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Artykuły w czasopismach na temat „Organ music Analysis”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 10 lutego 2022

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1

Jacquemin, Christian, Rami Ajaj, Sylvain Le Beux, Christophe d’Alessandro, Markus Noisternig, Brian F. G. Katz, and Bertrand Planes. "Organ Augmented Reality." International Journal of Creative Interfaces and Computer Graphics 1, no. 2 (July 2010): 51–66. http://dx.doi.org/10.4018/jcicg.2010070105.

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This paper discusses the Organ Augmented Reality (ORA) project, which considers an audio and visual augmentation of an historical church organ to enhance the understanding and perception of the instrument through intuitive and familiar mappings and outputs. ORA has been presented to public audiences at two immersive concerts. The visual part of the installation was based on a spectral analysis of the music. The visuals were projections of LED-bar VU-meters on the organ pipes. The audio part was an immersive periphonic sound field, created from the live capture of the organ sounds, so that the

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Manescu, Adrian, Alessandra Giuliani, Fabrizio Fiori, and B. Baretzky. "Residual Stress Analysis in Reed Pipe Brass Tongues of Historic Organs." Materials Science Forum 524-525 (September 2006): 969–74. http://dx.doi.org/10.4028/www.scientific.net/msf.524-525.969.

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True Baroque organ music can only come back to life in the 21st century by developing Cu-based alloys and implementing them in the organ reed pipes. Reed pipes contain a vibrating part, the brass tongue that crucially influences its sound. Energy dispersive synchrotron X-ray diffraction has been performed in order to investigate residual stresses in the tongues. The in depth analysis gives us an important indication on the processes the tongues were submitted to during their manufacturing: hammering, annealing, filing to the neat thickness, curving of the tongues. A biaxial stress state in the

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Hill, David S., Stuart B. Kamenetsky, and Sandra E. Trehub. "Relations among Text, Mode, and Medium: Historical and Empirical Perspectives." Music Perception 14, no. 1 (1996): 3–21. http://dx.doi.org/10.2307/40285707.

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We examined, by historical and empirical means, relations among text (positive, negative), mode (Ionian, Phrygian), and medium (organ, vocal) in settings of a popular Christian melody from the baroque era. A descriptive analysis of 51 representative settings indicated that baroque composers tended to link Ionian settings of the melody to a "salvation" text and Phrygian settings to a "condemnation" text. They also set vocal pieces more frequently in the Ionian mode and organ pieces in the Phrygian mode. A series of experiments confirmed that contemporary adult and child listeners linked reward

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Gjerdingen, Robert O. "“Historically Informed” Corpus Studies." Music Perception 31, no. 3 (December 2012): 192–204. http://dx.doi.org/10.1525/mp.2014.31.3.192.

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Musicians can choose between various “historicist” or “presentist” ways of performing works from the past. Music scholars who study early music sometimes are forced to make similar choices. If one thinks of corpus studies in music as an objective form of counting the “elements of music,” the question of what constitutes an “element” can involve similar historicist/presentist dilemmas. The article examines three historically significant characteristics of European art music—three historicist features—that are not always recognized in presentist corpus studies. For an illustrative example, a com

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Scott, Derek B. "In Search of Genetically Modified Music: Race and Musical Style in the Nineteenth Century." Nineteenth-Century Music Review 3, no. 1 (June 2006): 3–23. http://dx.doi.org/10.1017/s147940980000032x.

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I should begin by declaring immediately my standpoint that there is no such thing as race. Race and, by extension, racism may have a social reality but they have no sound scientific grounding whatsoever. No convincing biological evidence has ever been produced that establishes the existence of different human races. DNA analysis offers little support to theories of genetic difference, and has revealed that even the most geographically separate social groups vary in only 6 to 8 per cent of their genes. Race does not present a medical problem when it comes to organ transplants. My research quest

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Wrzeciono, Piotr. "Pattern Recognition in Music on the Example of Reconstruction of Chest Organ from Kamień Pomorski." Sensors 21, no. 12 (June 17, 2021): 4163. http://dx.doi.org/10.3390/s21124163.

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The chest organ, which gained popularity at the beginning of the 17th century, is a small pipe organ the size of a large box. Several years ago, while compiling an inventory, a previously unidentified chest organ was discovered at St. John the Baptist’s Co-Cathedral in Kamień Pomorski. Regrettably, the instrument did not possess any of its original pipes. What remained, however, was an image of the front pipes preserved on the chest door. The main issue involved in the reconstruction of a historic instrument is the restoration of its original tuning (temperament). Additionally, it is important

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Kupina, Darina. "Meditations for organ: parallels to musical creativeness." Музикознавча думка Дніпропетровщини, no. 18 (November 12, 2020): 65–83. http://dx.doi.org/10.33287/222018.

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The purpose of the article is to determine genre parameters of meditation for the organ on the example of the pieces of composers of the early 21st century. It is proposed to concretize the prerequisites of meditation for organ as an independent genre and to compare the strategies of reading the genre by representatives of different national schools of composition (Italy, Ukraine, Brazil). Among the research methods there were used: historiographic (restoring the historical retrospective of genre formation), the method of genre analysis (confirming the genre status of meditation), the method o

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Dimic, Zoran. "On artistic shaping of citizens’ political gatherings." Filozofija i drustvo 24, no. 3 (2013): 23–33. http://dx.doi.org/10.2298/fid1303023d.

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Following the new reading of Kant?s third critique, which was proposed by Hannah Arendt in her Lectures on Kant?s Political Philosophy, in this paper, the author deals with the function of art in the establishment, organization and profiling of political communities. The focus is primarily on the field of music. The analysis begins with ancient philosophers (Pythagoras, Plato, Aristotle) and continues with the problems which relate to artistic shaping of citizens? lives in modern epoch (Rousseau, Kant, Schiller). The goal of the paper is to show that the philosophy of art and the philosophy of

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Whiteley, Sheila. "Progressive rock and psychedelic coding in the work of Jimi Hendrix." Popular Music 9, no. 1 (January 1990): 37–60. http://dx.doi.org/10.1017/s026114300000372x.

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Discussion of the 1960s generally identifies progressive rock as the prime organ of communication within the counter-culture. At the same time, musical analysis of the genre is an underdeveloped field of study, including only an identification of musical characteristics (Willis 1978), Mellers' analysis of the Beatles (1973) and Middleton and Muncie's analysis of five representative songs in the Open University's course, Popular Culture (1981). As a particularly heterogeneous genre (compared with, for example, rock 'n' roll and r&b), definitions of progressive rock equally raise problems: t

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Arthurs, Yuko, Amy V. Beeston, and Renee Timmers. "Perception of isolated chords: Examining frequency of occurrence, instrumental timbre, acoustic descriptors and musical training." Psychology of Music 46, no. 5 (August 8, 2017): 662–81. http://dx.doi.org/10.1177/0305735617720834.

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This study investigated the perception of isolated chords using a combination of experimental manipulation and exploratory analysis. Twelve types of chord (five triads and seven tetrads) were presented in two instrumental timbres (piano and organ) to listeners who rated the chords for consonance, pleasantness, stability and relaxation. Listener ratings varied by chord, by timbre, and according to musical expertise, and revealed that musicians distinguished consonance from the other variables in a way that other listeners did not. To further explain the data, a principal component analysis and

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Triana, Neni, Hanifah Hanifah, and Novaria Novaria. "The Effect of Music Therapy on Blood Pressure in Hypertensive Patients Treated at Sobirin Lubuk Linggau Hospital." Jurnal Sains Kesehatan 26, no. 1 (April 12, 2019): 17–25. http://dx.doi.org/10.37638/jsk.26.1.17-25.

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Hypertension is one of desease that can caused death in the world. Hypertension can be stated as a “silent killer” because someone who diagnosed wit hypertension in organ vital that severe. The aims of this study is to determine effect of music therapy on blood pressure in hypertensive patients treated at Sobirin Lubuk L, canggau Hospital.The Quasi Experimental research method uses The One Group Pretest Posttest Design. The population in this study were all hypertensive patients treated in the Nusa Indah room, Sobirin Lubuk Linggau Hospital as many as 38 people. The sampling technique in this

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Knyt, Erinn. "“A History of Man and His Desire”: Ferruccio Busoni and Faust." 19th-Century Music 41, no. 2 (2017): 151–79. http://dx.doi.org/10.1525/ncm.2017.41.2.151.

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Relying on knowledge of Karl Engel's edition of the Volksschauspiel, Karl Simrock's version of the puppet play, Gotthold Lessing's Faust fragments, and versions of the Faust legend by Christopher Marlowe and Johann Wolfgang von Goethe, among others, Ferruccio Busoni crafted his own hybrid libretto that depicts a mystical and broadminded Faust. Busoni's music reflects the richness of Faust's mind, combining heterogeneous timbres, forms, and styles. Busoni juxtaposes a Gregorian Credo, Palestrina-style choral settings, a reformation hymn, a Baroque instrumental dance suite, an organ fantasia, re

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Kumaravelu, Parasakthy, Lilian Hook, Aline M. Morrison, Jan Ure, Suling Zhao, Sergei Zuyev, John Ansell, and Alexander Medvinsky. "Corrigendum." International Journal of Music Education os-22, no. 1 (November 1993): 4890–99. http://dx.doi.org/10.1177/025576149302200125.

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In the developing mouse embryo the first definitive (transplantable-into-the-adult) haematopoietic stem cells/long-term repopulating units (HSC/RUs) emerge in the AGM region and umbilical vessels on10-11 days post coitum (d.p.c.). Here, by limiting dilution analysis, we anatomically map the development of definitive HSC/RUs in different embryonic tissues during early colonisation of the liver. We show that by day 12 p.c. the mouse embryo contains about 66 definitive HSC/RUs (53 in the liver, 13 in other tissues), whereas on the previous day the total number of definitive HSC/RUs in the entire

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Pidporinova, Kateryna. "Ancient Music in the Piano Transcriptions by Serhii Yushkevych." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 130 (March 18, 2021): 105–18. http://dx.doi.org/10.31318/2522-4190.2021.130.231206.

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Relevance of the study. A new wave of creative interest in the piano transcription combines the constructive and destructive vectors of the development. In the performing sphere the former stimulate the search for original ways of presenting the personal “I”. The destructive influence is connected with the possible hyperbolization of any artistic ideas. The presented problematic situation determines the relevance of the topic of the article: the transcription legacy of the renowned Kharkiv pianist-pedagogue Serhiy Yushkevych still remains little studied in domestic art history.Main objective o

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HERISSONE, REBECCA. "““Fowle Originalls”” and ““Fayre Writeing””: Reconsidering Purcell's Compositional Process." Journal of Musicology 23, no. 4 (2006): 569–619. http://dx.doi.org/10.1525/jm.2006.23.4.569.

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ABSTRACT Purcell's surviving autographs have long been a source of fascination, and the extensive evidence they preserve of his working methods has been examined in several academic studies. However, methodology has focused on analyzing notational changes within the sources, and neither the appropriateness of the standard labels ““working draft”” and ““fair copy”” nor the directness of the relationship between the creation of a composition and its encoding in notation has been questioned. This article challenges current assumptions about Purcell's compositional processes, arguing that because

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Pavlov, I. V., and V. M. Tsaplev. "Speech and Music Acoustics, Rhythms of the Brain and their Impact on the Ability to Accept Information." Discourse 6, no. 1 (March 5, 2020): 96–105. http://dx.doi.org/10.32603/2412-8562-2020-6-1-96-105.

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Introduction. A radical tendency in modern approaches to understanding the mechanisms of the brain is the tendency of some scientists to believe that the brain is a receptor capable of capturing thoughts; the nature of the occurrence of the thoughts themselves, however, is not to be clarified. However, speech expressing thoughts is undoubtedly the result of the work of the brain, so studies of the frequency structure of speech can be the basis for considering the material structure of the brain as a kind of “antenna”. In this approach, the problem of noise protection against the background of

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Dobravec, Jurij. "Research on Slovenian Organs from the Beginning of the Twentieth Century to the Monograph Orgle Slovenije in 2018." Musicological Annual 56, no. 2 (December 30, 2020): 85–105. http://dx.doi.org/10.4312/mz.56.2.85-105.

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The paper analyses the development of the structure and content of pipe organ catalogues that have appeared in Slovenian organology since the beginning of twentieth century. Of seventy catalogues describing multiple organs, particular attention is devoted to ten, especially the inventories of the Maribor (1911) and Ljubljana (1918) Dioceses, and the monograph Orgle Slovenije (2018).

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Marynchak, A. V. "Marian Theme in Music: Aspects of History and Genre Stylistics (a Case Study of the Works byKonstanty Antoni Gorski)." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 213–29. http://dx.doi.org/10.34064/khnum2-18.12.

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The objectives of the research. The article is devoted to the study of the main parameters of the Marian theme embodiment in the art of music, with highlighting the aspects of history and genre stylistics. It is noted that the choice of the topic is related to the study of the works by the Kharkiv composer of Polish origin Konstanty Antoni Gorski, who worked in Kharkiv for many years (1880–1910) and belongs to the founders of his academic musical culture. The article lays the methodological basis for studying interpretation of the Marian theme in the works by this author, for that the analysis

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YAĞCI, Safiye. "Afyonkarahisar Community Home Activities and Analysis of Music Texts' Contents." Akademik Müzik Araştırmaları Dergisi 1, no. 1 (January 10, 2015): 1–16. http://dx.doi.org/10.5578/amrj.8891.

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Kamenieva, A. "Meditativity in the structure of art consciousness (on the material of the mass «And i said in my heart» by M. Shukh)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (September 15, 2018): 128–40. http://dx.doi.org/10.34064/khnum2-49.09.

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Background. Mikhail Shukh is a Ukrainian composer, who paid much attention to spiritual music in his creative work. In general, the spiritual sphere of his works belonged to choral genres. Mikhail Shukh’s choral music is very diverse: it varies from large genres to choral cycles and miniatures. Mikhail Shukh was one of the first composers who revived spiritual music in the 90s of the 20th century after a long stagnation. As a composer of the "new time", who belonged to the "nova musica sacra" direction, Mikhail Shukh interprets spiritual genres in a new way. His works are written from the mode

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Pysmenna, Oksana, Svitlana Myshko, and Kateryna Cherevko. "Stylistics of Impressionism in the Song Cycles of Lesia Dychko “Pastels” and “Enharmonic” on the Poems by Pavlo Tychyna." Studia Universitatis Babeş-Bolyai Musica 66, no. 1 (June 30, 2021): 159–77. http://dx.doi.org/10.24193/subbmusica.2021.1.11.

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"The aim of the work is to determine the influence of the characteristic features of the linguistic and style environment of the second half of the twentieth century on the development of Lesia Dychko's creative personality (on the example of the song cycles Pastels and Enharmonic, written to the words of P. Tychyna). The analyzed song cycles demonstrate the artist’s deep penetration into the figurative concept of the poet's free verses, reflecting its semantic properties by musical means. We notice a lot in common and consonant in the works of both artists, namely, an impressionistic vision a

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Burel, O. V. "About compositions for piano and orchestra by Ch.-M. Widor. Background." Aspects of Historical Musicology 13, no. 13 (September 15, 2018): 45–60. http://dx.doi.org/10.34064/khnum2-13.04.

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Ch.-M. Widor (1844–1937) inscribed his name in the history of French music primarily as an author of organ works (10 Organ Symphonies, 1872–1900, in particular). But other genre branches of his creativity (symphonic, chamber-instrumental, chamber-vocal, operatic, choral) remains less famous for wide public. This quite vast layer is mostly not studied in musical science. However, at the recent time the interest is somewhat growing both among musicologists (A. Thomson, E. Krivitskaya, M. R. Bundy), and among the performers, which confi rms the relevance of this article. The objectives of this st

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Popova, Liudmyla, and Olha Protsenko. "Genre and style features of creative heritage by Mark Karminskyi: educational and methodological aspects." Aspects of Historical Musicology 19, no. 19 (February 7, 2020): 65–79. http://dx.doi.org/10.34064/khnum2-19.04.

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Background. The article is a step towards a modern comprehension of the creative heritage by M. Karminskyi, whose work in the second half of the 20 century contributed to the development and international fame of Ukrainian music. Analysis of scientific publications (Heivandova, K., 1981; Ivanova, Yu., 2001; Kushchova, E., 2004 etc.), memoirs (Hanzburg, G., 2000) and a huge array of periodicals devoted to the composer allows us to single out the characteristic features of his creative personality, which determine the originality of his talent as a composer, explaining the constant demand for hi

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Shaymukhametova, Liudmila N. "About the Study of the Means of Transcription of Works for Clavier by Beginning Pianists." ICONI, no. 2 (2019): 116–27. http://dx.doi.org/10.33779/2658-4824.2019.2.116-127.

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The methodological elaborations of the rubric of the journal “My fi rst transcriptions” will present examples from assignments from the attempts of creative work of beginning pianists with the musical text. The offered assignments carry the aim of teaching certain universal techniques of artistic transformation of the composer’s primary text. The fi rst article devoted to this subject matter examines the register allocation and the doubling which were applied in everyday music-making in the 16th and 17th centuries during the varied re-exposition of the clavier text into various ensembles. The

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Купіна, Д. Д., and Г. О. Гребенюк. "Genre of variations for piano in the context of stylish plurality of F. Mendelssohn-Bartholdy's creativity." Музикознавча думка Дніпропетровщини, no. 16 (December 19, 2019): 73–85. http://dx.doi.org/10.33287/221924.

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The purpose of the article is to determine the genre and stylefeatures of the piano cycle „Serious Variations” by F. Mendelssohn-Bartholdy. The round of specific methods is due to the use of empiricalscientific approaches of observation and generalization. The methodsidentified form a pronounced practical component of the proposedscientific intelligence. The structural and analytical approach allows you toform a sequence of presentation of scientific material, and draw theappropriate conclusions on the features of „Serious Variations”. Using thehistorical-typological approach, the sequence of

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Grebneva, I. "”The image” of the violin in the creative work of A. Corelli (on the example of the concerto grosso genre)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (September 15, 2018): 115–27. http://dx.doi.org/10.34064/khnum2-49.08.

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Statement of the problem. The violin style of A. Corelli, a composer-violinist who laid the foundation for the development of the violin art in Europe, represents a special “image of the instrument” that entered the professional-academic arena during the Baroque era. The research of A. Corelli’s violin style belongs to the field of organology, which is dedicated to the integrated study of instruments as the “organs” of musicians’ thinking. The close relationship, connection of the individual who is playing music with his/her instrument is not only one of the little developed theoretical proble

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Liu, Lin-li, Yi Pang, and Zhuang-li Hu. "Application of Spectrogram Analysis in Traditional Vocal Music Teaching and Multimedia Animation Vocal Music Teaching." International Journal of Emerging Technologies in Learning (iJET) 11, no. 11 (November 29, 2016): 64. http://dx.doi.org/10.3991/ijet.v11i11.6242.

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The spectrogram analysis technology via computer application makes voice visualized, realizes the integrated teaching mode of "mouth to ear- nose", and improves the teaching quality of vocal music.The technology gives a dynamic map of singing respiration and singing organs, and the singing process is specified by the harmony search algorithm. This technology solves problems of shallow breathing, slurred speech and incorrect use of resonant cavity. The spectrogram analysis visualizes vocal music teaching, improves students' abilities of singing, practice and innovation.

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NAMAZI, HAMIDREZA, DUMITRU BALEANU, SHAFIUL OMAM, and ONDREJ KREJCAR. "ANALYSIS OF THE CORRELATION BETWEEN BRAIN AND SKIN REACTIONS TO DIFFERENT TYPES OF MUSIC." Fractals 29, no. 02 (March 2021): 2150124. http://dx.doi.org/10.1142/s0218348x21501243.

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Evaluation of the correlation among the activities of various organs is an important research area in physiology. In this paper, we analyzed the correlation between the brain and skin reactions in response to various auditory stimuli. We played three different music (relaxing, pop, and rock music) to eleven subjects (4 M and 7 F, 18–22 years old) and accordingly analyzed the changes in the complexity of Electroencephalogram (EEG) and Galvanic Skin Response (GSR) signals by calculating their fractal exponent and sample entropy. A strong correlation was observed among the alterations of the comp

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NAMAZI, HAMIDREZA, SHAFIUL OMAM, KAMIL KUCA, and ONDREJ KREJCAR. "EVALUATION OF THE COUPLING BETWEEN ELECTROENCEPHALOGRAM (EEG) AND GALVANIC SKIN RESPONSE (GSR) SIGNALS VERSUS THE COMPLEX STRUCTURE OF MUSIC." Fractals 29, no. 04 (May 11, 2021): 2150175. http://dx.doi.org/10.1142/s0218348x21501759.

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Since skin activity, like other organs, is controlled by the brain, we decoded the correlation among the brain and skin responses in auditory stimulation by complexity-based analysis of EEG and GSR signals. Three pieces of music were selected according to the difference in the fractal exponent and sample entropy of embedded noises in them. We calculated the fractal dimension and sample entropy of EEG and GSR signals for 11 subjects in rest and response to these music pieces. The correlation coefficients of 0.9525 and 0.9822 in the case of fractal dimension and sample entropy demonstrated a str

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Upadhyay, Dwijesh, and Nirmala Joshi. "A critical analysis of teaching of Indian classical music through distance learning system in higher education." International Journal of Research -GRANTHAALAYAH 5, no. 2 (February 28, 2017): 225–32. http://dx.doi.org/10.29121/granthaalayah.v5.i2.2017.1727.

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The relation of any fine art expresses the elixir of human, physical, and physical world. As civilization grows more and more civilized and cultured, the development of fine arts reaches its peak. Music is a major part of the fine arts. The place of music in Indian civilization is paramount in the fine arts. The great Indian civilization has been underlining the importance of music education since its height. From ancient Vedic and medieval to modern times, the Indian educational system has been concentrating on the education of music; all its parts such as singing, playing and dancing. In the

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Pont, Giovanni Dal, Giovanni B. Debiasi, and Giovanni Spagiari. "Automatic analysis of the acoustic characteristics of two baroque pipe organs." Journal of New Music Research 23, no. 4 (December 1994): 401–16. http://dx.doi.org/10.1080/09298219408570666.

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Kutlay, Evren. "A Historical Case of Anglo-Ottoman Musical Interactions: The English Autopiano of Sultan Abdulhamid II." European History Quarterly 49, no. 3 (July 2019): 386–419. http://dx.doi.org/10.1177/0265691419854922.

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Initiated by Queen Elizabeth I upon sending the Ottoman Sultan Mehmed III an organ, Anglo-Ottoman music-historical relations date back to the sixteenth century. Such interactions continued during the Nizam-ı Cedid (New Order) period of the eighteenth century and became more frequent in the nineteenth century, during the modernization movement of the Ottomans. After the establishment of the Muzıka-yı Hümâyûn (The Imperial Music School), the Ottoman Empire began to import many European musical instruments, including pianos, to Ottoman lands. To this end, some English piano manufacturers became t

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Desmond, Karen. "W. de Wicumbe's Rolls and Singing the Alleluya ca. 1250." Journal of the American Musicological Society 73, no. 3 (2020): 639–709. http://dx.doi.org/10.1525/jams.2020.73.3.639.

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Abstract A set of thirteenth-century parchment fragments, including the remnants of two rolls and one manuscript codex, preserves a largely unstudied repertoire unique to medieval England. In addition to a single motet and a setting of a responsory verse, the Rawlinson Fragments preserve twelve three-voice Alleluya settings. While polyphonic Alleluyas are well known from the continental Magnus liber repertoire, these insular Alleluya settings are quite different. Most significantly, while composed on the text and pitches of plainchant, they include newly composed texts in at least one voice—th

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Dedusenko, Zhanna. "Features of the embodiment of the genre of sonata for violin and piano in the works by Gabriel Fauré (on the example of Sonata № 2, in E Minor, op. 108)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 59, no. 59 (March 26, 2021): 157–70. http://dx.doi.org/10.34064/khnum1-59.11.

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Background. The article reveals the genre-style, form-building and dramatic features of G. Faur&#233;’s Sonata No. 2, in E Minor, op. 108. It is determined that this work, in contrast to his first sonata in A Major op. 13, written in the early period of the composer’s life and embodying romantic elation and inspiration, belongs to the late period of G. Faur&#233;’s work, which is distinguished by a complex harmonic and polyphonic writing, sophisticated form and dramatic content characteristic of the early 20th century music and the First World War. The purpose of this article is a char

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Situmeang, Mona Wenni. "Kajian Syair dan Bentuk Struktur Lagu Kekuatan Serta Penghiburan Pada Prodi PMG IAKN Tarutung." Areopagus : Jurnal Pendidikan Dan Teologi Kristen 19, no. 1 (March 31, 2021): 143–51. http://dx.doi.org/10.46965/ja.v19i1.503.

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AbstrakKajian syair dan bentuk struktur lagu No. 332 Kekuatan Serta Penghiburan pada prodi PMG IAKN tarutung. Tujuan dari penelitian ini adalah untuk mengetahui lebih banyak mengenai pengembangan kajian yang terdapat dalam lagu kekuatan serta penghiburan dan mengetahui bentu-bentuk dan struktur lagu yang di teliti. Penelitian ini menggunakan metode kajian pustaka dengan pendekatan kualitatif. Adapun proses kerja yang dilakukan yaitu pengamatan, wawancara, dokumentasi, studi pustaka (online) dan analisis. Penelitian dilakukan dengan mengumpulkan informasi melalui penelitian di lapangan untuk me

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Bezpalko, Vladyslav, and Ivan Kuzminskyi. "Musical everyday life of Volhynia in the middle of 16th ‒ early 17th cc." Text and Image: Essential Problems in Art History, no. 1 (2019): 5–32. http://dx.doi.org/10.17721/2519-4801.2019.1.01.

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The presented article is the first study of this kind, where the musical life of Volhynia of the mid 16th - early 17th century is specially considered. In the study, we almost exclusively focused on the secular segment of musical everyday life. On the basis of the analysis of historical acts, fiscal accounting documents and other sources, three thematic sections were formed. The first section is devoted to the study of musicians in Volhynia. In the fiscal accounting documents, initially the Grand Duchy of Lithuania, and later the Polish–Lithuanian Commonwealth (Lesser Poland Province of the Po

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Musil, L. S., D. E. Frail, and J. P. Merlie. "The mammalian 43-kD acetylcholine receptor-associated protein (RAPsyn) is expressed in some nonmuscle cells." Journal of Cell Biology 108, no. 5 (May 1, 1989): 1833–40. http://dx.doi.org/10.1083/jcb.108.5.1833.

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Torpedo electric organ and vertebrate neuromuscular junctions contain the receptor-associated protein of the synapse (RAPsyn) (previously referred to as the 43K protein), a nonactin, 43,000-Mr peripheral membrane protein associated with the cytoplasmic face of postsynaptic membranes at areas of high nicotinic acetylcholine receptor (AChR) density. Although not directly demonstrated, several lines of evidence suggest that RAPsyn is involved in the synthesis and/or maintenance of such AChR clusters. Microscopic and biochemical studies had previously indicated that RAPsyn expression is restricted

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Mulic-Lutvica, Ajlana. "Postpartum Ultrasound." Donald School Journal of Ultrasound in Obstetrics and Gynecology 6, no. 1 (2012): 76–92. http://dx.doi.org/10.5005/jp-journals-10009-1228.

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ABSTRACT This article describes uterine and uterine cavity changes throughout the normal and pathological puerperium, as revealed by various ultrasound modalities. A gray scale ultrasound, color and pulsed Doppler ultrasound and 3D ultrasound were used. It is based on results of several prospective longitudinal studies, which were designed so that every woman was examined at six occasions during the puerperium, namely on postpartum days 1, 3, 7, 14, 28 and 56. The first four examinations were performed transabdominally and the last two transvaginally. The same design was used in all studies. T

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Decker, Ilka, Oluchi C. Ukaegbu, Stacey A. Goodman, Daniel J. Lenihan, Rebecca R. Hung, Adetola A. Kassim, Shelton L. Harrell, et al. "Six-Minute Walk Test As a Measure of Functional Change after Chemotherapy in Cardiac AL Amyloidosis." Blood 126, no. 23 (December 3, 2015): 1841. http://dx.doi.org/10.1182/blood.v126.23.1841.1841.

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Abstract Background: Light chain amyloidosis (AL) is characterized by tissue deposition of misfolded proteins that cause multisystem organ dysfunction. Current treatments, including chemotherapy and autologous hematopoietic cell transplantation (AHCT), target plasma cells producing pathogenic amyloid proteins. The development of amyloid protein targeted monoclonal antibody therapy has led to an increased need for objective measurements of clinical response. The 6-minute walk test (6MWT) has been used for years as the primary outcome measure to monitor disease severity in clinical trials of hea

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Botaș, Adina. "BOOK REVIEW Paul Nanu and Emilia Ivancu (Eds.) Limba română ca limbă străină. Metodologie și aplicabilitate culturală. Turun yliopisto, 2018. Pp. 1-169. ISBN: 978-951-29-7035-3 (Print) ISBN: 978-951-29-7036-0 (PDF)." JOURNAL OF LINGUISTIC AND INTERCULTURAL EDUCATION 12, no. 3 (December 27, 2019): 161–66. http://dx.doi.org/10.29302/jolie.2019.12.3.11.

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Increasing preoccupations and interest manifested for the Romanian language as a foreign language compose a focused and clear expression in the volume “Romanian as a foreign language. Methodology and cultural applicability”, launched at the Turku University publishing house, Finland (2018). The editors, Paul Nanu (Department of Romanian Language and Culture, University of Turku, Finland) and Emilia Ivancu (Department of Romanian Studies of the Adam Mickiewicz University of Poznań, Poland) with this volume, continue a series of activities dedicated to the promotion of the Romanian language and

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Gerner, Martin. "Her majesty, the queen of sounds: Cultural sustainability and heritage in organ craftsmanship and music." International Journal of Cultural Property, August 23, 2021, 1–26. http://dx.doi.org/10.1017/s094073912100014x.

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Abstract Organ craftsmanship and music are inextricably linked with each other. In Germany, a particularly rich symbiosis between craftspeople, composers, and performing artists has evolved over the centuries. In recognizing the transmission of this intangible cultural know-how from generation to generation, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed organ craftsmanship and music together in the Representative List of the Intangible Cultural Heritage of Humanity in 2017. This article elucidates how this inscription influences the perception and self

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Dmytro, Hubyak. "Arrangements for bandura of polyphonic work by J.-S. Bach in performing and educational practice: methodological aspect." Musical Art in the Educological Discourse, no. 5 (2020). http://dx.doi.org/10.28925/2518-766x.2020.5.15.

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Methodological approaches to the problem of arrangements of polyphonic material for bandura are presented. The problem of comparative comparison of performance capabilities of Kyiv and Kharkiv banduras, the corresponding ways of playing them when performing a polyphonic texture is raised. Prospects for wider involvement of the Kharkiv bandura in performing and educational practice are considered. The professional training of a modern bandura performer should be focused on overcoming certain stereotypes about the technical capabilities of the instrument. The task is to expand the means of perfo

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Zhang, Yuchen. "A Brief Analysis of the Application of Situational Teaching Method in Primary School Music Class." Journal of Contemporary Educational Research 4, no. 10 (November 2, 2020). http://dx.doi.org/10.26689/jcer.v4i10.1568.

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Music situational teaching method aims to mobilize the students’ thoughts in a natural state so as to enhance the attractiveness and efficiency of music classes. In the process of this method, some specific situational are designed according to the characteristics of music and under the guidance of psychology, methodology, pedagogy and other theories, and various sensory organs are employed. Different from traditional teaching method, situational teaching method creates learning situational for students, which is consistent with the characteristics of primary school students' physical and ment

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Silva, Sarah Nicoli da, and Angelo Jose Fernandes. "Lyrical technique as a pedagogical tool for teaching brazilian popular singing." Revista dos Trabalhos de Iniciação Científica da UNICAMP, no. 26 (February 18, 2019). http://dx.doi.org/10.20396/revpibic2620181244.

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The present study consists in proposing the use of the lyrical technique dissociated from the aesthetics of sacred music, opera, and concert music, for which its use has become reputed, to use it as a healthy and efficient tool in the vocal muscular training of the Brazilian popular singer. For this, we carried out a bibliographical review on pedagogy and vocal physiology in the scope of popular Brazilian song, as well as an analysis of small fragments of the repertoire of popular music, through which we seek to justify the use of the lyrical technique by the popular singer. The project aims t

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Pakniyat, Najmeh, and Hamidreza Namazi. "Decoding the coupling between the brain and skin reactions in auditory stimulation by information-based analysis of EEG and GSR signals." Technology and Health Care, September 16, 2021, 1–10. http://dx.doi.org/10.3233/thc-213052.

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BACKGROUND: The analysis of brain activity in different conditions is an important research area in neuroscience. OBJECTIVE: This paper analyzed the correlation between the brain and skin activities in rest and stimulations by information-based analysis of electroencephalogram (EEG) and galvanic skin resistance (GSR) signals. METHODS: We recorded EEG and GSR signals of eleven subjects during rest and auditory stimulations using three pieces of music that were differentiated based on their complexity. Then, we calculated the Shannon entropy of these signals to quantify their information content

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KUMARASINGHE, TISARA, ONDREJ KREJCAR, ALI SELAMAT, NORAZRYANA MAT DAWI, ENRIQUE HERRERA-VIEDMA, ROBERT FRISCHER, and HAMIDREZA NAMAZI. "COMPLEXITY-BASED EVALUATION OF THE CORRELATION BETWEEN HEART AND BRAIN RESPONSES TO MUSIC." Fractals, August 23, 2021, 2150238. http://dx.doi.org/10.1142/s0218348x21502388.

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The evaluation of the correlation between the activations of various organs has great importance. This work investigated the synchronization of the brain and heart responses to different auditory stimuli using complexity-based analysis. We selected three pieces of music based on the difference in the complexity of embedded noise (including white noise, brown noise, and pink noise) in them. We played these pieces of music for 11 subjects (7 M and 4 F) and computed the fractal dimension and sample entropy of EEG signals and R–R time series [as heart rate variability (HRV)]. We found strong corre

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Namazi, Hamidreza, Tisara Kumarasinghe, and Ondrej Krejcar. "Information-Based Analysis of the Coupling Between the Alterations of Heart and Brain Activities in Response to Auditory Stimuli." Fluctuation and Noise Letters, March 31, 2021, 2150049. http://dx.doi.org/10.1142/s0219477521500498.

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In this work, we investigated the coupling among the activities of the brain and heart versus the changes in auditory stimuli using information-based analysis. Three music were selected based on the difference in their complexity. We applied these auditory stimuli on 11 subjects, and accordingly, computed and compared the Shannon entropy of electroencephalography (EEG) signals and heart rate variability (R–R time series). The results demonstrated a correlation among the alterations of the information contents of EEG signals and R–R time series. This finding shows the coupling between the activ

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Pyzhianova, Nataliia. "EVOLUTION OF SONG AND MUSIC ART OF CENTRAL UKRAINE IN THE PALEOLITHIC ERA." Young Scientist 11, no. 87 (2020). http://dx.doi.org/10.32839/2304-5809/2020-11-87-72.

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The article notes that the study of art at the stage of emergence is of particular importance because it allows us to trace the directions of evolution, regional features, to identify a set of factors that have catalyzed some of its species. The aim of the article is to study some aspects of the process of evolution of song and music art of Central Ukraine in the Paleolithic era. It is noted that the problems of Paleolithic art are devoted to scientific works of domestic and foreign researchers, which address a wide range of issues related to the evolution of music, song performance and musica

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Uzunboylu, Prof Dr Huseyin. "Message from Editor." Cypriot Journal of Educational Sciences 13, no. 4 (December 26, 2018). http://dx.doi.org/10.18844/cjes.v13i4.3929.

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Dear Colleagues; It is a great honour for us to welcome you as Editor of Cypriot Journal of Educational Sciences, which has accepted publications indexed in qualified databases since 2006. Our main aim is to increase the quality of the journal day by day. We are ready to publish the new issue of Cypriot Journal of Educational Sciences, which has eight articles with authors from various countries. The aim of this issue is to give the researchers an opportunity to share their academic studies. A total number of forty-five (45) manuscripts were submitted for this issue and each paper

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Pace, Steven. "Acquiring Tastes through Online Activity: Neuroplasticity and the Flow Experiences of Web Users." M/C Journal 17, no. 1 (March 16, 2014). http://dx.doi.org/10.5204/mcj.773.

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IntroductionCan a person’s tastes in art, music, literature, cinema, sport, humour or other fields be changed through online activity? This article explores that question by comparing recent research findings in the areas of neuroplasticity and flow. Neuroplasticity, also known as brain plasticity, is the idea that the human brain can change its structure and function through thought and activity, even into old age (Doidge). The second concept—flow—comes from the field of psychology, and refers to a deeply satisfying state of focused attention that people sometimes experience while engaging in

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