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Rozprawy doktorskie na temat „Musicals”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Bradford, Joshua. "Clockwork plums." Thesis, connect to online resource, 2004. http://www.unt.edu/theses/open/20041/bradford%5Fjoshua/index.htm.

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Thesis (M.M.)--University of North Texas, 2004.<br>Musical, for 5 vocalists, flute/tenor sax, clarinet/baritone sax, violin, cello, piano, electric keyboard, electric guitar, electric bass, drum set, and percussion. Based on a story by Joshua Forehand (pseudonym of Bradford), with additional lyrics by Joshua Bradford. Includes analysis by composer (p. 1-37). Includes bibliographical references (p. 36-37).

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Chan, Tracy. "The development of musicals in Hong Kong /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21021491.

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Klund, Heather A. "Music, lyrics, and plot synopsis for Redemption, a musical on the book of Ruth." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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Axtell, Katherine Leigh. "Maiden voyage : the genesis and reception of Show boat, 1926-1932 /." Digitized version, 2009. http://hdl.handle.net/1802/10968.

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Thesis (Ph. D)--University of Rochester, 2009.<br>Includes abstract and vita. Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/10968

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5

Replogle, Holley Dawn. "Crossover and spectacle in American operetta and the megamusical." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1914357521&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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McCracken, Chelsea. "Contradiction in the tragic musical /." Connect to online version, 2009. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2009/372.pdf.

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Fisher, Andrew M. S. "Composition folio : musicals vols. I-IV." Thesis, University of Southampton, 2003. https://eprints.soton.ac.uk/50601/.

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The musical language of popular music theatre continues to gain a growing academic scrutiny. Our understanding of the possibilities of the genre can be enriched by innovative work that experiments with a variety of musical techniques. Moreover developing fresh insights into this musical potential has an aesthetic importance: it could contribute to a revitalisation of the creative ambition of the musical language of the genre, which is generally one of highly derivative stock. This submission consists of a composition folio that includes one work of substantial proportions (the stage-work Stati

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Malone, Travis B. "Crafting Utopia and Dystopia: Film Musicals 1970-2002." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1162486037.

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Wellborn, Brecken. "Musicals and the Margins: African-Americans, Women, and Queerness in the 21st Century American Musical." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404583/.

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This thesis provides an overview of the various ways in which select marginalized identities are represented within the twenty-first century American musical film. The first intention of this thesis is to identify, define, and organize the different subgenres that appear within the twenty-first century iterations of the musical film. The second, and principal, intention of this thesis is to explore contemporary representations of African-Americans, women, and queerness throughout the defined subgenres. Within this thesis, key films are analyzed from within each subgenre to understand these tex

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Esteve, Marull Vanessa. "Representacions musicals en la pintura catalana dels segles XVII i XVIII." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/387422.

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Aquesta tesi doctoral té com a principal objectiu fer un estudi iconogràfic de diferents pintures, escultures i gravats catalans dels segles XVII i XVIII que tenen com a tema principal o secundari la música com a representació. A través l’anàlisi de les fonts documentals que parlen de música, es fa una descripció del context socio-cultural que va influir en l’elaboració d’aquests programes iconogràfics. Es tracta d’un anàlisi historiogràfic nou que reflexiona sobre la iconografia musical com a disciplina, i serveix per fer una aproximació inèdita al context de l’època que representen aquest

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Phillips, Dara L. "Dancing Through Film Musicals : Narratives in Motion /." Lynchburg, Va. : Liberty University, 2006. http://digitalcommons.liberty.edu.

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Chan, Tracy, and 陳翠詩. "The development of musicals in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31220447.

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13

Wellborn, Brecken. "Musicals and the Margins: African-Americans, Women, and Queerness in the Twenty-First Century American Musical." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc1404583/.

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This thesis provides an overview of the various ways in which select marginalized identities are represented within the twenty-first century American musical film. The first intention of this thesis is to identify, define, and organize the different subgenres that appear within the twenty-first century iterations of the musical film. The second, and principal, intention of this thesis is to explore contemporary representations of African-Americans, women, and queerness throughout the defined subgenres. Within this thesis, key films are analyzed from within each subgenre to understand these tex

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14

Tarleton, Angela Brannon. "Raven's Song: an Original Musical." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc500310/.

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Raven's Song is an original musical dramatizing the conflict between paganism and Christianity. The play revolves around a woman who has become disillusioned by her people and her gods. The only gods she has ever known were blood-thirsty, appeased only by the blood and entrails of human sacrifice. Therefore, Raven resists all religion. Through providential circumstances, she is married into a Christian family and is overwhelmed by their love, and the kindness of their God. In search for truth, Raven begins to question her disbelief. All men search for truth in their own way, and all, at one ti

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15

Esporrín, Pons Maria Montserrat. "Societat i espectacles musicals a Barcelona (1881-1936)." Doctoral thesis, Universitat Rovira i Virgili, 2016. http://hdl.handle.net/10803/399567.

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En aquest estudi, emmarcat entre finals del s. XIX fins abans de la Guerra Civil, volem analitzar la relació que hi ha entre la societat barcelonina i els espectacles musicals als quals assistirà. Partim de la base que ens trobem dins d’un període convuls pel replantejament de les idees i els valors, fet que no solament trasbalsarà la vida quotidiana d’aquesta societat, sinó que també es farà patent un canvi que desembocarà en la creació de nous locals d’oci i diversió, els quals oferiran espectacles més d’acord amb la nova forma de pensar i viure i també més adients als gustos musicals i, en

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16

Sorby, Stella Lanxing. "Translating Western musicals into Chinese: texts, networks, consumers." HKBU Institutional Repository, 2014. https://repository.hkbu.edu.hk/etd_oa/113.

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When translating musicals from one culture to another, a translator’s role is to convert the text for its stage representation in a different context. However, during the process from this translated text to it finally being performed on stage, changes are inevitable. Issues surrounding the nature of such changes, the reasons for which they are made, and their resulting effects, have hitherto been little researched. The present study seeks to explore such issues through an examination of the ways in which the development of the translated text is shaped by interactions between the various stak

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17

Kincaid, Ry Kincaid Ry Londré Felicia Hardison. "Billy and the two clefs." Diss., UMK access, 2008.

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Thesis (M.A.)--Dept. of Theatre. University of Missouri--Kansas City, 2008.<br>"A family musical"--p. 1. "A thesis in theatre." Advisor: Felicia Londré. Typescript. Includes music to the song Keep on playing your song, music and lyrics by Ry Kincaid. Vita. Title from "catalog record" of the print edition Description based on contents viewed Apr. 14, 2009. Includes bibliographical references (leaf 59). Online version of the print edition.

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18

Catlett, Mark. "THE MIND OF A SADOMASOCIST:A THEATRICAL ROLE ANALYSIS OF ORIN SCRIVELLO D.D.S." Master's thesis, University of Central Florida, 2005. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3806.

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Mark Catlett will portray the role of Orin Scrivello D.D.S., as well as various other "cameo" roles, at Seaside Music Theater in Daytona Beach, Florida from January 13- February 13 2005. The role of Orin Scrivello will provide me with several acting challenges as well as multiple subjects and themes to research. The most challenging aspect of creating, developing and embodying the character of Orin will be his sadomasochistic nature and his blatant abuse towards Audrey. Sadomasochism is defined as "the deriving of sexual gratification, from being physically or emotionally abused". It is also d

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19

Solé, Salas Lluís. "El Disseny universal de pràctiques musicals instrumentals en grup." Doctoral thesis, Universitat de Vic - Universitat Central de Catalunya, 2017. http://hdl.handle.net/10803/461680.

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El Disseny Universal és un marc conceptual sorgit des de l’àmbit de l’arquitectura que proposa elements de disseny de productes i entorns amb la finalitat d’eliminar barreres i garantir l’accessibilitat al major rang de persones possible. Durant les darreres dues dècades s’han anat adaptant les pautes d’aplicació de les directrius del Disseny Universal a nous entorns. En aquesta investigació proposem explorar les possibilitats d’implementació d’aquest paradigma al camp de la música instrumental en grup per tal d’aproximar el fenomen musical de forma activa i praxialista a un major nombr

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20

Johnson, Wesley Allan Mobberley James. "I have space issues (so back off my starship) : Act I (of II) /." Diss., UMK access, 2007.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>Act I of two-act musical comedy. "A thesis in music." "I plan to complete Act II during the summer of 2007"--ℓ. 228. Advisor: James Mobberley. Includes libretto, performance notes, and vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 13, 2007. Online version of the print edition.

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21

Allen, Craig Haddon. "Too short to waste reflections on Qohelet /." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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22

Sagolla, Lisa Jo. "Choreography in the American musical, 1960-1969 : the dramatic functions of dance /." Access Digital Full Text version, 1992. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11063798.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1992.<br>Includes tables. Typescript; issued also on microfilm. Sponsor: Judith Burton. Dissertation Committee: Nancy BrooksSchmitz. Includes bibliographical references (leaves 173-180).

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23

Florjancic, Linda M. "“We’ll Find a New Way of Living:” Racism in Showboat, South Pacific, The King and I and West Side Story." University of Akron / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=akron1124769084.

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24

Fornäs, Johan. "Tältprojektet musikteater som manifestation /." Stockholm : Symposion, 1985. http://books.google.com/books?id=PagvAAAAMAAJ.

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25

Canyelles, Canyelles Bartomeu. "Nous estils musicals i canvis socials a Mallorca (1960-1975)." Doctoral thesis, Universitat de les Illes Balears, 2013. http://hdl.handle.net/10803/112158.

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L’any 1960, quan es començaren a evidenciar els primers símptomes del boom turístic, s’inicià un procés de modernització social on el visitant estranger hi jugà un paper essencial. Amb la seva arribada, nous estils musicals com el pop, el rock o el soul serviren per connectar ambdues societats –la turística i la local– i produir un canvi de mentalitat entre la població mallorquina, amb els joves com a grans protagonistes. Aquest canvi no només afectà als seus gusts musicals, sinó també altres aspectes (estètica, llenguatge, gestió del temps lliure, etc) al mateix temps que, al seu voltant, s’e

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26

Ma, Siyuan. "To Utopianize the Mundane: Sound and Image in Country Musicals." Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6112.

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Many consider music, songs, and dance performance as utopian signifiers for cinema, but few has entered the utopian discourse of country musicals, a small genre of cinema usually known as country music films. By closely scrutinizing Pure Country (1992), this thesis aims to reveal how country music—as music numbers and as background cues— integrate and connect the fragmented on-screen world for the country musicals so as to offer audiences a fullness of utopian experience, and how this utopian effect are culturally significant for American audiences due to country music’s unique mechanism of co

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27

GRAY, FRED ALLEN. "CHILDREN'S MUSICALS, 1973-1985: ANNOTATIONS WITH SOURCEBOOK FOR PRODUCTION (DRAMA, ELEMENTARY, HISTORY, VOICE, CHORAL)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188089.

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The purpose of this study was to collect and annotate the musical dramas for children of elementary school age published since 1972. Musical dramas selected were limited to those having a story line rather than just a narrator and chorus, having dialogue interaction between the characters, containing mostly original music, and written for grades kindergarten through six. This document is intended as a resource for elementary school teachers and church workers who are searching for appropriate material for performance or study. Annotations of 210 musicals for children, sacred and secular, are t

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Duarte, Carolina Borlido. "Design de figurinos." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2019. http://hdl.handle.net/10400.5/18351.

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Dissertação de Mestrado em Design, com a especialização em Design de Moda apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.<br>A investigação desenvolvida em Design de Moda é centrada na área do Design de Figurinos, e mais especificamente nos figurinos para espetáculo musical do estilo Broadway. O design de figurinos é parte integrante das artes performativas (e.g., teatro, televisão e cinema), sendo o seu contributo indispensável para a criação de personagens. Para a concretização da investigação desenvolvida, foi realizado um estágio curric

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Gallagher, Kelsey B. "So Much Better: A Lighting Design Approach for a Production of Legally Blonde: The Musical." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555414324698267.

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Carter, Duane Martin. "Writing for musical theatre: Forever yours." CSUSB ScholarWorks, 2000. https://scholarworks.lib.csusb.edu/etd-project/1590.

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Lach, Pamella R. Filene Peter G. "Dancing dreams performing American identities in postwar Hollywood musicals, 1944-1958 /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1133.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Mar. 27, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History." Discipline: History; Department/School: History.

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Riley, Samantha Michele Kuzniar Alice A. "Becoming the wig mis/identifications and citationality in queer rock musicals /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1676.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Sep. 16, 2008). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English and Comparative Literature Comparative Literature." Discipline: English; Department/School: English.

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33

Baumhof, Sarah [Verfasser]. "„Nowhere to Go But Up“? – Die Gattungsmerkmale des Musicals / Sarah Baumhof." Hamburg : Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky, 2021. http://d-nb.info/1226936334/34.

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Serni, Nicole Mioni. "Canções cinematográficas : análise dialógica do filme musical Les Misérables /." Araraquara, 2018. http://hdl.handle.net/11449/154573.

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Orientador: Luciane de Paula<br>Banca: Maria da Penha Casado Alves<br>Banca: Marco Antonio Villarta-Neder<br>Banca: Odilon Helou Fleury Curado<br>Banca: Marina Célia Mendonça<br>Resumo: Esta pesquisa se propôs a analisar o filme musical Les Misérables (2012), de Tom Hooper, sob a ótica dos estudos do Círculo Bakhtin, Medviédev, Volochinov, tendo como objetivo refletir, por meio de uma análise dialógica, acerca da constituição da arquitetônica do filme musical como gênero discursivo, em sua forma, conteúdo, estilo, produção e circulação, conforme as ideias do Círculo. A partir de Les Misérables

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35

Ponsatí, Ferrer Imma. "Avaluació d’una proposta didàctica per a la identificació auditiva dels intervals harmònics musicals. Una experimentació al primer curs dels ensenyaments especialitzats de grau professional dels conservatoris de música de Catalunya." Doctoral thesis, Universitat Autònoma de Barcelona, 2011. http://hdl.handle.net/10803/51437.

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L’objectiu general d’aquesta tesi és elaborar, experimentar i avaluar una proposta didàctica per a la identificació auditiva dels intervals harmònics adreçada al primer curs dels ensenyaments musicals de grau professional dels conservatoris de música de Catalunya i que, a partir de la detecció i anàlisi prèvia de les dificultats dels alumnes, permeti que aquests assoleixin, al llarg del procés d’ensenyament-aprenentatge, els objectius didàctics plantejats i, conseqüentment, al final d’aquest, millorin el seu rendiment. En el marc teòric es revisen, analitzen i sintetitzen els principal

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36

Capdevila, Solà Maria Reina. "Conductes musicals dels infants 0-3. Anàlisi i validació d'una pauta d'observació." Doctoral thesis, Universitat de Barcelona, 2008. http://hdl.handle.net/10803/1278.

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En aquesta tesi s'ha construït i validat una eina d'observació per permetre als educadors dels infants de 0 a 3 anys fixar-se, conèixer i valorar les reaccions i les conductes dels nens davant el fet sonor i l'experiència musical, amb la intenció que pugui esdevenir un instrument per tots els qui la vulguin utilitzar per orientar i regular millor la seva mirada en els comportaments musicals dels infants<br/><br/>Els objectius que ens hem fixat són:<br/><br/>- Aprofundir en les conductes musicals dels infants.<br/><br/>- Confeccionar i validar una pauta d'observació.<br/><br/>- Estimar els canv

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Bonshek, Corrina. "Australian deterritorialised music theatre : a theoretical and creative exploration." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/40061.

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This project consists of a theoretical examination of Australian music theatre and a portfolio of musical compositions. The thesis proposes an innovative analytical model for music theatre/multi-media with a distinctive perspective. Adapting concepts from feminist Deleuzean theorists, it advances a notion of feminine difference that moves beyond earlier debates between essentialists and anti-essentialists. This theoretical framework guides the close examination of three works ― Andrée Greenwell’s Laquiem: Tales from the Mourning of the Lac Women (1999), Greenwell’s Laquiem (2002) and Gretchen

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Hazen, Mark D. "Crossing the bridge man's response to the life and work of Christ /." Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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Ikach, Yugo Sava. "A study of selected songs by Leonard Bernstein which reflect his contribution to the evolution of art song in America." Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=3219.

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Thesis (D.M.A.)--West Virginia University, 2003.<br>Title from document title page. Document formatted into pages; contains vii, 94 p. : music. Includes abstract. Includes bibliographical references (p. 91-94).

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Bell, Jeffery E. "American musical theater songs in the undergraduate vocal studio : a survey of current practice, guidelines for repertoire selection, and pedagogical analyses of selected songs." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1026700.

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American musical theater songs are popular with the general public, and many college and university voice students are familiar with them. Some voice teachers also use musical theater repertoire to varying degrees in voice instruction. Such familiarity and interest lend significance to this study of the songs in a teaching context. There is therefore a need for the establishment of repertoire-selection guidelines and pedagogical analysis of selected musical theater songs so that additional teachers will become well informed.Following the introduction in Chapter One, the results of a survey sen

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41

Crouse, Jeffrey Dennis. "Representations of screen heterosexuality in the musicals of Fred Astaire and Vincente Minnelli." Thesis, University of Warwick, 1997. http://wrap.warwick.ac.uk/35511/.

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This thesis examines the ways in which heterosexuality is rendered in the Hollywood genre where its existence is most privileged: musicals of the studio era (c. 1930 - c. 1960). In this popular film category, heterosexuality is expressed in a framework of "boy-meets-girl" amatory coupling that is remarkably amplified and insistent. In analysis that is at once sympathetic and critical of the subject matter, I show that heterosexuality in the Hollywood musical is constructed in a way that is far from monolithic. On the contrary, I find that there are in fact varieties of heterosexual identity th

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42

Shook, Steffi A. "Campy Conclusions: Examining the Subversion of Heteronormative Relationship Sanctions in American Film Musicals." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385387953.

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Batchelder, Daniel Lev. "American Magic: Song, Animation, and Drama in Disney's Golden Age Musicals (1928-1942)." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1523442817785887.

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44

Lascabettes, Paul. "Mathematical Models for the Discovery of Musical Patterns, Structures and for Performances Analysis." Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUS578.

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L'objectif de cette thèse est de fournir des modèles mathématiques pour la compréhension et l'analyse de représentations symboliques de la musique. En particulier, cette thèse se décompose en trois parties : comment découvrir les motifs musicaux~? Comment ces motifs sont-ils organisés avec la structure musicale ? Et finalement, comment ces motifs sont-ils joués durant la performance musicale ? Tout d'abord, cette thèse se focalise sur la tâche de découverte de motifs musicaux. Les travaux antérieurs permettent de distinguer deux approches : l'approche séquentielle et l'approche multidimensionn

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Torrents, Llum. "Internet i patrimoni cultural: el cas de les col•leccions d'instruments musicals en línia." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/350803.

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Aquesta tesi s'ha desenvolupat entorn les repercussions i oportunitats creades per la digitalització, accessibilitat en línia al patrimoni cultural i la preservació digital, doncs el llenguatge hipermèdia i els nous fluxos de comunicació han atorgat una nova dimensió als sistemes de comunicació i documentació i a les estratègies i programes de gestió, preservació, estudi, difusió i accés als béns culturals. L'estudi de cas són les col•leccions europees d'instruments musicals en línia. Hem pogut determinar les tendències de futur en relació a finalitats i objectius de la documentació i digital

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Mortimer, Harold R. "The silver operetta and the golden musical : the influence of the Viennese operetta of the Silver Age (1905-1935) on the Broadway musical of the Golden Age (1943-1964) /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11318.

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Panosa, Domingo M. Isabel. "La música en la tragèdia grega Definició i context d’ús dels papirs musicals tràgics." Doctoral thesis, Universitat de Lleida, 2021. http://hdl.handle.net/10803/673709.

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La tesi presenta l’anàlisi d’un total de vint fragments identificats com a passatges de tragèdia que van acompanyats de notació musical grega antiga. Es tracta d’un estudi detallat i alhora de conjunt dels exemples coneguts de peces musicals relacionades intrínsecament amb la tragèdia grega. Tots els passatges, excepte un, es troben escrits en suport papiraci. L’única excepció és una citació i comentari d’un fragment de l’"Orestes" d’Eurípides que Dionís d’Halicarnàs va incloure en la seva obra "De compositione verborum". Els aspectes examinats dels documents del catàleg són, fonamentalm

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Kuzmová, Tereza. "Celebrity marketing pražských muzikálů." Master's thesis, Vysoká škola ekonomická v Praze, 2017. http://www.nusl.cz/ntk/nusl-359152.

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This Diploma Thesis deals with the issue of Prague musicals celebrity marketing, which is a significant characteristics of the contemporary Prague musical scene. The theoretical part of this thesis introduces the basic theories of celebrity studies and the specifics of marketing mix of musicals, in which celebrities play a significant role. On the margine, the thesis is also focused on current overproduction of musicals and related problems in marketing activities of musical productions. The main part of this thesis is the own research, which was realized by analyzing the promotional materials

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Bonshek, Corrina. "Australian deterritorialised music theatre a theoretical and creative exploration /." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19308.

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Thesis (Ph.D.) -- University of Western Sydney, 2007.<br>A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the University of Western Sydney, College of Arts, School of Communication Arts. Includes bibliography.

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Do, Rozario Rebecca-Anne Charlotte. "Disney animated and theatrical musicals : interpreting the magic from The little mermaid to The little mermaid." Monash University, Centre for Drama and Theatre Studies, 2003. http://arrow.monash.edu.au/hdl/1959.1/5660.

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