Gotowe bibliografie tematyczne / Museum fictions

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  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „Museum fictions”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "Museum fictions"

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Bissell, Blake, Mo Morris, Emily Shaffer, Michael Tetzlaff, and Seth Berrier. "Vessel: A Cultural Heritage Game for Entertainment." Archiving Conference 2021, no. 1 (June 18, 2021): 1–6. http://dx.doi.org/10.2352/issn.2168-3204.2021.1.0.2.

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Museums are digitizing their collections of 3D objects. Video games provide the technology to interact with these objects, but the educational goals of a museum are often at odds with the creative forces in a traditional game for entertainment. Efforts to bridge this gap have either settled on serious games with diminished entertainment value or have relied on historical fictions that blur the line between reality and fantasy. The Vessel project is a 3D game designed around puzzle mechanics that remains a game for entertainment while realizing the benefits of incorporating digitized artifacts
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Bessire, Mark H. C., Mary Anne Staniszewski, and Emma Barker. "Facts and Fictions: The Histories of Museum Display and Installation in Cultural History." Art Journal 60, no. 2 (2001): 107. http://dx.doi.org/10.2307/778072.

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Juncker, Kris. "Figures & Fictions: Contemporary South African Photography. Victoria and Albert Museum, London, April 12–July 17, 2011." African Arts 45, no. 1 (March 2012): 81–82. http://dx.doi.org/10.1162/afar.2012.45.1.81.

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Gough, Noel. "Continuing the Narrative Some 20 years Later." Australian Journal of Environmental Education 30, no. 1 (July 2014): 30. http://dx.doi.org/10.1017/aee.2014.20.

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I wrote ‘Narrative and Nature: Unsustainable Fictions in Environmental Education’ in 1991 as a revised version of a paper subtitled ‘Poststructural Inquiries in Environmental Education’ that I presented at the Sixth National Conference of the Australian Association for Environmental Education in September 1990. To the best of my knowledge, these papers were the first instances of advocacy for poststructuralist analyses of dicourses/practices in the Anglophone literature of environmental education. The key influences on my thinking at this time were US and Canadian ‘reconceptualist’ curriculum
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Ferres, Kay. "Cities and Museums: Introduction." Queensland Review 12, no. 1 (January 2005): 1–4. http://dx.doi.org/10.1017/s1321816600003846.

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In September 2004, the Museum of Brisbane, Museums Australia and the Centre for Public Culture and Ideas at Griffith University hosted a symposium, ‘Cities and Museums’, at the university's Southbank campus. This event initiated a conversation among museum professionals and academics from across Australia. Nick Winterbotham, from Leeds City Museum, and Morag Macpherson, from Glasgow's Open Museum, and were keynote speakers. Their papers provided perspectives on museum policy and practice in the United Kingdom and Europe, and demonstrated how museums can contribute to urban and cultural regener
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Tupan, Tupan, and Mohamad Djaenudin. "Peran Kolaborasi Galeri, Perpustakaan, Arsip dan Museum Dalam Mendiseminasikan Sumber Informasi Pengetahuan kepada Masyarakat." Tik Ilmeu : Jurnal Ilmu Perpustakaan dan Informasi 6, no. 2 (December 29, 2022): 139. http://dx.doi.org/10.29240/tik.v6i2.3301.

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An analysis of the role of galleries, libraries, archives and museums as a source of information for public knowledge was conducted. This study aims to find out how the collaborative role of galleries, libraries and archives in disseminating knowledge information sources to the public. The study was conducted using a narrative review which was complemented by observations via the web. The results of the analysis show that institutions that have collaborated include merging and collaborating with regional libraries and archives located in provinces and districts as well as cities throughout Ind
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Prokopovich, L. V. "Fiction about museums as an alternative museum guides." Odes’kyi Politechnichnyi Universytet. Pratsi, no. 1 (June 10, 2014): 282–87. http://dx.doi.org/10.15276/opu.1.43.2014.47.

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Gordon, Jennifer. "Museum Fiction." Art History 19, no. 1 (March 1996): 150–55. http://dx.doi.org/10.1111/j.1467-8365.1996.tb00659.x.

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Lowe, Hilary Iris. "Dwelling in Possibility." Public Historian 37, no. 2 (May 1, 2015): 42–60. http://dx.doi.org/10.1525/tph.2015.37.2.42.

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Challenges to historic house museums are often mired in the rhetoric of crisis. Toward countering that rhetoric, this essay attempts to draw attention to it and to the complicated history of narrative (and storytelling) in interpretation and the academy. It argues that literary house museums are sites of innovation within the house museum sector with lessons for us all. These lessons include a willingness to leverage “the old, bad history” toward reflective practice and continuity for multigenerational audiences; creating inventive university and school partnerships toward insuring strong comm
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Simonsson, Märit. "The Most Powerful Material in Westeros: Fiction Exhibitions and the Authenticity of Fiction Objects." Museum and Society 20, no. 2 (November 1, 2022): 250–63. http://dx.doi.org/10.29311/mas.v20i2.4072.

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This article examines authenticity in relation to exhibitions about films and television series and the objects they contain, defined here as fiction exhibitions and fiction objects. The study is based on an analysis of Game of Thrones: The Touring Exhibition. Material and constructed authenticity are examined and used in the analysis. It is concluded that the exhibition relates to both categories of authenticity, as it contains authentic material from the production of the series and constructs authenticity by emphasizing the fiction objects’ value. The value of objects is also discussed in r
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Rozprawy doktorskie na temat "Museum fictions"

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Berry, Jessica, and n/a. "Re:Collections - Collection Motivations and Methodologies as Imagery, Metaphor and Process in Contemporary Art." Griffith University. Queensland College of Art, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070327.151934.

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By the 1990's many modes of artwork incorporated the constructs of the museum. Art forms including, 'ethnographic art', 'museum interventions', 'museum fictions' and 'artist museums' were considered to be located in similar realms to each other. These investigations into this emerging 'genre' of collection-art have primarily focussed upon the critique of the public museum and its grand-narratives. This thesis will attempt to recognise that the critique of institutional hierarchical systems is now considered integral to much collection art and extends this enquiry to incorporate private collect
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Berry, Jessica. "Re:Collections - Collection Motivations and Methodologies as Imagery, Metaphor and Process in Contemporary Art." Thesis, Griffith University, 2006. http://hdl.handle.net/10072/365478.

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By the 1990's many modes of artwork incorporated the constructs of the museum. Art forms including, 'ethnographic art', 'museum interventions', 'museum fictions' and 'artist museums' were considered to be located in similar realms to each other. These investigations into this emerging 'genre' of collection-art have primarily focussed upon the critique of the public museum and its grand-narratives. This thesis will attempt to recognise that the critique of institutional hierarchical systems is now considered integral to much collection art and extends this enquiry to incorporate private collect
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Dyehouse, Jeremiah. "Science Fiction : Rhetoric, Authenticity, Textuality and the Museum of Jurassic Technology." Oberlin College Honors Theses / OhioLINK, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1509374752516486.

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Potoczny, Marie. "From the Museum of Lost Smells." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/45.

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Two teenage girls get summer jobs as tour guides at a Christian corporation's Poverty-Around-the-World display. A man seduces women with the nostalgia of smell. A young couple finds passion while waiting at a traffic light. These and other stories in the collection explore themes of loneliness, isolation, and coming-of-age in the contemporary American landscape.
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Durdana, Benazir. "Muslim India in Anglo-Indian fiction /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487944660930967.

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Arimbi, Diah Ariani Women's &amp Gender Studies UNSW. "Reading the writings of contemporary Indonesian Muslim women writers: representation, identity and religion of Muslim women in Indonesian fictions." Awarded by:University of New South Wales. Women's and Gender Studies, 2006. http://handle.unsw.edu.au/1959.4/25498.

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Indonesian Muslim women???s identity and subjectivity are not created simply from a single variable rather they are shaped by various discourses that are often competing and paralleling each other. Discourses such as patriarchal discourses circumscribing the social engagement and public life of Muslim women portray them in narrow gendered parameters in which women occupy rather limited public roles. Western colonial discourse often constructed Muslim women as oppressed and backward. Each such discourse indeed denies women???s agency and maturity to form their own definition of identity within
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Mallick, Suman. "Apples and Knives (A Novel)." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3023.

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ZULEIKHA, who was trained as a pianist in her hometown of Lahore, Pakistan, arrives in Irving, Texas after her arranged marriage to ISKANDER, but finds it difficult to get accustomed to the appurtenances, encumbrances, and perquisites of the middle-class housewife lifestyle. Despite giving birth to a son, WASIM, she quickly falls out of love with her dutiful but straight-laced husband. She begins giving private lessons, and commences an affair with PATRICK, a transplanted Canadian who is trapped in his own loveless marriage. When she gets pregnant, Zuleikha is convinced the child belongs to he
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Ameri, Firouzeh. "Veiled experiences: Rewriting women's identities and experiences in contemporary Muslim fiction in English." Thesis, Ameri, Firouzeh (2012) Veiled experiences: Rewriting women's identities and experiences in contemporary Muslim fiction in English. PhD thesis, Murdoch University, 2012. https://researchrepository.murdoch.edu.au/id/eprint/10197/.

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In dominant contemporary Western representations, including various media texts, popular fiction and life-narratives, both the Islamic faith in general and Muslim women in particular are often vilified and stereotyped. In many such representations Islam is introduced as a backward and violent religion, and Muslim women are represented as either its victims or its fortunate survivors. This trend in the representations of Islam and Muslim women has been markedly intensified following the terrorist attacks of 9/11 2001. This thesis takes a postpositivist realist approach to reading selected co
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Alqahtani, Norah Hassan. "Muslim feminisms and fictions in a postcolonial frame : case studies of Nawal El Saadawi and Leila Aboulela." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/67676/.

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The postcolonial condition has had life-shaping effects on millions of individuals, in the Third World in particular. This study focuses on the different positions embraced by two authors recognized as 'Muslim feminists.' I explore how they engage with postcolonial subjects and particularly address women's questions in their contemporary societies, through analyses of such 'Muslim fictions' as Woman at Point Zero, The Fall of the Imam, and Zeina by Nawal El Saadawi and The Translator, Minaret, and Lyrics Alley by Leila Aboulela. Because a feminist movement is not autonomous, but bound to its s
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Erlandsson, Patrik. "Gäst i Katas hus : En undersökning av fiktionens roll i museet." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-15080.

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This work is about fiction in the museum, and an approach towards transmedia storytelling with two different methods of mediation. With background in literature on cultural heritage, mediation in museums, mediation of history, fiction, transmedia storytelling and adaptation, visitors’ discussions about an exhibition and a fictional text was examined. In order to make the two methods of mediation converge, a number of themes from the existing exhibition were adapted and encapsulated in a fictional story.The visitors were primarily interested in a historical discussion in regards to the two meth
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Książki na temat "Museum fictions"

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The tree of death. New York: New American Library, 1987.

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The Bermuda Key. Victoria, British Columbia: Friesen, 2015.

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Museum trouble: Edwardian fiction and the emergence of modernism. Charlottesville: University of Virginia Press, 2011.

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Alcorn, Alfred. The counterfeit murder in the Museum of Man. Hanover, N.H: Zoland Books, 2010.

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Lehman, Barbara. Museum trip. Boston: Houghton Mifflin, 2006.

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ill, Reifsnider Robin, ed. Magical Mondays at the art museum. Richmond, VA: Cockadoodledoo Creations, 2000.

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Hutchins, H. J. Anna at the art museum. Toronto: Annick Press, 2018.

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Verde, Susan. The museum. New York: Abrams Books for Young Readers, 2013.

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Naguib, Al-Attas Muhammad. Historical fact and fiction. Johor Bahru, Johor Darul Ta'zim, Malaysia: Penerbit UTM Press, Universiti Teknologi Malaysia, 2011.

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Dalton, Annie. The midnight museum. London: Mammoth, 2001.

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Części książek na temat "Museum fictions"

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Tlostanova, Madina. "Decolonizing the Museum." In Postcolonialism and Postsocialism in Fiction and Art, 73–92. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48445-7_4.

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Callahan, Carolyn M., Tracy C. Missett, Amy Price Azano, Melanie Caughey, Annalissa V. Brodersen, and Mary Tackett. "Memoir Museum." In Fiction and Nonfiction Language Arts Units for Gifted Students in Grade 4, 231–35. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003235194-37.

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Chambers, Claire. "Introduction." In British Muslim Fictions, 1–32. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_1.

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Chambers, Claire. "Robin Yassin-Kassab." In British Muslim Fictions, 191–206. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_10.

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Chambers, Claire. "Kamila Shamsie." In British Muslim Fictions, 207–27. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_11.

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Chambers, Claire. "Hanif Kureishi." In British Muslim Fictions, 228–44. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_12.

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Chambers, Claire. "Ahdaf Soueif." In British Muslim Fictions, 245–56. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_13.

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Chambers, Claire. "Zahid Hussain." In British Muslim Fictions, 257–69. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_14.

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Chambers, Claire. "Conclusion." In British Muslim Fictions, 270–73. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_15.

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Chambers, Claire. "Tariq Ali." In British Muslim Fictions, 33–55. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_2.

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Streszczenia konferencji na temat "Museum fictions"

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Candello, Heloisa, Mauro Pichiliani, Mairieli Wessel, Claudio Pinhanez, and Michael Muller. "Teaching Robots to Act and Converse in Physical Spaces: Participatory Design Fictions with Museum Guides." In HTTF 2019: Halfway to the Future. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3363384.3363399.

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Shirley, Donna, Leslie Howle, and Bunny Lester. "A New Science Fiction Museum - Exciting Young People About Science and Engineering." In Space 2004 Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.2004-5963.

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Dunaeva, Tamara. "Section of rare and valuable publications of the library named after M. V. Lomonosov, branch of the municipal library “B. P. Hasdeu”." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.12.

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The rare book section appeared in the library named after M.V. Lomonosov 8 years ago. This fund is small - only a couple of hundred books. However, its value is measured not by size, but by uniqueness. The basis of the fund is made up of editions of the XIX–XX centuries. In terms of its content, the fund is universal. Most of it is fiction. In addition, there is popular science literature of past centuries, dictionaries, encyclopedias, newspapers. The collection of rare books includes: the collection “Poems and Prose Articles” by Mikhail Vasilyevich Lomonosov, published in 1886 and donated in
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