Gotowe bibliografie tematyczne / Musical bands

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Gotowa bibliografia na temat „Musical bands”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Musical bands"

González Sánchez, Igael. "La tuba sinaloense en la renovación de la música regional mexicana del siglo XXI." Frontera norte 36 (January 1, 2024): 1–20. http://dx.doi.org/10.33679/rfn.v1i1.2371.

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This article reflects on the importance of tuba on banda and Mexican regional music, under the actual expansion of tuba and accordion bands. This approach retrieves documental sources and notes of participant observation about musicians of bands and conjuntos in Tijuana. In contrast to other studies concerning banda music groups in Mexico, the present work highlights the musical exchanges to and from the United States as catalysts for the technical development of the instrument and its adoption in popular bands. This vision brings a cross-border approach to the studies on the development of ba

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Gaggioli, Andrea, Alice Chirico, Elvis Mazzoni, Luca Milani, and Giuseppe Riva. "Networked Flow in musical bands." Psychology of Music 45, no. 2 (2016): 283–97. http://dx.doi.org/10.1177/0305735616665003.

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This study aimed at using the Networked Flow (NF) model to investigate group collaboration in the context of musical bands. We analyzed the relationship between flow, social presence, structural dynamics and performance as they related to 15 bands in a rehearsal room. Flow was measured using the Flow State Scale; social presence was assessed with the Networked Minds Social Presence scale; and interpersonal communication structure (exchange of gazes and verbal orders) was assessed by means of Social Network Analysis (SNA). In addition, we considered: (a) a subjective measure of performance, rat

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Snyder, Andrew. "Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism." Ethnomusicology 65, no. 3 (2021): 519–48. http://dx.doi.org/10.5406/ethnomusicology.65.3.0519.

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Abstract This article explores the predominantly White brass band scenes of the carnivals of New Orleans and Rio de Janeiro as producing rituals of intensified social distinction. The bands’ musical practices realize aesthetic preferences of distinct racialized communities forged through relational positioning. Offering alternatives to the “heritage repertoires” of these carnivals based in musical Blackness, these bands’ musical eclecticism forms an aesthetic articulation of “alternative Whiteness,” which seeks to “disinherit” both hegemonic Whiteness of conservative cultural politics and comm

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Pacheco, Mike, Heather Glynn Crawford-Ferre, and Henry King. "Musical notes." Teaching Children Mathematics 24, no. 6 (2018): 358–59. http://dx.doi.org/10.5951/teacchilmath.24.6.0358.

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Mathematics provides an important way to inform and interpret music. For example, because of a mathematical breakthrough (better ways to calculate the twelfth root of 2), Johann Sebastian Bach was able to write in every key. This set of problems is intended to facilitate interdisciplinary connections and reasoning with music. Math by the Month features collections of short activities focused on a monthly theme. These articles aim for an inquiry or problem-solving orientation that includes four activities each for grade bands K–2, 3–4, and 5–6.

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Dordzro, John-Doe. "BRASS BAND MUSIC IN GHANA: THE INDIGENISATION OF EUROPEAN MILITARY MUSIC." African Music: Journal of the International Library of African Music 11, no. 2 (2020): 141–63. http://dx.doi.org/10.21504/amj.v11i2.2318.

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Local brass bands have become an indispensable factor in weddings, processions, rituals of birth or death, at Christmas and New Year festivities in many parts of the globe. Remains of European brass bands are widely distributed throughout Africa, India, Indonesia, Latin America, and the Caribbean. )ese bands are of both military and missionary origin. They are an important component of the nineteenth and early twentieth-century colonial expressive culture. Despite their uniqueness and widespread presence across the world, brass bands have received limited attention in Ghana. )is paper aims to

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Park, Sohyun. "Court Musical Bands of having been recorded in 『Yuan-shi』." Korean Association for Mongolian Studies 75 (November 30, 2023): 63–90. http://dx.doi.org/10.17292/kams.2023.75.63.

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The purpose of this study was to consider court musical bands (宫廷樂隊) in the Mongol(Yuan)empire. It is what interpreted a piece of music that is accompanied with Muscal performance procedures in Akeumwangdae (樂音王隊), Suseongdae (壽星隊), Yeakdae (禮樂隊), Seolbeopdae (說法隊), which are four court ‘musical bands’ (宮廷樂隊) of having been recorded in 『Yuan-shi(元史)』｢Liyuezhi(禮樂志)｣. In terms of 4 musical bands in the Mongol (Yuan) empire, first, Muscal performance procedures seems to having succeeded in the archetype of the previous generation, but has a difference in which a variety of mask dances appe

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Fei, Fei Zhang Yimiao Su. "The Development and Change of Three Local Yunnan Bands from the Perspective of Urban Music Anthropology." Multicultural Education 9, no. 5 (2023): 48. https://doi.org/10.5281/zenodo.7950574.

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This paper selects three local bands from Yunnan Province whose music integrates innovation and heritage, focusing on the diversity of performance and music. The fusion of multi-ethnic folk tunes, songs and dances, and instrumental music frames the collision and fusion of tradition and modernity. With folk music as their foundation, the three bands have rich experience in arranging ethnic music during the transformation and change of the band's musical style, and have come out with a characteristic musical path, which has certain significance for the development of bands in Yunnan and

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O'Connor, Brian P., and Jamie Dyce. "Interpersonal rigidity, hostility, and complementarity in musical bands." Journal of Personality and Social Psychology 72, no. 2 (1997): 362–72. http://dx.doi.org/10.1037/0022-3514.72.2.362.

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Chapuis, Yves, Ondřej Daniel, Jakub Machek, and Phineas Magwati. "The (Un)popular Brass." Journal of World Popular Music 12, no. 1 (2025): 91–119. https://doi.org/10.1558/jwpm.33424.

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This article examines the (un)popularity of brass bands in Zimbabwe, Switzerland, and Czechia from a comparative transnational perspective. Although shaped by distinct histories and cultural frameworks, brass bands in each country face declining participation and limited appeal among younger generations. In Zimbabwe, brass music is largely confined to military and church institutions and has failed to permeate the broader popular music scene. In Switzerland and Czechia, brass bands have shifted from once central cultural practices to niche roles, despite various modernization efforts. Drawing

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Álvarez, Ricardo. "From the Streets to the Stage." Journal of World Popular Music 12, no. 1 (2025): 67–90. https://doi.org/10.1558/jwpm.33139.

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This article examines two professional brass bands from Central Chile, La Bandalismo from Valparaíso and Banda Conmoción from Santiago, which have built successful careers in the contemporary music scene by merging infectious dance rhythms and diverse musical styles with a strong commitment to activism. The study investigates how these bands’ artistic paths and public roles demonstrate a balance between entertaining audiences and engaging with social causes, positioning activism as a key, yet not exclusive, aspect of their identity within Chilean popular music. Drawing on fieldwork and semi-

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Rozprawy doktorskie na temat "Musical bands"

Cislaghi, Mauro César. "Concepções e ações de educação musical no projeto de bandar e fanfarras de São José-SC: três estudos de caso." Universidade do Estado de Santa Catarina, 2009. http://tede.udesc.br/handle/handle/1567.

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Made available in DSpace on 2016-12-08T17:06:49Z (GMT). No. of bitstreams: 1 CISLAGHIMauro Cesar.pdf: 548990 bytes, checksum: c6d1fcccecc309d53a001acceec35cee (MD5) Previous issue date: 2009-03-14 Coordenação de Aperfeiçoamento de Pessoal de Nível Superior The purpose of this paper is to report and analyze the concepts of the teachers about musical education and the teaching and learning processes applied at the Projeto de Bandas e Fanfarras de São José SC. A bibliography about musical education in musical bands was used and the theoretical reference adopted can be found in the pedag

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Sartori, Vilmar 1963. "Banda Ítalo-Brasileira/Carlos Gomes : história e memória de uma corporação musical centenária na cidade de Campinas." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284500.

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Orientador: Lenita Waldige Mendes Nogueira Acompanha 01 CD-ROM Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes Made available in DSpace on 2018-08-23T08:46:32Z (GMT). No. of bitstreams: 1 Sartori_Vilmar_M.pdf: 8053058 bytes, checksum: 82b94ddb3b284aed3d88abb22f7aa0d8 (MD5) Previous issue date: 2013 Resumo: Este trabalho busca recriar a história da Banda Ítalo-Brasileira (atual Carlos Gomes), fundada no final do século XIX por imigrantes italianos na cidade de Campinas, SP, e ainda em atividade. A pesquisa foi baseada em documentação preservada em vá

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Cohen, Richard Scott. "The musical society community bands of Valencia, Spain a global study of their administration, instrumentation, repertoire, and performance activities /." Tutzing : Schneider, 2002. http://catalog.hathitrust.org/api/volumes/oclc/49229037.html.

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McMullen, Tracy. "Bands, orchestras, and the ideal I the musical stage as constitutive of the I function / by Tracy Marie McMullen." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3283992.

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Thesis (Ph. D.)--University of California, San Diego, 2007. Title from 1st page of PDF file (viewed Mar. 5, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references: P. 164-176.

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Ferguson, Benny Pryor. "The Bands of the Confederacy: An Examination of the Musical and Military Contributions of the Bands and Musicians of the Confederate States of America." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc798486/.

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The purpose of this study was to investigate the bands of the armies of the Confederate States of America. This study features appendices of libraries and archives collections visited in ten states and Washington D.C., and covers all known Confederate bands. Some scholars have erroneously concluded that this indicated a lack of available primary source materials that few Confederate bands served the duration of the war. The study features appendices of libraries and archives collections visited in ten states and Washington, D.C., and covers all known Confederate bands. There were approximately

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Helmlinger, Aurélie. "Mémoire et jeu d'ensemble : la mémorisation du répertoire musical dans les steelbands de Trinidad et Tobago." Paris 10, 2005. http://www.theses.fr/2005PA100135.

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Cette recherche traite de la mémoire musicale dans la compétition de steelbands du Panorama, qui rassemble des orchestres d'une centaine de personnes à la saison du carnaval. Elle cherche à expliquer comment des musiciens saisonniers, qui -jouent environ un mois par an, et parfois des débutants, sont capables de mémoriser et d'exécuter par coeur une pièce de type symphonique, avec de nombreuses contraintes techniques et à un tempo extrêmement rapide. La première partie expose le contexte ethnographique des steelbands, en analysant leur musique en relation avec le système social bipolaire carac

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King, Tyler C. "Factors influencing adults' participation in community bands of Central Ohio." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1243881978.

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Rezende, Murilo Silva. "A Banda Corporação Musical Nossa Senhora do Carmo: um espaço de relações e de ensino/aprendizagem musical (1985-2014)." Universidade Federal de Uberlândia, 2016. https://repositorio.ufu.br/handle/123456789/18111.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior Esta pesquisa tem como objetivo geral compreender a constituição - o como se dá ou se organiza - do ensino/aprendizagem musical a partir das relações sociais que ocorrem no espaço da banda Corporação Musical Nossa Senhora do Carmo, da cidade de Arcos-MG. Para isso foi usado o recorte temporal de 1985 até 2014. Como objetivos específicos, tem-se: entender as relações sociais e de que forma elas subsidiam o processo de ensino/aprendizagem de música; discutir as relações de ensino/aprendizagem musical, que são constituídas na Banda a

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Kandler, Maira Ana. "Bandas musicais do meio oeste catarinense: características e processos de musicalização." Universidade do Estado de Santa Catarina, 2011. http://tede.udesc.br/handle/handle/1593.

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Made available in DSpace on 2016-12-08T17:06:53Z (GMT). No. of bitstreams: 1 maira.pdf: 1402315 bytes, checksum: eb2f3c1265322b4f23da3bb5929c9bd4 (MD5) Previous issue date: 2011-05-24 Coordenação de Aperfeiçoamento de Pessoal de Nível Superior This research focuses on the musicalization processes performed at the wind bands of mid-west Santa Catarina. In order to help elucidating such processes, it was necessary to set a context for the object of study, bringing data referring to the history of these groups, repertoire, performances, new members admission criteria and institutional bon

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Da, Veiga Jardim Neto Oswaldo. "The role of the military and municipal bands in shaping the musical life of Macau, ca.1820 to 1935." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B2994739X.

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Książki na temat "Musical bands"

Durman, Laura. Pop bands. Franklin Watts, 2011.

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Claghorn, Charles Eugene. Popular bands and performers. Scarecrow Press, 1995.

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Rachau, Sebastian. Im Feld des Heavy Metal: Vier deutsche Bands. Verlag Dr. Kovač, 2014.

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Pizer, Russell A. Evaluation programs for school bands and orchestras. Parker Pub. Co., 1990.

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Grieve, Alan B. Berkshire bands: A pictorial review from 1884 to 1984. P. Drozd Graphic Arts, 1992.

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Mark, Elrod, ed. A pictorial history of Civil War era musical instruments & military bands. Pictorial Histories Pub. Co., 1985.

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Cooke, Richard T. Cork's Barrack Street Silver and Reed Band: Ireland's oldest musical institution. Quality Books, 1992.

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Adolpho, Queiroz, and Quirino César 1967-, eds. 100 anos da Corporação Musical União Barbarense. Editora Socep, 1998.

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Gordon, Turner. The history of British military bands. Spellmount, 1994.

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Coraúcci, Carlos. Orquestra Tabajara de Severino Araújo: A vida musical da eterna big band brasileira. Companhia Editora Nacional, 2009.

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Części książek na temat "Musical bands"

Kursa, Miron B., Elżbieta Kubera, Witold R. Rudnicki, and Alicja A. Wieczorkowska. "Random Musical Bands Playing in Random Forests." In Rough Sets and Current Trends in Computing. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-13529-3_62.

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Baker, Jane. "Musical Engagement and Wellbeing in Young Garage Bands." In The Future of Educational Research. SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-512-0_6.

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Carabal-Montagud, María Ángeles, Guillem Escorihuela-Carbonell, Virginia Santamarina-Campos, and Javier Pérez-Catalá. "The Impact of the COVID-19 Pandemic on Musical Societies in the Valencian Region, Spain." In Music as Intangible Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_8.

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AbstractThe aim of this study is to analyse the impact of the COVID-19 pandemic on musical societies in the Valencian Region, which were declared as an Asset of Intangible Cultural Interest in 2018. These cultural societies, which include over 1,100 bands, have had to make changes to adapt to the global pandemic. They are made up of symphonic bands, music schools, choirs, orchestras and other musical groups. Their social structure involves a large part of the Valencian Region’s population which, to some extent, becomes part of the creative process and transfer of musical languages, such as cul

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Catalá-Pérez, Daniel, and Gabino Ponce-Herrero. "Music for the Moors and Christians Festivities as Intangible Cultural Heritage: A Specific Genre for Wind Bands in Certain Spanish Regions." In Music as Intangible Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_7.

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AbstractThis chapter makes a brief approach to the origins and evolution of both wind bands and the Moors and Christians festivals, especially in the Valencian Region, tracing the lines that connected both phenomena at a specific moment in history. The indissoluble relationship that has united them since then has created a musical genre that has not only become one of the most recognisable signs of Valencian society’s identity, but also a treasure of its intangible cultural heritage, and a fundamental part of the economic activity of musical societies in the context of what certain authors cal

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Santamarina-Campos, Virginia, José Luis Gasent-Blesa, Pau Alcocer-Torres, and Mª Ángeles Carabal-Montagud. "The Intangible Cultural Landscape of the Banda Primitiva de Llíria." In Music as Intangible Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_6.

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AbstractThe Banda Primitiva de Llíria is presented as an open heritage resource, which has been built on the uses, values and symbols assigned to it by the local town of Llíria and its inhabitants over the musical society’s two centuries of history. This work focuses on analysing how this musical phenomenon contributes to positioning creativity and cultural industries at the centre of local development, reinforcing the identity elements of Llíria and the Valencian Region. It intends to support the safeguarding, respect and awareness of one of the oldest civic bands in Spain, providing greater

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Clément, Guillaume. "Working Class and Middle Class in the Age of Brexit: Social Commentary by Contemporary Post-punk Bands." In Musical Scenes and Social Class. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-56506-9_6.

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Burnard, Pamela. "Originals bands." In Musical Creativities in Practice. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:oso/9780199583942.003.0004.

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Byrd, Samuel K. "Bands Making Musical Communities." In The Sounds of Latinidad. NYU Press, 2015. http://dx.doi.org/10.18574/nyu/9781479859405.003.0004.

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Pearson, David. "Crust-Punk/Dis-Core and the Codification of Propaganda Music." In Rebel Music in the Triumphant Empire. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197534885.003.0003.

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Crust-punk/dis-core was the punk musical style most associated with radical leftist and anarchist politics in the 1990s. It drew on the aesthetics, politics, and/or musical styles of 1980s British anarcho-punk bands such as Discharge and Crass. Crust-punk/dis-core exemplifies the attributes of successful propaganda music, as is shown by analysis of the music of the band Aus-Rotten. As the number of bands in crust-punk/dis-core style exponentially increased, crust-punk/dis-core was increasingly criticized for being unoriginal and imitative, and bands with similar politics but different musical

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Royal Stokes, W. "The Big Bands." In The Jazz Scene. Oxford University PressNew York, NY, 1991. http://dx.doi.org/10.1093/oso/9780195054095.003.0005.

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Abstract The Big Band Era has traditionally been assigned to the years 1935 to 1945, although some jazz historians prefer a less precise bracketing and refer to the period as running from the midl 930s to the midl 940s. We do not quarrel with the dates as representing the decade or so during which the big bands, the music they produced, and the vocalists and instrumentalists they featured constituted the popular musical form of the time. But we hasten to point out that large musical units employing jazz expression had been around for some years. The genesis of such units can be dated to the ea

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Streszczenia konferencji na temat "Musical bands"

Yin, Han, Mou Wang, Jisheng Bai, Dongyuan Shi, Woon-Seng Gan, and Jianfeng Chen. "Sub-Band and Full-Band Interactive U-Net with Dprnn for Demixing Cross-Talk Stereo Music." In 2024 IEEE International Conference on Acoustics, Speech, and Signal Processing Workshops (ICASSPW). IEEE, 2024. http://dx.doi.org/10.1109/icasspw62465.2024.10627597.

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Lin, Yuheng. "Comparison of Music Composing Software: Nyquist IDE, Audacity, and Garage Band." In International Conference on Data Analysis and Machine Learning. SCITEPRESS - Science and Technology Publications, 2024. https://doi.org/10.5220/0013512700004619.

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Al Qalyubi, Ken Kalang, Nur Ahmadi, and Dessi Puji Lestari. "Comparative Evaluation of Fine-Tuned Hybrid Transformer and Band-Split Recurrent Neural Networks for Music Source Separation." In 2024 Asia Pacific Signal and Information Processing Association Annual Summit and Conference (APSIPA ASC). IEEE, 2024. https://doi.org/10.1109/apsipaasc63619.2025.10849272.

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Tcacenco, Victoria. "The problem of studying the new ontological forms of non-academic musical culture in the Republic of Moldova during the first decades of the 21st century." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.19.

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The article is dedicated to the new ontological forms of popular music in the Republic of Moldova during the first two decades of the 21st century. The author offers the main characteristics of virtual culture, its connections with modern subcultures and modern sub-cultural styles. The basic types of subculture — game, rebel and style — are identified and the virtual phenomena of Moldovan popular music phenomena are exemplified. Among them are: rapper Mani, the Project Carla’s Dreams, the Wax Road and POT rock music bands. As a conclusion the following trends are sketched: there is an increase

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Aicha, Anis Ben, and Sofia Ben Jebara. "Perceptual musical noise reduction using critical bands tonality coefficients and masking thresholds." In Interspeech 2007. ISCA, 2007. http://dx.doi.org/10.21437/interspeech.2007-308.

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Nastas, Natalia, Valeriu Filipov, Igor Arsene, and Ecaterina Lungu. "The methodology efficiency of intensifying the instructional-educational process in the physical education lessons with the help of functional music in doing homework." In The International Scientific Congress "Sports. Olimpysm. Health". SOH 2023. 8th Edition. The State University of Physical Education and Sport, 2025. https://doi.org/10.52449/soh23.38.

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Actuality. The musical support becomes a beneficial and rational factor for carrying out the motor activity. Positive emotions as a result of using music in the activity carried out contribute to a large extent to avoiding the feeling of overfatigue, conditioning the increase in work capacity. The use of functional music as a psycho-pedagogical factor requires students to possess an artistic sense, but also a special training of the physical education teacher. The teacher must be competent in the selection of exercises, music, sports inventory (gymnastics rope, hoop, various weight objects, st

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Moshugi, Kgomotso. "A Musical History Through Vocal Expressions at the Abbey Cindi Cosmology Concert." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35900.

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This paper reports on a research project that culminated in a concert honoring South African musician and activist Bra Abbey Cindi. The project involved reissuing Cindi’s album, forming a band of young musicians to perform his music, and creating a vocal group called No Limits to reinterpret Cindi’s earlier South African choral works. The paper proposes the use of music to explore the past, present, and future, linking generations and addressing social issues. It discusses specific compositions, their lyrical and musical merits, and the process of arranging them for vocal performance. The pape

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Götte, Ulli. "Nik Bärtsch’s Special Fusion Approach to Minimal Music: Analysis of His Works and Aesthetic Evaluation." In Ninth International Conference on Music and Minimalism. Institute of Musicology SASA, 2024. https://doi.org/10.46793/mininters.177g.

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The Swiss musician and composer Nik Bärtsch personifies a current form of musical minimalism similar to that developed by the Swiss saxophonist and composer Don Li in the 1990s. With his formation Ronin, with which he has been giving concerts worldwide since 2001, Bärtsch develops repetitive processes that are unthinkable without the model of minimal music; but he deliberately avoids this term so as not to evoke the continuation of a tradition on which one is resting, as it were. Bärtsch’s music, which he characteristically calls ‘Zen Funk’ or ‘Ritual Groove Music’, avoiding the term ‘minimal

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Amihalachioaie, Mihai. "Ways of arrangement of folkloric instrumental pieces for voice, men’s choir and folk music orchestra." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.07.

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One of the basic ideas in this discourse is experimentation in the arrangement process. The author aims to argue the need of developing the knowledge of some ways of arranging folk music material in a modern version, applied to an orchestral score in the context of the local musical art modernization through the prism of his own experience as a practitioner. Especially in vocal pieces, but also instrumental ones, the author comes up with some newer arrangement features in the process of developing the sound material. One of the essential features of this experiment is the use of the male choir

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Acquavella-Rauch, Stefanie. "Musikalische Schaffensprozesse 2.0 – Inkorporation audiovisueller Medien der populären Musik in Methoden der digitalen Edition." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.101.

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The project “Creational Processes in Music 2.0 – Incorporating audiovisual media of popular music into methods of digital editions” aims to document, evaluate and thus investigate dimensions of musical creation processes that have not previously been ascertainable. It focuses on group related creativity, using qualitative research and ethnographical methods in order to investigate the self-perception of group members on the one hand, while on the other hand the creative process was documented and analyzed directly (module 2). The Melodic Hardcore Band Close to the Distance thankfully agreed to

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Raporty organizacyjne na temat "Musical bands"

As bandas de música populares en Galicia. Observatorio da Cultura Galega, 2021. http://dx.doi.org/10.17075/bmpg.2021.

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O obxecto deste traballo é revisar as condicións actuais das bandas de música populares en Galicia e o papel de desenvolvemento cultural que realizan os seus compoñentes, músicos, persoal directivo, docentes de música, así como a súa integración no contorno xeográfico e económico no que se integran, que en Galicia se adscribe a vilas onde hai un conservatorio ou unha escola municipal de música ou mesmo a pequenas aldeas nun contorno máis rural. Tamén se quere describir en que medida se viron afectadas polas condicións impostas pola pandemia da COVID-19 nas súas actividades cotiás. O universo d

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Health hazard evaluation report: HETA-2011-0129-3160, noise evaluation of elementary and high school music classes and indoor marching band rehearsals - Alabama. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 2012. http://dx.doi.org/10.26616/nioshheta201101293160.

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