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1

Seamon, David. "A holistic approach to architecture: The Felicja Blumental Music Center and Library." URBAN DESIGN International 19, no. 1 (2014): 103–4. http://dx.doi.org/10.1057/udi.2013.14.

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Portugali, Nili. "A Holistic Approach to Architecture A Case Study: Music Center and Library, Tel-Aviv." Journal of World Architecture 9, no. 2 (2025): 98–108. https://doi.org/10.26689/jwa.v9i2.10306.

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The aim of this article is to present a unique interpretation of the holistic worldview, both in theory and in practice. It explores how this approach, along with a planning process fundamentally different from conventional methods, was implemented in the design and construction of the Music Center and Library in the city of Tel Aviv. This process forms a coherent representation of a complete worldview: a humanistic, holistic worldview developed and adopted through more than five decades of architectural practice across all scales of design. In this approach, a building is not regarded as a co
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3

Tayyebi, Seyed Farhad, and Yuksel Demir. "Extensive Exploration of The Preference Correlations Between Architectural Features and Musical Attributes." AM Journal of Art and Media Studies, no. 34 (October 1, 2024): 115–42. http://dx.doi.org/10.25038/am.v0i28.568.

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This study investigates the correlations between empirically-based preferences for architectural features and self-reported preferences for musical attributes. Altogether, 16 architectural attributes related to architectural complexity, indentation, symmetry, rhythm, pattern, and stress and 36 musical attributes of genres, perceived psychological attributes, Five Factors of Music, and 3-Factors are considered in the study, and their correlations are examined across 61 different demographic classes. In short, after gathering the data, Pearson’s correlation coefficient analysis examined the exis
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Magalhaes, Tairone Nunes, Felippe Brandão Barros, and Mauricio Alves Loureiro. "Iracema: a Python library for audio content analysis." Revista de Informática Teórica e Aplicada 27, no. 4 (2020): 127–38. http://dx.doi.org/10.22456/2175-2745.107202.

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Iracema is a Python library that aims to provide models for the extraction of meaningful informationfrom recordings of monophonic pieces of music, for purposes of research in music performance. With this objective in mind, we propose an architecture that will provide to users an abstraction level that simplifies the manipulation of different kinds of time series, as well as the extraction of segments from them. In this paper we: (1) introduce some key concepts at the core of the proposed architecture; (2) describe the current functionalities of the package; (3) give some examples of the applic
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Freeman, Graham, and Robert J. Glushko. "Organization, Not Inspiration: A Historical Perspective of Musical Information Architecture." KNOWLEDGE ORGANIZATION 46, no. 3 (2019): 161–70. http://dx.doi.org/10.5771/0943-7444-2019-3-161.

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The organization of musical resources in a piece of music is opaque for everyone but for those with the highest levels of musical education. For the average listener, the specific vocabulary of musical organization is usually replaced by metaphorical language relating to inspiration and musical affect, or by a social perspective that rids the music of its specific theoretical language and provides a more relatable perspective of the music as a historical and communal event. We examine the ways in which information architecture and organizational theory can surface the inner workings of music i
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Wibowo, Stevanus Agustian, Ika Ratniarsih, and Failasuf Herman Hendra. "Implementation of Contemporary Architecture in the Shape of the Main Building in the Central Area of the Creative Arts and Music Industry in Surabaya." Jurnal IPTEK 29, no. 1 (2025): 87–94. https://doi.org/10.31284/j.iptek.2025.v29i1.6660.

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The main building of the Creative Arts Music Industry Center in Surabaya has a function to facilitate the growth and development of the creative arts music industry in Surabaya. Among them are Pop, Rock, Dangdut, Jazz, Classical, and Traditional Music. The facilities in this building include indoor music performances, a music library, music education, music production, music recording, and a music collaborator. The main building is designed with the application of a contemporary architectural theme. Contemporary architecture is architecture that has the freedom to express itself and has the de
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7

SUDIPTA CHAKRABARTY, LABONI SAHA, and SUBHARANJAN BASU. "Pulse: An online music recommendation system for socially-driven music discovery." International Journal of Science and Research Archive 15, no. 3 (2025): 660–66. https://doi.org/10.30574/ijsra.2025.15.3.1780.

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The digital music industry has undergone a paradigm shift, favoring streaming services and personalized recommendation systems. This paper presents one unique Online Music Recommendation System, a web-based music library and recommendation platform that allows users to listen to, share, and recommend songs among friends. The system integrates social interactions to enhance music discovery while keeping the user interface intuitive and accessible. The application is not only follows a client-server architecture but also allows administrators to manage music content but also enables users to int
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8

Haji, Iwan, and Qurratul Aini. "Music Center In Banda Aceh, Theme : Expressionist Architecture." Rumoh Journal of Architecture 14, no. 1 (2024): 28–37. http://dx.doi.org/10.37598/rumoh.v14i1.133.

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The city of Banda Aceh quite regularly holds music events ranging from small to large scale. The city of Banda Aceh does not yet have music center facilities capable of accommodating the enthusiasm of music lovers. Usually musical activities are often held in the Blang Padang field, the Arts and Culture Park Building, and Ratu Safiatuddin Park. The main objective of building a Music Center Building in Banda Aceh is to provide a music center building in Banda Aceh with adequate facilities. This Music Center is located in the trade and services area located on Jl. Prof. Ali Hasyimi, Pango, Distr
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9

Boutard, Guillaume, and François-Xavier Féron. "Documenting acousmatic music interpretation." Journal of Documentation 75, no. 1 (2019): 99–119. http://dx.doi.org/10.1108/jd-03-2018-0037.

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PurposeExtending documentation and analysis frameworks for acousmatic music to performance/interpretation, from an information science point of view, will benefit the transmission and preservation of a repertoire with an idiosyncratic relation to performance and technology. The purpose of this paper is to present the outcome of a qualitative research aiming at providing a conceptual model theorizing the intricate relationships between the multiple dimensions of acousmatic music interpretation.Design/methodology/approachThe methodology relies on the grounded theory. A total of 12 Interviews wer
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10

Parthenios, Panagiotis, Stefan Petrovski, Nicoleta Chatzopoulou, and Katerina Mania. "Reciprocal transformations between music and architecture as a real-time supporting mechanism in urban design." International Journal of Architectural Computing 14, no. 4 (2016): 349–57. http://dx.doi.org/10.1177/1478077116670743.

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The more complex our cities become, the more difficult it is for designers to use traditional tools for understanding and analyzing the inner essence of an eco-system such as the contemporary urban environment. Even many of the recently crafted digital tools fail to address the necessity for a more holistic design approach which captures the virtual and the physical, the immaterial and the material. Handling of massive chunks of information and classification and assessment of diverse data are nowadays more crucial than ever before. We see a significant potential in combining the fields of com
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11

Papadakis, John, and Christos Douligeris. "Technical note Design and architecture of a digital music library on the Web." New Review of Hypermedia and Multimedia 7, no. 1 (2001): 115–26. http://dx.doi.org/10.1080/13614560108914729.

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12

Chen, Mang, and Wei Zhang. "WeChat knowledge service system of university library based on SoLoMo: A holistic design framework." Journal of Information Science 46, no. 5 (2019): 616–29. http://dx.doi.org/10.1177/0165551519860045.

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In this study, we develop a WeChat knowledge service system (WKSS) in university library based on SoLoMo. The aim is to build a comprehensive, open, mobile and smart knowledge service environment. It can realise the interaction between the three users, library and knowledge, and promote the dissemination and sharing of knowledge. By referencing the Internet frontier concept SoLoMo, this study designs a new mobile smart service system, including the system architecture design, the content design and the data association design. Then, this study develops the system, including the running environ
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13

Biringer, Gene, and Hugh Aitken. "The Piece as a Whole: Studies in Holistic Musical Analysis." Notes 55, no. 3 (1999): 695. http://dx.doi.org/10.2307/900449.

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14

Martin Iddon. "Music and Architecture: Architectural Projects, Texts, and Realizations (review)." Notes 66, no. 2 (2009): 308–11. http://dx.doi.org/10.1353/not.0.0229.

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15

Horri, Firoozeh. "Finding the Relevance of Music and Architecture in Shaping Physical Space and Structural Form of Prince Garden, Mahan, Kerman." Urban Studies and Public Administration 1, no. 2 (2018): 184. http://dx.doi.org/10.22158/uspa.v1n2p184.

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<p><em>Finding the relevance between various arts, architecture,</em><em> </em><em>poem,</em><em> </em><em>music,</em><em> </em><em>miniature,</em><em> </em><em>painting and</em><em>,</em><em> etc</em><em>.</em><em>, has long been proposed and widespread. The discovery of such a relationship among music and architecture is done, and has pointed to many similarities and differences. Most previous researches taken on this term, are only tangi
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16

Neal, Jason, and Diane Neal. "Answering the unanswered question? Contextualizing a holistic theoretical framework for cross-genre music information retrieval." Proceedings of the American Society for Information Science and Technology 46, no. 1 (2009): 1–5. http://dx.doi.org/10.1002/meet.2009.1450460366.

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17

Pranav,, Pranav,. "Smart Music Composer: A Web Tool Based on Transformer Model." International Scientific Journal of Engineering and Management 04, no. 04 (2025): 1–7. https://doi.org/10.55041/isjem03073.

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Abstract. Using Facebook Research's MusicGen, a transformer-based generative audio model, the Smart Music Composer is an AI-powered web application that uses text inputs to produce high-fidelity music. The system incorporates a responsive HTML/CSS/JavaScript frontend for user interaction and a Flask-based REST API backend with the audiocraft library, hosted over ngrok for real-time accessibility. This system addresses issues like limited user control and static outputs by providing real-time adaptability, wide customization across genres, and an interactive interface, in contrast to standard m
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18

Demchenko, Alexander I. "The Baroque Era (From the Mid-16th to the Mid-18th Century). Collisions of Contrasts (conclusion)." ICONI, no. 2 (2021): 6–29. http://dx.doi.org/10.33779/2658-4824.2021.2.006-029.

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The essence of the cycle of essays published by the journal is that it provides with a maximal compactness of presentation a summary of the chief phenomena of world artistic culture, covered in general both from the point of view of the overall historical process and in relation to various types of artistic creativity (literature, the visual arts, architecture, music, theater and cinema). At the same time, the customary categorization according to national schools and the division into the separate arts with the genre specifi cation inherent in each of them is overcome, which meets the positiv
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19

Demchenko, Alexander I. "Renaissance (From the Middle of the 13th to the Middle of the 16th Century). Facets of Humanism." ICONI, no. 4 (2020): 6–24. http://dx.doi.org/10.33779/2658-4824.2020.4.006-024.

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The essence of the series of essays published by the magazine is that with a maximum compactness of presentation it provides a summary of the main phenomena of world artistic culture covered in general both from the point of view of the overall historical process, and in relation to various types of artistic creativity (literature, the visual arts, architecture, music, theater and cinema). At the same time, the customary categorization according to national schools and the division into separate types of art with the genre specifi cation inherent in each of them is overcome, which meets the po
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20

Demchenko, Alexander I. "The Baroque Era (From the Mid-16th to the Mid-18th Century). Collisions of Contrasts." ICONI, no. 1 (2021): 6–31. http://dx.doi.org/10.33779/2658-4824.2021.1.006-031.

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The essence of the cycle of essays published by the journal is that with a maximal compactness of presentation it provides a summary of the chief phenomena of world artistic culture, covered in general both from the point of view of the overall historical process and in relation to various types of artistic creativity (literature, the visual arts, architecture, music, theater and cinema). At the same time, the customary categorization according to national schools and the division into the separate arts with the genre specifi cation inherent in each of them is overcome, which meets the positiv
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21

Váradi, Judit. "A Review of the Literature on the Relationship of Music Education to the Development of Socio-Emotional Learning." SAGE Open 12, no. 1 (2022): 215824402110685. http://dx.doi.org/10.1177/21582440211068501.

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Social-emotional learning (SEL) is a topic of increasing focus in the education sector. SEL is the process by which children acquire the knowledge, skills, and attitudes to effectively recognize and manage emotions, to formulate positive goals, to feel empathy for others, to establish and maintain functioning social relationships. It develops to take responsible decisions, determine students’ successful academic performance, transformation into adulthood, useful work, a good quality of life, and well-being. By the end of the 20th century the educational role of music has come into the spotligh
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22

Downie, J. Stephen. "Report on the panels and workshops of the music information retrieval (MIR) and music digital library (MDL) evaluation frameworks project." ACM SIGIR Forum 37, no. 2 (2003): 38–44. http://dx.doi.org/10.1145/959258.959264.

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23

Bown, Oliver, Sam Ferguson, Augusto Dias Pereira Dos Santos, and Kurt Mikolajczyk. "Hacking the Medium: Shaping the creative constraints of network architectures in multiplicitous media artworks." Organised Sound 26, no. 3 (2021): 305–16. http://dx.doi.org/10.1017/s135577182100039x.

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In this article we discuss our practice-based research into effective architectures and creative workflows for creatively coding massive multidevice light and sound installation artworks. We discuss the challenges of working with networked multidevice systems and illustrate these challenges with examples of the type of content that one may wish to display on these systems. We then consider how the structuring of a creative framework can strongly influence how an artist approaches the creation of such work, eases the process of creative search and discovery and reduces the time cost and risk of
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24

Butler, Katherine. "From Liturgy and the Education of Choirboys to Protestant Domestic Music-Making: The History of the ‘Hamond’ Partbooks (GB-Lbl: Add. MSS 30480-4)." Royal Musical Association Research Chronicle 50 (2019): 29–93. http://dx.doi.org/10.1080/14723808.2018.1546477.

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The so-called ‘Hamond’ partbooks (British Library, Add. MSS 30480-4) were copied over a period of c.40 years by multiple groups of collaborating scribes, resulting in a miscellaneous combination of service music, sacred songs, Latin motets, chansons, madrigals, an In nomine, and even Mass extracts. These partbooks are the only complete manuscript source of Protestant service music from the first decades of Elizabeth's reign. This first holistic study of this set of partbooks re-evaluates the stages of compilation and the copying practices of the scribes to offer new interpretations of the manu
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25

Tabuena, Almighty C. "Carabo-Cone, Dalcroze, Kodály, and Orff Schulwerk Methods." International Journal of Asian Education 2, no. 1 (2021): 9–16. http://dx.doi.org/10.46966/ijae.v2i1.88.

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This study emphasizes findings from literature reviews that aimed to describe and present the current teaching strategies in Music education. These teaching strategies are one of the needed primary skills of Music teachers to address the learning challenges, competencies, and diverseness of the existing curriculum, help them to explore the needs of the students, and give them a framework of what could be the best and appropriate strategy in delivering a lesson. This study employed a descriptive method to gather information about present conditions through a library method and literature review
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26

Bembel, Irina O. "Mimesis as a Universal Principle of the Form Making." Vestnik of Saint Petersburg University. Arts 12, no. 3 (2022): 487–99. http://dx.doi.org/10.21638/spbu15.2022.305.

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The stylistic method of revealing regularities, formed by the 19th century and dominating up until recently, proves to be ever less relevant to architectural and artistic processes of the Contemporary (Newest) times. To systemize the entire historical experience of architecture as a whole, more profound generalizations are required. An essential prerequisite for such generalizations appears to be the philosophical context of the paradigm shift: tradition — modernity — postmodernity. Without a clear understanding of all the differences between these paradigms, it is impossible to talk about the
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27

Zeiss, Laurel E. "The Temple of Night at Schönau: Architecture, Music, and Theater in a Late Eighteenth-Century Viennese Garden (review)." Notes 64, no. 3 (2008): 481–83. http://dx.doi.org/10.1353/not.2008.0012.

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28

Demchenko, Alexander I. "Antiquity (A Millennium before the Birth of Christ). The Basis of European Culture." ICONI, no. 2 (2020): 6–25. http://dx.doi.org/10.33779/2658-4824.2020.2.006-025.

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The peculiarity of the series of essays published by the magazine is that with the maximum compactness of the presentation, it provides a summary of the main phenomena of world artistic culture, covered in General both from the point of view of the General historical process, and in relation to various types of creativity (literature, fne art, architecture, music, theater and cinema). At the same time, the usual categorization of national schools and the division into separate types of art with the genre specifcation inherent in each of them is overcome, which meets the positive trends of glob
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29

Demchenko, Alexander I. "The Enlightenment (the Second Half of the 18th Century). The Horizons of Light and Reason. Second Essay." IKONI / ICONI, no. 4 (2021): 6–19. http://dx.doi.org/10.33779/2658-4824.2021.4.006-019.

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The essence of the series of essays published by the magazine is that with the maximum compactness of the presentation, it provides a summary of the main phenomena of world artistic culture, covered in General both from the point of view of the General historical process, and in relation to various types of creativity (literature, fine art, architecture, music, theater and cinema). At the same time, the usual categorization of national schools and the division into separate types of art with the genre specification inherent in each of them is overcome, which meets the positive trends of global
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30

Radzetskaya, Olga V. "Catalogues and Price Lists of the Music Publishing Company “Julius Heinrich Zimmerman”: Organization, Advertising Mechanisms and Trade Assortment (from the Collections of the Russian State Library)." Problemy muzykal'noi nauki / Music Scholarship, no. 2 (2024): 84–99. http://dx.doi.org/10.56620/2782-3598.2024.2.084-099.

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The music publishing business of the second half of the 19th and the early 20th centuries is one of the most interesting phenomena in Russian culture that makes it possible for us to analyze the specific features of its spatial and temporal development and a vast scholarly range. The article examines the advertising materials, periodical catalogues and price lists of individual printing company, and as a result the necessity arises for a holistic perception of the manufactured assortment and a certain number of its features. As a rule, this is associated with the commercial interests of specia
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31

Geertinger, Axel Teich. "Samlingsformidling gennem tematiske værkfortegnelser." Fund og Forskning i Det Kongelige Biblioteks Samlinger 58 (March 9, 2019): 213. http://dx.doi.org/10.7146/fof.v58i0.125304.

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Axel Teich Geertinger: Contextualising Library Collections through Thematic Catalogues
 Between the years 2014 and 2019, Dansk Center for Musikudgivelse (DCM) (Danish centre for Music Editing) has published thematic-bibliographic catalogues of the works of four composers, in both digital and printed editions: Carl Nielsen, Johann Adolph Scheibe, J.P.E. Hartmann and Niels W. Gade. The concept and the software behind it were developed by DCM concurrently with the work on the actual catalogues’. DCM’s catalogues of the works are in keeping with a long tradition within musicology, in which su
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32

Demchenko, Alexander I. "The Middle Ages (from the Birth of Christ to the 13th Century). The East and the West." ICONI, no. 3 (2020): 6–27. http://dx.doi.org/10.33779/2658-4824.2020.3.006-027.

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The essence of the series of essays published by the journal is that with a maximum compactness of the presentation, it provides a summary of the main phenomena of world artistic culture, covered in its entirety both from the point of view of the general historical process, and in relation to the various arts (literature, the fi ne arts, architecture, music, theater and cinema). At the same time, the customary categorization according to national schools and the division into the separate respective arts with the genre specifi cation inherent in each of them are overcome, which answers the pos
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33

Demchenko, A. I. "Romanticism (the First Half of the 19th Century). The Pathos of Individualism." IKONI / ICONI, no. 1 (2022): 7–38. http://dx.doi.org/10.33779/2658-4824.2022.1.007-038.

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The essence of the series of essays published by the journal is that with the maximum compactness of the presentation it provides a summary of the main phenomena of world artistic culture, covered in general both from the point of view of the overall historical process and in relation to the various forms of art (literature, fine arts, architecture, music, theater and cinema). At the same time, there is a tendency to overcome the customary categorization of national schools and the division into separate forms of art with the genre specification inherent in each of them, which meets the positi
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34

SHLIENKOVA, Elena V., and Khristina V. KAYGORODOVA. "IMMERSIVE AUDIO EXPOSITION AND ITS VISUAL CONTENT AS ACTUALIZATION OF MUSEUM DESIGN PRINCIPLES." Urban construction and architecture 10, no. 3 (2020): 114–22. http://dx.doi.org/10.17673/vestnik.2020.03.15.

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The article is devoted to the experimental practice of new local history and museum design, the study of collective identity, the actualization of “gene memory” and the representation of the Finno-Ugric ethnic group of the North of Udmurtia, Russia. The project continues to develop a long-term partnership of an inter-regional consortium consisting of specialists in the fi eld of cultural anthropology and authentic geography, local history, music and stage art, folklore, design, architecture and modern art practices, and the local community. The article deals with the study of the principles of
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35

Demchenko, Alexander I. "The Enlightenment (the Second Half of the 18th Century). Horizons of Light and Mind. First Essay." ICONI, no. 3 (2021): 6–21. http://dx.doi.org/10.33779/2658-4824.2021.3.006-021.

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The essence of the series of essays published by the magazine is that with a maximum compactness of presentation it provides a summary of the main phenomena of world artistic culture covered in general, both from the point of view of the general historical process, and in relation to the various forms of art (literature, the visual arts, architecture, music, theater and cinema). At the same time, the usual categorization of national schools and division into separate types of art with the genre specification inherent in each of them is overcome, which meets the positive trends of globalization
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36

Fischer, Rachel K. "The Alert Collector: The Gothic Aesthetic: From the Ancient Germanic Tribes to the Contemporary Goth Subculture." Reference & User Services Quarterly 58, no. 3 (2019): 143. http://dx.doi.org/10.5860/rusq.58.3.7040.

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Goths. How did we get from warlike Germanic tribes sacking Rome, to an aesthetic or subculture imbued with “the dark and melancholy, a hint of horror tinged with romance.” This column will show you how widely this aesthetic is represented in art, architecture, film, literature and more, and along the way you will undoubtedly find some great resources to add to your collections, from music CD, to academic journals, reference works and the usual popular and academic books. Rachel Fischer has ably put together an excellent resource for anyone wanting to build a collection from the ground-up, or a
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Pradini, Purnama Sakhrial, and Tinton Lambok Nando Tinambunan. "Perancangan Cikarang Family Public Space dengan Pendekatan Konsep Arsitektur Industrial." Pelita Teknologi 17, no. 2 (2022): 50–68. http://dx.doi.org/10.37366/pelitatekno.v17i2.1530.

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Public space is a space that is fomed or designed in such a way that space can accommodate a large number of people (the public) in carrying out public activities in accordance with the function of the public space. The level of population density in cikarang is quite high and the lack of public space that can be used as a place to interact between communities is needed, in addition, availability of this public space can be used as a place to relax and a pace to express artistic activities. The industrial architecture concept approach is used in the design of this public space, an architectura
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38

Karthik, N. Patel, and Nischay N. Gowda Dr. "Vaastu shastra for entrance: Enhancing positive energy flow in your house." International Journal of Advance Research in Multidisciplinary 2, no. 3 (2024): 45–49. https://doi.org/10.5281/zenodo.12705878.

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This research article aims to explore Vaastu Shastra's principles and implications for entrance design in residential and architectural contexts. A detailed architecture directing layouts of spaces and their impact on occupants' well-being, prosperity, and harmony is provided by the ancient Indian architectural concept known as Vaastu Shastra. Although entrances are important in architecture, there isn't much discussion in the contemporary culture about how Vaastu principles relate to them. By solving these objectives, the study hopes to add to the library of knowledge already available i
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Engh, Line Cecilie, Stefka G. Eriksen, and Francis F. Steen. "Homo renovatur de die in diem: Transforming Selves and Communities." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 1–7. http://dx.doi.org/10.5617/acta.7797.

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"This special issue of Acta ad archaeologiam et artium historiam pertinentia (from now on Acta) interrogates religious practices of reading, writing, praying and engaging with texts, images, architecture, music, and ritual spaces in late antique Rome and medieval Europe. More specifically, it aims to analyze and deepen our understanding of how liturgy and religious practice modeled and modified selves and communities, how they shaped and transformed identities and built communities - both individual and collective, religious and lay".
 
 On cover:Monks singing the Office and decorate
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Baharuddin, Kasmarini, A’dillah Mustafa, Siti Nurul Maryam Abdullah, and Khalid Ayuba Abdullahi. "Understanding Information Ethics Practice through the PAPA Framework." Environment-Behaviour Proceedings Journal 7, SI10 (2022): 67–72. http://dx.doi.org/10.21834/ebpj.v7isi10.4103.

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This article discusses the dimension of the PAPA (Privacy, Accuracy, Property, and Accessibility) framework used in information ethics practice in various fields. PAPA framework provides a holistic view of information ethics practice research. The aim is to identify what is the dimension used in PAPA components. An analysis of literature has been performed to capture the dimension and a brief description is presented. The analysis found unique dimensions used, and finally, a Hybrid PAPA framework is illustrated to provide a framework guide for further information ethics research. Keywords: Inf
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Lim, Eric T. K., and Ian Weber. "In Search of the Total Learning Experience (TLE): A Case Study of Singapore's e-Inclusive Society." Journal of Information & Knowledge Management 03, no. 03 (2004): 233–43. http://dx.doi.org/10.1142/s0219649204000857.

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This paper re-visits the ongoing e-learning phenomenon from a holistic perspective through the study of the world's first nationwide, e-inclusive society in Singapore. It draws upon the current literature for learning models, knowledge management and utilization of technology for electronic education to examine the contribution Singapore's National IT Literacy Program (NITLP) has made to drive the diffusion of Internet, broadband and e-transaction adoption in this island nation. In doing so, the case study tracks NITLP's development of continuous and progressive phases of infrastructure, infos
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Arabi, Abul Al, Xue Wang, Yang Zhang, and Jeeeun Kim. "E3D." Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies 7, no. 3 (2023): 1–31. http://dx.doi.org/10.1145/3610897.

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The increase of distributed embedded systems has enabled pervasive sensing, actuation, and information displays across buildings and surrounding environments, yet also entreats huge cost expenditure for energy and human labor for maintenance. Our daily interactions, from opening a window to closing a drawer to twisting a doorknob, are great potential sources of energy but are often neglected. Existing commercial devices to harvest energy from these ambient sources are unaffordable, and DIY solutions are left with inaccessibility for non-experts preventing fully imbuing daily innovations in end
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Ribeiro, Juliane Portella, Giovana Calcagno Gomes, and Maira Buss Thofehrn. "Health facility environment as humanization strategy care in the pediatric unit: systematic review." Revista da Escola de Enfermagem da USP 48, no. 3 (2014): 530–39. http://dx.doi.org/10.1590/s0080-623420140000300020.

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Objective: To identify and analyze the production of knowledge about the strategies that health care institutions have implemented to humanize care of hospitalized children. Method: This is a systematic review conducted in the Virtual Health Library - Nursing and SciELO, using the seven steps proposed by the Cochrane Handbook. Results: 15 studies were selected, and strategies that involved relationship exchanges were used between the health professional, the hospitalized child and their families, which may be mediated by leisure activities, music and by reading fairy tales. We also include the
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Tronchin, Lamberto, Francesca Merli, and Marco Dolci. "Acoustic Reconstruction of Eszterháza Opera House Following New Archival Research." Applied Sciences 10, no. 24 (2020): 8817. http://dx.doi.org/10.3390/app10248817.

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The Eszterháza Opera House was a theatre built by the will of the Hungarian Prince Nikolaus Esterházy in the second half of the 18th century that had to compete in greatness and grandeur against Austrian Empire. The composer that inextricably linked his name to this theatre was Haydn that served the prince and composed pieces for him for many years. The Opera House disappeared from the palace complex maps around 1865 and was destroyed permanently during the Second World War. This study aims to reconstruct the original shape and materials of the theatre, thanks to the documents founded by resea
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Beck Edvardsen, Jorunn, and Fredrik Hetmann. "Promoting Sleep in the Intensive Care Unit." SAGE Open Nursing 6 (January 2020): 237796082093020. http://dx.doi.org/10.1177/2377960820930209.

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Introduction Intensive care nurses face several challenges to facilitating sleep in their critically ill patients. With its high noise levels, hectic around-the-clock activity and constant artificial lights, the intensive care environment does not foster sleep. Intensive care unit patients have significant alterations in their sleep architecture with frequent awakenings and lighter sleep; up to 50% of this sleep also occurs during the daytime. Sleep loss increases the risk of developing delirium (especially in elderly patients) and immune system impairment, which prolongs healing. The aim of t
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Asadi, Shaham, and Ali shokoohi. "Acoustic investigation of architectural spaces with an emphasis on traditional architectural decorations (the case study of the sound room of Ali-Qapu Palace)." Journal of Historical Archaeology & Anthropological Sciences 8, no. 2 (2023): 59–67. http://dx.doi.org/10.15406/jhaas.2023.08.00275.

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The architecture of the Safavid period is one of the best architectural styles in Iran, both in terms of construction and decorations and innovations. Safavid kings tried to create lasting art for all generations due to their great interest in architecture and urban planning. Among the lasting works of Safavid art, we can mention the Ali Qapu Palace of Isfahan, which is built on six floors. The biggest rooms of the palace are on the last floor of the mansion and Shah Abbas used to receive his special guests in them. On this floor, we reach one of the masterpieces of Iranian architects; the mus
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Anthony Jnr, Bokolo, Sobah Abbas Petersen, Markus Helfert, Dirk Ahlers, and John Krogstie. "Modeling pervasive platforms and digital services for smart urban transformation using an enterprise architecture framework." Information Technology & People 34, no. 4 (2021): 1285–312. http://dx.doi.org/10.1108/itp-07-2020-0511.

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PurposeIn smart cities pervasive systems are deployed by enterprises and stakeholders in municipalities to provide digital services to citizens. But cities are faced with the challenge of achieving system pluggability, mainly service integration due to numerous actors and systems needed for smart urban transformation. Hence, there is need to employ a comprehensive and holistic approach to help achieve service integration of pervasive platforms. Therefore, this study presents an Enterprise Architecture Framework (EAF) to support smart urban transformation.Design/methodology/approachIn this stud
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Su, Isabelle, Zhao Qin, Tomás Saraceno, et al. "Sonification of a 3-D Spider Web and Reconstitution for Musical Composition Using Granular Synthesis." Computer Music Journal 44, no. 4 (2020): 43–59. http://dx.doi.org/10.1162/comj_a_00580.

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Abstract Three-dimensional spider webs feature highly intricate fiber architectures, which can be represented via 3-D scanning and modeling. To allow novel interpretations of the key features of a 3-D Cyrtophora citricola spider web, we translate complex 3-D data from the original web model into music, using data sonification. We map the spider web data to audio parameters such as pitch, amplitude, and envelope. Paired with a visual representation, the resulting audio allows a unique and holistic immersion into the web that can describe features of the 3-D architecture (fiber distance, lengths
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Bakhmet, Tetiana. "Archive fund of the composer Mark Karminsky." Aspects of Historical Musicology 19, no. 19 (2020): 10–28. http://dx.doi.org/10.34064/khnum2-19.01.

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Mark Veniaminovich Karminskyi (1930–1995) is a composer who, already during his lifetime, was appreciated by his contemporaries as the brightest figure in musical art, in particular, musical theater. Well-known in the country and his native Kharkiv, he was also the constant reader of the Kharkiv ‘K. Stanislavskyi’ Music and Theater Library for many years, taking part in many events that took place within its walls. An excellent lecturer and interlocutor, benevolent and affable person, he found an attentive audience and ardent admirers of his musical talent among the library’s readers and stuff
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Psychogyios, Dimitris, and Nick Poulakis. "Glocal Participatory System for the Recording, Documentation and Promotion of Cultural Heritage: A Greek Case-Study." Heritage 1, no. 1 (2018): 88–99. http://dx.doi.org/10.3390/heritage1010007.

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The recording, documentation and promotion of local cultural heritage has been the subject of significant research from scientists from various fields such as architecture, anthropology, history, folklore, ethnomusicology, and museology. This paper argues that digital technologies could have a catalytic role concerning the operational part of a holistic–interdisciplinary approach to the maintenance of cultural heritage. Simultaneous and bidirectional recording, documentation and promotion of human histories, material elements of space, personal and collective memories, music, dance, singing an
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