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Artykuły w czasopismach na temat „Once Were Warriors”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 28 stycznia 2023

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1

Gump, James O., Robin Scholes, Lee Tamahori, and Riwia Brown. "Once Were Warriors." American Historical Review 100, no. 4 (October 1995): 1217. http://dx.doi.org/10.2307/2168218.

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Oxenham, Stephen, and Alan Duff. "Once Were Warriors." World Literature Today 69, no. 1 (1995): 231. http://dx.doi.org/10.2307/40151112.

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Bryden, Rachel. "Cultural Wounds and Physical Scarring in Once Were Warriors." Literature Compass 5, no. 3 (May 2008): 645–56. http://dx.doi.org/10.1111/j.1741-4113.2008.00543.x.

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Smith, Jo. "The Cultural Politics of Once Were Warriors." Cultural Politics: an International Journal 5, no. 2 (July 1, 2009): 265–69. http://dx.doi.org/10.2752/175174309x428243.

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Lambert, Iain B. M. "Representing Maori speech in Alan Duff's Once Were Warriors." Language and Literature: International Journal of Stylistics 17, no. 2 (May 2008): 155–65. http://dx.doi.org/10.1177/0963947007088225.

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Much of the reaction, both positive and negative, to the publication of Alan Duff's novel Once Were Warriors centred on its language. This article analyses the ways in which characteristic linguistic features of New Zealand English are represented in the novel, in particular by its Maori protagonists. It also draws stylistic comparisons with other writers, such as Scotland's James Kelman, who have attempted to give their characters a particular local voice outside of, or in opposition to, Standard English by having them speak in their own language or variety of English.

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D’Costa, Bina. "Once were warriors: the militarized state in narrating the past." South Asian History and Culture 5, no. 4 (August 22, 2014): 457–74. http://dx.doi.org/10.1080/19472498.2014.936205.

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TAWAKE, SANDRA K. "On understanding a text: reader response and Alan Duff's Once Were Warriors." World Englishes 14, no. 2 (July 1995): 281–300. http://dx.doi.org/10.1111/j.1467-971x.1995.tb00357.x.

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Gutleben, Christian. "The Counter-Order of Simulacra: Alan Duff’s gut novel, Once Were Warriors." Caliban, no. 21 (May 1, 2007): 137–45. http://dx.doi.org/10.4000/caliban.1902.

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Simmons, Rochelle. "Driving Force: Narrative in Lee Tamahori's Television Advertisements and Once Were Warriors." Media International Australia 80, no. 1 (May 1996): 27–31. http://dx.doi.org/10.1177/1329878x9608000106.

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Ramstad, Jorun Bræck. "Once were Warriors – a Model that Matters and a Mirror of Concerns." Nordlit 16, no. 2 (October 23, 2012): 87. http://dx.doi.org/10.7557/13.2374.

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In this article, I will focus on connections between media, culture and society in order to understand two prototypical Maori responses to the film. The two kinds of responses are captured in the following phrases: “The film should never have been made” and “That’s not fiction, that’s reality”. One of my objectives is to show how these particular Maori responses to this fiction-film are entangled with deep concerns about ethnic policies and marginalization in general. In other words, the film is explored as a statement about Maori – Pakeha inter-ethnic relations and ‘biculturalism’, which is t

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De Souza, Pascale. "Maoritanga in Whale Rider and Once Were Warriors: a problematic rebirth through female leaders." Studies in Australasian Cinema 1, no. 1 (January 2007): 15–27. http://dx.doi.org/10.1386/sac.1.1.15_1.

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MITCHELL, TONY. "NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene." Perfect Beat 2, no. 3 (October 6, 2015): 1–20. http://dx.doi.org/10.1558/prbt.v2i3.28776.

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Wierzbiński, Szymon. "Szlachetni, odważni, dzicy? Obraz Waregów i Franków w oczach Bizantyńczyków w X-XI w." Vox Patrum 69 (December 16, 2018): 647–79. http://dx.doi.org/10.31743/vp.3280.

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During Xth and XIth century the Byzantine Empire was one of the strongest states in the Levant. In mentioned period the emperors undertook numerous military campaigns, both in order to expand the borders of the empire and restitute their authority on once lost lands. Due to its prestige and wealth the Empire was a favorable destination for foreigners, including mercenaries. As a result, in Byzantium one could meet warriors of a very diversified ethnic descent. The presence of numerous foreigners could not escape the attentions of Byzantines themselves, who in time formed a distinctive view c

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Jang, Yun Seo, Hye Jin Joo, Yun Hwa Jung, Eun-Cheol Park, and Suk-Yong Jang. "Association of the “Weekend Warrior” and Other Physical Activity Patterns with Metabolic Syndrome in the South Korean Population." International Journal of Environmental Research and Public Health 19, no. 20 (October 18, 2022): 13434. http://dx.doi.org/10.3390/ijerph192013434.

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These days, it is not common for people to have time to do physical activities regularly because of their own work. So, they perform physical activities all at once, which is often called the “weekend warrior”. Therefore, this study aimed to examine the association of the “weekend warrior” and other physical activity patterns with metabolic syndrome. Data from the Korea National Health and Nutrition Examination Survey were used, and 27,788 participants were included. The participants were divided into inactive, weekend warriors, and regularly active based on physical activity patterns. The ris

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Emily R. Johnston. "Trauma Theory as Activist Pedagogy: Engaging Students as Reader-Witnesses of Colonial Trauma in Once Were Warriors." Antipodes 28, no. 1 (2014): 5. http://dx.doi.org/10.13110/antipodes.28.1.0005.

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Joyce, Hester. "Out from nowhere: Pakeha anxieties in Ngati (Barclay, 1987), Once Were Warriors (Tamahori, 1994) and Whale Rider (Caro, 2002)." Studies in Australasian Cinema 3, no. 3 (January 2009): 239–50. http://dx.doi.org/10.1386/sac.3.3.239_1.

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O'Shea, Helen. "‘Get back to where you once belonged!’ The positive creative impact of a refresher course for ‘baby-boomer’ rock musicians." Popular Music 31, no. 2 (April 23, 2012): 199–215. http://dx.doi.org/10.1017/s0261143012000025.

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AbstractThis article reports on a study of participants in a Weekend Warriors Program for ‘lapsed’ rock musicians in Melbourne, Australia. It observes musicians over a six-week period that included a jam session, coaching sessions and a gig (concert). It examines the learning pathways of participants and their goals and experiences alongside those of the programme organisers within the comparative context of music learning practices among young and older musicians and in the light of academic research into the midlife ageing process. A question that arises from the data is the extent to which

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Calabrò, Domenica Gisella. "Once were Warriors, now are Rugby Players? Control and Agency in the Historical Trajectory of the Māori Formulations of Masculinity in Rugby." Asia Pacific Journal of Anthropology 17, no. 3-4 (July 21, 2016): 231–49. http://dx.doi.org/10.1080/14442213.2016.1191530.

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Hemenway, Elizabeth Jones. "Mother Russia and the Crisis of the Russian National Family: The Puzzle of Gender in Revolutionary Russia*." Nationalities Papers 25, no. 1 (March 1997): 103–21. http://dx.doi.org/10.1080/00905999708408492.

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Once upon a time there lived a rich widow, with a beautiful face and vigorous body, not old and not young, by the name of Mother Russia. She had been married twice, the first time to the peasant-bogatyr Mikula Selianinovich, and the second to the no less renowned warrior-bogatyr Il'ia Muromets.Her husbands had left her countless riches. And God had blessed both her marriages with many children. For the most part, her children were hard-working people and valiant warriors. They worked their father's land and protected it from hostile neighbors.But, as always happens, the family was not without

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Moumane, Adil, Jonathan Delorme, Adbelhadi Ewague, Jamal Al-Karkouri, Mohamed Gaoudi, Hassan Ista, Mohamed Moumane, et al. "Jbel Bani Rock Art: Newly-discovered Shelters along Mountain Paths suggest a Significant Link between Central Sahara and North Africa (Zagora, Southern Morocco)." Journal of African Archaeology 17, no. 1 (July 9, 2019): 36–52. http://dx.doi.org/10.1163/21915784-20190002.

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Abstract The authors, with the help of a team of researchers, have discovered twelve rock shelters with inside paintings on the southern slopes of the Jbel Bani Mountains in southern Morocco. The paintings vary in subject and time period and span multiple rock art styles. Majestic creatures that once inhabited southern Morocco are depicted next to hunters, pastoralists, and warriors. The shelters and paintings cast upon their walls illustrate a transfer of culture, beliefs, technology, and ideas between people groups of the Meridional and Central Sahara and the Jbel Bani region. These discover

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Van Wees, Hans. "Leaders of Men? Military Organisation in the Iliad." Classical Quarterly 36, no. 2 (December 1986): 285–303. http://dx.doi.org/10.1017/s0009838800012052.

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At a time when the Greek army is on the verge of annihilation, the Iliad tells us, two warriors have detached themselves from the fight. Idomeneus, having accompanied a wounded man back to the ships, and Mērionēs, on his way to fetch himself a new spear, meet at the former's hut. They stand and talk for a while, assuring one another that they are afraid of nothing and no-one, and finally decide to plunge into battle again, though only after discussing at some length whether to go to fight in the centre or at the left of the front line. At first sight their behaviour might not seem particularly

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Martens, Emiel. "Maori on the Silver Screen." International Journal of Critical Indigenous Studies 5, no. 1 (January 1, 2012): 2–30. http://dx.doi.org/10.5204/ijcis.v5i1.92.

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This article examines the evolution of Maori filmmaking since the 1980s and explores this Indigenous cinema in the context of developments in the New Zealand film industry. With Barry Barclay’s idea of ‘Fourth Cinema’ in mind, it focuses on the predominantly statefunded production of Maori feature films. The article is divided in three parts. The first part traces the beginnings of Maori cinema back to the 1970s and introduces the first three feature films directed by Maori filmmakers: Ngati (Barry Barclay, 1987), Mauri (Merata Mita, 1988), and Te Rua (Barry Barclay, 1991). The second part dis

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Baruah, Sanjib. "Warriors in Politics: Hindu Nationalism, Violence, and the Shiv Sena in India. By Sikata Banerjee. Boulder, CO: Westview Press, 2000. 207p. $62.00." American Political Science Review 95, no. 1 (March 2001): 229–31. http://dx.doi.org/10.1017/s0003055401532013.

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These two books are about two powerful regional political forces in India-the Shiv Sena of Maharashtra (with a focus on the city of Mumbai) and the Dravidianist parties of Tamil Nadu. Many readers of this journal may know these places by their older names: Mumbai is Bombay, and the state of Tamil Nadu and its capital city were once known as Madras. Both books, not coincidentally, have much to say about the rise of Hindu nationalism in India, which is perhaps the most dramatic change in the Indian political landscape in recent years. That, indeed, is the central theme of Banerjee's book, which

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Pullar, Ellen, and Hilary Radner. "‘Endangered species turned dangerous’: Rena Owen and celebrity in Aotearoa/NZ." Pacific Journalism Review 19, no. 2 (October 31, 2013): 28. http://dx.doi.org/10.24135/pjr.v19i2.216.

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This article argues that Rena Owen’s star persona has been constrained, and ultimately undermined, by essentialist definitions of her status as Māori on the part of print media, in particular women’s magazines, in response to her role as Beth in Once Were Warriors (Lee Tamahori, 1994), a role that thrust her into the international limelight. These ancillary texts served to emphasise two stereotypes, positioning her either in relation to the traditional Pacific Island female type of the ‘dusky maiden’ or focusing on her criminal past and current scandalous behaviour. These representations of th

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Zuckerman, Constantin. "A chapter in the Byzantine paleography of accountancy: The fractions in the Book of Ceremonies." Millennium 15, no. 1 (October 18, 2018): 145–55. http://dx.doi.org/10.1515/mill-2018-0006.

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AbstractChapter II, 45 of the Book of Ceremonies, a half-edited dossier pertaining to the naval expedition of 949 against the Arabs at Crete, contains a document which is most banal and singular at once. This is a procurement report of miscellaneous supplies recording in each entry the amount spent and the nature of the supplies acquired, occasionally specifying the price per item or per measure. However common such reports are in ancient and modern accounting, this is the only document of its kind preserved from the middle Byzantine period. In line with the State accounting norms inherited fr

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Okumu, Willis, Kaderi Noagah Bukari, Papa Sow, and Evans Onyiego. "The role of elite rivalry and ethnic politics in livestock raids in northern Kenya." Journal of Modern African Studies 55, no. 3 (August 11, 2017): 479–509. http://dx.doi.org/10.1017/s0022278x17000118.

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ABSTRACTThis paper argues that livestock raids and pastoralists’ competition over water and pastures in north-western Kenya are manifestations of local ethnic political contests and rivalries. The culture of raiding among the Samburu, Turkana, Pokot, Borana, Gabra and Rendille communities has changed over the last 40 years. Whereas elders were once the gatekeepers of communal institutions, today new actors are at the forefront of new forms of violent raids. Among Samburu and Turkana communities, politicians and shrewd businessmen have emerged to exploit ethnic rivalry that exists between these

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Mogylov, O. D. "THE EARRINGS OF THE SVITLOVODSK CEMETERY." Archaeology and Early History of Ukraine 36, no. 3 (June 9, 2020): 375–82. http://dx.doi.org/10.37445/adiu.2020.03.25.

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Scythian tribes and their North Pontic neighbors had a magnificent set of jewelry in their everyday life: beads, bracelets, appliques for costume decoration, rings, earrings, torques, pins. One of these categories, the earrings, is widely represented in the large Svitlovodsk cemetery on the south of the Dnieper Right Bank Forest-Steppe. During the 1975—1990 by archaeological expeditions under the direction of N. M. Bokiy and I. A. Kozyr more than 160 graves of Scythian Age have been excavated. A total of 45 items were found in 34 graves (21 % of the total). They are ring-shaped and

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Pelden, Sonam, and Vicki Banham. "Counselling Placements Caught up in the Mismatch of Standards And Realities: Lessons From COVID-19." Journal of University Teaching and Learning Practice 17, no. 4 (October 1, 2020): 144–52. http://dx.doi.org/10.53761/1.17.4.12.

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As the fear of mortality struck humanity, a new age dawned in the relational styles, processes, and interactions amongst people. COVID-19 has caused a major shift in the educational landscape. While most teaching and learning activities moved online, field placement units which are fully invested in industry engagement, and once highly sought, came to a dramatic pause. For students, this produced uncertainty around completion of their degrees and for institutions who became entangled in the changing requirements of accrediting bodies as they grappled with the changing landscape. Our final year

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Roesdahl, Else. "Archaeology and Odin in Late Pagan Denmark." Religionsvidenskabeligt Tidsskrift 74 (March 25, 2022): 385–95. http://dx.doi.org/10.7146/rt.v74i.132112.

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ABSTRACT: This article discusses archaeological evidence for the veneration of Odin in late pagan Denmark. According to place-name evidence Odin was totally dominant in public cult at this time, and was closely linked to warriors and kings. (Actual evidence for a relationship with the great cult centre at Lejre is uncertain.) However, a group of riders’ graves with weaponry from the tenth century represent a new burial custom for magnates, and it is argued that they relate to Odin and Valhalla. Female magicians, who have been convincingly identified in a series of Viking-Age graves, and miniat

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James, Helen Danladi. "Promoting Peaceful Coexistence Through Dialogue and Conflict Resolution." African Journal of Social Sciences and Humanities Research 5, no. 4 (July 15, 2022): 21–26. http://dx.doi.org/10.52589/ajsshr-xx3tzaz0.

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Mwanatari is a community located between Lafiya and Lamurde in Lamurde LGA of Adamawa State. It lies on Latitude 9.560N and Longitude 11.70E, 164.00m/538.06ft ASL. The community shares boundary with Bwatiye (Bachama and Bata) communities. The ethnic groups found within the area are Mwana, Chobbo, Kwah, Waja, Lunguda, Dadiya, Jenjo, Hausa, and Fulani. The people of Mwanatari are predominantly agrarian. Lamurde is the administrative headquarters of the local government area and it is about 100 kilometers from Yola, the State capital. Like any other people Lamurde local government is noted for it

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Potežica, Oliver. "THE WAHHABIS NEWCOMERS TO THE BALKANS." POLITICS AND RELIGION JOURNAL 1, no. 1 (January 15, 2007): 205–28. http://dx.doi.org/10.54561/prj0101205p.

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Tensions among Moslems and incidents at Serbian city of Novi Pazar force us to pose the question, once again, who are in fact the Wahhabis. Wahhabism is infl uential religious movement within Sunni denomination, which requests Moslems to return to the Islamic principles and practice, as typifi ed by Prophet Mohammad and Pious Predecessors (Salaf as Salih) of fi rst three Moslem generations. According to Wahhabis’ views, the original Islamic teachings should be purifi ed from any innovation, revision, deviations or polytheism, which gradually made the Qur’an and Prophet Muhammad Sunna vague in

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Токарева, Татьяна Юрьевна. "The Armoury of the Holy Trinity-St. Sergius Monastery: The Fate of the Collection." Церковный историк, no. 1(3) (June 15, 2020): 100–117. http://dx.doi.org/10.31802/ch.2020.3.1.005.

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Оружейная палата Троице-Сергиевой лавры - уникальное явление в истории России. Она была самым крупным хранилищем военного снаряжения православного монастыря. Здесь находилось парадное и боевое русское, западноевропейское и восточное оружие XV-XVIII вв., поступавшее в обитель самыми разными путями. В палате имелось и оружие, изготовленное монастырскими кузнецами, бронниками и самопальниками. Производство оружия осуществлялось в помещении каменной кузницы, располагавшейся рядом с ней. Возведение каменной Оружейной палаты в первой трети XVIII в. ознаменовало её особый статус. Троицкий арсенал раз

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Yusutria, Yusutria, Zalik Nuryana, Charles Charles, Abdul Hopid, Yuherman Yuherman, and Rina Febriana. "The Works and Thoughts of Rahmah El-Yunusiyah as "Bundo Kanduang": Towards Modernity in Women Education Within an Islamic Education Perspective." ESENSIA: Jurnal Ilmu-Ilmu Ushuluddin 22, no. 2 (December 18, 2021): 155–67. http://dx.doi.org/10.14421/esensia.v22i2.2508.

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Women’s disparities and injustices in obtaining adequate education become the background of Rahmah El-Yunusiyah to modernize women’s education. This is a library study that uses a historical approach. The data were obtained from various references through a documentation method, and the collection technique used was accumulating, analyzing, and selecting as the goal. Once the source was identified, the descriptive-analytical analysis was carried out using historical reinterpretation; therefore, all data are collected, reduced, analyzed, and concluded. Rahmah el-Yunusiyyah is an independent war

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Li, Xiuzhen Janice, Andrew Bevan, Marcos Martinón-Torres, Thilo Rehren, Wei Cao, Yin Xia, and Kun Zhao. "Crossbows and imperial craft organisation: the bronze triggers of China's Terracotta Army." Antiquity 88, no. 339 (March 2014): 126–40. http://dx.doi.org/10.1017/s0003598x00050262.

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The Terracotta Army that protected the tomb of the Chinese emperor Qin Shihuang offers an evocative image of the power and organisation of the Qin armies who unified China through conquest in the third century BC. It also provides evidence for the craft production and administrative control that underpinned the Qin state. Bronze trigger mechanisms are all that remain of crossbows that once equipped certain kinds of warrior in the Terracotta Army. A metrical and spatial analysis of these triggers reveals that they were produced in batches and that these separate batches were thereafter possibly

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Cohen, Judith Beth. "Rewriting Our Lives: Stories of Meaning-Making in an Adult Learning Community." Journal of Narrative and Life History 6, no. 2 (January 1, 1996): 145–56. http://dx.doi.org/10.1075/jnlh.6.2.03rew.

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Abstract The stories of three adult students who completed bachelor's degrees in an intensive learning community are examined. A controlling narrative learned from families and the culture had led them to interrupted educations and lives that failed to reflect their full capacities. With the guidance of faculty mentors and the collaboration of a peer community, they each reexamined, reinterpreted, and rewrote their failure narratives. Once they understood how they and their peers had accepted society's construction of their identities, these three were able to revise those self-constructions.

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Welch, Christina. "Powwowing My Way." International Journal for the Study of New Religions 9, no. 2 (October 23, 2019): 249–70. http://dx.doi.org/10.1558/ijsnr.37623.

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This article explores Johnson’s concepts of indigenizing and extending through the lens of European pow-wow. Drawing on his argument that “identifying practices of indigenousness…are imagined through global media and often expressed in their forms” it begins with an overview of historical European representations of American Indians: representations that were virtually global at the time, and have led to the ubiquitous image of the Indian (or possibly indian warrior using the hyperreal simulation argument put forward by Vizenor). Such representations dominate the European pow-wow scene, where

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Sedlacek, John D., Karen L. Friley, and Steve L. Hillman. "Ear Pests and Damage to Organic, Conventional and Bt-Protected Sweet Corn Grown in Central Kentucky." Journal of Entomological Science 44, no. 4 (October 1, 2009): 383–90. http://dx.doi.org/10.18474/0749-8004-44.4.383.

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Sweet corn (Zea mays L. var. rugosa) was grown in replicated plots in 2004 and 2006 using organic, conventional, and genetically-engineered (Bt) production practices. Organic plots were treated with Entrust® (Dow AgroSciences LLC, Indianapolis, IN) whereas conventional and Bt sweet corn plots were treated with Warrior® (Syngenta Crop Protection, Inc., Greensboro, NC). All plots were treated once at silk emergence. Organic and conventional plots were treated again 1 wk later. Twenty-five ears were harvested from row centers in each treatment subplot to quantify ear pests and assess ear damage.

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Skory, S. A., R. V. Zimovets, and V. N. Okatenko. "THE BARROW 524 NEAR VILLAGE ZHABOTIN (New Research of the «Basic» Site of the Scythian Archaic Period in the Ukrainian Right-Bank Forest-Steppe)." Archaeology and Early History of Ukraine 36, no. 3 (June 1, 2020): 300–326. http://dx.doi.org/10.37445/adiu.2020.03.19.

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The first excavations on this barrow were carried out in 1913 by the famous archaeologist Alexei Bobrinskoy. The central part of the mound was excavated by the pit. The base of rather large ground wooden tomb buried in antiquity has been discovered there. The surviving items (weapons, horse equipment, pottery, small gold jewelry) later made it possible to date this mound to the end of the 7th century BC or ca. 7th—6th centuries BC. Since the late 1980s, there has been a tendency — and, in our opinion, incorrect — of rather sharp aging of the Central tomb, and, accordingly, of whole

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Manan, Nuraini A. "Kemajuan dan Kemunduran Peradaban Islam di Eropa (711M-1492M)." Jurnal Adabiya 21, no. 1 (July 17, 2020): 54. http://dx.doi.org/10.22373/adabiya.v21i1.6454.

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Spain is more commonly known as Andalusia, the Andalusia comes from the word Vandalusia, which means the country of the Vandals, because the southern part of the Peninsula was once ruled by the Vandals before they were defeated by Western Gothia in the fifth century. This area was ruled by Islam after the rulers of The Umayyah seized the peninsula's land from the West Gothies during the time of the Caliph Al-Walid ibn Abdul Malik. Islam entered Spain (Cordoba) in 93 AH (711 AD) through the North African route under the leadership of Tariq bin Ziyad who led the Islamic army to conquer Andalusia

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Townsend, Camilla. "“What in the World Have You Done To Me, My Lover?” Sex, Servitude, and Politics among the Pre-Conquest Nahuas as seen in the Cantares Mexicanos." Americas 62, no. 03 (January 2006): 349–89. http://dx.doi.org/10.1017/s0003161500064518.

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The year 13-Reed [1479]. It was at this time that the people of Ame-cameca and the Chalcas Tlalmanalcas came to sing for the first time in Mexico. At that time they performed the song of the women of Chalco, the Chalca Cihuacuicatl. They came to sing for the lord Axayacatzin. The song and the dance were begun in the patio of the palace while Axayacatl was still inside in the house of his women. But in the beginning the song was poorly performed. A noble of Tlalmanalco was playing the music very clumsily, and making the great drum sound in a lazy offbeat way until finally in desperation he lean

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Townsend, Camilla. "“What in the World Have You Done To Me, My Lover?” Sex, Servitude, and Politics among the Pre-Conquest Nahuas as seen in the Cantares Mexicanos." Americas 62, no. 3 (January 2006): 349–89. http://dx.doi.org/10.1353/tam.2006.0048.

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The year 13-Reed [1479]. It was at this time that the people of Ame-cameca and the Chalcas Tlalmanalcas came to sing for the first time in Mexico. At that time they performed the song of the women of Chalco, the Chalca Cihuacuicatl. They came to sing for the lord Axayacatzin.The song and the dance were begun in the patio of the palace while Axayacatl was still inside in the house of his women. But in the beginning the song was poorly performed. A noble of Tlalmanalco was playing the music very clumsily, and making the great drum sound in a lazy offbeat way until finally in desperation he leane

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Varberg, Jeanette. "Resenlund og Brøndumgård bronzedepoter – Kult og samfund i yngre bronzealder." Kuml 54, no. 54 (October 20, 2005): 75–119. http://dx.doi.org/10.7146/kuml.v54i54.97312.

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The bronze deposits from Resenlund and Brøndumgård In the Late Bronze Age, bronze deposits in fields and bogs constitute a large part of the archaeological material. Huge values were deposited in the ground during this period, and the archaeological material witnesses a wide-ranging custom of sacrifice. The deposits are therefore central to the understanding of the societies, which once left their items in the ground, and new finds contribute to a more varied impression of the picture already existing of the Late Bronze Age. This article presents two hitherto unpublished deposits from the Earl

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Walker-Morrison, Deborah. "Souls of Warriors: Once Were Warriors in France." Te Kaharoa 1, no. 1 (August 8, 2011). http://dx.doi.org/10.24135/tekaharoa.v1i1.108.

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Once were Warriors (1994), billed as the first fully Maori feature-length fiction film, though a huge success with popular audiences throughout Aotearoa, came in for some harsh criticism from academics, Maori and Pakeha alike. At the forefront of Maori academic critiques of this film and others (Jane Campion’s The Piano, most notably) that represented Maori, Leone Pihama feared the consequences of projecting what were seen as debilitatingly negative, decontextualized stereotypes of Maori, not just onto our national screens, but beyond, onto the global stage. This paper seeks to (begin to) enga

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Grey, Rhieve-Sheridan, Charlotte Muru-Lanning, Nicholas Jones, and Marama Muru-Lanning. "ONCE WERE GARDENERS: Māra and planting protest at Ihumātao." MAI Journal: A New Zealand Journal of Indigenous Scholarship 9, no. 3 (November 30, 2020). http://dx.doi.org/10.20507/maijournal.2020.9.3.4.

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In a 2009 speech, prominent Māori lawyer Moana Jackson said that the novel Once Were Warriors (Duff, 1990) could have been more appropriately named Once Were Gardeners (New Zealand Drug Foundation, 2009). By doing so he argued against the notion that Māori possess a “warrior gene” predisposing them to violence. Instead, Jackson maintained, Māori were more likely to have a predisposition for gardening. Gardening, or mahi māra, has been practised by Māori for centuries in Aotearoa New Zealand. Although motivations may have changed, mahi māra remains an important expression of what it means to be

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Singeot, Laura. "Māori Cultural and Bodily Rebirth in Alan Duff’s Once Were Warriors Trilogy." Commonwealth Essays and Studies 44, no. 1 (January 1, 2021). http://dx.doi.org/10.4000/ces.10327.

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Kharobi, Arwa, Chris Stantis, Nina Maaranen, and Holger Schutkowski. "Once were warriors: Challenging occupation preconceptions in Lebanese weapon‐associated burials (Middle Bronze Age, Sidon)." International Journal of Osteoarchaeology, August 5, 2021. http://dx.doi.org/10.1002/oa.3027.

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Hawkins, Marcus. "Were warriors once low carb? Commentary on New Zealand Māori nutrition and anthropometrics over the last 150 years." Journal of Primary Health Care, 2021. http://dx.doi.org/10.1071/hc20129.

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Anderson, Beth J., and Jessica Sheetz-Nguyen. "Onna-Bugeisha 'Warrior Women' [University of Central Oklahoma]." Journal of Student Research, April 29, 2019. http://dx.doi.org/10.47611/jsr.vi.681.

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For centuries, women in Japan have been cast as geishas, however, the history of onna-bugeisha or “warrior women” pose a contrasting shadow. These warrior women took up training focused on using the naginata, a sort of spear with a curved blade on the end and the kaiken, a sort of dagger. They trained to protect their homes and villages; in addition, some would even carry their training into battle. In the twelfth century, Hangaku Gozen and Tomoe Gozen, while Nakano Takeko in the nineteenth century were considered to be among the best of the onna-bugeisha. These women led their own armies into

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"Once Were Warriors. Produced by Robin Scholes; directed by Lee Tamahori; screenplay by Riwia Brown. 1994; color; 99 minutes. In English. Distributor: Fine Line Features." American Historical Review, October 1995. http://dx.doi.org/10.1086/ahr/100.4.1217.

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Irwin, Kathie, and Lisa Davies. "Maori Education in 1994: A Review and Discussion." New Zealand Annual Review of Education, no. 4 (December 5, 1994). http://dx.doi.org/10.26686/nzaroe.v0i4.1089.

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This article comprises four main sections each of which explores “whanau” in a range of educational contexts. The first section draws from research published in the Journal of the Polynesian Society by Dame Joan Metge (1990) to comment on the meaning and changing use of the concept “whanau”. This overview is then followed by the second section which comprises reflections and analyses of the Te Kauru family reunion which I attended at the beginning of this year. The third section takes May 6th, 1994, the day the film Once were Warriors and the book Te Maranga a te Ihu a Hukarere were launched,

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