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Rozprawy doktorskie na temat „Museum fictions”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 20 lutego 2023

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1

Berry, Jessica, and n/a. "Re:Collections - Collection Motivations and Methodologies as Imagery, Metaphor and Process in Contemporary Art." Griffith University. Queensland College of Art, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070327.151934.

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By the 1990's many modes of artwork incorporated the constructs of the museum. Art forms including, 'ethnographic art', 'museum interventions', 'museum fictions' and 'artist museums' were considered to be located in similar realms to each other. These investigations into this emerging 'genre' of collection-art have primarily focussed upon the critique of the public museum and its grand-narratives. This thesis will attempt to recognise that the critique of institutional hierarchical systems is now considered integral to much collection art and extends this enquiry to incorporate private collect

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Berry, Jessica. "Re:Collections - Collection Motivations and Methodologies as Imagery, Metaphor and Process in Contemporary Art." Thesis, Griffith University, 2006. http://hdl.handle.net/10072/365478.

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By the 1990's many modes of artwork incorporated the constructs of the museum. Art forms including, 'ethnographic art', 'museum interventions', 'museum fictions' and 'artist museums' were considered to be located in similar realms to each other. These investigations into this emerging 'genre' of collection-art have primarily focussed upon the critique of the public museum and its grand-narratives. This thesis will attempt to recognise that the critique of institutional hierarchical systems is now considered integral to much collection art and extends this enquiry to incorporate private collect

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Dyehouse, Jeremiah. "Science Fiction : Rhetoric, Authenticity, Textuality and the Museum of Jurassic Technology." Oberlin College Honors Theses / OhioLINK, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1509374752516486.

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Potoczny, Marie. "From the Museum of Lost Smells." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/45.

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Two teenage girls get summer jobs as tour guides at a Christian corporation's Poverty-Around-the-World display. A man seduces women with the nostalgia of smell. A young couple finds passion while waiting at a traffic light. These and other stories in the collection explore themes of loneliness, isolation, and coming-of-age in the contemporary American landscape.

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Durdana, Benazir. "Muslim India in Anglo-Indian fiction /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487944660930967.

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Arimbi, Diah Ariani Women's &amp Gender Studies UNSW. "Reading the writings of contemporary Indonesian Muslim women writers: representation, identity and religion of Muslim women in Indonesian fictions." Awarded by:University of New South Wales. Women's and Gender Studies, 2006. http://handle.unsw.edu.au/1959.4/25498.

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Indonesian Muslim women???s identity and subjectivity are not created simply from a single variable rather they are shaped by various discourses that are often competing and paralleling each other. Discourses such as patriarchal discourses circumscribing the social engagement and public life of Muslim women portray them in narrow gendered parameters in which women occupy rather limited public roles. Western colonial discourse often constructed Muslim women as oppressed and backward. Each such discourse indeed denies women???s agency and maturity to form their own definition of identity within

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7

Mallick, Suman. "Apples and Knives (A Novel)." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3023.

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ZULEIKHA, who was trained as a pianist in her hometown of Lahore, Pakistan, arrives in Irving, Texas after her arranged marriage to ISKANDER, but finds it difficult to get accustomed to the appurtenances, encumbrances, and perquisites of the middle-class housewife lifestyle. Despite giving birth to a son, WASIM, she quickly falls out of love with her dutiful but straight-laced husband. She begins giving private lessons, and commences an affair with PATRICK, a transplanted Canadian who is trapped in his own loveless marriage. When she gets pregnant, Zuleikha is convinced the child belongs to he

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Ameri, Firouzeh. "Veiled experiences: Rewriting women's identities and experiences in contemporary Muslim fiction in English." Thesis, Ameri, Firouzeh (2012) Veiled experiences: Rewriting women's identities and experiences in contemporary Muslim fiction in English. PhD thesis, Murdoch University, 2012. https://researchrepository.murdoch.edu.au/id/eprint/10197/.

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In dominant contemporary Western representations, including various media texts, popular fiction and life-narratives, both the Islamic faith in general and Muslim women in particular are often vilified and stereotyped. In many such representations Islam is introduced as a backward and violent religion, and Muslim women are represented as either its victims or its fortunate survivors. This trend in the representations of Islam and Muslim women has been markedly intensified following the terrorist attacks of 9/11 2001. This thesis takes a postpositivist realist approach to reading selected co

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9

Alqahtani, Norah Hassan. "Muslim feminisms and fictions in a postcolonial frame : case studies of Nawal El Saadawi and Leila Aboulela." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/67676/.

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The postcolonial condition has had life-shaping effects on millions of individuals, in the Third World in particular. This study focuses on the different positions embraced by two authors recognized as 'Muslim feminists.' I explore how they engage with postcolonial subjects and particularly address women's questions in their contemporary societies, through analyses of such 'Muslim fictions' as Woman at Point Zero, The Fall of the Imam, and Zeina by Nawal El Saadawi and The Translator, Minaret, and Lyrics Alley by Leila Aboulela. Because a feminist movement is not autonomous, but bound to its s

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10

Erlandsson, Patrik. "Gäst i Katas hus : En undersökning av fiktionens roll i museet." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-15080.

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This work is about fiction in the museum, and an approach towards transmedia storytelling with two different methods of mediation. With background in literature on cultural heritage, mediation in museums, mediation of history, fiction, transmedia storytelling and adaptation, visitors’ discussions about an exhibition and a fictional text was examined. In order to make the two methods of mediation converge, a number of themes from the existing exhibition were adapted and encapsulated in a fictional story.The visitors were primarily interested in a historical discussion in regards to the two meth

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11

Aydogdu, Zeynep. "Modernity, Multiculturalism, and Racialization in Transnational America: Autobiography and Fiction by Immigrant Muslim Women Before and After 9/11." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1557191593344128.

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Boone, F. Khalilah. "Really Daddy: A Collection of Stories." Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/77482.

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Really, Daddy is a collection of twelve stories that explore the dynamics of racial, intra-racial, gender, and religious power clashes. In narratives that range from realistic to postmodern, characters move through conflicts on a path to self-realization. Ostensibly the responsible ones, the protagonists’ identities are elucidated in the context of the burdens that they carry. At the center of this collection are women and fathers in crisis, as they attempt to save their families or to nourish their own spirits. Whether the character is an African-American Muslim mother shocked into indecisio

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13

Leafgren, Luke Anthony. "Novelizing the Muslim Wars of Conquests: The Christian Pioneers of the Arabic Historical Novel." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10362.

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During the Arabic cultural renaissance of the nineteenth century known as the nahda, Christian Arabs made a substantial contribution to the development of fiction and journalism. Among these pioneers, Salim al-Bustani, Jurji Zaydan, and Farah Antun were inspired by translations of European fiction to write the first historical novels in Arabic. Their narrations of the Muslim wars of conquest are carefully constructed blends of history and fiction that emphasize the cultural and religious values that Christian and Muslim Arabs hold in common. In their novels, these authors celebrate the histori

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14

Hayhurst, Lauren Amy. "Fictive responsibility : why all novelists are political writers (whether they like it or not)." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/33196.

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This PhD is part novel and part thesis. The novel, The Girl Upstairs (TGU), is in three parts. Parts one and two are included here in full. A synopsis of part three is included in the appendices. The thesis presents an original “action model” for Creative Writing (CW) called “fictive responsibility”. TGU can be treated as a case study, demonstrating the practical application of this new model. TGU follows a Bengali-Muslim family as they confront the wayward behaviour of Kifah Rahman, a feisty sixteen-year-old. Set somewhere in south-west England, Kifah’s misadventures start when she discovers

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15

Mitras, Joao Luis. "Postmodern or post-Catholic? : a study of British Catholic writers and their fictions in a postmodern and postconciliar world." Diss., 1997. http://hdl.handle.net/10500/18636.

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This thesis is an investigation into the nature of the 'postmodern' narrative strategies and fictional methods in the work of two British Catholic writers. The work of David Lodge and Muriel Spark is here taken as an example ofthe 'Catholic novel'. In order to determine ifthe overlap ofpostmodern. and Christian-influenced narrative strategies constitutes more than a convergence or coincidence of formal concerns, narrative form in these novels is analyzed in the light of neo-Tho mist and Tho mist aesthetics, a traditional Catholic Christian theory of the arts. The 'postmodern' in these 'Ch

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16

Liu, Chen, and 劉臻. "The Poetics of Museum between Fiction and Reality: A Study of Construction of The Museum of Innocence." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/797zm3.

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碩士<br>國立臺北藝術大學<br>博物館研究所<br>106<br>A museum serves as a combination of interdisciplinary research and application. This case study, The Museum of Innocence Project, examines the process of shaping and plurality starting from the budding of a concept to the actions of collecting to the creation of fiction to a physical museum. The project organizer Orhan Pamuk integrated real objects and fictions and extended from fiction to a physical museum, exceeding the long-existing individual paradigms of museology and literature. Inclusive thinking was employed to interpret the critical museology concep

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Mihok, Brian. "Show of Wonders." 2010. https://scholarworks.umass.edu/theses/437.

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18

Ravanello, Ricardo Brisólla. "Narrativas para bens culturais: tecnologias e aplicabilidades da fotografia digital expandida em museus virtuais." Doctoral thesis, 2018. http://hdl.handle.net/1822/56402.

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Tese de Doutoramento em Ciências da Comunicação<br>A evolução tecnológica de ecrãs de uma década atrás, demandou ao campo da comunicação e do design a busca de novos conhecimentos para o desenvolvimento relativo a conteúdos interativos. No mesmo período a fotografia digital estava em adiantado estado de uma transformação radical, em relação aos seus processos técnicos e aos seus entendimentos teóricos, no sentido de um movimento ontológico que se afastava da realidade e se aproximava da ficção. Buscamos com esse estudo, encontrar formas de tornar motivador e eficiente o acesso a determin

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(9190382), Riham A. Ismail. "“IN PLACE OUT OF PLACE”: THE CONSTRUCTION AND NEGOTIATION OF IDENTITY AND PLACE IN MUSLIM WOMEN’S FICTIONAL NARRATIVE." Thesis, 2020.

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<p>This dissertation examines the negotiations between narrative, identity, and place in the fictional works of three major contemporary Muslim women descendants of Arab immigrants: Leila Houari, Faiza Guène, and Mohja Kahf. The study focuses on four novels: <i>Zeida de nulle part, Kiffe kiffe demain</i>, <i>Du rêve pour les oufs</i>, and <i>The Girl with The Tangerine Scarf</i>. </p><p><br></p> <p>Two key questions structure my examination of the four novels: 1) How do Muslim women living in a non-Muslim society construct and negotiate their individual and collective identities?; 2) To what

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