Gotowe bibliografie tematyczne / North American writers

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „North American writers”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "North American writers"

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Fitz, Earl E. "“Brazilians are natural comparatists”." Revista Brasileira de Literatura Comparada 24, no. 45 (April 2022): 102–11. http://dx.doi.org/10.1590/2596-304x20222445eef.

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ABSTRACT Comparatism and Brazilian and Hispanic-American literatures. The role of the North American University in the propagation of Latin American literatures. Trends of the recent Brazilian and Hispanic-American literary production. Circulation of Brazilian literature in North America. Afro-descendant writers and American culture.
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Rostagno, Irene. "Waldo Frank's Crusade for Latin American Literature." Americas 46, no. 1 (July 1989): 41–69. http://dx.doi.org/10.2307/1007393.

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Waldo Frank, who is now forgotten in Latin America, was once the most frequently read and admired North American author there. Though his work is largely neglected in the U.S., he was at one time the leading North American expert on Latin American writing. His name looms large in tracing the careers of Latin American writers in this country before 1940. Long before Franklin D. Roosevelt launched the Good Neighbor policy, Frank brought back to his countrymen news of Latin American culture.Frank went to South America when he was almost forty. The youthful dreams of Frank and his fellow pre-World
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KEVANE, BRIDGET. "The Hispanic Absence in the North American Literary Canon." Journal of American Studies 35, no. 1 (April 2001): 95–109. http://dx.doi.org/10.1017/s0021875801006545.

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I recently completed a book of interviews (Latina Self-Portraits: Interviews with Contemporary Women Writers, co-edited with Juanita Heredia, University of New Mexico Press, 2000) with ten of the most prominent Latina writers in the US; Julia Alvarez, Denise Chávez, Sandra Cisneros, Rosario Ferré, Cristina García, Nicholasa Mohr, Cherríe Moraga, Judith Ortiz Cofer, Esmeralda Santiago and Helena María Viramontes. These women, Cuban, Dominican, Mexican and Puerto Rican Americans, raised issues that ranged from the craft of writing to the inherent problems of national identities. The themes gener
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Prashad, Vijay. "From Multiculture to Polyculture in South Asian American Studies." Diaspora: A Journal of Transnational Studies 8, no. 2 (September 1999): 185–204. http://dx.doi.org/10.3138/diaspora.8.2.185.

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In 1997, Contours of the Heart: South Asians Map North America won the American Book Award from the Before Columbus Foundation (Maira and Srikanth). This was unexpected, not because of the quality of the book, but principally because of the little attention hitherto given to those who write about the “new immigrants” of the Americas (including South Asians, Filipinos, Southeast Asians, Africans, and West Asians). Prior to 1997, scholars and writers of South Asian America had been known to skulk in the halls of even such marginal events as the Asian American Studies Association and complain abo
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Londero, Rodolfo Rorato. "O próprio e o alheio em el delirio de turing." Diálogos Latinoamericanos 11, no. 17 (January 1, 2010): 20. http://dx.doi.org/10.7146/dl.v11i17.113571.

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The objective of this paper is to analyze the novel El delirio deTuring (2003), by Bolivian writer Edmundo Paz Soldán, mainly in itrelationship with the cyberpunk fiction, subgenre of science fiction appearedoriginally in the North American context of 1980's. This relationship appears,at once, in the epigraphs of the work, where a cyberpunk writer (NealStephenson) is quoted: actually, this writer's two works, Snow Crash (1992)and Cryptonomicon (1999), appear as intertexts in El delirio de Turing. ButPaz Soldán, as member of McOndo generation – a globalizated parody ofGarcía Márquez's Macondo –
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Schillo, Julia, and Mark Turin. "Applications and innovations in typeface design for North American Indigenous languages." Book 2.0 10, no. 1 (May 1, 2020): 71–98. http://dx.doi.org/10.1386/btwo_00021_1.

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In this contribution, we draw attention to prevailing issues that many speakers of Indigenous North American languages face when typing their languages, and identify examples of typefaces that have been developed and harnessed by historically marginalized language communities. We offer an overview of the field of typeface design as it serves endangered and Indigenous languages in North America, and we identify a clear role for typeface designers in creating typefaces tailored to the needs of Indigenous languages and the communities who use them. While cross-platform consistency and reliability
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Hashem, Mazen. "Muslim Families in North America." American Journal of Islam and Society 10, no. 3 (October 1, 1993): 415–26. http://dx.doi.org/10.35632/ajis.v10i3.2498.

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The writers contributing their researaches to this book deal with anare8 that has not yet been adequately studied. Most of the litemhue onMuslims is historically or politically oriented and views immigrant Muslimsin North America as extensions of their homelands, in particular theMiddle East. This book discusses Muslim families as part of the pluralsticand ever-changjng social fabric of the United States and Canada. Thefamilies of African-American Muslims and Muslim converts are notstudied. We are going to present our critique chapter by chapter.Muslim Normative 'I).aditions and the North Amer
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Van Delden, Maarten. "Carlos Fuentes, Mexico, and the United States." PMLA/Publications of the Modern Language Association of America 128, no. 3 (May 2013): 723–26. http://dx.doi.org/10.1632/s0030812900123041.

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The United States looms large in the Latin American literary imagination. From Domingo Sarmiento and José Martí in the nineteenth century to Octavio Paz and Alberto Fuguet in the twentieth and early twenty-first centuries, many Latin American writers have depicted the United States in their writings and pondered the cultural and historical significance of their powerful neighbor to the north. But perhaps no Latin American writer has had as close—and complicated—a relationship with the United States as Carlos Fuentes. Fuentes was a fierce critic of American culture and United States foreign pol
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Carstairs, Catherine. "Defining Whiteness: Race, Class, and Gender Perspectives in North American History." International Labor and Working-Class History 60 (October 2001): 203–6. http://dx.doi.org/10.1017/s0147547901214525.

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African-American writers such as W. E. B. Du Bois, James Baldwin, and Ida B. Wells have regarded “whiteness” as a problem for a long time. However, it is only fairly recently that white historians have taken seriously the importance of de-naturalizing “whiteness,” and critically examining its privileges. “Defining Whiteness: Race, Class, and Gender Perspectives in North American History,” was sponsored by the University of Toronto and York History Departments, the Centre for the Study of the United States, and the Centre for Ethnic and Pluralism Studies at the University of Toronto, with the c
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Harris, Richard. "A Portrait of North American Urban Historians." Journal of Urban History 45, no. 6 (September 21, 2018): 1237–45. http://dx.doi.org/10.1177/0096144218801598.

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A survey of members of the Urban History Association (UHA) undertaken in March 2017 provides information about the character, views, and prospects of urban history in North America. Most UHA members are professional historians. Their age profile is balanced; women and minorities are underrepresented, though their age profile indicates that members will become more diverse. They are researching cities around the world, but focus mainly on the larger U.S. cities. Thematically, their main interests are in planning/design, race/ethnicity, politics, and housing, in that order. Most situate their wo
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Rozprawy doktorskie na temat "North American writers"

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Chern, Joanne. "Restoring, Rewriting, Reimagining: Asian American Science Fiction Writers and the Time Travel Narrative." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/449.

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Asian American literature has continued to evolve since the emergence of first generation Asian American writers in 1975. Authors have continued to interact not only with Asian American content, but also with different forms to express that content – one of these forms is genre writing. Genre writing allows Asian American writers to interact with genre conventions, using them to inform Asian American tropes and vice versa. This thesis focuses on the genre of science fiction, specifically in the subgenre of time travel. Using three literary case studies – Ken Liu’s “The Man Who Ended History,”
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Hodgson-Blackburn, Jacqueline. "Beyond mourning and melancholia : depression in the work of five contemporary North American women writers." Thesis, Sheffield Hallam University, 1999. http://shura.shu.ac.uk/19804/.

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This dissertation is an investigation into the representation of mourning and melancholia in the work of Elizabeth Smart, Evelyn Lau, Siri Hustvedt, Sarah Sheard and Kathryn Harrison. The thesis addresses women's historic exclusion from the discourse of melancholia from a feminist perspective. It will consider the political and theoretical implications of women's absence from this discursive field by focusing on the cultural legacy of their devalorised status. Freud's essay, 'Mourning and Melancholia', first published in 1917, is cited as an important conceptual model exercising considerable i
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Tredinnick, Mark, University of Western Sydney, of Arts Education and Social Sciences College, and School of Social Ecology and Lifelong Learning. "Writing the wild : place, prose and the ecological imagination." THESIS_CAESS_SELL_Tredinnick_M.xml, 2003. http://handle.uws.edu.au:8081/1959.7/668.

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In Australia, we have not yet composed a literature of place in which the Australian geographies sing, so in this dissertation, the author goes travelling with some North American writers in their native landscapes, exploring the practice of landscape witness, of ecological imagination. They carry on there,looking for the ways in which the wild music of the land be discerned and expressed in words. He talks with them about the business of writing the life of places. He takes heed of the natural histories in which their works have arisen, looking for correlations between those physical terrains
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Silva, Luís Henrique do Amaral e. "Ficção e trauma em Paul Auster." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/47/47132/tde-24032015-164243/.

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O presente trabalho busca explorar como a dimensão do traumático incide na literatura contemporânea, mais especificamente, na literatura de um escritor nova-iorquino, Paul Auster. Supomos que as modalidades de subjetivação de determinado período histórico podem ser investigadas a partir de objetos estéticos culturais particulares, ou, pelo menos, que determinadas obras podem servir como uma espécie de testemunho e de historiografia dos sofrimentos de uma época. Esboçamos possíveis ressonâncias entre o plano geral da cultura e da história e o das qualidades específicas e expressivas de uma obra
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Stubbs, Tara M. C. "'Irish by descent' : Marianne Moore, Irish writers and the American-Irish Inheritance." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:bf87b5ea-4baa-4a46-9509-2c59e738e2a1.

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Despite having a rather weak family connection to Ireland, the American modernist poet Marianne Moore (1887-1972) described herself in a letter to Ezra Pound in 1919 as ‘Irish by descent’. This thesis relates Moore’s claim of Irish descent to her career as a publisher, poet and playwright, and argues that her decision to shape an Irish inheritance for herself was linked with her self-identification as an American poet. Chapter 1 discusses Moore’s self-confessed susceptibility to ‘Irish magic’ in relation to the increase in contributions from Irish writers during her editorship of The Dial maga
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Eigeartaigh, Aoileann N. "'I shop, therefore I am' : consumerism and the mass media in the novels of Thomas Pynchon, Don DeLillo, Bret Easton Ellis and Douglas Coupland." Thesis, University of Edinburgh, 2001. http://hdl.handle.net/1842/1790.

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This thesis argues that consumerism and the mass media wield an unparalleled influence over contemporary North American society, and that these forces constitute the primary means through which identity is constituted. The historical and theoretical developments that have led to the foregrounding of these forces are outlined in the introduction - developments, it is argued, that are intrinsically connected to the social upheava1 that characterized America in the late 1960's and early 1970's, while their presence in and effects on the fiction of four contemporary North American writers - Thomas
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Yousefi, Yalda. "Demythologizing motherhood : a comparative study of the maternal and mother-daughter relationships in the works of contemporary British, North American, and Iranian women writers." Thesis, University of Sheffield, 2015. http://etheses.whiterose.ac.uk/10147/.

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This thesis explores the representation of motherhood as ideology, identity, and experience in contemporary women’s writings, offering comparative studies of Persian texts alongside English-language narratives from marginalized backgrounds such as African American, Caribbean, Chinese American, and queer mothering. It investigates theoretical approaches to motherhood and identity such as those of Adrienne Rich and Alice Walker, questions the exclusion of women from other literary theories such as that of Michel Foucault, and engages with contemporary critical views on motherhood and the materia
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Tredinnick, Mark. "Writing the wild : place, prose and the ecological imagination." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/668.

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In Australia, we have not yet composed a literature of place in which the Australian geographies sing, so in this dissertation, the author goes travelling with some North American writers in their native landscapes, exploring the practice of landscape witness, of ecological imagination. They carry on there,looking for the ways in which the wild music of the land be discerned and expressed in words. He talks with them about the business of writing the life of places. He takes heed of the natural histories in which their works have arisen, looking for correlations between those physical terrains
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Vitória, Letícia da Silva. "The mirror of a writer's sensibility : an analysis of Truman Capote's narrator in Other voices, other rooms." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/150319.

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Truman Capote, autor, roteirista e dramaturgo Americano, foi um dos principais escritores americanos de ficção do período pós-guerra, conhecido por receber ampla notoriedade pelo seu romance best-seller In Cold Blood, de 1965, por um estilo de escrita que misturava literatura e jornalismo. No entanto, o trabalho de Capote se estende além do romance antes mencionado. O autor, que se tornaria famoso por sua personalidade também, revelou grande talento como escritor desde muito jovem, trabalhando com temas muito relacionados à sua vida pessoal. Durante minhas leituras de seus trabalhos, eu pude p
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Kaufman, Anne Lee. "Shaping infinity American and Canadian women write a North American west /." College Park, Md. : University of Maryland, 2003. http://hdl.handle.net/1903/173.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2003.<br>Thesis research directed by: English Language and Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Książki na temat "North American writers"

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Kay, Mussell, and Tuñón Johanna, eds. North American romance writers. Lanham, Md: Scarecrow Press, 1999.

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Bloom, Harold. Native American writers. New York: Bloom's Literary Criticism, 2010.

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Harold, Bloom, ed. Native American writers. New York: Bloom's Literary Criticism, 2010.

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The Stonepile Writers' anthology: A collection of stories, poetry and other works from writers of the North Georgia mountains. Dahlonega, Ga: University Press of North Georgia, 2011.

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E, Erdrich Heid, and Tohe Laura, eds. Sister nations: Native American women writers on community. St. Paul: Minnesota Historical Society Press, 2002.

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Littlefield, Daniel F. A biobibliography of native American writers, 1772-1924. Metuchen, N.J: Scarecrow Press, 1985.

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"The thinking Indian": Native American writers, 1850s-1920s. Frankfurt: Peter Lang, 2007.

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Brian, Swann, and Krupat Arnold, eds. I tell you now: Autobiographical essays by native American writers. Lincoln: University of Nebraska Press, 1987.

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Sigafus, Kim. Native writers voices of power. Summertown, TN: 7th Generation, 2012.

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1941-, Ortiz Simon J., ed. Speaking for the generations: Native writers on writing. Tucson: University of Arizona Press, 1998.

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Części książek na temat "North American writers"

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Nischik, Reingard M. "“The Writer, the Reader, and the Book”: Margaret Atwood on Reviewing in Conversation with Reingard M. Nischik." In Comparative North American Studies, 179–90. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137559654_7.

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Blackstone, Krysten E. "‘It is yet too soon to write the history of the Revolution’." In Authenticity in North America, 161–79. London ; New York, NY : Routledge/Taylor & Francis Group, 2020. | Series: Contemporary geographies of leisure, tourism and mobility: Routledge, 2019. http://dx.doi.org/10.4324/9780429440212-13.

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Collins, Jim. "“If You Can Read, You Can Write, or Can You, Really?”." In New Directions in Book History, 367–88. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_16.

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AbstractThe popular literary culture that emerged in the late 1990 s depended on a number of interdependent factors that formed a unique media ecology—book clubs (actual, online, televisual) literary bestsellers, Amazon.com, high-concept adaptation films, “superstore” bookstore chains, etc. The reading cultures generated by that media ecology were unified by certain overarching values, none more significant than the empowerment of amateur readers who were driven by the conviction that passionate reading was equal, if not superior to the bloodless close reading of professionalized readers. While the latter required a long apprenticeship, the former was guided by a self-imaging process that was fueled by a reading advice industry that provided confidence-building measures to validate that reading. The empowerment of readers depended on knowing where to look for both expertise and validation. Or, to put it another way, quality reading depended less on native intelligence, or a university education, and more on the ability to search and filter. Many of the factors that led to a fundamental recalibration of the relationship between amateur and professionalized reading have also changed the relationship between amateur and professional writing. I want to focus on the deeply conflicted perspectives concerning how the craft of writing is taught, or even can be taught, that have emerged over the past year in North American Literary cultures, in three contemporary novels, Tommy Orange’s There There (2018), Sigrid Nunez’s The Friend (2018) and Ocean Vuong’s On Earth We are Briefly Gorgeous (2019).
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Teuton, Sean. "6. The Native novel." In Native American Literature, 85–100. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199944521.003.0006.

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‘The Native novel’ outlines the first Native American novels— John Rollin Ridge’s Life and Adventures of Joaquin Murieta, the Celebrated California Bandit (1854) and Sophia Alice Callahan’s Wynema, a Child of the Forest (1891). It then goes on to describe the novels of Cherokee writer John Milton Oskison, Osage writer John Joseph Mathews, Salish writer D’Arcy McNickle, and Mourning Dove as well as the Red Power writing of the 1960s and 1970s. Since the first two novels, Native writers have used the form to test various responses to North American colonialism, from violent resistance to passive acceptance. The Native American novelist seeks to mediate, often subversively, between the “novel of resistance” and the “novel of assimilation.”
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Whichard, Willis P. "James Iredell." In North Carolina's Revolutionary Founders, 178–96. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469651200.003.0009.

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This essay examines the public career of James Iredell, who was probably Revolutionary-era North Carolina’s most influential propagandist. His first published essay, which appeared in September 1773, defended the jurisdiction of colonial courts in the foreign attachment controversy, and he was one of the first Whig writers to reject the sovereignty of Parliament in America. During the Revolution, Iredell continued to write on behalf of the American cause, but financial woes limited his political activities. During the debate over the ratification of the Constitution, however, Iredell emerged as one of North Carolina’s most energetic Federalists, and George Washington rewarded him with an appointment to the United States Supreme Court. Like many southern Federalists, Iredell supported the new government, but was wary of pushing federal power too far, and in his best known opinion, a dissent in Chisholm v. Georgia (1793), he argued that a state could not be sued in federal court without its consent.
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Denegri, Francesca. "Nineteenth-Century Women Writers and the Nation." In The Oxford Handbook of the Latin American Novel. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780197541852.013.21.

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Abstract This chapter provides an account of the robust emergence of women writers in nineteenth-century Latin America and of the narratives they produced, focusing on the complex relationship between national and gender ideology, the literary field and the consolidation of the new republics, especially in the second half of the century. Rather than focusing on aestheticist frameworks for the myriad novels, novellas, and short stories; poems, essays, and plays; and diaries, letters, and press articles produced by them, it examines their interaction with the dominant male discourse and the strategies that women of letters developed in order to move beyond the age-old patriarchal mandate of “not saying what they knew, or saying that they didn’t know, or saying the opposite of what they knew” (Ludmer 48).1 If intellectuals of the so-called national period had an impossibly idealized concept of the literary woman, later critics’ and writers’ respect for them, from modernistas and throughout the twentieth century, was negligible. This rich and diverse corpus of writing published in the periodical press and in book form, from Chile to Mexico, had all but disappeared from literary memory and from the canon until it was rediscovered more than a century later by feminist activists in Latin American, (USA) North American, and European academia from the late 1990s and beyond.
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Parry, Tyler D. "Into the White Mind." In Jumping the Broom, 86–101. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469660868.003.0005.

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This chapter contextualizes the “broomstick wedding” in North America as a product of the social classifications that white Americans largely modelled from their British counterparts, though they simultaneously repositioned the discourse within the particular cultural framework of the antebellum United States. Specifically, it examines how slave owners understood the broomstick wedding and its relationship to slavery, determining that the elite patterns of matrimony existent in Britain were adopted by the southern aristocracy. Among American writers, social constructs of “race” and “otherness” were imbedded within elite discourses surrounding the broomstick ceremony that were once typically concentrated within class distinctions among British writers. On the other end, Northern abolitionists also opined on the broomstick wedding, framing it as a degrading custom forced upon the enslaved by those who enslaved them. Thus, the negative portrayals of those populations who “jumped the broom” came from various angles, highlighting how race and class were important components of differentiation. In the United States, then, “jumping the broom” becomes much more associated with constructs of “blackness,” as American writers and minstrel performers portrayed it as a custom connected to slavery and the traditions of enslaved people.
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Treen, Kristen. "The Act of Borrowing; or, Some Libraries in American Literature." In Libraries in Literature, 159–80. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192855732.003.0011.

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Abstract Scholars of library culture have emphasized the importance of organizational systems and lending practices to the history of United States libraries, and to their emergence as practical and rhetorical sites of democratic significance in the US. This chapter examines literary representations of US library patrons and their acts of borrowing to complicate the idea of the North American library as a democratic institution. Drawing on a range of nineteenth- and twentieth-century literary engagements with the reading rooms and varied holdings of US libraries—social, domestic, reference, and free—it argues that writers of all stripes critiqued the limits of America’s changing democratic practices by reimagining the borrower’s roles and capabilities. For writers including Benjamin Franklin, Ralph Waldo Emerson, Washington Irving, Louisa May Alcott, Frederick Douglass, and Henry James, the borrower’s imaginative uses, manipulations, and circumventions of the library’s rules and regulations drew attention to the contradictions which had come to characterize the US democratic project by the beginning of the twentieth century.
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Nixon, Angelique V. "Caribbean Migrant Writers and the Politics of Return." In Resisting Paradise. University Press of Mississippi, 2015. http://dx.doi.org/10.14325/mississippi/9781628462180.003.0002.

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Chapter two focuses on well-known Afro-Caribbean women writers, Jamaica Kincaid and Edwidge Danticat, who reside in the United States and make a significant contribution to “resistance culture.” Through narratives of return, Kincaid and Danticat challenge exploitative consumption and tourism in their literary works by exposing and utilizing the power that lies in the production of history. They do this by using their mobility and prominence in North American literary markets to inform potential tourists and fellow Caribbeans abroad of the injustices of the tourist industry that are rooted in the history of slavery and colonialism. Kincaid directly confronts and criticizes the tourist industry in her satirical essay/memoir A Small Place; while Danticat participates in and critiques the tourist industry with her travel guide/memoir After the Dance. They produce alternative travel narratives that resist the travel guide genre, which has historically defined “natives” (the other) outside of history, modernity, and humanity.
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Golden, Harry. "“William Faulkner”." In The Dixie Limited. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496803382.003.0025.

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This chapter discusses William Faulkner's influence and popularity, especially among reporters. It suggests that the true test of the influence and genuine popularity of an American writer is whether a newspaper can publish his obituary and offer a literary assessment without hiring a literary expert. Faulkner, it claims, was one of those writers. He commanded the loyalty of a large body of working reporters. Long before he won the Nobel Prize there were newspapermen in Charlotte, North Carolina who considered every book of his an event. There are Southern school boys who write they wished they had died at Gettysburg just as there are Northerners who believe the South is composed of decaying mansions populated by decadent families. The chapter argues that Faulkner played an important role in bridging these conceptions and in a large sense, he can be compared to Charles Dickens.
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Streszczenia konferencji na temat "North American writers"

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Ozola, Diana. "SIBERIAN CULTURE AND LIFESTYLE IN THE RECEPTION OF CONTEMPORARY NORTH AMERICAN AND LATVIAN TRAVEL WRITERS." In 7th SWS International Scientific Conference on ART and HUMANITIES - ISCAH 2020 Proceedings. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.2020.7.1/s25.18.

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Kulik, A. B., and T. Brownell. "Meeting the changing demand placed on engineers as writers." In International Conference on Professional Communication,Communication Across the Sea: North American and European Practices. IEEE, 1990. http://dx.doi.org/10.1109/ipcc.1990.111170.

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Cahill, Aoife, James Bruno, James Ramey, Gilmar Ayala Meneses, Ian Blood, Florencia Tolentino, Tamar Lavee, and Slava Andreyev. "Supporting Spanish Writers using Automated Feedback." In Proceedings of the 2021 Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies: Demonstrations. Stroudsburg, PA, USA: Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.naacl-demos.14.

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Raven, M. E. "Communication patterns of technical writers and electrical engineers during meetings." In International Conference on Professional Communication,Communication Across the Sea: North American and European Practices. IEEE, 1990. http://dx.doi.org/10.1109/ipcc.1990.111139.

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Mardsjo, K. "Technical writers' image of their audience: word processing and microwave oven manuals as an example." In International Conference on Professional Communication,Communication Across the Sea: North American and European Practices. IEEE, 1990. http://dx.doi.org/10.1109/ipcc.1990.111180.

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Gurevich, Olga, and Paul Deane. "Document similarity measures to distinguish native vs. non-native essay writers." In Human Language Technologies 2007: The Conference of the North American Chapter of the Association for Computational Linguistics; Companion Volume, Short Papers. Morristown, NJ, USA: Association for Computational Linguistics, 2007. http://dx.doi.org/10.3115/1614108.1614121.

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Boyd, Adriane. "Pronunciation modeling in spelling correction for writers of English as a foreign language." In Human Language Technologies: The 2009 Annual Conference of the North American Chapter of the Association for Computational Linguistics, Companion Volume: Student Research Workshop and Doctoral Consortium. Morristown, NJ, USA: Association for Computational Linguistics, 2009. http://dx.doi.org/10.3115/1620932.1620938.

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Dalla Costa, Wanda. "Contextualized Metrics + Narrating Binaries: Defining Place and Processing Indigenous North America." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.40.

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This paper introduces four cultural catalysts in Indigenous architecture: language, place, kinship and transformation. Inspired by the interrelationship of physical, sociocultural and spiritual factors- the measurable and immeasurable – we investigate a number of concepts related to Indigenous thinking and ways of knowing. We contrast these notions with non-Indigenous writers including Pallasmaa, Ricoeurand Doshi, in the hopes of initiating a dialogue, and assisting the two-way knowledge transfer, between architecture and Indigenous theory.
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McClure, G. "Writer perception of reader preference." In International Conference on Professional Communication,Communication Across the Sea: North American and European Practices. IEEE, 1990. http://dx.doi.org/10.1109/ipcc.1990.111142.

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Deaton, M. "Improving software documentation accuracy with writer and editor partnerships." In International Conference on Professional Communication,Communication Across the Sea: North American and European Practices. IEEE, 1990. http://dx.doi.org/10.1109/ipcc.1990.111140.

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