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Gotowe bibliografie tematyczne / Organ music

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Gotowa bibliografia na temat „Organ music”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Organ music"

1

Drakeford, Richard, Jaques Casterede, Naji Hakim, and Odile Pierre. "Organ Music." Musical Times 132, no. 1779 (1991): 264. http://dx.doi.org/10.2307/965710.

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Bond, Ann, and Malcolm Rudland. "Organ Music." Musical Times 131, no. 1770 (1990): 449. http://dx.doi.org/10.2307/966643.

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Bye, Antony. "Organ Music." Musical Times 131, no. 1774 (1990): 678. http://dx.doi.org/10.2307/966742.

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Bond, Ann, and Malcolm Rudland. "Organ Music." Musical Times 131, no. 1771 (1990): 511. http://dx.doi.org/10.2307/1193681.

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Djohan, Djohan, Asep Hidayat Wirayudha, and Aghisna Indah Mawarni. "Efek Reinstrumentasi Karya Organ Js. Bach Melalui Alih Timbre Terhadap Selera Musik." Resital:Jurnal Seni Pertunjukan 24, no. 2 (2023): 136–45. http://dx.doi.org/10.24821/resital.v24i2.9747.

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As today teenagers have less appreciation for instrumental works from Baroque era, the objective of this research is to identify the indicators their music preference through timbre shifting of the musical instrument. In the context of the creative economy, this will open opportunities for art music to compete in the music industry. Music has been studied and observed for centuries, and even today, the works of great composers are associated with timeless creations. One factor that has contributed to the continued existence of music is its strong reliance on conductors during performances, esp

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Rochester, Marc. "New Organ Music." Musical Times 127, no. 1726 (1986): 646. http://dx.doi.org/10.2307/964296.

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Bond, Ann. "New Organ Music." Musical Times 126, no. 1709 (1985): 435. http://dx.doi.org/10.2307/964374.

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Rochester, Marc. "New Organ Music." Musical Times 127, no. 1723 (1986): 584. http://dx.doi.org/10.2307/964408.

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Bond, Ann, and John Steel. "New Organ Music." Musical Times 126, no. 1711 (1985): 561. http://dx.doi.org/10.2307/964481.

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Rochester, Marc. "New Organ Music." Musical Times 128, no. 1729 (1987): 165. http://dx.doi.org/10.2307/964515.

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Rozprawy doktorskie na temat "Organ music"

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Sylvester, Charlotte. "Processional for Organ and Percussion." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277154469.

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Maher, John G. "Organ compositions for pedals alone." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/467364.

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The purpose of the research was to add to the body of knowledge concerning pipe organ literature by locating and describing compositions for pedals alone. The search was made with indexes, abstracts, organ literature bibliographies, Union Catalogues, on-line computer services, correspondence with publishers, and an examination of the general performance literature, method books and etude books.The study included works for organ solo which are primarily for pedals alone. A work with a few manual chords was not excluded, but a work which consistently uses the manuals, even in the most subsidiary

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Waters, Melville. "The Lutheran orthodoxy of J.S. Bach's Clavierübung III /." Title page, table of contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09MUM/09mumw331.pdf.

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Toumpoulidis, Themistoklis D. "Aspects of musical rhetoric in Baroque organ music." Thesis, University of Sheffield, 2005. http://etheses.whiterose.ac.uk/3032/.

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The association between linguistic and musical principles was acknowledged by Baroque musicians throughout the seventeenth and eighteenth centuries, a facet that attracted the attention of many musicologists - mostly German (A. Schering, H. Brandes, and H. H. Unger) - from the beginning of the twentieth century. This study presents an historical background to the whole concept of musical rhetoric, beginning with Luther's theology of music, and focuses on the most significant theoretical compilations of the Baroque era that led to the crystallization and final decline of musica poetica. Aspects

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Davidsson, Hans. "Matthias Weckmann : the interpretation of his organ music /." Stockholm : Gehrmans, 1991. http://catalogue.bnf.fr/ark:/12148/cb369555680.

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Siegfried, Abbey Hallberg. "Contemporary American organ music : defining the compositional potential of the pipe organ in conversations with composers /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11366.

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WALTON, JAMES WARREN. "Taylor & Boody Organbuilders: An American Builder with a European Voice." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1217892605.

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Hemsley, J. D. C. "Henry Bryceson (1832-1909) organ-builder and early work in the application of electricity to organ actions." Thesis, Cardiff University, 2005. http://orca.cf.ac.uk/55395/.

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That France was the undisputed leader in the application of electromagnets to the pipe-organ, is confirmed. C.S. Barker was the builder of the first electric organ at Salon, Bouches due Rhone, in 1866, but the honour for the invention must be accorded to Pierre Stein for his prophetic patent of 1852. Albert Peschard's electric action patents of 1862-3 represent a defining moment when electric action became the basis for a reality that was exploited by Barker until 1870. Thereafter, it fell to the Brycesons to continue the development of the Peschard-Barker system, but the challenges proved too

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Omelchenko, Stas. "Concerto for Organ and Chamber Orchestra." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/5032.

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This composition proposes and implements a way in which to incorporate the pipe organ into a contemporary instrumental setting. Considering the instrument's wide use in concert halls and its popularity with contemporary music, much of the timbre-based music has evaded incorporating it into its settings; for one reason or another, there are currently no timbre-based works composed for organ and chamber orchestra. By using the process of spectral analysis, this timbre-based composition demonstrates one possible way of doing so by investigating timbre similarities and differences between selected

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Walsh, Andrew. "The muting of organ pipes." Thesis, The University of Sydney, 1993. https://hdl.handle.net/2123/26735.

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Many musical instruments (such as the stringed or brass sections) are capable of being muted in order to change their harmonic structure or acoustic output. The present investigation is aimed at determining how well wind instruments can be muted by studying ways of muting an organ pipe. Three methods of muting were investigated: 1. The use of thin sheets of perforated plastic applied to the open end of the organ pipe. 2. Application of porous absorbers to the open end of the organ pipe. 3. The construction of a “double organ pipe”. The perforated sheets proved to be the most useful f

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Książki na temat "Organ music"

1

Heinrich, Anthony Philip. Organ music. Kallisti Music Press, 1996.

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musikkinformasjon, Norsk, ed. Organ: Contemporary Norwegian organ music. Norwegian Music Information Centre, 1996.

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Pinkham, Daniel. Petitions: For organ (with optional second organ). Ione Press, 1992.

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Daugherty, F. Mark. Organ music in print. Musicdata, 1990.

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Cho, Robert W. Organ music in print. Musicdata, 1997.

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Ferko, Frank. The Hildegard organ cycle: Ten meditations for organ. E.C. Schirmer, 1996.

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Lukas, Viktor. A guide to organ music. Amadeus Press, 1989.

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Christensen, Jens E. Danish organ music after 1945. Danish Music Information Centre, 2000.

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Hurford, Peter. Making music on the organ. Oxford University Press, 1988.

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Organ Music. Lulu Press, Inc., 2020.

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Części książek na temat "Organ music"

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Kassler, Jamie C. "Blowing the Organ." In Music, Science, Philosophy. Routledge, 2023. http://dx.doi.org/10.4324/9781003418429-6.

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Temperley, Nicholas. "Organ Music in Parish Churches, 1660-1730." In Studies in English Church Music, 1550-1900. Routledge, 2023. http://dx.doi.org/10.4324/9781003417729-8.

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Temperley, Nicholas. "Organ Settings of English Psalm Tunes." In Studies in English Church Music, 1550-1900. Routledge, 2023. http://dx.doi.org/10.4324/9781003417729-13.

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King, Richard. "Recording Harp, Piano, Celeste and Organ." In Recording Orchestra and Other Classical Music Ensembles, 2nd ed. Focal Press, 2024. http://dx.doi.org/10.4324/9781003319429-11.

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Williamson, Magnus. "Playing the organ, Tudor-style." In Aspects of Early English Keyboard Music before c.1630. Routledge, 2019. http://dx.doi.org/10.4324/9781315109701-6.

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Terry, Mickey Thomas. "Cultural Perceptions of African-American Organ Literature." In Perspectives on American Music since 1950. Routledge, 2024. http://dx.doi.org/10.4324/9781315050270-9.

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Spink, Ian. "Organs and Organ Music." In Restoration Cathedral Music 1660-1714. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198161493.003.0004.

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Abstract The restoration of cathedral organs after 1660 was a two-stage process which we shall find repeated again and again throughout the sections dealing with each institution. First there was a need to get something working as quickly and cheaply as possible, either the old organ made serviceable where it had survived, or a temporary one installed.

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"Organ Music." In The Fate of Anatomical Collections. Routledge, 2016. http://dx.doi.org/10.4324/9781315558202-9.

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Boyd, Malcolm. "Organ Music." In Bach. Oxford University Press, 2006. http://dx.doi.org/10.1093/acprof:oso/9780195307719.003.0004.

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"organ." In Music in Shakespeare. Bloomsbury Publishing Plc, 2005. http://dx.doi.org/10.5040/9781623560621.06929.

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Streszczenia konferencji na temat "Organ music"

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Hergert, Frank. "Design Principles of Pipe Organ Mixtures – viewed from a psychoacoustic Position." In Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001671.

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Hergert, Frank, and Nicolas Höper. "Envelope Functions for Sound Spectra of Pipe Organ Ranks and the Influence of Pitch on Tonal Timbre." In Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001673.

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Felician, Rosca. "ORGAN MUSICAL ART AND ITS ELEARNING DIMENSION." In eLSE 2014. Editura Universitatii Nationale de Aparare "Carol I", 2014. http://dx.doi.org/10.12753/2066-026x-14-304.

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One of the most dynamic musical instruments in terms of electronic dimension is concerned and practical possibility to apply in eLearning systems is classical organ. The dynamics of this development started in the 1960s when, for the first time the classical organ in its jazz format was invented in America and then in Europe. Today. building electronic (digital) organs from transistor and lamps with sound generators organs to digital organ has become widely spread. Digital organs have reached extraordinary professional performances in which the sound diversity and natural sounds are copied and

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"Music at 6th Socratic Lectures: Organ Concert of Roberta Schmid." In Socratic lectures 6. University of Ljubljana Press, 2022. http://dx.doi.org/10.55295/psl.2021.d.025.

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Novák, František. "Textbooks on Organ Improvisation and Their Possible Use in Music Education." In 14th International Conference on Education and Educational Psychology. European Publisher, 2023. http://dx.doi.org/10.15405/epiceepsy.23124.6.

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Chiciuc, Natalia. "THE CATALOG OF THE AUTOCHTHONOUS COMPOSERS’S MUSIC IN THE ORGAN HALL LIBRARIES: EDITORIAL APPEARANCE." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.04.

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This article presents a summary of the results obtained after processing the musical materials found in the Organ Hall’s libraries within the institutional scientific project Valorization and Conservation through digitization of the academic and traditional music collections from the Republic of Moldova of the Academy of Music, Theater and Fine Arts. The two collections — one of the National Chamber Choir of the Republic of Moldova and the other of the National Chamber Orchestra of the Republic of Moldova — include approximately 300 scores of national significance signed by 49 autochthonous co

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Nidecka, Ewa. "Елементи духовності у творчості Анджея Нікодемовича". У ALTITUDO MUNDI SPIRITUALIS. Духовність у сучасному світі: просвітницько-культурогічний підхід. Publishing House "Krok", 2024. http://dx.doi.org/10.37835/ams-2024-17-18-04-2.03.

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The article notes that the creative path of Polish composer Andrzej Nikodimowicz was shaped by the traditions of the Catholic Church. His religious music includes Marian themes, hymns, music for contemporary religious poetry, dedicated to eschatological issues and the fall of man as a sinful being. The author notes that a considerable number of works of this kind give an idea of the composer's commitment to a certain range of values, which is crucial for his creative path. In this context, the last period of the composer's work, covering the years 2010-2016, seems particularly important, in wh

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Janković-Beguš, Jelena. "Vlastimir Trajković, the (non-)minimalist." In Ninth International Conference on Music and Minimalism. Institute of Musicology SASA, 2024. https://doi.org/10.46793/mininters.088jb.

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The opus of Vlastimir Trajković (1947–2017) presents a singular case in Serbian art music of the late 20th and early 21st century with respect to his approach to minimalism as a style and its techniques. Trajković was one of the first composers in Serbia to use minimalist techniques such as the repetition of models and drones, starting as early as 1976 with his Hymn No. 3 from the orchestra cycle Dan – Četiri himne Op. 6, and continuing in 1977 with his piece for organ Epimetej Op. 7 (all three movements are based almost exclusively on repetitive processes and drones). However, there are impor

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Felician, Rosca, Madalina Dorgo, and Cristina Struta. "ROMANIA AND THE ELEARNING MUSICAL EDUCATION SYSTEMS." In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-171.

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The musical education systems based on technology are well-known in Europe and especially in Asia and The United States of America. The countries with the most numerous online systems of musical education are Japan, Israel and The United States of America. In Romania these systems are much more modest with two universities where the system is implemented at higher education level, namely at Gh. Dima Music Academy in Cluj Napoca and Spiru Haret University in București (The Faculty of Music). Here, with all the progress that has been made, we cannot talk about notable performances in the field.

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Martincek, Peter Jan. "RECONSTRUCTION PROBLEMS OF 17TH-CENTURY MUSICAL COMPOSITIONS WRITTEN IN NEW GERMAN ORGAN TABLATURE NOTATION WITH SPECIFIC EXAMPLES FROM LEVOCSKA ZBIERKA HUDOBNIN THE LEVOCA MUSIC COLLECTION." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s12.005.

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