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Artykuły w czasopismach na temat "Mythology and memoir"

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Aleksandrova, Maria А. "Pestel vs. Pestel: L. Zorin’s tragedy The Decembrists and B. Okudzhava’s novel Poor Avrosimov." Izvestiya of Saratov University. Philology. Journalism 22, no. 3 (August 24, 2022): 320–29. http://dx.doi.org/10.18500/1817-7115-2022-22-3-320-329.

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This paper undertakes a comparative analysis of two interpretations of Pavel Pestel’s personality and fate in the literature of the late Khrushchev thaw. The contribution of the peer writers to the liberation of cultural and historical memory from official dictatorship is discussed, the basis of their ideological similarity is shown: this is the awareness of the fatal problem of morality and revolution (Zorin). The author of the tragedy The Decembrists (1966) and the author of the novel Poor Avrosimov (published in 1969) worked with the same documents on the history of Decembrism, but each of
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Franqui-Rivera, Harry. "National Mythologies: U.S. Citizenship for the People of Puerto Rico and Military Service." Memorias 21 (May 12, 2022): 5–21. http://dx.doi.org/10.14482/memor.21.564.122.

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That Puerto Ricans became American citizens in 1917 have been attributed by many to the need for soldiers as the U.S. entered the First World War. Such belief has been enshrined in Puerto Rican popular national mythology. While there is a rich body of literature surrounding the decision to extend U.S. citizenship to Puerto Rico and its effect on the Puerto Ricans, few, if any, challenge the assumption that the need for manpower for the armies of the metropolis influenced that decision. Reducing the issue of citizenship to a need for manpower for the military o nly o b s c ures c o mp lex imp e
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Nepomniashchikh, N. A. "Durylin’s Interpretation of Leskov: A Memoir Writer." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 104–16. http://dx.doi.org/10.25205/2410-7883-2020-1-104-116.

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The article discusses the influence of N. Leskov’s works on S. Durylin’s writings. It proves that Durylin’s literary critique on Leskov focuses on the idea of search of the god and ideal, the idea pervading Leskov’s literary heritage. Durylin was one of the first to recognize the ex- amples of worldly holiness in Leskov’s narratives. He creates characters of saints living in the world in each of his own writings as well. Durylin interprets Leskov’s image of Russia as the mythologem (author’s interpretation of the sociocultural myth) of Holy Rus’. In light of this mythologem, Durylin’s Russia i
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Maskell, David, Daniel Martin, and Philippe Desan. "L'Architecture des 'Essais' de Montaigne: memoire artificielle et mythologie." Modern Language Review 90, no. 1 (January 1995): 183. http://dx.doi.org/10.2307/3733310.

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Dobczansky, Markian. "Rehabilitating a Mythology: The Ukrainian SSR’s Foundational Myth After Stalin." Nationalities Papers 47, no. 3 (May 2019): 366–78. http://dx.doi.org/10.1017/nps.2019.2.

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AbstractThis article looks at the rehabilitation of the early history of the Communist Party of Ukraine and the Ukrainian SSR during the Thaw. It argues that the post-Stalin political moment offered the Ukrainian Party and academic establishments the opportunity to revalorize their republic’s founding narrative. In order to popularize this narrative, they produced publications on the revolution in Ukraine and early party history, rehabilitated Ukrainian Communists from the 1920s who had fallen victim to repressions, and constructed a set of monuments that embodied the new historical paradigm.
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COWLING, D. "Review. L'Architecture des 'Essais' de Montaigne: Memoire artificielle et mythologie. Martin, Daniel." French Studies 48, no. 3 (July 1, 1994): 322. http://dx.doi.org/10.1093/fs/48.3.322.

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Salazar, Guillermo. "The Archetype of Hero in Family Businesses." European Journal of Family Business 12, no. 1 (May 31, 2022): 90–95. http://dx.doi.org/10.24310/ejfbejfb.v12i1.14630.

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For family business advisors and consultants, the analysis of their client’s shared narrative helps them understand their business and family dynamics and the reality they have built together. Understanding the language of family mythology and the behavior of the narrative processes, can help positively to reinforce the purpose and meaning of their legacy and its transmission. In this article readers will learn how Joseph Campbell’s Monomyth of the Hero concept fits with the founder/entrepreneur myth in a family business, and how making it conscious can be used as a coherent tool that brings t
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Zubkina, Yuliya V. "Mythologeme of Asceticism in the National Cinema the 1930s." Journal of Flm Arts and Film Studies 10, no. 3 (September 15, 2018): 55–65. http://dx.doi.org/10.17816/vgik10355-65.

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The article is devoted to the mythologeme of asceticism, widespread in the domestic cinema of the 1930s and closely connected with the mythmaking of the Soviet system, the ideology of which was largely based on the moral principles of Christianity. Acting as the apparatus of agitation, the cinema of the big style created a new mythology, its cultural hero was an ascetic who orders chaos and ready for self-sacrifice for the sake of the common good. A distinctive feature of the big style was the so-called mythological triad: the party (invisibly present behind the scenes) - the mentor and the pu
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Emashev, Andrey Andreevich, and Viktoria Borisovna Bakula. "Universal Archetypes in the Novel «Alkhalalalai» by the Sami Writer N. Bolshakova." Ethnic Culture 4, no. 4 (December 27, 2022): 29–33. http://dx.doi.org/10.31483/r-103765.

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The literature of the Kola Sami, an indigenous small-numbered people of the Arctic, is still insufficiently researched by literary critics and is little known to the scientific community. The novel «Alkhalalalai» by Nadezhda Bolshakova, a member of the Writers' Union of Russia, is the first novel in the literature of the Kola Sami. The article is devoted to the study of the archetypal basis of the novel. The analysis of universal archetypes of the Great Mother, Virgin, Heavenly Father, Rebirth, etc. is carried out. The methodology of the research consists of works in the field of cultural stud
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Hamuľák, Ondrej. "Lessons from the “Constitutional Mythology” or How to Reconcile the Concept of State Sovereignty with European Intagration." DANUBE: Law and Economics Review 6, no. 2 (June 1, 2015): 75–90. http://dx.doi.org/10.1515/danb-2015-0005.

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Abstract This paper analyses the question of how to perceive the traditional theoretical concept of state sovereignty vis-á-vis European integration. Within the European project we face the paradox of having two authorities claiming autonomy and dominance. It is undisputable that the European Union is behaving like an autonomous public power - the new sovereign of its kind. But at the same time the Member States also maintain their sovereign statehood. This duality cannot be comprehended together with the old characteristics of sovereignty, which accepts only one holder of this feature. To rec
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Rozprawy doktorskie na temat "Mythology and memoir"

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Kerr, Tamsin, and na. "Conversations with the bunyip : the idea of the wild in imagining, planning, and celebrating place through metaphor, memoir, mythology, and memory." Griffith University. Griffith School of Environment, 2007. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070814.160841.

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What lies beneath Our cultured constructions? The wild lies beneath. The mud and the mad, the bunyip Other, lies beneath. It echoes through our layered metaphors We hear its memories Through animal mythology in wilder places Through emotive imagination of landscape memoir Through mythic archaeologies of object art. Not the Nation, but the land has active influence. In festivals of bioregion, communities re-member its voice. Our creativity goes to what lies beneath. This thesis explores the ways we develop deeper and wilder connections to specific regional and local landscapes using art, festiv
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Kerr, Tamsin. "Conversations with the bunyip: the idea of the wild in imagining, planning, and celebrating place through metaphor, memoir, mythology, and memory." Thesis, Griffith University, 2007. http://hdl.handle.net/10072/365495.

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What lies beneath Our cultured constructions? The wild lies beneath. The mud and the mad, the bunyip Other, lies beneath. It echoes through our layered metaphors We hear its memories Through animal mythology in wilder places Through emotive imagination of landscape memoir Through mythic archaeologies of object art. Not the Nation, but the land has active influence. In festivals of bioregion, communities re-member its voice. Our creativity goes to what lies beneath. This thesis explores the ways we develop deeper and wilder connections to specific regional and local landscapes using art, festiv
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Bielecki, Anton Gallegos. "The found footage narrative : reflexive mythology of survivor memory." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/the-found-footage-narrative-reflexive-mythology-of-survivor-memory(808152e8-26cb-49c6-881f-b59ab64285d8).html.

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In 2014, as the number of survivors dwindles, the representation of their memory and testimony after they have gone becomes increasingly important. Although it is critical to discuss the historical facts of the atrocities of World War II, those facts often do not reach the personal experiences of many survivors, who can only express many of the details of their experiences through an expression of their memories through testimony. One such testimony is that of Wanda Bielecka, a survivor of Auschwitz-Birkenau concentration camp. This practice-based research (consisting of a film and accompanyin
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Nathan, Robert C. Pérez Louis A. "Imagining Antonio Maceo memory, mythology and nation in Cuba, 1896-1959 /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1317.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Apr. 25, 2008). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History." Discipline: History; Department/School: History.
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Guy, Liana. "The relevence and utility of the motif of the wounded healer for contemporary psychotherapists : biography, mythology, ethnography and collaboration memory work." Thesis, University of Essex, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494353.

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Kerseboom, Simone. "Pitied plumage and dying birds : the public mourning of national heroines and post-apartheid foundational mythology construction." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1019884.

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The original contribution of this thesis is the examination of the official construction of a post-apartheid foundation myth through the analysis of the dead body politics of five iconic South African women that spans the three presidencies that have defined South Africa’s democratic era. This thesis examines the death and funeral of Albertina Sisulu, the return and burial of Sara Baartman, and the commemoration of Charlotte Maxeke, Lilian Ngoyi, and Helen Joseph. Sisulu, Baartman, Maxeke, Ngoyi, and Joseph have been constructed as heroines and as foundational figures for the post-apartheid na
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Soneji, Davesh. "Performing Satyabhāmā : text, context, memory and mimesis in Telugu-speaking South India." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85029.

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Hindu religious culture has a rich and long-standing performance tradition containing many genres and regional types that contribute significantly to an understanding of the living vitality of the religion. Because the field of religious studies has focused on texts, the assumption exists that these are primary, and performances based on them are mere enactments and therefore derivative. This thesis will challenge this common assumption by arguing that performances themselves can be constitutive events in which religious worldviews, social histories, and group and personal identities ar
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Fries, Katherine. "Ariadne's thread - memory, interconnection and the poetic in contemporary art." Connect to full text, 2008. http://hdl.handle.net/2123/5709.

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Thesis (M.V.A.)--University of Sydney, 2009.<br>Title from title screen (viewed November 26, 2009) Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts, University of Sydney. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references.
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Serna, Dimas Adrian. "Les hommes devenus tigres. Fait colonial, mythologie nationale et violence dans le bassin moyen du fleuve Magdalena, Colombie." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0132/document.

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La thèse montre les résultats du projet de recherche doctorale intitulé « Colonialisme, conflit armé et luttes pour la mémoire. Une étude anthropologique de la région du Magdalena Medio, Colombie, Amérique du Sud ». Le projet fut réalisé dans le Laboratoire d’Anthropologie Sociale LAS – Collège de France et l’École Doctorale en Anthropologie Sociale et Ethnologie (ED286) de l’École des Hautes Études en Sciences Sociales de Paris EHESS, sous la direction de Mme. Tassadit Yacine-Titouh. La région du Magdalena Medio s’étend sur le bassin moyen du fleuve Magdalena, une vaste vallée entre la Cordil
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Gelas, Nicolas. "Fiction et humanisme dans l'oeuvre de Romain Gary : s'affranchir des limites, s'éprouver dans les marges." Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20123/document.

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Récusant à la fois les déterminismes naturels et les représentations d’un ordre politique ou moral, l’œuvre de Gary est marquée par une aspiration au dépassement des limites et par une posture de résistance. Face à la haine ou à la barbarie, elle défend les vertus de la dérision et le pouvoir de l’imaginaire et s’engage dans une double démarche de mise à distance et de réenchantement du monde. Nourrie par le traumatisme de la seconde Guerre Mondiale, elle soutient l’idée que l’humain est à réinventer, qu’il n’est pas une donnée préalable mais un fiction à construire, un idéal à atteindre. Arti
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Książki na temat "Mythology and memoir"

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Fiona, Horne, and Horne Fiona, eds. Witch: A magickal journey ; a hip guide to modern witchcraft. London: Thorsons, 2000.

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Grazia, Alfred De. The fall of spydom: Memoir of a case of espionage, with reflections and digressions upon catastrophism, pandemic paranoia, computers, war games, mythology, and Swiss savoir-vivre. 2nd ed. Princeton, NJ: Quiddity Press, 1992.

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Achilles' memoirs. Lewiston, N.Y: Mellen Poetry Press, 1998.

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Memory and mythology: Modern war and the construction of historical memory, 1775-2000. Bethesda: Academica Press, 2014.

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1615-1691, Baxter Richard, ed. A grief sanctified: Through sorrow to eternal hope : including Richard Baxter's timeless memoir of his wife's life and death. Wheaton, Ill: Crossway Books, 2002.

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Elyot, Amanda. The memoirs of Helen of Troy: A novel. New York: Random House Large Print, 2005.

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The memoirs of Helen of Troy: A novel. New York: Crown Publishers, 2005.

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Rosabal, Blancamar León. La voz del mambí: Imagen y mito : ensayo. La Habana: Editorial de Ciencias Sociales, 1997.

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Haarmann, Harald. Ancient knowledge, ancient know-how, ancient reasoning: Cultural memory in transition from prehistory to classical antiquity and beyond. Amherst, NY: Cambria Press, 2013.

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Die Deutschen und ihre Mythen. Berlin: Rowohlt Berlin, 2009.

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Części książek na temat "Mythology and memoir"

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Lindow, John. "Memory and Old Norse Mythology." In Acta Scandinavica, 41–57. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.as-eb.1.101974.

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Steele, Cassie Premo. "Grinding the Bones to Create Anew: Gloria Anzaldúa’s Mestiza Mythology." In We Heal From Memory, 129–48. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-12313-8_10.

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Foster, Richard. "Mapping Subcultures from Scratch: Moving Beyond the Mythology of Dutch Post-Punk." In Researching Subcultures, Myth and Memory, 215–32. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41909-7_11.

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Magerski, Christine. "Theory of Empire, Mythology and the Power of the Narrative." In Modernity, Memory and Identity in South-East Europe, 311–30. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55199-5_14.

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Hermann, Pernille. "Cultural Memory and Old Norse Mythology in the High Middle Ages." In Acta Scandinavica, 151–73. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.as-eb.5.109624.

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Lutsevich, Lyudmila F. "“Moon Friend” / “Lost Child”: A. Blok in the Memoir of Z. Gippius." In Merezhkovskys’ Circle: On the Occasion of the 150th Anniversary of Z.N. Gippius, 157–83. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0679-6-157-183.

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Memoir, dedicated to the memory of Alexander Blok, Z.N. Gippius titled My moon friend. About Blok (1922). In this title, attention is drawn to the epithet lunar, which needs clarification. The semantic basis of the concept of the moon is a complex interweaving of subject conceptuality with mythical imagery and various centuries-old cultural associations. In Slavic mythology, the moon has long symbolized the female intuitive principle. In the era of the Silver Age, the experiments of the metaphorical, symbolist correlation of this heavenly body with the problems of gender, religion and culture are actualized. The author of the article focuses on two significant components of the memoir text of Gippius: firstly on the “lunar” connotations present in the writer’s creative thinking, and more broadly — in the philosophical consciousness of the Silver Age; and secondly, the central concept of the memoir is “the lost child”. These components determine the intentional orientation of the memoir image of Alexander Blok, created by Gippius. Her idea of the “lunar” in the character of the poet’s personality is determined by the mystical “femininity” with its spiritualism, melancholy, deception of opportunities that can be productive for the development of art, but which, due to the immaturity, and the inconsistency of the creative “rationality”, may turn out to be detrimental to the “right” choice of the model of social behavior by the artist.
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Fletcher, Judith. "Epilogue." In Myths of the Underworld in Contemporary Culture, 201–4. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198767091.003.0005.

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Gathering together common themes from works by Barth, Gaiman, Byatt, Selick, Ferrante, Morrison, Bloom, Rushdie, and Patchett, a brief Conclusion reflects on the ubiquity of the descent motif and its status as a literary space in the context of postmodernism’s critiques of the canon. Underworld mythology lends itself to postmodern interrogations of authenticity, history, and authorial proprietorship. Further uses of the underworld tradition include artist Anish Kapoor’s “Descent into Limbo,” Oliver Sacks’ memoir Awakenings, Andrew Sean Greer’s novel Less, and Louise Glück’s Averno. The Other Worlds imagined in catabatic fiction contribute to these themes with implied correspondences between dreams and ghosts.
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"I: 4 Mythology." In Handbook of Pre-Modern Nordic Memory Studies, 79–92. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110431360-010.

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"II: 21 Nature and Mythology." In Handbook of Pre-Modern Nordic Memory Studies, 539–48. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110431360-057.

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"7. Conclusion: Memory, Mythology, and Nationalism." In Resurrecting the Jew, 192–200. Princeton University Press, 2022. http://dx.doi.org/10.1515/9780691237244-011.

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Streszczenia konferencji na temat "Mythology and memoir"

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Molchanova, E. K. "Demons and albasty in Iranian mythology (or who harm the women in childbirth and the newborn?)." In International scientific conference " Readings in memory of B.B. Lashkarbekov dedicated to the 70th anniversary of his birth". Yazyki Narodov Mira, 2020. http://dx.doi.org/10.37892/978-5-89191-092-8-2020-0-0-212-217.

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