Sounding Otherness in Early Modern Theater and Travel Writing." Thesis, The George Washington University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3587221.

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<p> My dissertation explores how sound informs the representation of cross-cultural interactions within early modern drama and travel writing. "Sounding" implies the process of producing music or noise, but it also suggests the attempt to make meaning of what one hears. "Otherness" in this study refers to a foreign presence outside of the listening body, as well as to an otherness that is already inherent within. Sounding otherness enacts a bi-directional exchange between a culturally different other and an embodied self; this exchange generates what I term the sonic uncanny, whereby the other
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Crane, David Jonathan. "Sudleigh : place and politics in the modern short story." Thesis, University of Essex, 2018. http://repository.essex.ac.uk/22894/.

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This thesis consists of a short story collection and an accompanying critical commentary. The story collection comprises ten linked stories all set in a fictional small town in southern England: the eponymous Sudleigh. The cycle examines ordinary lives within that landscape. While the stories may vary in their naturalism, they are linked by a common setting and a scrutiny of the sociological and political nuances of small-town England. The accompanying critical commentary examines, through the lens of writing technique, how writers have used the realist short story not just to portray snapshot
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41

Giglio, Katheryn M. "Unlettered culture the idea of illiteracy in early modern writing /." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2006. http://proquest.umi.com/login?COPT=REJTPTU0NWQmSU5UPTAmVkVSPTI=&clientId=3739.

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42

Jones, Philip. "Rewriting the Atlantic archipelago : modern British poetry at the coast." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/51877/.

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Despite a so-called ‘oceanic turn’, there has been relatively little attention paid to literary representations of the shoreline as a specific material and cultural site. This thesis examines how modern British poets respond to and represent the coastline in their work, with particular emphasis on notions of place and geographic scale. Whilst looking at the use of the archipelago in recent cultural and literary studies of British and Irish writing, this thesis argues for a more refined and complex sense of the archipelagic, one which responds to the needs and demands of an increasingly global
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43

Salmons, Kim. "The representation of food in modern literature : Thomas Hardy and Joseph Conrad." Thesis, St Mary's University, Twickenham, 2015. http://research.stmarys.ac.uk/912/.

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This thesis will examine the representation of food in the works of Thomas Hardy and Joseph Conrad to demonstrate how food is used to chart the progress of modernity from the beginning of the nineteenth century through the continuing emergence of capitalism and consumerism to the first decade of the twentieth century when the stability of the British Empire was being questioned. Food becomes the measure of how modern society responded to new innovations in transport, technology and the way in which British society viewed both itself and the colonies from which much of its food was being import
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Hayball, Constance Nora May. "Some aspects of the treatment of India in modern English fiction." Thesis, Loughborough University, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328816.

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Hill, Alexandra. "BLOUDY TYGRISSES": MURDEROUS WOMEN IN EARLY MODERN ENGLISH DRAMA AND POPULAR LITERATURE." Master's thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2281.

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This thesis examines artistic and literary images of murderous women in popular print published in sixteenth and seventeenth-century England. The construction of murderous women in criminal narratives, published between 1558 and 1625 in pamphlet, ballad, and play form, is examined in the context of contemporary historical records and cultural discourse. Chapter One features a literature review of the topic in recent scholarship. Chapter Two, comprised of two subsections, discusses representations of early modern women in contemporary literature and criminal archives. The subsections in Chapter
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Jeffrey, Anthony Cole. "The Aesthetics of Sin: Beauty and Depravity in Early Modern English Literature." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062818/.

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This dissertation argues that early modern writers such as William Shakespeare, Thomas Middleton, George Herbert, John Milton, and Andrew Marvell played a critical role in the transition from the Neoplatonic philosophy of beauty to Enlightenment aesthetics. I demonstrate how the Protestant Reformation, with its special emphasis on the depravity of human nature, prompted writers to critique models of aesthetic judgment and experience that depended on high faith in human goodness and rationality. These writers in turn used their literary works to popularize skepticism about the human mind's abil
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Weise, Wendy Suzanne. "Gender, Genre, and the Eroticization of Violence in Early Modern English Literature." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/195129.

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In an analysis of literary and historical documents from the sixteenth to the early eighteenth centuries, Gender, Genre, and the Eroticization of Violence in Early Modern English Literature examines depictions of love, beauty, and desire and identifies within these discourses a rhetoric of violence. It explores how eroticized violence can be deployed to privilege male speakers and silence female voices. It also reveals, by pairing female- and male-authored works that make specific claims to represent gendered experience that early modern writers both recognized the mechanisms of violent repres
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Hill, Colin. "The modern-realist movement in English-Canadian fiction, 1919-1950." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19471.

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This dissertation offers the first comprehensive examination of realism in English-Canadian fiction of the early twentieth century. It argues for the existence of a "modern-realist" movement that is Canada's unique and unacknowledged contribution to the collection of international movements that makes up literary modernism. This argument involves a detailed analysis of the aesthetics, aims, preoccupations, and techniques of the modern realists, a reexamination of the oeuvres of the movement's most prominent writers, and a critical reevaluation of the "modernity" of Canada's three most signific
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Alfar, Cristina León. ""Evil" women : patrilineal fantasies in early modern tragedy /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9455.

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Stockton, William H. "Sex, sense, and nonsense the anal erotics of early modern comedy /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3274908.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2007.<br>Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2960. Adviser: Linda Charnes. Title from dissertation home page (viewed Apr. 10, 2008).
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