Gotowe bibliografie tematyczne / Music festivals

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
  6. Raporty organizacyjne

Gotowa bibliografia na temat „Music festivals”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Music festivals"

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Gusāns, Ingars. "DEVELOPMENT OF MUSIC FESTIVALS IN LATGALE." Via Latgalica, no. 5 (December 31, 2013): 105. http://dx.doi.org/10.17770/latg2013.5.1638.

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The topic of this article is to illustrate the contribution of festivals to Latgalian culture. The article gives an overview on the development of the festivals: Latgales Televīzijas Mūzikas festivāls, ”Osvalds”, ”Muzykys Skrytuļs” and Latgales Mūzikas festivāls. The article is based on interviews with the festival organizers, available press materials, internet resources and the author’s personal observations both as a listener and a participant of the described festivals. Festivals are mentioned in chronological order. Latgales Televīzijas Mūzikas festivāls was the festival that started adve
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Nhan, Do Thi Thanh, and Nguyen Dinh Thao. "Music in the Festival of Vietnamese People (Thanh Hoa) - Issues." Journal of Humanities and Education Development 4, no. 3 (2022): 106–12. http://dx.doi.org/10.22161/jhed.4.3.12.

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The article focuses on studying music in festivals of Vietnamese people in Thanh Hoa. Through the collected material, the authors have synthesized, explored the cultural aspects of the composition and analyzed the music. The result of the research is to find out the meaning of music in contributing to the festival's appearance and to find out the operating rules and basic characteristics of music. From there, several discussions are given to preserve and promote music in the festival to achieve higher efficiency in life. The research results are the judgments about the culture and music consti
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MALL, ANDREW. "Music Festivals, Ephemeral Places, and Scenes: Interdependence at Cornerstone Festival." Journal of the Society for American Music 14, no. 1 (2020): 51–69. http://dx.doi.org/10.1017/s1752196319000543.

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AbstractCornerstone was an annual four-day-long Christian rock festival in Illinois that ran from 1984 until 2012, first in Chicago's northern suburbs and then on a former farm in the rural western part of the state. Most attendees camped on-site, and many arrived one or two days early when the campgrounds opened before official programming started. Like many contemporary multi-day festivals in relatively rural or remote locations, Cornerstone's festival grounds and campsites functioned as a temporary village. For many attendees, music festivals have supplanted local scenes as loci of face-to-
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Cashman, David. "‘The most atypical experience of my life’: The experience of popular music festivals on cruise ships." Tourist Studies 17, no. 3 (2016): 245–62. http://dx.doi.org/10.1177/1468797616665767.

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This article considers the growing phenomenon of music festivals on cruise ships. These commercial events, partnerships between event companies and shipping lines, celebrate a particular genre of music and occur aboard a cruise ship. The views of 138 festivalgoers primarily concentrated within six festivals were considered. According to these sources, the festival experience of these events is centred on three factors: live performances, interaction with fellow festivalgoers and star musicians (collectively referred to as ‘ship fam’), and interaction with the constructed space of the cruise sh
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Ismail, Khairiah, Nawal Hanim Abdullah, Norol Hamiza Zamzuri, and Anuar Shah Bali Mahomed. "GOVERNMENT RESPONSIVENESS ON SAFETY AND SECURITY OF MALAYSIA MUSIC FESTIVALS." Journal of Tourism, Hospitality and Environment Management 7, no. 30 (2022): 198–205. http://dx.doi.org/10.35631/jthem.730015.

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Music festivals are often viewed as events that attract a large number of attendees. Despite their positive economic, environmental, and policy impacts on host cities, there are always safety and security concerns at music festivals. This paper emphasises the significance of having proper safety and security, with a particular focus on Malaysian music festivals. The perspectives of government agencies were sought to acquire evidence regarding the impact of a safe and secure music festival, as the approval or rejection of music festivals is dependent on them. Previous studies have highlighted t
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Turris, Sheila A., Tracie Jones, and Adam Lund. "Mortality at Music Festivals: An Update for 2016-2017 – Academic and Grey Literature for Case Finding." Prehospital and Disaster Medicine 33, no. 5 (2018): 553–57. http://dx.doi.org/10.1017/s1049023x18000833.

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AbstractIn 2016, the authors published a paper on music festival fatalities between the years 1999 and 2014 (n=722). In this Special Report, they provide an update on fatalities reported at music festivals globally for the period 2016-2017 (n=201). Using a search strategy designed to capture grey literature and media reports of music festival fatalities, reports of the overall frequency and cause-of-death breakdown for publicly reported, festival-related deaths are recorded. This update shows an increase in the frequency of festival-related fatality reports during the new period, together with
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Vinnicombe, Thea, and Pek U. Joey Sou. "Socialization or genre appreciation: the motives of music festival participants." International Journal of Event and Festival Management 8, no. 3 (2017): 274–91. http://dx.doi.org/10.1108/ijefm-05-2016-0034.

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Purpose Academic studies have sought to understand the motivations of festival and event attendees usually through single-event case studies. This approach has failed to generate a generalizable set of motivation items. In addition, there is increasing criticism in the literature of the common methodological framework used in festival motivation studies, due to a perceived over-reliance on motivations derived from the broader tourism and travel research, with too little attention to event-specific factors. The purpose of this paper is to address these issues by analyzing a sub-category of moti
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Alvarado, Karla Gabriela. "Accessibility of music festivals: a British perspective." International Journal of Event and Festival Management 13, no. 2 (2022): 203–18. http://dx.doi.org/10.1108/ijefm-12-2020-0082.

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PurposeThis investigation aims to critically assess accessibility for persons with disabilities (PWDs) at music festivals in the UK.Design/methodology/approachA systematic review of the literature was conducted, followed by a case study focused on analysing accessible facilities and services offered at Glastonbury, Creamfields, Latitudes and Bestival Festivals. These two research strategies made use of secondary data only.FindingsBased on the analysis of the needs of PWDs when attending a music festival and the facilities and services currently offered at the four UK music festivals studied in
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Lukić-Krstanović, Miroslava. "The Festival Order – Music Stages of Power and Pleasure." Issues in Ethnology and Anthropology 3, no. 3 (2008): 129–43. http://dx.doi.org/10.21301/eap.v3i3.7.

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Music festivals consist of a complex of interactions and social and cultural experiences. This paper analyzes music festivals in SE Europe in their function as a planetary prouction, combining regional cross-cultural perspectives and local politics. At the beginning of the 1990s music events in SE Europe (concerts, festivals, cultural happenings) were either a part of political conflict, antagonisms and economic crises, or they were included in the music world through the cultural contacts of global achievements – the music net and industry. Music festivals become the arena and scene of a cont
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Han, Mingzhao. "Branding Strategies of Outdoor Music Festival: A Case Study of Strawberry Festival." BCP Business & Management 38 (March 2, 2023): 2072–78. http://dx.doi.org/10.54691/bcpbm.v38i.4038.

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With the change of music industry, the traditional recording industry began to decline, and diversified music forms were accepted by people. Outdoor music festival is one of the representatives, it is gradually gaining more and more attention due to high participation and immersive on-site experience and occupying more share in entertainment market. Compared with other forms of music performance, music festival is not only a platform to show a variety of styles and types of music performance, but also can be integrated with tourism and other forms of business, forming a comprehensive entertain
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Rozprawy doktorskie na temat "Music festivals"

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Richards, Evan E. "The 33rd Alaska Folk Festival : a short documentary /." Fogler Library, University of Maine, 2008. http://www.library.umaine.edu/theses/pdf/RichardsEE2008.pdf.

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Thomas, Peter. "Geographies of the music festival : production, consumption and performance at outdoor music festivals in the UK." Thesis, University of Newcastle Upon Tyne, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.446235.

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Over the last forty years music festivals have emerged as a significant leisure phenomenon. From humble and amateurish beginnings the music festival industry is now an important part of the economy, with several major players dominating the organisation of the large music festival within the UK. Music festivals are economically successful because the spaces within them enable people to engage with practices and performances that are far different from those experienced within the everyday world. However, whilst the role of music festivals has become of increasing importance, both economically
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Perez, Julian. "Music Festivals: A Secondary Market Analysis." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1338.

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While the majority of the literature on secondary markets for tickets in the entertainment industry focuses on concerts and sporting events, this study aims to shed light specifically on the music festival resale market. Music festivals have risen in prominence in recent years, particularly among millennials, during the time that the internet has dramatically facilitated the resale of tickets through online marketplaces. With many of the top festivals selling out rapidly, a great deal of music fans turn to secondary markets for tickets. However, very little is known about the behavior of secon
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Ludvigsson, Josefine. "Festivalernas Intåg : Korröfestivalen – en bordunstämmas resa genom festivaliseringen." Thesis, Växjö University, School of Education, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2382.

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<p>Title: Festivalernas Intåg – Korröfestivalen- en bordunstämmas resa genom festivaliseringen</p><p>The Korrö festival- The establishment of a Swedish Folk Music Festival.</p><p>This thesis describes how folk music festivals have been escalating during the past few and how they have influenced Swedish folk music. To reach my results I have been studying one festival in particular which is the Korrö Folk Music Festival. This event started in the mid-eighties as a small happening that attracted almost exclusively musicians that were a part of the bordooon movement. The bordoon movement gathered
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Zabrovskaya, Yulia, and Monika Pavilonyte. "Revenue determinants of music festivals : A case of pop/rock, jazz and classical music festivals in Scandinavia." Thesis, Högskolan i Jönköping, Internationella Handelshögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-13771.

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We have chosen several types of festival (rock/pop, classic and jazz) in Scandinavian region (Sweden, Denmark and Finland), selected the biggest music events in each of the regions and marked the main factors affecting the revenue of the festival, why some of festivals occurring every year and some just have lack of visitors, as we suppose. Purpose is to define the main factors which influence revenues of festivals of classic, rock/pop and jazz genre. Methodology is to determine these factors. Quantitative analysis was used in order to collect necessary data. Organizers of festivals in Sweden,
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Marchini, Ben. "Festivals and sustainability : reducing energy related greenhouse gas emissions at music festivals." Thesis, De Montfort University, 2013. http://hdl.handle.net/2086/8840.

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This thesis investigates the potential to reduce greenhouse gas emissions relating to electrical power provision at UK music festivals. It has been carried out in partnership with a number of UK festival organisers and power providers. The thesis provides a literature review of sustainable event management and the associated electrical power provision, before then investigating the existing methodologies for quantifying greenhouse gas emissions at festivals. This review identified a lack of data regarding energy demand at events other than total fuel demand. While energy data does not improve
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Boiko, M. "The Best Music Festivals in Europe 2017." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8367.

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Earl, Cameron Phillip. "Public health management at outdoor music festivals." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16235/1/Cameron_Earl_Thesis.pdf.

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Background Information: Outdoor music festivals (OMFs) are complex events to organise with many exceeding the population of a small city. Minimising public health impacts at these events is important with improved event planning and management seen as the best method to achieve this. Key players in improving public health outcomes include the environmental health practitioners (EHPs) working within local government authorities (LGAs) that regulate OMFs and volunteer organisations with an investment in volunteer staff working at events. In order to have a positive impact there is a need for mor
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Earl, Cameron Phillip. "Public health management at outdoor music festivals." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16235/.

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Background Information: Outdoor music festivals (OMFs) are complex events to organise with many exceeding the population of a small city. Minimising public health impacts at these events is important with improved event planning and management seen as the best method to achieve this. Key players in improving public health outcomes include the environmental health practitioners (EHPs) working within local government authorities (LGAs) that regulate OMFs and volunteer organisations with an investment in volunteer staff working at events. In order to have a positive impact there is a need for mor
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Cummings, Joanne. "Sold out ! an ethnographic study of Australian indie music festivals /." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/35961.

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Thesis (Ph.D.)--University of Western Sydney, 2007.<br>A thesis submitted in total fulfillment of the requirements for the degree of Doctor of Philosophy to the College of Arts, School of Social Sciences, University of Western Sydney. Includes bibliographical references.
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Książki na temat "Music festivals"

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Group, Mintel International, ed. Music concerts and festivals. Mintel International Group, 2002.

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Group, Mintel International, ed. Music concerts and festivals. Mintel International, 2000.

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Ltd, Mintel International Group, ed. Music concerts and festivals. Mintel International, 2002.

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Hancock, Mossie. Music for one-- music for all: The story of the Saskatchewan Music Festival Association, 1908-1988. Saskatchewan Music Festival Association, 1988.

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Ratassepp, Arvo. Estonian song festivals. Perioodika, 1985.

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Gideon, Maxime. Steelband Music Festivals, 1952-1989. Macprint Promotions, 1990.

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Maxime, Gideon. Steelband music festivals, 1952-1989. Macprint Promotions, 1990.

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Macau International Music Festival (9th 1995 Macau). IX Festival Internacional de Música de Macau =: IX Macau International Music Festival = [Ti chiu chieh Ao-men kuo chi yin yüeh chieh]. Instituto Cultural de Macau, 1995.

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Festival, Schleswig-Holstein Musik. Das Schleswig-Holstein Musik Festival: Herausgegeben vom Schleswig-Holstein Musik Festival. Edition Braus, 1990.

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Verhoef, Matty. European Festivals. European Festivals Association, 1995.

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Części książek na temat "Music festivals"

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Reynolds, Andy. "Festivals." In The Live Music Business, 3rd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003019503-13.

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Weldon, John. "Australian music festivals." In Events and Economic Development. Routledge, 2025. https://doi.org/10.4324/9781003490326-21.

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Simon, Jean-Paul. "Facts about Music Festivals." In Managing Cultural Festivals. Routledge, 2022. http://dx.doi.org/10.4324/9781003127185-17.

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Castro-Martínez, Elena, Albert Recasens, and Ignacio Fernández-de-Lucio. "Innovation in Early Music Festivals." In Managing Cultural Festivals. Routledge, 2022. http://dx.doi.org/10.4324/9781003127185-6.

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Waksman, Steve. "Festivals, free and unfree." In Researching Live Music. Focal Press, 2021. http://dx.doi.org/10.4324/9780367405038-2.

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Botella Nicolás, Ana Maria, Rosa Isusi-Fagoaga, and Elena Castro-Martínez. "Music Festivals and Educational Concerts in Spain." In Managing Cultural Festivals. Routledge, 2022. http://dx.doi.org/10.4324/9781003127185-11.

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Segre, Giovanna, Andrea Morelli, and Caterina Valenti. "A Classical Music Festival and Its Audience." In Managing Cultural Festivals. Routledge, 2022. http://dx.doi.org/10.4324/9781003127185-8.

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Santos, Sara, Pedro Espírito Santo, and Luísa Augusto. "Antecedents of Participation in Music Festivals." In Managing Festivals for Destination Marketing and Branding. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-6684-6356-7.ch002.

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In the marketing literature, the desire or need to participate in a music festival is triggered by various reasons. Some sponsorship forms have associated brands with music festivals. One of the counterparts of the sponsorship is the possibility of associating the name of the brand with the designation of the name of the festival—that is, the brand acquiring the naming right of the festival. However, this theme has aroused the academy's interest, and studies that show the importance of the festivals in connection with the sponsoring brand. Thus, this study (N = 306) was carried out through a r
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Oliva, Jordi, and Alba Colombo. "Music festivals." In Events and Well-being. Routledge, 2021. http://dx.doi.org/10.4324/9781003044932-11.

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"music festivals." In Encyclopedia of Contemporary Italian Culture. Routledge, 2002. http://dx.doi.org/10.4324/9780203440254-117.

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Streszczenia konferencji na temat "Music festivals"

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Thongrom, Pimpika. "The effect of Music Festivals on Perceived Destination Images." In INNODOCT 2019. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/inn2019.2019.10179.

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Music festival is one of the special event. It is a unique cultural event which continuously held on a particular place and time. It has been confirmed that music festivals can attract people to visit the destinations for instance Glastonbury, and the Fuji Rock. Various researches have explored the potential of festivals in forming destination image. It has not been yet explored a link between the music festivals and image formation of thedestination. The research aim is to examine the effect of music festivals on the perceived images of destinations. The objectives are to explore music festiv
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Marić-Stanković, Anđelina, Marija Bratić, Danijel Pavlović, and Slobodan Čerović. "The role of music festivals in the development of cultural tourism: A case study of Southern Serbia." In Zbornik radova – VI Kongres geografa Srbije sa medunarodnim ucešcem. University of Belgrade - Faculty of Geography, Belgrade, 2024. https://doi.org/10.5937/kongef24080m.

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This paper analyzes the role of internal stakeholders in the development of music festivals as a basis for structuring cultural tourism in Southern Serbia. Internal stakeholders, including festival organizers, local authorities, tourist organizations and agencies, as well as other relevant actors, play a crucial role in promoting and implementing festivals, contributing to the creation of tourist offerings that attract visitors and stimulate economic development of the region. The research methodology is based on a qualitative approach, namely interviewing internal stakeholders directly involv
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VÎLCU, Marcela. "The festival as a form of organizing didactic activities." In Educația din perspectiva conceptului Clasei Viitorului: Culegere de articole [ale conferinţei internaţionale]. Ion Creangă Pedagogical State University, 2023. https://doi.org/10.46727/c.cv-2023.p74-78.

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In contemporary times, festivals have burgeoned into one of the most prevalent mechanisms for orchestrating cultural and artistic events. Music festivals, theatre festivals, film festivals, dance festivals, folklore festivals, and an array of other genres are organized both on the international and national stage. Notably, festivals have also found their place within the realm of education, with cultural and artistic occasions frequently serving as platforms for students to exhibit their creative proficiencies. Concurrently, modern pedagogical practices, rooted in the constructivist educationa
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Stipanović, Christian, Elena Rudan, and Vedran Zubović. "ENHANCING COMPETITIVENESS FOR ECONOMIC AND TOURISM GROWTH: CASE OF CROATIA." In Tourism in Southern and Eastern Europe 2023: Engagement & Empowerment: A Path Toward Sustainable Tourism. University of Rijeka, Faculty of Tourism and Hospitality Management, 2023. http://dx.doi.org/10.20867/tosee.07.26.

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Purpose – Music tourism refers to attendance at music events such as concerts, festivals, and other music-related activities. This form of tourism can have a significant effect on the development of destinations hosting music events, and can also contribute to the promotion of a destination's cultural heritage and identity. Croatian destinations organize various music events and strive to become distinctive music-event destinations. In the process of diversification relative to the global, universal offering, the valorisation of traditional music plays an important role in creating a unique ex
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BATAILLIE, C., L. MUYSHONDT, and R. DE SCHUYTER. "NOISE CONTROL OF OUTDOOR MUSIC FESTIVALS- LEGISLATION AND ELECTRONICALLY AMPLIFIED MUSIC." In Noise in the Built Environment 2010. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/17184.

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Jamison-Powell, Sue, Lucy Bennett, Jamie Mahoney, and Shaun Lawson. "Understanding in-situ social media use at music festivals." In the companion publication of the 17th ACM conference. ACM Press, 2014. http://dx.doi.org/10.1145/2556420.2556503.

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Fischer, Andre. "New transmedia design for traditional film festivals." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.121.

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The disruptive transformations process in the audiovisual sector were unexpectedly accelerated after the covid-19 pandemic. This caused a rearrangement in the chain of the distribution, exhibition and circulation, thus restructuring the whole design of film festivals, once considered the launching point of this entire industry and strongly based on specific physical locations. Streaming has become the main way in which image and sound content are distributed. Entertainment became multiplatform and interactive, changing the way in which narratives are structured, and these contents are produced
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Larsen, Jakob Eg, Arkadiusz Stopczynski, Jan Larsen, Claus Vesterskov, Peter Krogsgaard, and Thomas Sondrup. "Augmenting the sound experience at music festivals using mobile phones." In the 15th international conference. ACM Press, 2011. http://dx.doi.org/10.1145/1943403.1943471.

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Bjälesjö, Jonas. "From Live at Heart to SXSW: The Meaning, Value and Effect of Music Industry Gatherings at Music Festivals in General and Showcase Festivals in Particular." In MEIEA Summit 2024. Music and Entertainment Industry Educators Association, 2024. http://dx.doi.org/10.25101/24.2.

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Radovanović, Bojana. "Social and Cultural Engagement of Dragutin Gostuški." In Iskošeni ugao Dragutina Gostuškog. Muzikološki institut SANU Beograd, 2024. https://doi.org/10.46793/dgost23.381r.

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Even before he gradually faded out his compositional and scientific activities in the 1960s and the beginning of the 1970s, Dr Dragutin Gostuški, composer, musicologist, music critic, and an important figure of Serbian and Yugoslav culture in general, was very active in different cultural and social activities of the broadest spectrum. His interest in music and aesthetics, as well as his position as a social commentator and a favourite intellectual, which he built over the years, went hand in hand with participating in different local and international professional bodies, commissions, and boa
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Raporty organizacyjne na temat "Music festivals"

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Turner, Tom, and Nancy Hodges. Americana Music Festivals: An Ethnographic Exploration of the Experiential Consumptionscape. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-25.

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Stettler, Stephanie. Sustainable Event Management of Music Festivals: An Event Organizer Perspective. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.257.

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma
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Chaitoo, Ramesh. The Entertainment Sector in CARICOM: Key challenges and Proposals for Action. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0009113.

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Although small in terms of population, the Caribbean is renowned for its creativity. Its cultural diversity is manifested in a variety of artistic expressions including folklore, crafts, performances, music festivals, and carnivals. Despite the Caribbean's great potential in the entertainment sector, important domestic challenges - emanating from both public and private sectors - have long impeded the successful growth of creative industries. The paper explains how the implementation of the Economic Partnership Agreement with the European Union should serve as an impetus for stakeholders in th
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Turner, Tom, and Nancy Hodges. Exploring Outdoor Lifestyle Brands within the Americana Music Festival Marketplace. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-395.

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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals act
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Divita, Lorynn. "I Just Thought It Looked Cool": Cultural Appropriation by Music Festival Attendees. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1481.

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Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481274.

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Blue Mountain is a 35-minute work for two actors and orchestra. It was commissioned by the Ultima Festival, and premiered in 2014 by the Danish National Chamber Orchestra. The Ultima festival challenged me – being both a composer and writer – to make something where I wrote both text and music. Interestingly, I hadn’t really thought of that before, writing text to my own music – or music to my own text. This is a very common thing in popular music, the songwriter. But in the lied, the orchestral piece or indeed in opera, there is a strict division of labour between composer and writer. There a
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Rogers, Amanda. The Seven Colours Festival: Young People and Civic Participation in the Arts. Swansea University, 2024. http://dx.doi.org/10.23889/sureport.66346.

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Based on our previous research (Rogers et al 2021) we noticed a difference between how artists think the arts relate to society, and how young people imagine this relationship. Young people wanted to see (and connected most strongly to) art works that more immediately engaged with the pressing social issues of Cambodia, many of which are political – including climate change, the expression of identity and human rights (e.g. LGBTQ identity), corruption and scams, and democracy. However, artists, particularly in the performing arts and music sectors, must walk a tightrope in making works that ad
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