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Artykuły w czasopismach na temat „Painters – Finland”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 31 lipca 2025

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1

Pfäffli, Heidi. "”När detta Lijf förgår / Ett Nytt jag igän får”. Daniel Hjulströms målningar i det Grotenfeltska gravkapellet i Jorois, Savolax, Finland." ICO Iconographisk Post. Nordisk tidskrift för bildtolkning – Nordic Review of Iconography, no. 3-4 (April 8, 2025): 7–41. https://doi.org/10.69945/20243-427719.

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“When this Life ends / A new one I will gain”. Daniel Hjulström’s paintings in the Grotenfelt family’s burial chapel in Jorois, Savonia, Finland Abstract: The article focuses on the Swedish artisan painter Daniel Hjulström (1703–1787) and his decorations in the Grotenfelt family’s burial chapel in Jorois, Northern Savonia (Finland). It was built in the 1770s (possibly in 1776) and its walls and ceiling were painted by Hjulström with a variety of plant motifs combined with quotations from the Bible. Five walls have representations of the four seasons – spring, summer, fall and two winter scenes
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2

Joy, Francis. "To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland." Polar Record 50, no. 1 (2013): 108–11. http://dx.doi.org/10.1017/s0032247413000351.

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ABSTRACTResearch undertaken between 1960 to 1990 into what was once a rock painting tradition in Finland, lacked a clear understanding of parallels between the painted figures found at rock painting locations in the southern and central areas of the country, and the motifs painted on the heads of Sámi shaman divination drums from Lapland. However, due to the discovery and analysis of the content of more rock painting sites in Finland from 1990 up to the present, a more comprehensive framework has emerged in which scholars from across different academic disciplines have discovered many more sim
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Gutman, Laura. "Werner von Hausen and Emile Bernard." Tahiti 13, no. 2 (2023): 71–85. http://dx.doi.org/10.23995/tht.137442.

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Werner von Hausen met Emile Bernard in Cairo in 1895, in Laren (Netherlands) in 1906, and again in Paris in 1906–1908. Evidence of these encounters is found in portraits, press articles and in the artists’ correspondence. These scattered fragments contain hitherto unknown biographical elements and make it possible to reconstruct a major influence on the artistic production and thought of the Finnish painter. Werner von Hausen thus turns out to be a protagonist of Antimodernism in Finland, a classical painter and author of memoirs, reviews and a manifesto defending a vision of art that did not
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Joy, Francis. "Noaidi drums from Sápmi, rock paintings in Finland and Sámi cultural heritage – an investigation." Polar Record 53, no. 2 (2017): 200–219. http://dx.doi.org/10.1017/s0032247416000917.

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ABSTRACTA new, extensive examination of figures with horns and triangular shaped heads in prehistoric rock paintings in Finland reveals remarkable parallels with similar attributes on the Radien and Akka groups of spirits, pictured as male and female powers of the sky, earth and underworld, painted on the heads of indigenous Sámi noaidi drums from Swedish and Norwegian Sápmi during the seventeenth and eighteenth centuries. What makes this particular study of interest is that the cultural context or origins of rock paintings in Finland remains ambiguous. They are contextualised as being ‘Finnis
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5

Kondakova, Olga N. "ALEXEY PETROVICH BOGOLYUBOV. HALF A CENTURY IN THE SERVICE OF THE NAVAL MINISTRY." History and Archives, no. 2 (2022): 117–35. http://dx.doi.org/10.28995/2658-6541-2022-2-117-135.

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The purpose of the study, carried out on the basis of numerous unpublished documents, is to present the various useful activities of Alexei Petrovich Bogolyubov, a painter and an Actual State Councilor in the Naval Ministry. A.P. Bogolyubov began his service as a midshipman on January 8, 1841, and worked actively in the Naval Ministry for about 55 years. More than 90 documents from various funds were found in the Russian Archives of the Navy, including the artist’s autographs. The recently discovered album of original drawings made by the artist in 1862 and 1864 is of greatest value. Professor
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6

Takanen, Ringa. "Religious Affects and Female Subjects in the Altarpieces of the Finnish Artist Alexandra Frosterus-Såltin." Temenos - Nordic Journal of Comparative Religion 56, no. 2 (2020): 201–26. http://dx.doi.org/10.33356/temenos.82534.

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Before the mid-nineteenth century there were few subjects in the altarpiece tradition of the Evangelical Lutheran Church of Finland in which the central figures accompanying Christ were female. Seldom used or new motifs involving female characters now emerged behind the altar. Most of the altarpieces with central women figures were painted in Finland at the turn of the twentieth century by the artist Alexandra Frosterus-Såltin (1837–1916). In the nineteenth century Frosterus-Såltin was the only artist in Finland who realized the motif of ‘Christ Appearing to Mary Magdalene’ in her altarpieces.
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Rosales Rodríguez, Agnieszka. "Ferdynand Ruszczyc: A Polish Painter at the Crossroads of Cultures." Arts 12, no. 6 (2023): 232. http://dx.doi.org/10.3390/arts12060232.

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The oeuvre of beloved Polish painter Ferdynand Ruszczyc (1870–1936) reflected the patriotic Neo-Romantic landscape trend of the fin-de-siècle prevalent in Germany and the Nordic countries (Denmark, Finland, Norway, Sweden). It should be considered in the context of Nordic visual culture for two reasons: (1) until the affiliation of Central and Eastern European nations with the Soviet Union in the wake of World War Two, nations bordering the Baltic formed a single, fluid territory of cultural exchange, and (2) Ruszczyc’s oeuvre displays significant commonalities with dominant patriotic and Neo-
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8

Sakki, Inari, Eemeli Hakoköngäs, and Katarina Pettersson. "Past and Present Nationalist Political Rhetoric in Finland: Changes and Continuities." Journal of Language and Social Psychology 37, no. 2 (2017): 160–80. http://dx.doi.org/10.1177/0261927x17706945.

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This article focuses on nationalist political rhetoric in two historical periods in Finland. We analysed the rhetorical changes and continuities in anticommunist newspaper articles from the past (1930s) and in anti-Islam blogs in the present (2010s). We identified two similar discourses in the political rhetoric of both eras, each discourse constructed around two different Others: the external Other, the stranger from the outside world, and the internal Others, those within our own society. Our analysis identified some significant differences pertaining to the form of the rhetoric in the two s
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9

Stauning, P. "Danish auroral science history." History of Geo- and Space Sciences 2, no. 1 (2011): 1–28. http://dx.doi.org/10.5194/hgss-2-1-2011.

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Abstract. Danish auroral science history begins with the early auroral observations made by the Danish astronomer Tycho Brahe during the years from 1582 to 1601 preceding the Maunder minimum in solar activity. Included are also the brilliant observations made by another astronomer, Ole Rømer, from Copenhagen in 1707, as well as the early auroral observations made from Greenland by missionaries during the 18th and 19th centuries. The relations between auroras and geomagnetic variations were analysed by H. C. Ørsted, who also played a vital role in the development of Danish meteorology that came
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10

Eskola, J., and K. Poikolainen. "Seasonal Variation and Recurring Peaks of Reported Poisonings During a 3-year Period." Human Toxicology 4, no. 6 (1985): 609–15. http://dx.doi.org/10.1177/096032718500400607.

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1 Seasonality of poisonings was studied among 28 692 cases reported during the years 1980-1982 in Finland with special reference to recurring peak months over years. Poisonings predominated in the summer. For all age-groups peaks of envenomations, plant poisonings and pesticide poisonings recurred between June and September. 2 Among children aged 0-6 years, there were in addition recurrent peaks in poisonings by tobacco between June and August, by corrosive agents in September and by vitamins, trace elements and external medicines in October. Among children aged 7-15 years, fertilizer poisonin
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11

Fodera, Peter L., Kenneth N. Needleman, and John L. Vitagliano. "The Conservation of a Painted Baltimore Sidechair (ca. 1815) Attributed to John and Hugh Finlay." Journal of the American Institute for Conservation 36, no. 3 (1997): 183. http://dx.doi.org/10.2307/3179947.

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12

Fodera, Peter L., Kenneth N. Needleman, and John L. Vitagliano. "The Conservation of a Painted Baltimore Sidechair (ca. 1815) Attributed to John and Hugh Finlay." Journal of the American Institute for Conservation 36, no. 3 (1997): 183–92. http://dx.doi.org/10.1179/019713697806124448.

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13

Sazonova, Lubov. "Edith Södergran in St. Petersburg. Seven poems from Waxcloth Notebook. In memoriam Edith Södergran (1892–1923)." Scandinavian Philology 21, no. 2 (2023): 350–73. http://dx.doi.org/10.21638/11701/spbu21.2023.210.

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The article deals with youth lyrics of Edith Södergran — a prominent poet-modernist of Swedish descent who was born and went to school in St. Petersburg. Edith Södergrans’ professional oeuvres were written in the Swedish language and published in Finland, her earliest poems being composed in several languages: German, French, Swedish and Russian yet never published in her lifetime. It was at St Peter’s School — Sankt-Petri-Schule that Edith Södergran commenced poetic exercises. Waxcloth Notebook from 1907–1909 — Vaxvukshäftet — where she recorded her first uneven, and heterogeneous in form and
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14

Ahlstedt-Yrlid, Inger. "Bildprogrammet på västra korväggen i Södra Råda." ICO Iconographisk Post. Nordisk tidskrift för bildtolkning – Nordic Review of Iconography, no. 1-2 (December 30, 2023): 7–44. https://doi.org/10.69945/ico.vi1-2.25944.

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Title: The Picture Programme on the West Wall of Södra Råda Church, SwedenIn November 2001 the wooden church of Södra Råda, dendrochronologically dated to the first decades of the 14th century, burnt down, the victim of arson. What was lost was a unique building, its walls covered with dated paintings, the ones in the choir from 1323, the ones in the nave from 1494. Although well known in art history, sometimes even styled the Arena Chapel of Swedish Medieval art, these paintings still contained a number of iconographically unsolved problems. The question of the identity of the donors, portray
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15

Bolshakova, Svetlana Evgenievna. "Valaam Monastery School of Painting." Secreta Artis, no. 4 (January 21, 2021): 41–72. http://dx.doi.org/10.51236/2618-7140-2020-3-4-41-72.

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The article is dedicated to the formation of Valaam’s own school of painting for monks and novices of the monastery. This process consisted of several stages connected to both the historical development of the monastery itself, as well as the expanding influence of the Russian Imperial Academy of Arts. The official establishment of the painting school, which trained artists according to academic methods, dates back to the late 19th – early 20th centuries. The entire preceding history of the monastery paved the way for the inauguration of the school. In particular, the monastery gathered a care
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16

Rovner, Anton А. "Vocal and Choral Symphonies and Considerations on Text Representation in Music." ICONI, no. 2 (2020): 26–37. http://dx.doi.org/10.33779/2658-4824.2020.2.026-037.

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The article examines the genres of the vocal and the choral symphony in connection with the author’s vocal symphony Finland for soprano, tenor and orchestra set to Evgeny Baratynsky’s poem with the same title. It also discusses the issue of expression of the literary text in vocal music, as viewed by a number of influential 19th and 20th century composers, music theorists and artists. Among the greatest examples of the vocal symphony are Gustav Mahler’s Das Lied von der Erde and Alexander von Zemlinsky’s Lyrische Symphonie. These works combine in an organic way the features of the symphony and
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17

Outhuijse, Annalies. "Effective Public Enforcement of Cartels: Rates of Challenged and Annulled Cartel Fines in Ten European Member States." World Competition 42, Issue 2 (2019): 171–204. http://dx.doi.org/10.54648/woco2019013.

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A substantial number of cartels in the European Union are detected and enforced by the national competition authorities (NCAs). The effectiveness of the domestic enforcement has been subject to extensive review and debates, which have recently culminated and resulted in the proposal for the ECN Directive. The current discussions are mostly limited to the number of enforcement activities, the quantity of imposed fines and their height and deterrence. An empirical assessment of the court procedures in which those fines were challenged and the consequences thereof received minimal attention, desp
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18

Аnanin, O. "IMPROVEMENT OF PROTECTION AGAINST COUNTERFEITING OF THE PASSPORT OF A CITIZEN OF UKRAINE FOR TRAVEL ABROAD WITH A CONTACTLESS ELECTRONIC MEDIUM." Criminalistics and Forensics, no. 66 (2021): 711–22. http://dx.doi.org/10.33994/kndise.2020.66.52.

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According to the requirements of international law, the protective elements of documents confirming an identity or its special status and give the right to cross the state border must correspond to the maximum level of security. Modern expert practice testifies to the presence of a number of shortcomings in the protection of a passport of a citizen of Ukraine for traveling abroad with a contactless electronic carrier. The main way to forge passport documents is to make unauthorized changes to the original data page. The main identifier, on the data page, is the bearer’s photographic image. The
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19

Labi, Kanni. "Muuseumikogudes ja suulises ajaloos säilib ajalik looming / Transient treasures are kept in museums and memories." Studia Vernacula 13 (November 18, 2021): 198–209. http://dx.doi.org/10.12697/sv.2021.13.198-209.

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Vanda Juhansoo. Artist or Eccentric Woman?Estonian Museum of Applied Art and Design18.01.–01.03.2020, Tartu City Museum 19.06.–26.09.2021.Exhibition curated by: Andreas Kalkun (Estonian Literary Museum)and Rebeka Põldsam, graphic design: Stuudio Stuudio.
 Vanda Juhansoo (1889–1966) was by education a porcelain painter and furniture designer; she was, however, known as a textile and craft artist, traveller, polyglot, notable art teacher, interior decorator, advocate of women’s craft, soroptimist and gardener. Sometimes she was also known as the ‘Witch of Valgemetsa’. She graduated from the
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Labi, Kanni. "Muuseumikogudes ja suulises ajaloos säilib ajalik looming / Transient treasures are kept in museums and memories." Studia Vernacula 13 (November 18, 2021): 198–209. http://dx.doi.org/10.12697/sv.2021.13.198-209.

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Vanda Juhansoo. Artist or Eccentric Woman?Estonian Museum of Applied Art and Design18.01.–01.03.2020, Tartu City Museum 19.06.–26.09.2021.Exhibition curated by: Andreas Kalkun (Estonian Literary Museum)and Rebeka Põldsam, graphic design: Stuudio Stuudio.
 Vanda Juhansoo (1889–1966) was by education a porcelain painter and furniture designer; she was, however, known as a textile and craft artist, traveller, polyglot, notable art teacher, interior decorator, advocate of women’s craft, soroptimist and gardener. Sometimes she was also known as the ‘Witch of Valgemetsa’. She graduated from the
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21

Krivondenchenkov, Sergei. "Unknown landscapes by the Russian painters of the mid-19th century in the collection of the New Valaam Monastery in Finland." Academia 4 (2023). http://dx.doi.org/10.37953/2079-0341-2023-4-1-447-456.

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Article is devoted to the study of landscapes by Russian artists of the mid-19th century from the collection of the New Valaam Monastery in Finland. The unique miraculously preserved collection was the most valuable addition to the ideas about the domestic painters’ work from nature on Valaam, and until recently it had no scientific description and has not been exhibited on the territory of the Russian Federation.
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Nielsen, Niels Kayser. "Maleriet og den ny krop - fire nordiske kunstnere 1900-1914." Forum for Idræt 15 (August 17, 1999). http://dx.doi.org/10.7146/ffi.v15i0.31760.

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Kunsten og maleriets fortolkning af kroppen i begyndelsen af 1900-tallet. Artiklen beskriver kunstnerens fremstilling af mandekroppen som et æstetisk objekt ofte med naturen som motiv.Nordic Painters and the new Body.The thesis of this article is that in the period around the turn of the century there was a decisive new departure in the perception of time and space in Nordic countries. This was expressed in the very movement of the body in time and space, in the areas of sport and physical exercise amongst others. It is also true of the representations of such movements, that is to say in lite
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23

Lundström, Marie-Sofie. "Bland turister och araber: Juho Rissanen på hälsoresa i Biskra 1931." Tahiti 9, no. 1 (2019). http://dx.doi.org/10.23995/tht.79911.

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In 1931, the Finnish painter Juho Rissanen (1873-1950) travelled to the tourist city Biskra in Algeria, then spending there the winter season, a most agreeable time in North Africa. It is situated on the verge of the Saharan desert, and ever since Algeria had become a French colony in the early nineteenth century, the city hosted hordes of tourists. (Algeria became independent as late as in 1962.) Biskra was known for its sulphate baths, which were supposed to improve health. But as several travellers and painters have observed, it was also the perfect spot where to hire a camel and a driver f
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Folkmane, Mairita. "Significant intersections Daugavpils Region Artists Association during from 1998 till 2013." Arts and Music in Cultural Discourse. Proceedings of the International Scientific and Practical Conference, September 28, 2013, 25. http://dx.doi.org/10.17770/amcd2013.1277.

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Daugavpils Region Artists Association (DRAA) is a professional creative organization, which now comprises 37 artists from different generations, schools and professional industry: painters, graphic artists, sculptors, textile artists, potters, stage designers, etc. DRAA was founded in 1998. Organization is to promote conditions for creativity, to promote the association's creative work, to defend artists' creative freedom, moral, economic, social rights and professional interests. In its 15 years of existence, Daugavpils Region Artists Association organized exhibitions in Latvia and abroad, pr
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25

Mäkelä, Jyrki P., and Emmi-Lotta Fagerlund. "An Image Dispute Resulting from Pareidolia?" Leonardo, September 23, 2024, 1–11. http://dx.doi.org/10.1162/leon_a_02618.

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Abstract In the 1940’s Nikolai Kaario, an artist and a decorative painter, found seemingly old images from house walls in Turku, Finland. These findings generated considerable interest in the press. The Archeological Commission of Finland evaluated them, concluding that the images were not medieval and were made unconsciously by Kaario. Despite the Commissions’ findings, the dispute did not abate. Several other people also found similar images on the walls of old houses in Turku, even after the death of Kaario. We review the events of this strife and suggest that they reflect the effects of pa
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26

Langer, Johnni. "EDITORIAL NOTE." Scandia Journal of Medieval Norse Studies, no. 5 (November 20, 2022). https://doi.org/10.22478/ufpb.2595-9107.2022v5n5.63751.

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Cover image: Helene Schjerfbeck. Haavoittunut soturi hangella (Wounded Warrior In The Snow), 39 × 59,5 cm, oil on canvas, 1880, Ateneum Art Museum/Finnish National Gallery (A I 221), Helsinki, Finland. Loneliness and Death. The painting that opens this editorial, made by the Finnish artist Helene Schjerfbeck (1862-1946) has already been analyzed in several aspects. Without a doubt, we cannot escape the theme that it objectively portrays: the war that took place in 1808 and 1809 between Russia and Sweden, leading to the creation of the autonomous Grand Duchy of Finland. Painted in 1880, in one
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Alasoini, Tuomo. "Two decades of programme-based promotion of workplace innovation in Finland: past experiences and future challenges." European Journal of Workplace Innovation 1, no. 1 (2015). http://dx.doi.org/10.46364/ejwi.v1i1.160.

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This article describes and explains the reasons for the rise and establishment ofprogramme-based promotion of workplace innovation in Finland during the last 20 years.Several ‘push’ and ‘pull’ factors that have simultaneously promoted the consolidation ofthese efforts are presented. The author also examines the Finnish programmes and ‘Nordicexceptionalism’ in a broader European context, referring to the overall under-resourcingof workplace innovation activities in European public policies so far. At the end of thearticle, new challenges to workplace development deriving from the rapid reshapin
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Bahmanpour, Ali Mohammad, Andrew Hoadley, and Akshat Tanksale. "Critical review and exergy analysis of formaldehyde production processes." Reviews in Chemical Engineering 30, no. 6 (2014). http://dx.doi.org/10.1515/revce-2014-0022.

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AbstractFormaldehyde is one of the most important intermediate chemicals and has been produced industrially since 1889. Formaldehyde is a key feedstock in several industries like resins, polymers, adhesives, and paints, making it one of the most valuable chemicals in the world. However, not many studies have been dedicated to reviewing the production of this economically important product. In this review paper, we study the leading commercial processes for formaldehyde production and compare them with recent advancements in catalysis and novel processes. This paper compares, in extensive detai
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Pearce, Lynne. "Diaspora." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.373.

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For the past twenty years, academics and other social commentators have, by and large, shared the view that the phase of modernity through which we are currently passing is defined by two interrelated catalysts of change: the physical movement of people and the virtual movement of information around the globe. As we enter the second decade of the new millennium, it is certainly a timely moment to reflect upon the ways in which the prognoses of the scholars and scientists writing in the late twentieth century have come to pass, especially since—during the time this special issue has been in pre
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Salter, Colin. "Our Cows and Whales." M/C Journal 21, no. 3 (2018). http://dx.doi.org/10.5204/mcj.1410.

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IntroductionIn 2011, Four Corners — the flagship current affairs program of the Australian national broadcaster, ABC (Australian Broadcasting Corporation) — aired an investigative report on the conditions in Indonesian slaughterhouses. Central to the report was a focus on how Australian cows were being killed for human consumption. Moral outrage ensued. The Federal Government responded with a temporary ban on the live export of cattle to Indonesia. In 2010 the Australian Government initiated legal action in the International Court of Justice (ICJ) opposing Japanese whaling in the Southern Ocea
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