Gotowe bibliografie tematyczne / Oodgeroo Noonuccal / Artykuły w czasopismach
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Artykuły w czasopismach na temat „Oodgeroo Noonuccal”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 28 stycznia 2023

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Sprawdź 19 najlepszych artykułów w czasopismach naukowych na temat „Oodgeroo Noonuccal”.

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1

Watson, Sam. "Kath Walker/Oodgeroo Noonuccal." Queensland Review 14, no. 01 (January 2007): 43. http://dx.doi.org/10.1017/s1321816600005924.

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2

Collins, John. "Oodgeroo of the tribe Noonuccal." Race & Class 35, no. 4 (April 1994): 77–87. http://dx.doi.org/10.1177/030639689403500409.

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3

Farley, Simon. "Years of agony and joy: The Sadie and Xavier Herbert Collection." Queensland Review 22, no. 1 (May 7, 2015): 96–98. http://dx.doi.org/10.1017/qre.2015.9.

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The University of Queensland's Fryer Library is home to many fine literary vintages. Established in 1927 as the J.D. Fryer Memorial Library of Australian Literature in honour of a former Arts student and soldier in the Australian Imperial Force (AIF), John Denis Fryer, the collection includes the papers of significant Australian journalists, novelists and poets, including Ernestine Hill, John Forbes, David Malouf, Bruce Dawe, Thomas Shapcott, Peter Carey and Oodgeroo Noonuccal among others.
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4

Sharma, Dr Bhavna. "Womanist Expressions in the Poetry of Judith Wright and Oodgeroo Noonuccal." International Journal of English Literature and Social Sciences 5, no. 2 (2020): 540–43. http://dx.doi.org/10.22161/ijels.52.32.

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5

Jones, Jennifer. "Deemed Unsuitable for Children: The Editing of Oodgeroo's Stradbroke Dreamtime." Papers: Explorations into Children's Literature 14, no. 1 (January 1, 2004): 5–14. http://dx.doi.org/10.21153/pecl2004vol14no1art1272.

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In lieu of abstract, here is the first paragraph of the article: Oodgeroo of the Tribe of Noonuccal, Custodian of the Land Minjerriba, spent three decades of her life in the public sphere. In the 1960s, known as Kath Walker, she established and consolidated her reputation as a pan-Aboriginal activist and 'people's poet’. Her voice was received as representative of Aboriginal experience and concerns, as she lamented the lack of civil rights, impoverished living conditions, the loss and destruction of traditional cultures and lands. Strident political poems such as ‘Aboriginal Charter of Rights'
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6

Di Blasio, Francesca. "We Are Going by Oodgeroo Noonuccal. Aboriginal Epos, Australian History, Universal Poetry." Le Simplegadi, no. 19 (November 2019): 119–27. http://dx.doi.org/10.17456/simple-132.

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7

Furaih, Ameer Chasib. "‘Let no one say the past is dead’: History wars and the poetry of Oodgeroo Noonuccal and Sonia Sanchez." Queensland Review 25, no. 1 (June 2018): 163–76. http://dx.doi.org/10.1017/qre.2018.14.

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AbstractThe histories of Australian Aboriginal and African American peoples have been disregarded for more than two centuries. In the 1960s, Aboriginal and African American civil rights activists addressed this neglect. Each endeavoured to write a critical version of history that included their people(s). This article highlights the role of Aboriginal Australian poet Oodgeroo Noonuccal (formerly Kath Walker) (1920–93) and African American poet Sonia Sanchez (born 1934) in reviving their peoples’ history. Using Deleuze and Guattari's concept of ‘minor literature’, the essay shows how these poet
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8

McKay, Belinda. "Imagining the Hinterland: Literary Representations of Southeast Queensland Beyond the Brisbane Line." Queensland Review 12, no. 1 (January 2005): 59–74. http://dx.doi.org/10.1017/s1321816600003913.

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Southeast Queensland — the region encompassing Coolangatta and the McPherson Range to the south, Cooloola and the Blackall Range to the north, and the Great Dividing Range to the west — represents one of Queensland's most significant literary landscapes. For millennia, this area — defined by mountains and waterways — contained important gathering places for ceremonies and trade, and its inhabitants elaborated the meaning of the landscape in a rich complex of stories and other cultural practices such as the bunya festivals. Colonisation disrupted but did not obliterate these cultural associatio
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9

Xu, Daozhi. "From Oodgeroo Noonuccal to Alexis Wright: Postcolonial reading of Australian Indigenous literature in China, 1988–2018." Journal of Postcolonial Writing 58, no. 1 (November 22, 2021): 95–110. http://dx.doi.org/10.1080/17449855.2021.1994223.

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10

Khoiriyah, Wardatul. "SUBALTERNISM IN OODGEROO NOONUCCAL’S SELECTED POEMS." PARADIGM 1, no. 2 (September 27, 2020): 91–106. http://dx.doi.org/10.18860/prdg.v1i2.10096.

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This study focuses on the subalternism in Oodgeroo Noonuccal’s selected poems. The approach used in this research is post-colonial approach, which focused on the context of literary works contained the effects of colonialism both on societies and cultures. The result of this research shows that the selected poems of Oodgeroo are portraying the subalternism in the matter of the superior domination and the effects which illustrate the British superiority that lead to their domination against Aboriginal people as the weaker party and resulting the great predicaments for them. Woman as subaltern w
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11

Bradford, Clare, Catherine Sly, and Xu Daozhi. "Ubby’s Underdogs: A Transformative Vision of Australian Community." Papers: Explorations into Children's Literature 24, no. 1 (January 1, 2016): 101–31. http://dx.doi.org/10.21153/pecl2016vol24no1art1112.

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 In Black Words White Page (2004), his seminal study of Aboriginal cultural production in Australia, Adam Shoemaker notes that ‘when Oodgeroo Noonuccal’s first collection of poetry appeared in print in 1964, a new phase of cultural communication began in Australia’ (2004, p. 5). The ‘new phase’ to which Shoemaker refers pertains to the many plays, collections of poetry and novels by Aboriginal authors published between 1964 and 1988 and directed to Australian and international audiences. Flying under the radar of scholarly attention, Aboriginal authors and artists also prod
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12

"Protest in the Poetry of Oodgeroo Noonuccal." Journal of Arts, Literature, Humanities and Social Sciences 69 (July 25, 2021). http://dx.doi.org/10.33193/jalhss.69.2021.538.

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13

Mari, Lorenzo. "Oodgeroo Noonuccal, My People / La mia gente." 24 | 2022, no. 1 (December 19, 2022). http://dx.doi.org/10.30687/tol/2499-5975/2022/01/034.

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14

Smith, Angela. "Long Memoried Women: Oodgeroo Noonuccal and Jamaican Poet, Louise Bennett." Australian Literary Studies, November 1, 1994. http://dx.doi.org/10.20314/als.21eec7f142.

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15

Knudsen, Eva Rask. "From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in My People." Australian Literary Studies, November 1, 1994. http://dx.doi.org/10.20314/als.087d68e01c.

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16

Alexander, Ian. "CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS." Organon 37, no. 74 (December 27, 2022). http://dx.doi.org/10.22456/2238-8915.125166.

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Roberta Flores Pedroso descreve Carolina Maria de Jesus (1914-1977), autora de Quarto de despejo (1960), como “mulher negra, pobre, semialfabetizada e migrante” que “se tornou um fenômeno editorial”. Na tentativa de estabelecer um contexto anglófono para a leitura comparativa de Quarto de despejo, este artigo apresenta cinco autoras negras, anglófonas, de países periféricos, nascidas entre 1904 e 1924, e analisa de quais maneiras os termos pobre, semialfabetizada, migrante e fenômeno editorial devem ser relativizados para poder fazer a comparação. As autoras são Oodgeroo Noonuccal (1920-1993)
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17

Al-Baghdadi, Ahmed Basim, and Mustafa Amjed Jasim Al-Hameedawi. "Poetry Of Social Resistance In Modern Australian Aboriginal Poetry:, A Study In Selected Poems Of Oodgeroo Noonuccal." مجلة كلية التربية للبنات للعلوم الإنسانية, 2020, 37. http://dx.doi.org/10.36327/0829-014-027-039.

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18

Meakins, Felicity. "Web Forum: De Mortuis Bonum." M/C Journal 2, no. 8 (December 1, 1999). http://dx.doi.org/10.5204/mcj.1815.

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O LORD, thou hast brought up my soul from the grave thou hast kept me alive that I should not go down into the pit. -- Psalms 30:3 Eulogies are written upon the cessation of life, generally celebrating the duration of life. Part of the purpose of the eulogy is to create immortality through the seemingly imperishable nature of ink and story -- words that will last beyond the last memory of the deceased. What a paradox it is, then, to find such words on the Internet. This medium is deemed transitory and ephemeral for its frustrating propensity of sites which exist one moment then disappear the n
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19

Dutton, Jacqueline. "Counterculture and Alternative Media in Utopian Contexts: A Slice of Life from the Rainbow Region." M/C Journal 17, no. 6 (November 3, 2014). http://dx.doi.org/10.5204/mcj.927.

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Introduction Utopia has always been countercultural, and ever since technological progress has allowed, utopia has been using alternative media to promote and strengthen its underpinning ideals. In this article, I am seeking to clarify the connections between counterculture and alternative media in utopian contexts to demonstrate their reciprocity, then draw together these threads through reference to a well-known figure of the Rainbow Region–Rusty Miller. His trajectory from iconic surfer and Aquarian reporter to mediator for utopian politics and ideals in the Rainbow Region encompasses in a
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