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Autor: Grafiati

Data publikacji: 23 maja 2025

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1

Barnett, Snowdon. Now is as it pitches: Poetic monologue as reflective lyric. Lewiston, N.Y: Edwin Mellen Press, 2004.

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2

Archive, Internet, red. Collection: 30 minutes of Apparition Poems, including 1345, 1488, 1613, on mp3 on Internet Archive. Wyd. 3. Philadelphia, PA: Internet Archive, 2013.

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3

Beck, Barbara, red. Apparition Poem #1488: jpeg image reproduced from print journal, issue 15, page 17. Paris, France: Upstairs at Duroc, 2014.

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4

Hairpiece, Dara's Barnyard, i The Seattle Star, red. Dara's Barnyard Hairpiece: Apparition Poem #1488: (jpeg extrapolated from Seattle Star ed. of #1488). Seattle/Plymouth Meeting: Dara's Barnyard Hairpiece, 2020.

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5

Side, Jeffrey, red. Apparition Poems #s 1326, 1327, 1328. London, UK: The Argotist Online/UK WA, 2009.

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6

Fieled, Adam. Apparition Poems (original Blazevox book pdf '10). Redaktor Geoffrey Gatza. Buffalo, New York, USA: Blazevox Books, 2010.

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7

Star, The Seattle, red. Apparition Poem #1488. Seattle, Washington: The Seattle Star, 2015.

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8

Post, P. F. S., red. Apparition Poem #1613. Philadelphia/Conshohocken, Pa: P.F.S. Post, 2010.

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9

2, Art Recess, red. Apparition Poem #1488. Philadelphia, PA: Art Recess 2, 2011.

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10

Devil, Stoning the, red. Apparition Poem #534 (Sisters). Philadelphia, PA: Stoning the Devil, 2009.

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11

Tranter, John, Pam Brown, NLA i Trove, red. Apparition Poems in Jacket 40: Trove (NLA) Edition: Saved in NLA Wayback Machine. Australia: Trove (National Library of Australia), 2010.

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12

Tabios, Eileen, red. Apparition Poem #1345. California, USA: Poets on the Great Recession (collective blog), 2011.

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13

Magazine, Jacket, red. Apparition Poem #1345. Sydney, Australia: Jacket Magazine, 2010.

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14

Stevenson, Matt, i Eris Temple, red. Adam Fieled reads from Apparition Poems at the Eris Temple (video file). Philadelphia Pa: Eris Temple (venue), 2010.

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15

Gatza, Geoffrey, red. Apparition Poems (original Blazevox book pdf '10). Buffalo, New York, USA: Blazevox, 2010.

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16

Hairpiece, Dara's Barnyard, i The Seattle Star, red. Dara's Barnyard Hairpiece: Apparition Poem #1488: (jpeg extrapolated from Seattle Star ed. of #1488). Seattle/Plymouth Meeting: Dara's Barnyard Hairpiece, 2020.

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17

Post, P. F. S., red. Apparition Poem #1613. Philadelphia/Conshohocken, Pa: P.F.S. Post, 2010.

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18

Fieled, Adam, red. Apparition Poems (2nd ed. re-issue 2022). Conshohocken, Pa: Internet Archive, 2020.

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19

Fieled, Adam, red. Apparition Poems: prefaced 2nd ed. re-issue 2022. Wyd. 2. Conshohocken, Pa: IA (Funtime Press), 2022.

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20

Magazine, Jacket, red. Apparition Poem #1345. Sydney, Australia: Jacket Magazine, 2010.

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21

Farr, Raymond, i Trove, red. From Apparition Poems, 2nd Edition, in The Helios Mss in Trove (NLA); saved in NLA Wayback Machine. Florida/Australia: The Helios Mss/Trove, 2015.

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22

Post, P. F. S., red. Apparition Poem #1613 in P.F.S. Post (Philly Free School Post). Conshohocken, Pa: P.F.S. Post (Philly Free School Post), 2016.

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23

Fieled, Adam, red. Apparition Poems: Heller-Burnham cover/2nd prefaced edition '13. San Francisco, USA: IA (Funtime Press), 2013.

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24

Devil, Stoning the, red. Apparition Poem #1488: Stoning the Devil '09: Apps for Winter. Philadelphia, PA: Stoning the Devil, 2009.

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25

Magazine, Jacket, i Trove (NLA), red. From Apparition Poems in Jacket Magazine #40 in Trove (NLA): Saved in NLA Wayback Machine. Australia: Trove (National Library of Australia), 2010.

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26

Caddy, David, red. Tears in the Fence 60. London, UK: Tears in the Fence, 2014.

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27

Press, Funtime, red. Quiddities: Philosophical Poetry. Wyd. 2. Conshohocken, Pa-Plymouth Meeting, Pa: Funtime Press, 2013.

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28

Poems: Monologues and Lyrics. Creative Media Partners, LLC, 2023.

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29

Poems: Monologues and Lyrics. Creative Media Partners, LLC, 2023.

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30

Tucker, Herbert F. Shakespearean Being. Redaktor Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0022.

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Victorian poetry took Shakespeare up as both a guide and a challenge. The example of his sonnets and soliloquies stood behind the era’s pre-eminent formal developments in, respectively, lyric sequence and dramatic monologue. Phrasal allusion to Shakespeare was ubiquitous, often ingenious; deeper down, poets invoked him when exploring, or just revering, mysteries of identity made unprecedentedly urgent by the Victorian association between lyrical poetry and individual subjectivity. To this article of literary faith the poetic impersonality underwriting Shakespeare’s dramatic versatility posed a stumbling block, eliciting from some Victorians heavy polemical leverage and from others a ritual genuflection. Representative sonnets on the Bard by Arnold, Swinburne, and Browning variously exalt and query the poetics of transcendent being that, in a secularizing epoch, gathered around his name.

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31

Cook, Eleanor. Browning's Lyrics: An Exploration. University of Toronto Press, 2017.

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32

Plantation Songs for My Lady's Banjo, and Other Negro Lyrics & Monologues. Creative Media Partners, LLC, 2022.

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33

Plantation Songs for My Lady's Banjo, and Other Negro Lyrics & Monologues. Creative Media Partners, LLC, 2022.

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34

Young, Martha. Plantation Songs for My Lady's Banjo, and Other Negro Lyrics & Monologues. Creative Media Partners, LLC, 2018.

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35

Young, Martha. Plantation Songs for My Lady's Banjo, and Other Negro Lyrics & Monologues. Creative Media Partners, LLC, 2018.

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36

Young, Martha. Plantation Songs for My Lady's Banjo, and Other Negro Lyrics & Monologues. Creative Media Partners, LLC, 2018.

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37

Young, Martha. Plantation Songs For My Lady's Banjo: And Other Negro Lyrics And Monologues. Kessinger Publishing, LLC, 2007.

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38

Young, Martha. Plantation Songs For My Lady's Banjo: And Other Negro Lyrics And Monologues. Kessinger Publishing, LLC, 2007.

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39

Shakespeare's Lyric Stage: Myth, Music, and Poetry in the Last Plays. University of Chicago Press, 2018.

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40

Shakespeare's Lyric Stage: Myth, Music, and Poetry in the Last Plays. University of Chicago Press, 2018.

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41

Poems, Sawbuck, red. Apparition Poem #1617. Sawbuck, 2011.

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42

Tears in the Fence 52. London, UK: Tears in the Fence, 2010.

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43

Tranter, John, i Pam Brown, red. From Jacket 40, April 2010: excerpt from AP. Jacket Magazine (John Tranter), 2010.

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44

Morrison, Toni. Desdemona. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350429017.

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‘This is a remarkable, challenging and bravely original work.’ The Guardian Ripped from the world by her husband’s paranoia, Desdemona turns in death towards the memory of Barbary, the North African maid who raised her: together, they explore the contours of death, race, war, love and motherhood, in a moving elegy. Audacious with ambition, Desdemona is Toni Morrison’s intimate reimagining of the fourth act of Shakespeare’s Othello, mixing monologue with Rokia Traoré’s lyrical songs to re-examine the Bard’s presentation of race and female suffering. Part-play, part-concert, part-quest into the afterlife, Desdemona is published in Methuen Drama’s Modern Classics series, featuring a new introduction by Joyce Green MacDonald.

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45

Hugo, Victor. Contemplations, Lyrics, and Dramatic Monologues with Parallel English Translations by E. H. and A. M. Blackmore. BookSurge Publishing, 2002.

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46

Apparition Poem #2107 in The Helios Mss in Trove (NLA): Saved in NLA Wayback Machine. Australia: Trove (National Library of Australia), 2015.

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47

Tabios, Eileen, red. Apparition Poem #1345. Poets on the Great Recession (collective blog), 2010.

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48

Kierkegaard and Dry Ice: On Apparition Poem #1613. Conshohocken, Pa: Art Recess 2, 2015.

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49

Works, Great, red. Apparition Poems in Great Works in The Wayback Machine. London, UK, 2011.

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50

Sullivan, Ceri. Shakespeare and the Play Scripts of Private Prayer. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857310.001.0001.

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Early modern private prayer shows skill in narration and drama. In manuals and sermons on how to pray, collections of model prayers, scholarly treatises about biblical petitions, and popular tracts about life crises prompting calls to God, prayer is valued as a powerful agent of change. Model prayers create stories about people in distinct ranks and jobs, with concrete details about real-life situations. These characters may act in play-lets, or appear in the middle of difficulties, or voice a suite of petitions from all sides of a conflict. Thinking of early modern private prayers as dramatic dialogues rather than as lyric monologues raises the question of whether play-going and praying were mutually reinforcing practices. Could dramatists deploying prayer on stage rely on having audience members who were already expert at making up roles for themselves in prayer, and who expected their petitions to have the power to intervene in major events? Does prayer’s focus on cause and effect structure the historiography of Shakespeare’s history plays: 2 and 3 Henry VI, Richard III, Richard II, Henry V, and Henry VIII?

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