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Artykuły w czasopismach na temat „Non-human actors”

Autor: Grafiati

Data publikacji: 5 czerwca 2025

Data aktualizacji: 2 sierpnia 2025

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Benali, Amira, and Carina Ren. "Lice work: Non-human trajectories in volunteer tourism." Tourist Studies 19, no. 2 (2019): 238–57. http://dx.doi.org/10.1177/1468797619832311.

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This article studies volunteer tourism by following the trajectories of a non-human actor. Based on fieldwork at a Nepalese orphanage and drawing on insights from the material semiotics of Actor–Network Theory, we describe how the louse interferes as an unexpected actor with volunteer tourism at the orphanage. This post-human approach decentres the volunteer and destabilises the host–guest binary while adding to our understanding of tourism practices as complex and materially distributed endeavours. We analyse two configurations of head lice enacted through a modern morality of hygiene and Nep

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Rachman, Arief F., Amirul Mukminin, Linda Desafitri R.B., et al. "Exploring the Relationship between Human and Non-human actors in Cycling Tour of Flores Island." Dirasat: Human and Social Sciences 52, no. 4 (2025): 6062. https://doi.org/10.35516/hum.v52i4.6062.

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Objectives: Research aimed to recognize the model contestation between human and non-human actors at the arena of cycling tour in the eastern part of Indonesia in Flores Island. Methods: The research was socio-technical paper, qualitative descriptive method was used to follow the contestation value between cycling tourist and its technical actors during the journey. researchers observed and participated on cycling touring at Flores Island. All participants were Jakarta residents that had different variety of age, gender, occupation and living arrangements. variety of participants ranged in age

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Clancy, Zachary M., and Heng-Yu Ku. "Using the Viable System Model to Understand the Roles of Non-Human Actors in Online Communities." International Journal of Organizational and Collective Intelligence 11, no. 4 (2021): 21–34. http://dx.doi.org/10.4018/ijoci.2021100103.

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While myriad studies have explored the role of humans in online social media-based communities, fewer studies have examined the roles of non-human actors in those online places. This study uses the actor-network theory and the viable system model to analyze the roles of hashtags communities to gain a better understanding of the larger cybernetic ecosystem in which non-human actors operate. Actor-network theory provides the theoretical understanding that frames this study. The viable system model is a five-tier system based on methods of communication and control in both living and non-living e

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McDonnell, Thomas M., Winston P. Nagan, Richard Dicker, and Patricia Armstrong. "Human Rights and Non-State Actors." Pace International Law Review 11, no. 1 (1999): 205. http://dx.doi.org/10.58948/2331-3536.1250.

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Hara, Abubakar Eby, Suyani Indriastuti, and Agus Trihartono. "Beyond the Global Agenda." Journal of Southeast Asian Human Rights 6, no. 2 (2022): 204. http://dx.doi.org/10.19184/jseahr.v6i2.34112.

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This article examines how state and religious non-state actors understand and make efforts to overcome human security challenges in Indonesia. The activities of these actors are largely outside the UNDP global human security agenda because they have been conducted long before the concept of human security was popularised. The authors seek to reinterpret the concept of human security as a paradigm to make it more attuned to the experience of the state and religious non-state actors when dealing with human security challenges in the Indonesian context. Data from primary and secondary sources gat

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Samarghandi, Hamed, Davood Askarany, and Bahareh Banitalebi Dehkordi. "A Hybrid Method to Predict Human Action Actors in Accounting Information System." Journal of Risk and Financial Management 16, no. 1 (2023): 37. http://dx.doi.org/10.3390/jrfm16010037.

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Recent literature shows that adopting an accounting information system (AIS) can lead to better decision-making, planning, efficiency and on-time management control, and organisational functionality. However, the impact of AIS implementation on role creation in the organisation is unclear. With the digital transformation of AIS and daily advances in machine learning and other innovative technologies, it is also unclear how these changes interact with human roles in organisations and which AIS components are considered essential. This paper addresses the above issues by applying the actor-netwo

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Uddipta Ranjan Boruah. "Human Folly and Border Fences: Looking to Non-Human Actors at the Indo–Bangladesh Border." Borders in Globalization Review 3, no. 1 (2021): 59–66. http://dx.doi.org/10.18357/bigr31202120260.

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The obsession with inter-state territorial borders and the associated paraphernalia of border management and security makes borders and their management a primarily human-centric discourse. This paper makes an attempt at introducing the agency of rivers as non-human actors—or rather as actants—in shaping and managing international borders. The paper looks specifically at the riverine sector of the Indo-Bangladesh border, where the international boundary has been re-negotiated each year by the transnational rivers, primarily the Brahmaputra (also the Gangadhar), through flooding, erosion, and d

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Kennan, Mary Anne, Dubravka Cecez-Kecmanovic, and Jim Underwood. "Having a Say Voices for all the Actors in ANT Research?" International Journal of Actor-Network Theory and Technological Innovation 2, no. 2 (2010): 1–16. http://dx.doi.org/10.4018/jantti.2010040101.

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This article explores issues associated with giving non-human actors a voice of their own in actor-network theory based research. What issues arise in doing so? Does doing so increase understanding of the issue to hand, bring to life and make more accessible and interesting the stories of these actors? Or does this anthropomorphism detract from the issues at hand? The authors discuss these broader issues and then present findings from an ANT field study which investigated the implementation of institutional repositories and their relations with the spread of open access to scholarly publishing

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Abdallah, Salam, Mohsin Malik, and Uzma Chaudhry. "An actor–network theory perspective for “Lean” interventions in manufacturing firms." TQM Journal 32, no. 6 (2020): 1487–506. http://dx.doi.org/10.1108/tqm-05-2019-0146.

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PurposeThis paper tracks the network of actors participating in the initial implementation of a “Lean management” system, in order to identify associations between human and non-human participants conducive to successful adoption of the system.Design/methodology/approachThe perspective of actor–network theory (ANT) helps reveal the complex dynamics at play in a “Lean” intervention at a manufacturing firm. It allows to identify key actors (human and non-human), as well as the possible associations between them, and helps produce network diagrams to track the changes in actors' roles and in netw

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Tokuhisa, Satoru, and Tetsuro Morimoto. "Service design method for both non-human and human actors: What kinds of jobs should be assigned to service robots?" Journal of Design, Business & Society 7, no. 2 (2021): 141–63. http://dx.doi.org/10.1386/dbs_00025_1.

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A variety of healthcare robots for elderly care have been developed. However, as the elderly and caregivers experience psychological resistance towards not only new technologies but specifically to robots, the adoption of healthcare robots has scarcely progressed. This article aims to develop a service design method, which consists of a design process including design tools to identify jobs in an elderly care facility and to reveal what kinds of jobs to assign to service robots and to caregivers. This article develops a design method which is composed of six steps and adopts original design to

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Adamopoulos, Arthur, Martin Dick, and Bill Davey. "Actor-Network Theory and the Online Investor." International Journal of Actor-Network Theory and Technological Innovation 4, no. 2 (2012): 25–31. http://dx.doi.org/10.4018/jantti.2012040103.

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An actor-network analysis of the way in which online investors use Internet-based services has revealed a phenomenon that is not commonly reported in actor-network theory research. An aspect of the research that emerged from interviews of a wide range of online investors is a peculiar effect of changes in non-human actors on the human actors. In this paper, the authors report on the particular case and postulate that this effect may be found, if looked for, in many other actor-network theory applications.

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Stenzel, Anna, and Roman Liepelt. "Joint Simon effects for non-human co-actors." Attention, Perception, & Psychophysics 78, no. 1 (2015): 143–58. http://dx.doi.org/10.3758/s13414-015-0994-2.

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Resmadi, Idhar, Rendy Pandita Bastari, Lingga Agung, and Luqman Rusdan Nugraha. "Performativity of Virtual Community: An Analysis of Actor-Network Theory in NFT Virtual Community." Jurnal Sosioteknologi 21, no. 3 (2022): 265–77. http://dx.doi.org/10.5614/sostek.itbj.2022.21.3.4.

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Visual artists used NFT (non-fungible tokens) to market artwork and build virtualcommunity networks. NFTs are special certificates or licenses for digitally sold items.In this context, the presence of NFT creators has given rise to a virtual communityinvolving many digital media activities. The phenomenon then offers a variety of newtechnology-based relationships (blockchain, metaverse, NFT, Twitter, Twitter Spaces,Discord, and Clubhouse) and human actors (artists, digital artists, and designers), whichgive rise to specific characteristics to interact with each other or market their artworkin

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Bescos, Pierre-Laurent, Aude Deville, and Philippe Foulquier. "BSC and long-term deployment: an actors' perspective." Journal of Applied Accounting Research 21, no. 3 (2020): 383–96. http://dx.doi.org/10.1108/jaar-01-2019-0017.

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PurposeThis paper examines the roles of the balanced scorecard (BSC) in a long-term perspective and with a large deployment along numerous hierarchical levels. For this purpose, we use a longitudinal analysis of an implementation in a mutual insurance company.Design/methodology/approachWe combine actor–network theory (ANT) with interventionist research (IVR) to analyze the interrelation between human and non-human actors. Our study is based on various materials like interviews, meeting reports, graphs and so on.FindingsThe BSC is considered as a non-human actor which influences the human actor

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Seo, Yu-Min, and Kyeong-Hwa Lee. "An Analysis of the Actor-Network in Teaching and Learning about Informal Statistical Inference." Korean Society of Educational Studies in Mathematics - School Mathematics 26, no. 2 (2024): 237–65. http://dx.doi.org/10.57090/sm.2024.06.26.2.237.

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This study started from a critical awareness of the ontological position of technology in mathematics teaching and learning. Based on the perspective of Actor-Network Theory(ANT), we consider teaching and learning as a network and focus on the agency that emerges from the combination of human actors and non-human actors. The results of research with comparing data sets tasks based on the concepts of distribution and sample with elementary school students in grades 5 showed that the key actors were teachers and students, technology such as graphs, diagrams, TinkerPlots, and the concepts of dist

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Cavalcante, Ricardo Bezerra, Cristiano José da Silva Esteves, Tarcísio Laerte Gontijo, Maria José Menezes Brito, Eliete Albano de Azevedo Guimarães, and Simone de Pinho Barbosa. "Computerization of primary health care in Brazil: the network of actors." Revista Brasileira de Enfermagem 72, no. 2 (2019): 337–44. http://dx.doi.org/10.1590/0034-7167-2018-0381.

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ABSTRACT Objective: To analyze the network of human and non-human actors involved in the computerization of primary health care in the Brazilian federal government. Method: A qualitative study that used as a theoretical reference the actor-network theory and as a methodological reference the cartography of controversies. Data analysis was carried out using Gephi software, and through the extraction of reports, informed by the actor-network theory. Results: We found a network of 288 connections among 33 actors, composed mainly of nonhuman influencers of computerization. These actors are distrib

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Ahyar, Muhammad Ahnaf Nadewa Biyangsa, Risma Niswaty, and Aris Baharuddin. "CARE GOVERNANCE: ADMINISTRASI PUBLIK DI ERA ANTROPOSEN." Efisiensi : Kajian Ilmu Administrasi 22, no. 1 (2025): 60–75. https://doi.org/10.21831/efisiensi.v22i1.79336.

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Abstrak: Care Governance: Administrasi Publik di Era AntroposenPenelitian ini bertujuan untuk menjelaskan dan memberikan gambaran konseptual terkait paradigma care governance dan menjelaskan posisi dan peran aktor-aktor non-manusia dalam paradigma care governance. Penelitian ini menggunakan pendekatan kualitatif-eksploratif dengan jenis penelitian studi pustaka. Teknik pengumpulan data yang digunakan dalam penelitian ini ialah systematic literature review. Teknik analisis data yaitu, reduksi data, penyajian data dan penarikan kesimpulan. Hasil penelitian menunjukkan secara konseptual paradigma

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Guedes, Josefina Aparecida Soares, Rita de Cássia Fonseca, and Faimara do Rocio Strauhs. "Semantic portals from sociothecnical perspective of the actor-network theory." Perspectivas em Ciência da Informação 27, no. 4 (2022): 54–80. http://dx.doi.org/10.1590/1981-5344/25314.

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ABSTRACT Semantic portals, such as socio-technical artifacts, involve different actors that are aligned to offer communication and information search services more quickly and accurately. The objective of this study is to describe the network of actors involved in the construction of semantic portals and their interrelationships. The precepts of the Actor-Network Theory were used as a methodology to design a network of semantic portals from selected studies in the literature. The results indicated that the design of the network of semantic portals points to actions of human actors: portal admi

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Devi, Wairokpam Premi, and Hemant Kumar. "Innovation Processes of Cymbopogon Citratus Tea in Manipur, India." International Journal of Actor-Network Theory and Technological Innovation 8, no. 3 (2016): 10–25. http://dx.doi.org/10.4018/ijantti.2016070102.

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By adopting Actor Network Theory (ANT) in the empirical context of Cymbopogon citratus Tea (CC Tea) in Manipur, this paper analyses the networks of key actors in the innovation process. Innovation happens when there is an interaction between actors, institutions and economic structures across the level of hierarchy. In this process, there has been a close association between human and non human. Ethnographic case study is used to understand the socio-cultural and ethnographical context of key actors in the CC Tea innovation process. Semi structured in-depth interview has been conducted to the

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Jensen, Sisse Siggaard. "With or as avatars? The semiosis of avatars in actor-networks of human and non-human actors." Journal of Gaming & Virtual Worlds 4, no. 2 (2012): 171–87. http://dx.doi.org/10.1386/jgvw.4.2.171_1.

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Hesselman, Marlies, and Lottie Lane. "Disasters and non-state actors – human rights-based approaches." Disaster Prevention and Management 26, no. 5 (2017): 526–39. http://dx.doi.org/10.1108/dpm-07-2017-0174.

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Purpose The purpose of this paper is to examine the roles and responsibilities of non-state actors (NSAs) in contributing to disaster governance from an international human rights law (IHRL) perspective. In particular, it examines how non-governmental organizations (NGOs) and business enterprises are implicated. Design/methodology/approach The paper analyzes a range of IHRL instruments, particularly treaties and international soft-law documents, and it utilizes the concepts “human rights-based approaches” (HRBAs) and “direct”/“indirect” human rights obligations to frame and understand how IHRL

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DE BRABANDERE, ERIC. "Non-state Actors, State-Centrism and Human Rights Obligations." Leiden Journal of International Law 22, no. 1 (2009): 191–209. http://dx.doi.org/10.1017/s0922156508005700.

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Despite its not being an entirely new debate in international law and international relations, the nexus between human rights and non-state actors has become a highly relevant topic of scholarly research, as witnessed by the three works under review, published in 2005 and 2006. When Andrew Clapham published in 1993 Human Rights in the Private Sphere, in which he already questioned the public/private divide of human rights law, the book was then categorized as both ‘adventuresome and timely’. Some fifteen years later, an analysis of this topic can no longer be called ‘adventuresome’, but the ti

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Tsemach, Ehud, Baruch Schwarz, Mirit Israeli, and Omer Keynan. "Advancing group epistemic practices in the resolution of interdisciplinary societal dilemmas." Dialogic Pedagogy: An International Online Journal 11, no. 3 (2023): A119—A148. http://dx.doi.org/10.5195/dpj.2023.551.

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The present paper inquires whether a meticulous program designed to resolve Interdisciplinary Societal Dilemmas through dialogic argumentation advances epistemic practices. To delineate how epistemic practices are manifested in classroom discussions, we adopted the Actor-Network Theory (ANT), which explores the interactions and agencies of human and non-human actors. ANT analyses uncover the power these actors exert on each other and help recognize the networks that these actors create or dissolve. They also delineate how epistemic practices emerge and are shaped in these networks. We identifi

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Tatnall, Arthur, and Bill Davey. "The Internet of Things and Beyond: Rise of the Non-Human Actors." International Journal of Actor-Network Theory and Technological Innovation 7, no. 4 (2015): 56–67. http://dx.doi.org/10.4018/ijantti.2015100105.

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In the past, it was rare for non-humans to interact with each other without any involvement by humans, but this is changing. The Internet of Things (IoT) involves connections of physical things to the Internet. It is largely about the relationships between things, or non-humans actors. In other cases the ‘Things' seem to have inordinate power. The authors will ask: where does this leave humans? Are the things taking over? As a consideration of interactions like this must be a socio-technical one, in this article the authors will make use of Actor-Network Theory to frame the discussion. While t

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Iyamu, Tiko, and Dewald Roode. "The Use of Structuration Theory and Actor Network Theory for Analysis." International Journal of Actor-Network Theory and Technological Innovation 2, no. 1 (2010): 1–26. http://dx.doi.org/10.4018/jantti.2010071601.

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In the current climate of global competitiveness, many organisations are increasingly dependent on their IT strategy—either to increase their competitiveness, or often just to survive. Yet little is known about the non-technical influencing factors (such as people) and their impact on the development and implementation of IT strategy. There would therefore seem to be prima facie evidence that there is a need for a new approach to examining the relationships between social factors, technology and the organisation with respect to the development and implementation of IT strategy. This article se

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Vimal, Manoj. "Gene, Genomics and Networks." International Journal of Actor-Network Theory and Technological Innovation 9, no. 1 (2017): 1–12. http://dx.doi.org/10.4018/ijantti.2017010101.

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Innovations in biomedical research have the potential to transform the healthcare diagnostics. Human genomics research is another approach which provides new tools and techniques by which life science researchers hope will help in predicting susceptibility towards common diseases. In this backdrop, this paper attempts to explore at the intersection of health, technology and society by attempting to understand as how human genomics approach can help the life scientists to unravel the disease susceptibility in case of human genetic disorders. Actor-Network Theory has been deployed as a theoretic

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Golf-Papez, Maja, and Ekant Veer. "Feeding the Trolling: Understanding and Mitigating Online Trolling Behavior as an Unintended Consequence." Journal of Interactive Marketing 57, no. 1 (2022): 90–114. http://dx.doi.org/10.1177/10949968221075315.

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Trolling is a form of consumer misbehavior that involves deliberate, deceptive, and mischievous attempts to provoke reactions from other online users. This research draws on actor-network theory to explore the assemblages of human and non-human entities that allow and perpetuate online trolling behaviors. By taking a practice-focused multi-sited ethnographic research approach, the research shows that online trolling is often an unintended consequence of interactions between human and non-human entities that are joined in the performance of trolling behavior. These entities include: troll(s), t

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Spöhrer, Markus. "Murphy’s Law in Action." International Journal of Actor-Network Theory and Technological Innovation 5, no. 1 (2013): 19–39. http://dx.doi.org/10.4018/jantti.2013010102.

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This paper explores the possibilities of Actor-Network-Theory as a methodological approach to Production Studies. On the basis of a detailed production log written by producer Paul Lazarus III, the coming-into-being of the film Barbarosa (1982) is described. By using Bruno Latour’s and Michel Callon’s approach, the assemblies of the film production, the hybrid networks and interconnections which are established by human as well non-human actors, are dealt with. Thus film production is not a one sided process of inscriptions by human actors on non-human actors. Rather it is thought as a recipro

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Nolasco-Rozsas, L., and Y. Hofmann. "The Museum as a Cognitive System of Human and Non-Human Actors." Garage Journal, no. 03 (September 24, 2021): 1–15. https://doi.org/10.35074/gj.2021.87.92.003.

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The essay introduces a new line of research at the ZKM | Center for Art and Media Karlsruhe that examines the role and experiments with museum applications of information technology, specifically artificial intelligence (AI) and extended reality technologies (e.g., augmented, mixed, and virtual realities). Currently, two projects at the ZKM have taken up the initiative to start practice-based research: Beyond Matter and intelligent.museum. These projects are discussed in this essay with the aim of demonstrating that the museum is being successively transformed into a cognitive system of human

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Meiches, Benjamin. "Non-human humanitarians." Review of International Studies 45, no. 1 (2018): 1–19. http://dx.doi.org/10.1017/s0260210518000281.

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AbstractThe study of humanitarian intervention typically focuses on the human victims and saviours in armed conflict and natural disasters. Moreover, explanations of the virtues of humanitarian norms and ethics emphasise the importance of the university of suffering and the empathic nature of humanitarian efforts. In contrast, this article explores the neglected world of ‘non-human humanitarians’. Specifically, the article outlines three cases of non-human actors that expand and complicate international humanitarian practices: dogs, drones, and diagrams. Drawing on new materialist and posthuma

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Grobler, Mohini Meghan. "Derived Heuristics for Academic Integrity Enculturation – an Actor-Network Theory Perspective of Automated Plagiarism Management." Revista de Gestão Social e Ambiental 18, no. 12 (2024): e010484. https://doi.org/10.24857/rgsa.v18n12-163.

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Objective: This study examines the efficacy of enculturation of academic integrity, in the context of an automated student plagiarism management system (ASPMS) at a private higher education institution (PHEI) to provide heuristics for related endeavours. Theoretical Framework: In this topic, the main theory underpinning the research is the Actor-Network Theory (ANT). Method: The methodology adopted for this research comprises a mixed approach, incorporating both qualitative thematic analysis of transcripts of interviews with human actors and quantitative analyses of data gathered from the ASPM

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Boselli, Stefano. "‘And may the best…thing win!’: Posthuman actor–networks in RuPaul’s Drag Race." Queer Studies in Media & Popular Culture 8, no. 1 (2023): 15–29. http://dx.doi.org/10.1386/qsmpc_00085_1.

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Over the past fourteen years, the highly successful reality TV competition series RuPaul’s Drag Race has popularized drag as the male performance of an idealized female form. Current scholarship on the show mostly investigates its human components in terms of race, body types or social networks, but the plethora of not necessarily gendered non-human actors that contribute to drag performance remains underappreciated. Drawing on actor–network and assemblage theories in a posthuman framework to acknowledge the shared and convergent agencies of humans and things, this article focuses on three maj

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Clapham, Andrew. "Human rights obligations of non-state actors in conflict situations." International Review of the Red Cross 88, no. 863 (2006): 491–523. http://dx.doi.org/10.1017/s1816383106000658.

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AbstractThe threat to human rights posed by non-state actors is of increasing concern. The author addresses the international obligations of belligerents, national liberation movements and insurgent entities, looks at the growing demands that such armed groups respect human rights norms and considers some of the options for holding private military companies accountable with regard to human rights abuses. The argument developed throughout this article is that all sorts of non-state actors are increasingly expected to comply with principles of international human rights law.

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Clifton, Jonathan, Fernando Fachin, and François Cooren. "How Artefacts Do Leadership: A Ventriloquial Analysis." Management Communication Quarterly 35, no. 2 (2021): 256–80. http://dx.doi.org/10.1177/0893318921998078.

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To date there has been little work that uses fine-grained interactional analyses of the in situ doing of leadership to make visible the role of non-human as well as human actants in this process. Using transcripts of naturally-occurring interaction as data, this study seeks to show how leadership is co-achieved by artefacts as an in-situ accomplishment. To do this we situate this study within recent work on distributed leadership and argue that it is not only distributed across human actors, but also across networks that include both human and non-human actors. Taking a discursive approach to

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Konijnendijk van den Bosch, Cecil C. "Tree agency and urban forest governance." Smart and Sustainable Built Environment 5, no. 2 (2016): 176–88. http://dx.doi.org/10.1108/sasbe-07-2015-0017.

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Purpose – The role of urban forests and urban trees in creating vibrant and resilient cities is widely recognised. Urban forest governance as the strategic decision and rule making for urban tree resources is no longer solely the domain of governmental actors, but occurs rather often as network governance also involving businesses and civic society. However, governance theory usually does not consider the role of non-human agency, which can be considered problematic due to, for example, the important role of urban trees in place making. The purpose of this paper is to provide further insight i

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Najeh, Said, Zainab Heyame, Khalid Oulad Seghir, and Said Youssef. "The role of non-human actors in the acceptance of management accounting: the case of a Moroccan public establishment." Multidisciplinary Science Journal 7, no. 3 (2024): 2025119. http://dx.doi.org/10.31893/multiscience.2025119.

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Like private companies, public service establishments are seeking to improve their performance by adopting management control tools. However, their acceptance in this context raises specific challenges. Unlike the private sector, where profitability is often the main driver for the acceptance of such tools, the public sector has to deal with more complex organizational dynamics involving many actors. This article examines the reasons underlying the acceptance of a management control tool, in particular a management accounting system, in the Moroccan public sector. The research is based on a qu

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Lane, Lottie. "The Horizontal Effect of International Human Rights Law in Practice." European Journal of Comparative Law and Governance 5, no. 1 (2018): 5–88. http://dx.doi.org/10.1163/22134514-00501001.

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This article critically examines whether, and how, five United Nations human rights treaty monitoring bodies deal with situations in which human rights have been interfered with by non-State actors. The article uses the concepts of ‘direct’ and ‘indirect’ horizontal effect of international human rights law. An in-depth comparative analysis reviews the monitoring bodies’ general comments and views on individual communications from the bodies’ establishment until August 2017. The analysis identifies very limited evidence of ‘direct’, and two main kinds of ‘indirect’ horizontal effect of human ri

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Farrior, Stephanie. "State Responsibility for Human Rights Abuses by Non-State Actors." Proceedings of the ASIL Annual Meeting 92 (1998): 299–303. http://dx.doi.org/10.1017/s0272503700058067.

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McCorquodale, Robert. "Human Rights Obligations of Non-State Actors by Andrew Clapham." Modern Law Review 70, no. 6 (2007): 1023–24. http://dx.doi.org/10.1111/j.1468-2230.2007.00677.x.

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Kruma, Kristine. "Human Rights Obligations of Non-State Actors – By Andrew Clapham." European Law Journal 14, no. 3 (2008): 383–87. http://dx.doi.org/10.1111/j.1468-0386.2008.00418_4.x.

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Schöps, Jonathan David, Christian Reinhardt, and Andrea Hemetsberger. "Sticky market webs of connection – human and nonhuman market co-codification dynamics across social media." European Journal of Marketing 56, no. 13 (2022): 78–104. http://dx.doi.org/10.1108/ejm-10-2020-0750.

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Purpose Digital markets are increasingly constructed by an interplay between (non)human market actors, i.e. through algorithms, but, simultaneously, fragmented through platformization. This study aims to explore how interactional dynamics between (non)human market actors co-codify markets through expressive and networked content across social media platforms. Design/methodology/approach This study applies digital methods as cross-platform analysis to analyze two data sets retrieved from YouTube and Instagram using the keywords “sustainable fashion” and #sustainablefashion, respectively. Findin

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Garcia-Perez, Alexeis, and Denise Bedford. "Impact of Non-Human Actors in Communicating Meaning: Towards a Knowledge Translation Framework." European Conference on Knowledge Management 24, no. 1 (2023): 89–97. http://dx.doi.org/10.34190/eckm.24.1.1380.

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Knowledge Translation is a core research topic in the field of knowledge sciences. To date, traditional research on knowledge translation has come from medical and health sciences. This is not surprising because in health sciences and medicine, there is a long tradition of review of evidence-based research, information dissemination and translating theory to application. While providing a strong foundation for understanding knowledge translation, research focused on the healthcare domain overlooks the scope or the scale of knowledge translation we all encounter every day in the course of livin

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Sosnovskaya, Anna M. "URBAN PARK CULTURE: DISPOSITIVE AND ACTOR-NETWORK ANALYSES OF THE INTERNATIONALIST PARK IN SAINT PETERSBURG." Articult, no. 1 (March 2024): 91–111. http://dx.doi.org/10.28995/2227-6165-2024-1-91-111.

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The article is the first to comprehensively analyze the social, discursive, ideological, and compositional features of an urban park in a dormitory district of St. Petersburg, taking into account the actor-network theory. Chronological transformations of the Internationalist Park show the dynamics of culture and history of the neighborhood, and implicit values of different actors, including non-humans, reveal networks, practices and narratives that, when coexisting, cause conflicts and tensions due to unfinished needs of the actors. This article analyzes the elements of the park ensemble in th

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Wijerathne, Chamali, and Tharusha Gooneratne. "Appearance, Disappearance and Reappearance of Activity Based Costing: A Case Study from a Sri Lankan Manufacturing Firm." Asia-Pacific Management Accounting Journal 14, no. 3 (2019): 49–81. http://dx.doi.org/10.24191/apmaj.v14i3-03.

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The purpose of this paper was to identify why activity based costing (ABC) implementation in organizations at times do not continue despite their early interest, but later regain importance. Using the qualitative case study approach, the paper explored the reasons for the appearance, disappearance and reappearance of ABC drawing field data from a Sri Lankan porcelain manufacturing firms, called Gamma. Guided by the theoretical underpinnings of the Actor-Network Theory (ANT), and the translation process therein, we follow organizational managers (human actors) and their interactions with variou

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Iyamu, Tiko, and Arthur Tatnall. "An Actor-Network Analysis of a Case of Development and Implementation of IT Strategy." International Journal of Actor-Network Theory and Technological Innovation 1, no. 4 (2009): 35–52. http://dx.doi.org/10.4018/jantti.2009062303.

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Increasingly, many organizations are highly dependent on support from Information Technology (IT). Even though Carr has controversially argued that IT does not matter, there seems to be prima facie evidence that even the most ambitious business vision still needs IT to enable it. As such, there has been much focus and emphasis on technologies, and less attention on non-technical components in the development and implementation of IT strategy. This study is focused on the connection between the technical and nontechnical, including the relationships between actors in the development and impleme

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Goni, Liana Mendonca, Nardel Luiz Soares da Silva, and Eduardo Guedes Villar. "Translating the Wild Boar in Brazil: The Challenges of Interessement in Actor-Network Theory." Journal of Sustainable Development 18, no. 3 (2025): 102. https://doi.org/10.5539/jsd.v18n3p102.

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The wild boar (Sus scrofa), an invasive alien species with high ecological plasticity, has become a global concern due to its environmental, economic, and social impacts. In Brazil, its uncontrolled expansion has triggered complex conflicts involving diverse stakeholders. This study explores the sociotechnical translations of the wild boar using the Actor-Network Theory (ANT), particularly Michel Callon&rsquo;s Sociology of Translation, to examine how different actors construct and negotiate the species&rsquo; meaning and management. Through a qualitative case study approach, we identi

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Sarosa, Samiaji, and Arthur Tatnall. "Failure to Launch." International Journal of Actor-Network Theory and Technological Innovation 7, no. 4 (2015): 1–13. http://dx.doi.org/10.4018/ijantti.2015100101.

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One of the main causes of delayed and failed information systems project development is scope creep. The increasing number of features demanded by stakeholders to be built into the applications within a fixed time limit is a recipe for failure. This article looks into the process of a web application development failure, where scope creep was deemed as the main cause. An in depth look into the time line of the project also reveal another cause, which was the failure of the application itself along with the platform (hardware and software) to actually execute the software. It is believed that a

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Bellal, Annyssa, Gilles Giacca, and Stuart Casey-Maslen. "International law and armed non-state actors in Afghanistan." International Review of the Red Cross 93, no. 881 (2011): 47–79. http://dx.doi.org/10.1017/s1816383111000051.

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AbstractAn effective legal regime governing the actions of armed non-state actors in Afghanistan should encompass not only international humanitarian law but also international human rights law. While the applicability of Common Article 3 of the 1949 Geneva Conventions to the conflict is not controversial, how and to what extent Additional Protocol II applies is more difficult to assess, in particular in relation to the various armed actors operating in the country. The applicability of international human rights law to armed non-state actors – considered by the authors as important, particula

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Marshall, Jill. "Positive Obligations and Gender-based Violence: Judicial Developments." International Community Law Review 10, no. 2 (2008): 143–69. http://dx.doi.org/10.1163/187197308x311281.

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AbstractInternational human rights protection traditionally protects individuals from human rights violations committed by their own states. This has been criticised by many, and feminists in particular, as failing those who are violated in the 'private sphere', by actions perpetrated by non-state actors not the state itself. Yet protection from the actions of non-state actors is now increasingly falling within the ambit of international human rights law through positive obligations on states, particularly seen in the concept of due diligence. Developments in this area are analysed in this art

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Korkmaz, Erhan. "The Blindness of the Ethnographic Gaze to Non-Human Animal Actors." Türk Folklor Araştırmaları, no. 370 (January 8, 2025): 1–30. https://doi.org/10.61620/tfa.52.

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In this article, I critically examine the anthropocentric attitudes that have historically shaped ethnography, focusing on their influence on key concepts such as researcher, researched agent, culture, and field. These perspectives, which took root during the Age of Exploration in the 15th and 16th centuries as the West grew increasingly fascinated with “the other,” persisted well into the 19th century. Ethnographers like Lewis Henry Morgan, Edward Burnett Tylor, and Johann Jakob Bachofen conceptualized culture as humanity’s dominion over nature. Similarly, the second generation of ethnologist

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