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Rozprawy doktorskie na temat „National socialism and art”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 29 lipca 2024

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1

Frietsch, Elke. ""Kulturproblem Frau" Weiblichkeitsbilder in der Kunst des Nationalsozialismus /." Köln : Böhlau, 2006. http://catalog.hathitrust.org/api/volumes/oclc/71712948.html.

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2

Smith, Dana. "The Jewish Kulturbund in Bavaria, 1934-1938 : art and Jewish self-representation under National Socialism." Thesis, Queen Mary, University of London, 2015. http://qmro.qmul.ac.uk/xmlui/handle/123456789/27224.

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This thesis has two foci: the development of a National Socialist anti- Jewish cultural policy and the processes of internal Jewish community cultural self-representations. At the most basic level it is an organisational history of the Jewish Kulturbund in Bavaria between 1934 and 1938. Ultimately, however, the thesis is about the people: the artists, how they employed certain mediums for specific uses and how these events were received. The Kulturbund was the lone state approved Jewish cultural organisation in Nazi Germany; it was, in other words, the only public space for Jewish cultural p

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3

Neidhart, Karin. "Nationalsozialistisches Gedankengut in der Schweiz : eine vergleichende Studie schweizerischer und deutscher Schulbücher zwischen 1900 und 1945 /." Frankfurt am Main : P. Lang, 2004. http://catalogue.bnf.fr/ark:/12148/cb39271938t.

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4

Khut, Chiew-Lee. "Primacy of ideology? : the confiscation and exchange of "degenerate art" in the Third Reich /." Title page, abstract and table of contents only, 2001. http://web4.library.adelaide.edu.au/theses/09ARM/09armk45.pdf.

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5

Portevin, Jeanne-Marie. "L'art moderne à l'épreuve du nazisme : historiographie critique de sa réception ( 1945-2015)." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H029.

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Nombreux sont les ouvrages – et ce dans tous les domaines du savoir – qui traitent de l’Allemagne nationale-socialiste. Depuis 1947, et le livre d’Adolf Behne (Entartete Kunst), le sort des artistes dans le Troisième Reich suscite l’intérêt, si ce n’est la compassion, des historiens de l’art. Néanmoins, seuls les persécutés, ceux que le régime nazi avait taxé de "dégénérés", retiennent l’attention, célébrés comme autant de héros. Ce sont eux qui vont être appelés par les Alliés pour "décontaminer" un peuple tout entier corrompu par douze ans de dictature, et racheter la faute. C’est précisémen

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6

French, Rebecca S. C. "The devil in disguise : a comparative study of Thomas Mann's "Doktor Faustus" (1947 and Klaus Mann's "Mephisto" (1936, focussing on the role of art as an allegory of the rise and fall of Nazi Germany /." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1634/.

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7

Gailus, Manfred. "Protestantismus und Nationalsozialismus : Studien zur nationalsozialistischen Durchdringung des protestantischen Sozialmilieus in Berlin /." Köln : Böhlau Verl, 2001. http://catalogue.bnf.fr/ark:/12148/cb38828797b.

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8

Stewart, Richard M. (Richard Matthew). "Intellectuals and National Socialism: The Cases of Jung, Heidegger, and Fischer." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279245/.

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This thesis discusses three intellectuals, each from a distinct academic background, and their relationship with National Socialism. Persons covered are Carl Gustav Jung, Martin Heidegger, and Eugen Fischer. This thesis aims at discovering something common and fundamental about the intellectuals' relationship to politics as such. The relationship each had with National Socialism is evaluated with an eye to their distinct academic backgrounds. The conclusion of this thesis is that intellectuals succumb all too easily to political and cultural extremism; none of these three scholars saw themselv

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9

Higham, Jon. "The politics of memory in the Austrian province of Carinthia how distinctive are the collective memories of the three main political parties of Carinthia? /." Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2008. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26086.

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10

Miller, Jennifer Anne. "The Politics of Nazi Art: The Portrayal of Women in Nazi Painting." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5157.

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The study of Nazi art as an historical document provided an effective measure of Nazi political platform and social policy. Because the ideology of the Third Reich is represented within Nazi art itself, it is useful to have a good understanding of the politics and ideology, surrounding the German art world at the time. Women were used in this study as an exemplification of Nazi art. This study uses the subject of women in Nazi painting, to show how the ideology is represented within the art work itself. It was first necessary to understand the fervorent "cleansing" of the German art world init

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11

Brewin, Jennifer Ellen. "Navigating 'national form' and 'socialist content' in the Great Leader's homeland : Georgian painting and national politics under Stalin, 1921-39." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/290266.

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This thesis examines the interaction of Georgian painting and national politics in the first two decades of Soviet power in Georgia, 1921-1939, focussing in particular on the period following the consolidation of Stalin's power at the helm of the Communist Party in 1926-7. In the Stalin era, Georgians enjoyed special status among Soviet nations thanks to Georgia's prestige as the place of Stalin's birth. However, Georgians' advanced sense of their national sovereignty and initial hostility towards Bolshevik control following Georgia's Sovietisation in 1921 also resulted in Georgia's uniquely f

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12

Michaud, Eric. "Une construction de l'éternité : l'image et le temps du national-socialisme." Paris 1, 1995. http://www.theses.fr/1995PA010757.

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Le national-socialisme, defini par hitler comme "la dictature du genie", fondait son autorite sur le prestige de l'art d'une part, sur la structure de l'incarnation chretienne de l'autre. Dans chacun de ces deux modeles, le regime visait le processus capable de mener de l'"idee" a la "forme" (gestalt), de donner corps et realite au volksgeist, a l'esprit, au dieu ou au genie du peuple allemand la communaute du peuple devait trouver son identite et son salut par son "travail createur", dont le nazisme attendait les meilleures "performances" (leistungen) : un travail assimile a l'activite artist

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13

Prölss-Kammerer, Anja. "DieTapisserie im Nationalsozialismus : Propaganda, Repräsentation und Produktion, Facetten eines Kunsthandwerks im "Dritten Reich /." Hildesheim : G. Olms, 2000. http://catalogue.bnf.fr/ark:/12148/cb38966187w.

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14

Meckel, Anne. "Animation-Agitation : Frauendarstellungen auf der "Grossen deutschen Kunstausstellung" in München 1937-1944 /." Weinheim : Deutscher Studien Verl, 1993. http://catalogue.bnf.fr/ark:/12148/cb37509644n.

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15

Wagner, Andreas. ""Machtergreifung" in Sachsen : NSDAP und staatliche Verwaltung 1930-1935 /." Köln : Böhlau Verl, 2004. http://catalogue.bnf.fr/ark:/12148/cb392232955.

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16

Ketter, Helena. "Zum Bild der Frau in der Malerei des Nationalsozialismus : Eine Analyse von Kunstzeitschriften aus der Zeit des Nationalsozialismus /." Münster : Lit, 2002. http://catalogue.bnf.fr/ark:/12148/cb389555479.

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17

Wang, Yang. "Regionalizing National Art in Maoist China: The Chang’an School of Ink Painting, 1942–1976." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429839382.

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18

Holmes, Kim R. "The NSDAP and the crisis of agrarian conservatism in lower Bavaria : national socialism and the peasants' road to modernity /." New York : Garland, 1991. http://catalogue.bnf.fr/ark:/12148/cb370176497.

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19

Heinzelmann, Markus. "Die Landschaftsmalerei der Neuen Sachlichkeit und ihre Rezeption zur Zeit des Nationalsozialismus /." Frankfurt am Main : P. Lang, 1998. http://catalogue.bnf.fr/ark:/12148/cb39164580v.

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20

Einhaus, Carola. "Zwangssterilisation in Bonn (1934-1945) : die medizinischen Sachverständigen vor dem Erbgesundheitsgericht /." Köln : Böhlau, 2006. http://catalogue.bnf.fr/ark:/12148/cb40149426f.

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21

Kaffanke, Eva-Maria. "Der deutsche Heiland : Christusdarstellungen um 1900 im Kontext der völkischen Bewegung." Frankfurt am Main : P. Lang, 2001. http://catalogue.bnf.fr/ark:/12148/cb390196506.

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22

Erdmann-Rajski, Katja. "Gret Palucca : Tanz und Zeiterfahrung in Deutschland im 20. Jahrhundert : Weimarer Republik, Nationalsozialismus, Deutsche Demokratische Republik /." Hildesheim ; Zürich ; New York : G. Olms, 2000. http://catalogue.bnf.fr/ark:/12148/cb376889202.

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23

Nyburg, Anna. "Hardly a trace left of Danube or spree? : a contribution to the study of art book publishing and illustrated book production in Britain by German-speaking exiles from National Socialism." Thesis, Imperial College London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.506044.

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24

Tomberger, Corinna. "Das Gegendenkmal : Avantgardekunst, Geschichtspolitik und Geschlecht in der bundesdeutschen Erinnerungskultur." Bielefeld Transcript-Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2960449&prov=M&dokv̲ar=1&doke̲xt=htm.

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25

Rizzo, Susanna Grazia. "From paradise lost to promised land Christianity and the rise of West Papuan nationalism /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050127.105650/index.html.

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26

Iivonen, Jyrki. "Independence or incorporation ? : the idea of Poland's national self-determination and independence within the Russian and Soviet socialism from 1870s to the 1920s /." Helsinki : Finnish institute of international affairs, 1990. http://catalogue.bnf.fr/ark:/12148/cb355004319.

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27

Miller, Aaron Michael. "The Duality of the Hitler Youth: Ideological Indoctrination and Premilitary Education." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955087/.

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This thesis examines the National Socialists' ultimate designs for Germany's youth, conveniently organized within the Hitlerjugend. Prevailing scholarship portrays the Hitler Youth as a place for ideological indoctrination and activities akin to the modern Boy Scouts. Furthermore, it often implies that the Hitler Youth was paramilitary but always lacks support for this claim. These claims are not incorrect, but in regard to the paramilitary nature of the organization, they do not delve nearly deeply enough. The National Socialists ultimately desired to consolidate their control over the na

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28

Foster, Emmanuelle. "Les artistes peintres et graveurs allemands en exil à Paris : 1933-1939." Paris 1, 1991. http://www.theses.fr/1991PA010527.

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Cette recherche porte sur l'exil à Paris des plasticiens allemands qui quittèrent l’Allemagne hitlérienne entre 1933 et 1939. Kandinsky, Otto Freundlich, Max Ernst, Anton Raderscheidt, Hans Bellmer, Heinz Lohmar, Gert Wollheim etc. . . Ces artistes sont, pour la plupart, les représentants des grands courants esthétiques qui avaient consacré le renom international de l'art allemand sous la république de Weimar. L'exil représente un tournant dans leur biographie, parfois, une rupture dans leurs carrières. Leur rapport au monde s'en trouve modifie. Certains artistes développent pendant ces années

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29

Kunze, Hans Henning. "Restitution "entarteter Kunst" : Sachenrecht und internationales Privatrecht /." Berlin [u.a.] : de Gruyter, 2000. http://www.gbv.de/dms/sbb-berlin/319367886.pdf.

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30

Launay, Isabelle. "A la recherche d'une danse moderne : étude sur les écrits de Rudolf Laban et de Mary Wigman." Paris 8, 1994. http://www.theses.fr/1994PA080874.

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L'objet de cette thèse est l'étude de la notion de "danse moderne" à travers les textes de deux de ses fondateurs, Rudolf Laban et de Mary Wigman. L'introduction critique d'abord la présentation linéaire, progressive et déterministe de l'histoire de la danse habituellement proposée par les historiens de la danse. Elle envisage le désir de modernité en danse comme un combat pour une danse du présent. Dans deux chapitres successivement consacrés à Laban et Wigman sont analysés, d'une part, leur rapport au passé et aux héritages chorégraphiques, et d'autre part, leur perception de la vie moderne.

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31

Koontz, Christopher N. (Christopher Noel). "The Cultural Politics of Baldur von Schirach, 1925-1940." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278546/.

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32

Voigt, Vanessa-Maria. "Kunsthändler und Sammler der Moderne im Nationalsozialismus : die Sammlung Sprengel 1934 bis 1945 /." Berlin : Reimer, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016088396&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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33

Jakobi, Carsten. "Der kleine Sieg über den Antisemitismus : Darstellung und Deutung der nationalsozialistischen Judenverfolgung im deutschsprachigen Zeitstück des Exils 1933-1945 /." Tübingen : M. Niemeyer, 2005. http://catalogue.bnf.fr/ark:/12148/cb399347162.

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34

Haken, Boris von. "Der Reichsdramaturg : Rainer Schlösser und die Musiktheater-Politik in der NS-Zeit /." Hamburg : Von Bockel, 2007. http://catalogue.bnf.fr/ark:/12148/cb41078753h.

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35

Bent, George R. "Austrian National Socialism and the Anschluss." Oberlin College Honors Theses / OhioLINK, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1357673930.

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36

Klopffleisch, Richard. "Lieder der Hitlerjugend : eine psychologische Studie an ausgewählten Beispielen /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1995. http://catalogue.bnf.fr/ark:/12148/cb369586591.

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37

Roberge, Marc-André. "Die Musik(1901-44) la transformation d'un périodique à travers trois périodes de l'histoire allemande /." Ann Arbor (Mich.) : UMI, 1988. http://catalogue.bnf.fr/ark:/12148/cb40036207h.

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38

Cook, Andrew V. "Marxist historiography and the problem of National Socialism /." Title page and introduction only, 1997. http://web4.library.adelaide.edu.au/theses/09AR/09arc7681.pdf.

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39

Hallam, Huw. "Political sound : National Socialism and its musical afterlive." Thesis, King's College London (University of London), 2014. https://kclpure.kcl.ac.uk/portal/en/theses/political-sound(32adb915-a688-45b5-9107-e110e54d7f7f).html.

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This thesis examines the political significance of music (and sonic expression more broadly) in National Socialist Germany and the shadow cast by it over subsequent music history. I argue that sonic expression in the Third Reich held much greater political significance than has elsewhere been recognized, featuring as a prominent component of the Reich’s sovereign command structure. The thesis attempts to shed light on this intercourse between the musical and the political at a theoretical level and to trace its impact on various developments in post-1945 sonic arts practices. Part I explores w

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40

Hancock, Eleanor. "The national socialist leadership and total war 1941-5 /." New York : St. Martin's press, 1991. http://catalogue.bnf.fr/ark:/12148/cb374707263.

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Texte remanié de: doctoral th.--Australian national university, 1988. Titre de soutenance : Mobilizing for total war : the national socialist leadership and social and labour prerequisites for intensifying the German war effort, 1941-1945.<br>Titre de couv. "National socialism leadership and total war 1941-45" Notes bibliogr. Bibliogr. Index.

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41

Kunz, C. "The history of National Socialism in Herne, 1925-1949." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384677.

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42

Haeberlin, Andrew Jarausch Konrad Hugo. "Politicizing education German teachers face National Socialism, 1930-1932 /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2327.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2009.<br>Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History." Discipline: History; Department/School: History.

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43

Bowden, Robin L. "Diagnosing Nazism U.S. perceptions of National Socialism, 1920-1933 /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1247588433.

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Thesis (Ph.D.)--Kent State University, 2009-07-14.<br>Title from PDF t.p. (viewed March 5, 2010). Advisor: Mary Ann Heiss. Keywords: Foreign Relations; United States; Germany; Weimar Republic; Hitler, Adolf; National Socialism; Nazis; U.S. State Department; Houghton, Alanson; Schurman, Jacob Gould; Sackett, Frederic; Murphy, Robert; Smith, Truman; 1920s; 1930s; Interwar Period; America. Includes bibliographical references (p. 318-335).

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44

Heinrich, Horst-Alfred. "Politische Affinität zwischen geographischer Forschung und dem Faschismus im Spiegel der Fachzeitschriften : ein Beitrag zur Geschichte der Geographie in Deutschland von 1920 bis 1945 /." Giessen : Selbstverl. des Geographischen Instituts der Justus Liebig-Universität Giessen, 1991. http://catalogue.bnf.fr/ark:/12148/cb37018554s.

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45

Karlsson, Ingemar. "Historien som biologiskt öde : om perspektivförskjutningar inom mellankrigstidens tyska historieskrivning /." Göteborg : Univ, 1989. http://catalogue.bnf.fr/ark:/12148/cb37620105s.

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46

Breiding, Birgit. "Die Braunen Schwestern : Ideologie, Struktur, Funktion einer nationasozialistischen Elite /." Stuttgart : in Kommission bei F. Steiner, 1998. http://catalogue.bnf.fr/ark:/12148/cb371204977.

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47

Maxwell, Rachel Elizabeth. "Aeschylus and National Socialism: Lothar Müthel's Orestie as Nazi Propaganda." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6020.

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This thesis analyzes the text, stage design, and historical context of Lothar Müthel's production of Aeschylus's Oresteia trilogy in 1936, which was sponsored by the National Socialist government during a broader publicity campaign during the Summer Olympics of 1936. The third play, Eumenides (Die Versöhnung in German) has democratic undertones, and therefore seems incompatible with Nazi ideology at first glance. There are three ways in which the Nazis made Müthel's adaptation of Die Versöhnung compatible. First, in the context of the Olympics, the Nazis attempted to draw a connection or relat

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48

Pohlmann, Friedrich. "Ideologie und Terror im Nationalsozialismus /." Pfaffenweiler : Centaurus-Verlagsgesellschaft, 1992. http://catalogue.bnf.fr/ark:/12148/cb37017722g.

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49

Lööw, Heléne. "Hakkorset och Wasakärven : en studie av nationalsocialismen i Sverige 1924-1950 /." Göteborg : H. Lööw : Historiska institutionen i Göteborg, 1990. http://catalogue.bnf.fr/ark:/12148/cb37598837j.

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50

Östling, Johan. "Nazismens sensmoral : svenska erfarenheter i andra världskrigets efterdyning /." Stockholm : Atlantis, 2008. http://catalogue.bnf.fr/ark:/12148/cb41410253n.

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