Gotowe bibliografie tematyczne / Music Religious aspects Lutheran Church

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Gotowa bibliografia na temat „Music Religious aspects Lutheran Church”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 1 lutego 2022

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Artykuły w czasopismach na temat "Music Religious aspects Lutheran Church"

Marynchak, A. V. "Marian Theme in Music: Aspects of History and Genre Stylistics (a Case Study of the Works byKonstanty Antoni Gorski)." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 213–29. http://dx.doi.org/10.34064/khnum2-18.12.

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The objectives of the research. The article is devoted to the study of the main parameters of the Marian theme embodiment in the art of music, with highlighting the aspects of history and genre stylistics. It is noted that the choice of the topic is related to the study of the works by the Kharkiv composer of Polish origin Konstanty Antoni Gorski, who worked in Kharkiv for many years (1880–1910) and belongs to the founders of his academic musical culture. The article lays the methodological basis for studying interpretation of the Marian theme in the works by this author, for that the analysis

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Robin, A. Leaver. "Motive and Motif in the Church Music of Johann Sebastian Bach." Theology Today 63, no. 1 (April 2006): 38–47. http://dx.doi.org/10.1177/004057360606300105.

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Johann Sebastian Bach stands in a long line of Lutheran composers who used musical forms to convey theological concepts that reaches back to Luther himself. Lutheran theologians and musicians used the Latin formula viva vox evangelii to define their understanding of music as the living voice of the gospel. Here is presented first an overview of this Lutheran tradition, and then an examination of specific examples from Bach's musical works that expound specific theological concepts such as the doctrine of the Trinity, the distinction between law and gospel, the nature of discipleship, and chris

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Nikolajsen, Jeppe Bach. "Christian Ethics, Public Debate, and Pluralistic Society." International Journal of Public Theology 14, no. 1 (May 8, 2020): 5–23. http://dx.doi.org/10.1163/15697320-12341598.

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Abstract In all its diversity, Lutheran ethics places a pronounced emphasis on the universal aspects of theological ethics. This article argues that due to the increasing pluralization of many societies in recent decades, however, it is becoming more and more relevant to develop the particular aspects of theological ethics in the Lutheran tradition. Holding together both the universal and particular aspects of theological ethics constitutes a position of relevance for a pluralistic societal situation. Such a position enables the Christian church to maintain its distinctiveness and, at the same

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Hatzis, Nicholas. "The Church–Clergy Relationship and Anti-discrimination Law." Ecclesiastical Law Journal 15, no. 2 (April 10, 2013): 144–57. http://dx.doi.org/10.1017/s0956618x13000252.

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In its recent judgment in Hosanna-Tabor Evangelical Lutheran Church and School v EEOC, the United States Supreme Court held that the First Amendment precludes the application of anti-discrimination law to the employment relationship between a church and its clergy. In 2005 the House of Lords had reached the opposite conclusion, ruling, in Percy v Board of National Mission of the Church of Scotland, that the decision to dismiss an ordained minister was not a spiritual matter falling outside the scope of anti-discrimination legislation. This article argues that Percy largely neglected important

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BORCHARDT, PIETRA, and MÔNICA DE FATIMA BIANCO. "MEANINGS OF VOLUNTEER WORK: A STUDY WITH MEMBERS OF A LUTHERAN INSTITUTION." RAM. Revista de Administração Mackenzie 17, no. 5 (October 2016): 61–84. http://dx.doi.org/10.1590/1678-69712016/administracao.v17n5p61-84.

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ABSTRACT Purpose: To understand the meanings of volunteer work among members of a lutheran protestant church. Originality/gap/relevance/implications: This research adds to the field of knowledge of the meanings of work, especially because of the specific context studied. In addition, it extends the discussion on volunteering, by entering the management of religious institutions that are supported by the help of volunteers. Key methodological aspects: A qualitative approach to research was adopted and data were gathered in documents, interviews, and non-participant observation of the board meet

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Saurama, Anna, and Titus Hjelm. "Jesus and Metal Music Don’t Mix? The Controversy over the ‘Metal Mass’ in Finland." Journal of Religion in Europe 12, no. 1 (November 18, 2019): 27–48. http://dx.doi.org/10.1163/18748929-01201002.

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In 2006, a Metal Mass—a regular Lutheran mass with accompanying metal music—was celebrated in Helsinki and created a controversy on several online forums. On the one hand, the focus was the appropriateness of metal music in the context of a Christian mass. On the other hand, the issue at stake was the appropriateness of Christianity in the context of metal music and culture. In this article, we concentrate on how the controversy over the boundaries of ‘good’ religion is constructed in discourse about the appropriateness of metal music in the context of a national church and its services. We ar

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Hulmi, Sini. "Liturgy: Local and Contextual or Controlled from Above? A Nordic Perspective: Liturgical Renewal and Development in the Evangelical Lutheran Church of Finland in the Past Three Decades." Studia Liturgica 49, no. 1 (March 2019): 111–21. http://dx.doi.org/10.1177/0039320718808942.

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Is the liturgy local and contextual and growing from below, or is it controlled from above? Does the liturgy belong to the people and to the congregation, and are they allowed to use it in their own way? Or is the liturgy the property of the Church, which gives strict orders for its use? Is it powerful men and women, meaning those people with authority, and the institutions (for example, the Church Synod and the Bishops’ Conference) who define the methods and ways in which liturgy is enculturated? Or do the ways of inculturation involve development from below, from the common people, even the

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Dierken, Jörg. "Konfessionsbündische Unübersichtlichkeit oder unevangelische Zentralisierung?" Zeitschrift für Evangelische Ethik 47, no. 1 (February 1, 2003): 136–52. http://dx.doi.org/10.14315/zee-2003-0117.

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AbstractIn the current debate of possible ways to reform the structure and organisation of the protestant church in Germany (Landeskirchen, Konfessionsbünde, EDK) the general question has come up, whether concepts of the Lutheran church, which are founded on ecclesiology or protestant ecclesiastical law, in principle prohibit institutional changes or not. Regarding this problem, the essay discusses the institution of the Protestant church in aspects of theology and ecclesiasticallaw. The CA assumes that religious belief constitutes the church and gives structure to it as a means for spiritual

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Gregersen, Niels Henrik. "Protestantisme med kød og blod." Dansk Teologisk Tidsskrift 73, no. 4 (December 31, 2010): 253–70. http://dx.doi.org/10.7146/dtt.v73i4.106440.

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In this article, “Protestantism with blood and flesh”, it is argued that a Lutheran theology cannot and should not be reduced to general Protestant principles. Luther’s theology emerged as a result of renewed attentiveness to the basic expressions of the gospel: the audible word of God, the visible sacraments, the bodily aspects of communal life, and the evangelical signs of creation. The so-called Protestant Principles, at their best, are to be regarded as second-order and summarizing expressions of the primary life-utterances of the church, and of the corresponding experiences in ordinary li

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Tervo-Niemelä, Kati. "The Clergy Work Orientation in Transition: An Analysis of the Structure and Change in Work Orientation Among the Finnish Lutheran Clergy." International Journal of Practical Theology 20, no. 2 (November 1, 2016): 222–41. http://dx.doi.org/10.1515/ijpt-2015-0025.

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Abstract The article focuses on the work orientation and changes therein among the clergy in Finland, and on its implications for practical church work. The article is based on a survey conducted among the clergy in Finland (N=878). The research shows that clergy make distinctions between various work tasks that are in line with the traditional distinction between “function” and “performance”. The results show that liberal theological orientation, which is linked to performance-orientation, is increasing. The aspects of work which seem to be most threatened are evangelization, missionary work,

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Rozprawy doktorskie na temat "Music Religious aspects Lutheran Church"

Böttcher, Judith Lena. "Vowed to community or ordained to mission? : aspects of separation and integration in the Lutheran Deaconess Institute, Neuendettelsau, Bavaria." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:75ce64eb-5a38-4d36-84d7-c48071df089c.

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This study offers an overdue exploration of the early years of the deaconess community in Neuendettelsau from a gender perspective. Drawing on rich archival material, it focuses on the process of the formation of a distinctive collective identity. Central to this study is the assumption, drawn from the social sciences, that collective identity is a social construction which requires the participation of the whole group through identification and which is consolidated by developing specific rituals, symbols, codes and normative texts, which facilitate integration, and by constructing external b

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Marsh, Dana Trombley. "Music, church, and Henry VIII's Reformation." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670102.

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Purba, Mauly 1961. "Musical and functional change in the gondang sabangunan tradition of the Protestant Toba Batak 1860s-1990s, with particular reference to the 1980s-1990s." Monash University, Dept. of Music, 1998. http://arrow.monash.edu.au/hdl/1959.1/8596.

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Katani, Archwells Moffat. "Traditional Malawian choral music : a liturgical-critical study within the Church of Central Africa Presbyterian (CCAP)-Nkhoma Synod." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019.1/1268.

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Epstein, Heidi. "The nature of the relationship between music and theology according to Oskar Söhngen and Oliver Messiaen /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59296.

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This dissertation investigates a "universal" question--what the exact nature of the relationship between music and theology is--by examining two particulars: (1) the music and thought of the French Roman Catholic composer Olivier Messiaen, and (2) the theology of music of Protestant theologian/musicologist Oskar Sohngen.<br>It should be emphasized, however, that the main focus of the paper is upon the "particulars," since the primary objective of this study is to demonstrate the remarkable similarity of thought which exists between the theory of Sohngen and the musical practice of Messiaen. Af

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Waters, Melville. "The Lutheran orthodoxy of J.S. Bach's Clavierübung III." 1988. http://web4.library.adelaide.edu.au/theses/09MUM/09mumw331.pdf.

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Lwilla, Saul Nehemia. "The challenge of economic development to the Evangelical Lutheran Church in Makete, Tanzania." Thesis, 1999. http://hdl.handle.net/10413/6088.

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This dissertation focuses on the involvement ofthe Lutheran Church in poverty alleviation in Makete, Tanzania. My view is that the level of poverty is escalating at an alarming rate contrary to many people's expectation that it would decrease. The causes for this poverty increase are many but the obvious ones are the imbalance between population growth and production, mismanagement of land, illiteracy, misappropriation of funds and ecological deterioration. The study looks at what the church there ought to do as an agent for development. I believe that its mandate comes from God. It was demons

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Msuku, Alick Stephen. "The church and environmental education : a model for the Evangelical Lutheran church in Malawi." Thesis, 2003. http://hdl.handle.net/10413/4442.

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Shemsanga, Eberhard Ngugi. "Divorce and remarriage among the Shambala Christians : the pastoral response of the church; Evangelical Lutheran Church in Tanzania, north eastern Diocese, southern district." Thesis, 2004. http://hdl.handle.net/10413/2097.

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This dissertation critically reflects the problem of divorce and remarriage within the North Eastern diocese of the Lutheran Church in Tanzania. A problem which has become rampant in the whole church. The situation became apparent to me as I was ministering in different parishes in the area of the research for five years. Divorcees are not accorded the full membership in the church because of their divorce status.Their failed marriages and criticism from church members makes them feel out of place in their own churches. They feel desperate, tending towards a sense of personal failure. The Sham

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Chiloane, Caroline Fikile. "Healing in selected New Testament writings and the implications for the Evangelical Lutheran Church in Southern Africa." Thesis, 2001. http://hdl.handle.net/10413/2877.

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The title of this research is 'Healing in Selected New Testament Texts and the Implications for the Evangelical Lutheran Church in Southern Africa'. The texts that are looked at in this research are Mark 6:12-13, Luke 10:8-9 and James 5:13-16. The texts are exegeted and appropriated to Bohlabela Circuit of the Evangelical Lutheran Church in Southern Africa (B.C. ELCSA). On the basis of these texts, the historical background to healing and my research in some of the parishes of Bohlabela circuit, the researcher states some implications for B.C. ELCSA and makes some suggestions which serve as a

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Książki na temat "Music Religious aspects Lutheran Church"

1940-, Westermeyer Paul, and Cherwien Susan Palo, eds. Rise, O Church: Reflections on the church, its music, and empire. Fenton, MO: MorningStar Music Publishers, Inc., 2008.

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Gnadengegenwart: Johann Sebastian Bach im Kontext lutherischer Orthodoxie und Frömmigkeit. Stuttgart-Bad Cannstatt: Frommann-Holzboog, 2002.

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St. Olav Conference on Theology and Music (1997 Trondheim, Norway). Incarnation and creativity: St. Olav Conference on Theology and Music. Trondheim: Tapir, 1997.

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The school of the Church: Worship and Christian formation. Valley Forge, Pa: Trinity Press International, 1995.

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1634-1716, South Robert, ed. Evangelische Singe-Schule. Hildesheim: Georg Olms, 1991.

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The sound of worship: Liturgical performance by Surinamese Lutherans and Ghanaian Methodists in Amsterdam. Leuven: Peeters, 2011.

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Anselm, Steiger Johann, and Grossmann Burckhard 1575-1637, eds. Ein und fünfftzig [sic] gottselige christliche evangelische Andachten oder geistreiche Betrachtungen. Stuttgart-Bad Cannstatt: Frommann-Holzboog, 2001.

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Roger, Thomas. Religious music. Des Plaines, Ill: Heinemann Library, 1998.

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Evangelical Lutheran Church in America. Division for Church in Society. The church and human sexuality: A Lutheran perspective : first draft of a social statement. Chicago, Illinois: Department for Studies, Division for Church in Society of the Evangelical Lutheran Church in America, 1993.

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Church fellowship: Working together for the truth. Milwaukee, Wis: Northwestern Pub. House, 1996.

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Części książek na temat "Music Religious aspects Lutheran Church"

Varwig, Bettina. "Music in the Margin of Indifference." In Theology, Music, and Modernity, 129–46. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198846550.003.0007.

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This chapter considers the role of a specific Lutheran idea of freedom in the emancipation of sacred music from liturgy during the early modern period. It proposes that the Lutheran appropriation of the classical notion of ‘adiaphora’, as a stance of indifference towards practices and objects not essential for salvation, opened up a quasi-autonomous space for musical elaboration, within which music could gradually acquire its modern status as a self-sufficient artistic practice. The eighteenth-century tradition of Passion performances in Protestant Germany offers a rich test case for this process of ecclesiastical divestment, in particular J.S. Bach’s St. Matthew Passion of 1727, which made claims for music that clearly outstripped its functional remit, and Carl Heinrich Graun’s immensely popular setting of Karl Wilhelm Ramler’s Der Tod Jesu of 1755, which consolidated the genre’s move from the liturgy to the concert hall. Yet this migration outside the church walls by no means provides straightforward confirmation of a standard secularization narrative of Western modernity. Rather, in absorbing and retaining crucial aspects of sacrality, these musical repertories and practices reveal the rootedness of the modern aesthetic sphere in that Lutheran margin of indifference.

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Grimstad, Frank. "Institusjonelle rammer for kirkelig ledelse." In Kirkelig organisering og ledelse, 135–53. Cappelen Damm Akademisk/NOASP, 2021. http://dx.doi.org/10.23865/noasp.129.ch6.

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Management can hardly be understood irrespective of the context in which it unfolds. This is also the case with ecclesiastical leadership. Nevertheless, the management literature has rarely incorporated how different aspects of context affect management. This chapter thematizes the public frames and regulations civil society and church/religious organizations operate within and discusses how this affects leaders’ maneuvering space. An underlying premise of the chapter is that churches and religious organizations are institutions and that society as context is characterized by institutionalized frameworks framing religious organizations. Examples of this in a Norwegian context are the Working Environment Act and other laws governing working life, agreements negotiated between the parties in the labor market, and more specifically the Lutheran folk church tradition. Based on Scott’s (2008) analytical approach to analyzing institutionalization, regulatory, normative and cognitive/cultural norms, the chapter discusses how leaders’ maneuvering space is shaped by these mechanisms yet also has the ability to influence existing frameworks.

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Sprigge, Martha. "The Socialist Cemetery." In Socialist Laments, 75–131. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197546321.003.0003.

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Chapter 2 charts the development of new mourning rites in East Germany, focusing on the role that music played in these ceremonies. Death rituals articulated a new death culture for the socialist state. This chapter examines three aspects of East German death culture: the reestablishment of ceremonies to honor communist heroes from the Weimar Republic, state burials for East German politicians, and manuals published for funeral planning intended for the general public. Visually and rhetorically, state ceremonies were political displays that marginalized the emotional needs of the mourning community. But the music in these services intoned the new country’s connections to customs that the ruling party were explicitly attempting to displace: the Nazis’ heroic burial customs and the mourning rituals of the Lutheran church. In early efforts to fashion a socialist sepulchral culture across multiple artforms, a gap emerged between political ideology and musical reality that allowed composers, performers, and audiences to enact the work of mourning through music.

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Manning, Jane. "JAMES PRIMOSCH (b. 1956)Three Sacred Songs (1989)." In Vocal Repertoire for the Twenty-First Century, Volume 1, 248–52. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199391028.003.0069.

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This chapter takes a look at some examples of James Primosch’s sacred music. It shows how the solo song cycle Three Sacred Songs exemplifies his consistency, integrity, and technical skill. Here, assured craftsmanship is welded to sincere spiritual conviction—a winning combination, which communicates strongly and directly. Three widely contrasting movements form a satisfyingly balanced whole. The vocal writing is modal and mellifluous, and eminently practical, avoiding extreme demands of range or technical virtuosity. Sopranos, tenors, light mezzos, and even high baritones can take it on board. The piano parts supply a wealth of translucent, well-balanced textures, which are entirely idiomatic and lie comfortably under the hands. The general tone is radiant and joyful—a welcome antidote to the more melancholy aspects of religious music. The piece is ideal for a church recital, and a resonant acoustic will add bloom to its sonic beauty.

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