Gotowe bibliografie tematyczne / Muzeum (Warsaw, Poland)

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  1. Artykuły w czasopismach
  2. Książki
  3. Części książek
  4. Streszczenia konferencji

Gotowa bibliografia na temat „Muzeum (Warsaw, Poland)”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Muzeum (Warsaw, Poland)"

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Michalec, Beata. "Partnerstwo publiczno-społeczne. Współpraca Towarzystwa Przyjaciół Warszawy z Muzeum Historycznym m.st. Warszawy w latach 1963−2002." UR Journal of Humanities and Social Sciences 24, no. 3 (2022): 48–64. http://dx.doi.org/10.15584/johass.2022.3.3.

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By the end of the 1960s, cooperation between museums and associations could be noticed in Poland, today we would call it a model public-social partnership. An example of this is the cooperation between the Society of Friends of Warsaw (TPW) and the Historical Museum of the Capital City of Warsaw, which took place from 1963 and lasted uninterrupted for many years, even after the death of prof. Stanisław Lorentz, director of the National Museum in Warsaw, co-founder and first president of TPW. The result of this cooperation was cultural, research and educational activity. In the field of this co
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Zabłocki, Wojciech. "Państwowe Muzeum Zoologiczne wobec powstania Polskiej Akademii Nauk: droga do powołania Instytutu Zoologicznego PAN." Kwartalnik Historii Nauki i Techniki, no. 4 (2020): 81–98. http://dx.doi.org/10.4467/0023589xkhnt.20.029.12862.

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The State Zoological Museum and the Establishment of the Polish Academy of Sciences: The Beginnings of the Institute of Zoology of the Polish Academy of Sciences The State Zoological Museum, established in 1928, inherited and developed the legacy of the Zoological Cabinet of the University of Warsaw (existing since 1818). The Cabinet’s collection had been gathered for decades and belonged to eminent personages not only in Poland but also in Europe. The Museum and its collections were threatened many times: first by a great fire in 1935, then by the German attack on Warsaw in 1939 and subsequen
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Liwak-Rybak, Katarzyna. "To jest proces – włączanie publiczności międzynarodowej w działania instytucji kultury na przykładzie Muzeum Warszawy." Zarządzanie w Kulturze 24, no. 2 (2023): 87–102. http://dx.doi.org/10.4467/20843976zk.23.009.18575.

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The humanitarian crisis that we have witnessed here in Poland since the Russian invasion of Ukraine in February 2022 has stirred up a discussion on how to reach out to people who have fled their homeland and how to provide assistance through cultural institutions. The phenomenon of migration is not new, but the recent conflict escalation in Ukraine and the resulting influx of vulnerable people in large numbers in a short period of time have been a catalyst for many initiatives. This is a new situation for Poland; as the country was not prepared for it on many levels, including competence train
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Kielak, Dorota. "O kulturotwórczej roli muzeum w projekcie Mieczysława Tretera." Idea. Studia nad strukturą i rozwojem pojęć filozoficznych 30, no. 1 (2018): 161–74. http://dx.doi.org/10.15290/idea.2018.30.1.12.

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The article addresses the problem of the culture-creating role of museums designed by Mieczysław Treter in the first years of the Second Polish Republic – an art historian from Lviv, the curator of the Museum of the Lubomirski family name in Lviv and the director of the State Art Collection in Warsaw. The publicist of this author is a testimony of how in the first years after Poland regained independence, attempts were made to develop a new way of thinking about the culture-forming function, status and formula of Polish museums, adequate to the changed realities of life in a free state. It for
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Jasińska, Anna, and Artur Jasiński. "SUSCH MUSEUM." Muzealnictwo 61 (April 2, 2020): 27–38. http://dx.doi.org/10.5604/01.3001.0014.0805.

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Opened in January 2019, the Museum Susch crowned the collecting efforts of Grażyna Kulczyk, who, following her failed attempts at establishing a contemporary art Museum in Poznan and Warsaw, finally found home for her collection in a small Swiss village located between two Alps resorts: Sankt Moritz and Davos. The combination of both spectacular mountainous landscape and the edifices of an old convent into which the display has been built, as well as the purposefully created art pieces, contribute to creating a peculiar atmosphere of the place. Nature, architecture, and art have all merged int
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Sidorova, Elena. "MoMA Goes beyond the Iron Curtain: The Eastern European Tour of The Prints of Andy Warhol." Arts 13, no. 2 (2024): 42. http://dx.doi.org/10.3390/arts13020042.

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In 1990, three years after Andy Warhol’s death and one year after the fall of the Berlin Wall, the Museum of Modern Art (MoMA) organized the first one-man show of this pop artist in Eastern Europe. The Prints of Andy Warhol, although never shown at the MoMA in New York, traveled to the Fondation Cartier pour l’Art Contemporain in Jouy-en-Josas, France, the Národní Galerie in Prague, Czechoslovakia, the Staatliche Kunstsammlung in Dresden, the GDR, the Mücsarnok in Budapest, Hungary, and the Muzeum Narodowe in Warsaw, Poland. The current paper analyzes the cultural–political context of The Prin
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Frontczak, Beata. "Niepublikowane archiwalia dotyczące Fabryki Fajansu, Porcelany i Naczyń Kamiennych w Ćmielowie oraz naczynia z ćmielowskich serwisów porcelanowych Druckich-Lubeckich w zbiorach Muzeum Uniwersytetu Jagiellońskiego." Opuscula Musealia 28 (June 15, 2022): 23–56. http://dx.doi.org/10.4467/20843852.om.21.002.15503.

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Unpublished archives concerning the Faience, Porcelain and Stone Vessels Factory in Ćmielów and vessels from the Drucki-Lubecki porcelain services in the collections of the Jagiellonian University Museum The first part of the article discusses a so far unpublished notarial deed of sale in 1845 by the Pusłowski brothers: Xawery Pusłowski (1806–1874), Wandalin Pusłowski (1814–1884), Franciszek Pusłowski (1800–1859) and Władysław Pusłowski (1801–1859), to Duchess Teresa of Drucki-Lubecki, Countess Scipio del Campo, half of the Ćmielów estate with annexes and appurtenances they inherited from thei
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Pietrzak, Agnieszka. "Hanna Czeczott (1888–1982) – badaczka roślin i jedna z twórców Muzeum Ziemi." Kwartalnik Historii Nauki i Techniki 70, no. 2 (2025): 159. https://doi.org/10.4467/0023589xkhnt.25.001.21660.

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Hanna Czeczott was a respected researcher, paleobotanist, and one of the founders of the Museum of the Earth in Warsaw. Her long and remarkably active life stands as an inspiration to contemporary scientists. She received her education at a time when few women had access to such opportunities. Her early scientific work focused on botany, and she collected research materials – including herbarium specimens – during travels with her husband, Henryk Czeczott, a professor of mining. After his death, Hanna Czeczott’s scientific interests shifted toward the study of fossil plants, a field to which s
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Janicka, Elżbieta. "„To nie była Ameryka”. Z Michaelem Charlesem Steinlaufem rozmawia Elżbieta Janicka (Warszawa – Nowy Jork – Warszawa, 2014–2015)." Studia Litteraria et Historica, no. 3–4 (January 31, 2016): 364–480. http://dx.doi.org/10.11649/slh.2015.021.

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“This was not America.” Michael Charles Steinlauf in conversation with Elżbieta Janicka (Warsaw – New York – Warsaw, 2014–2015)Born in Paris in 1947, Michael Charles Steinlauf talks about his childhood in New York City, in the south of Brooklyn (Brighton Beach), in a milieu of Polish Jewish Holocaust survivors. His later experiences were largely associated with American counterculture, the New Left, an anti-war and antiracist student movement of the 1960s (Students for a Democratic Society, SDS) as well as the anticapitalist underground of the 1970s (“Sunfighter”, “No Separate Peace”). In the
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Sabău, Nicolae. "„Sok szíves üdvözlettel régi barátos…”. Colegamenti di amicizia di Coriolan Petranu con storici magiari." Studia Universitatis Babeș-Bolyai Historia Artium 65, no. 1 (2020): 107–26. http://dx.doi.org/10.24193/subbhistart.2020.06.

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"„Sok szíves üdvözlettel régi barátos...” (“With kind regards, your old friend...”). Coriolan Petranu’s Friendly Connections to the Hungarian Historians. Coriolan Petranu is the founder of modern art history education and scientific research in Transylvania. He had received special education in this field of study that is relatively new in the region. He started his studies in 1911 at the University of Budapest, attending courses in law and art history. During the 1912-1913 academic year he joined the class of Professor Adolph Goldschmiedt (1863-1944) at the Friedrich-Wilhelm University in Ber
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Książki na temat "Muzeum (Warsaw, Poland)"

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Jaremczak, Agnieszka Sopińska. Operacja Muzeum. Wydawnictwo "Fronda Pl.", 2014.

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Janicki, Maciej. Fryderyk Chopin Museum. Scala Arts & Heritage Publishers Ltd., 2018.

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Zamek Królewski (Warsaw, Poland). Fundacja Zbiorów imienia Ciechanowieckich and Zamek Królewski (Warsaw Poland), eds. Grafika. Portrety: Katalog zbiorów : Zamek Królewski w Warszawie - Muzeum i Fundacja Zbiorów im. Ciechanowieckich. Zamek Królewski w Warszawie--Muzeum, 2017.

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Baranowska, Monika. Crème de la crème: Katalog nabytków nie wszystkich Zamku Królewskiego w Warszawie - Muzeum. Arx Regia - Wydawnictwo Zamku Królewskiego w Warszawie - Muzeum, 2020.

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Zacher, Juliusz W. Medale polskie i z Polską związane z okresu Pierwszej Rzeczypospolitej: Katalog zbiorów. Arx Regia®, 2019.

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Muzeum Sportu i Turystyki (Warsaw, Poland), ed. Sport polonijny w zbiorach Muzeum Sportu i Turystyki w Warszawie. Muzeum Sportu i Turystyki, 2011.

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Kwiatkowski, Marek. Nowe dzieje Starej Pomarańczarni: Muzeum Łazienki Królewskie, Zespół Pałacowo-Ogrodowy. Ex Libris, 2007.

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Poland) Muzeum Łazienki Królewskie (Warsaw. Nabytki (dary i zakupy): Muzeum Łazienki Królewskie w Warszawie w latach 1960-2008 : katalog. Muzeum Łazienki Królewskie, Zespół Pałacowo-Ogrodowy, 2008.

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Regia, Ośrodek Wydawniczy Arx. Nie tylko orient: Nabytki Fundacji Teresy Sahakian, 2007-2017: wystawa 18 grudnia 2017 - 30 listopada 2018, Zamek Królewski w Warszawie - Muzeum. "Arx Regia" Ośrodek Wydawniczy Zamku Królewskiego w Warszawie, 2017.

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Chmielewski, Krzysztof. Wilanowski widnokrąg: Szkice o pałacu i sztuce europejskiej. Muzeum Pałac w Wilanowie, 2010.

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Części książek na temat "Muzeum (Warsaw, Poland)"

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Kludkiewicz, Kamila. "Museums of a Stateless Nation, between History and Art." In Spaces for Shaping the Nation. transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839466940-007.

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In this article, Kamila Kudkiewicz is dedicated to the question of Polish national museums in the nineteenth century. At the end of the eighteenth century, the historical territory of Poland was divided among Russia, Austria, and Prussia. Each of these countries had its own laws and policies towards Poles: take, for example, the policies of Russification and Germanization implemented by the Russian and German authorities in their respective territories and, contrastingly, the autonomy granted to Polish Galicia in Austria-Hungary after 1860. Despite the differences between the regions, in the s
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Piotrowski, Wojciech, and Wiesław Zajączkowski. "Muzeum i Rezerwat Archeologiczny w Biskupinie – Pomnik Historii. Doświadczenia i dorobek ostatnich dekad." In Krzemionki. 100 lat od odkrycia. Wydawnictwo Profil-Archeo, Muzeum Historyczno-Archeologiczne w Ostrowcu Świętokrzyskim, 2023. https://doi.org/10.33547/setii.9.

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In 1933 a fortified settlement was discovered on a peninsula of Lake Biskupin, Żnin district, built by people of the Lusatian culture. The next year, an excavation expedition from the Institute of Prehistory, University of Poznań and the Prehistory Section of the Great Poland Museum, headed by Prof. Józef Kostrzewski (1885–1969) commenced work at the site. A large area was uncovered, revealing wooden remains dated to circa 700 – 400 BC. Archaeologists collaborated with representatives of the natural and technical sciences. After World War II, a former assistant of Professor J. Kostrzewski, Dr
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Jedynak, Artur. "Muzeum Archeologiczne i Rezerwat Krzemionki w badaniach, konserwacji i popularyzacji pradziejowego górnictwa krzemienia w pierwszych dwóch dekadach XXI wieku." In Krzemionki. 100 lat od odkrycia. Wydawnictwo Profil-Archeo, Muzeum Historyczno-Archeologiczne w Ostrowcu Świętokrzyskim, 2023. https://doi.org/10.33547/setii.4.

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The Historical and Archaeological Museum in Ostrowiec Świętokrzyski, since takeover to administer the „Krzemionki” prehistoric striped flint mines in 1978 along with creating its branch there (Krzemionki Archaeological Museum and Reserve) has been actively engaging in the process of protection and research as well as popularization of the knowledge about this site. As of 2000, when the Archaeology Department was created, the accomplishment of the objectives became possible based on own professional personnel. As early as in 2001, archaeological works in the area of Great Chambers in Krzemionki
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Streszczenia konferencji na temat "Muzeum (Warsaw, Poland)"

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Agata Kantarek, Anna, and Ivor Samuels. "Nowa Huta, Krakow, Poland. Old Urbanism, New Urbanism?" In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6463.

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This paper considers the first stage of Nova Huta New Town built near Krakow in the 1950s. In contrast to UK and US new settlements of the post war period it is a high density apartment block development which was ignored in the literature for more than half a century because its design, based on a system of streets, is in contrast with contemporary forms of development, either low density garden city or higher density free standing apartment blocks. A discussion of its neglect and the recent rediscovery of its qualities, both in Poland and by exponents of the US New Urbanism (part of the Urba
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