Gotowe bibliografie tematyczne / Palazzo Fava (Bologna, Italy)

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  1. Artykuły w czasopismach
  2. Książki
  3. Części książek
  4. Streszczenia konferencji

Gotowa bibliografia na temat „Palazzo Fava (Bologna, Italy)”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Palazzo Fava (Bologna, Italy)"

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Leonardi, Andrea, Giuseppe De Sandi, and Claudia Colella. "Ephemeral Museums in Pandemic Era: Bari and the Museo Provinciale that Was There, that Has Been and Has Never Been." European Journal of Interdisciplinary Studies 7, no. 1 (2021): 124. http://dx.doi.org/10.26417/241tmv41h.

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The proposal introduces the theme of the communicative resilience of exhibitions during the Pandemic Era. On March 7, 2020, Italy and its museums, as well as the countless exhibitions housed in their rooms, were closed leaving hundreds, perhaps thousands, of works without the public: from the paintings of Raphael (Rome, Scuderie del Quirinale), to the tables of the Griffoni Polyptych assembled after three hundred years (Bologna, Palazzo Fava), to the statues of Canova (Rome, Palazzo Braschi), to the Sant'Antonio by Antonio Vivarini and to the San Felice in the chair by Lorenzo Lotto chased by
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Esposito, Luca. "reality effect': the figure seen from behind in Carracci's art." Acta ad archaeologiam et artium historiam pertinentia 32, no. 18 N.S. (2021): 9–28. http://dx.doi.org/10.5617/acta.9025.

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This article focuses on Carracci's frequent use of the figure seen from behind in their graphic and pictorial oeuvre (i.e., in the frescoes in Palazzo Fava, in the Cloister of San Michele in Bosco by Ludovico, in the series of the body in art by Annibale, and the engravings Ogni cosa vince l'oro by Agostino). It claims that the figure seen from behind plays a rhetorical function instrumental to the Carracci's search for a new form of naturalism in painting. In particular it creates a 'reality effect' that enhances the naturalistic rendering of the pictorial composition. On cover:ANNIBALE CARRA
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Pesci, Arianna, Elena Bonali, Claudio Galli, and Enzo Boschi. "Laser scanning and digital imaging for the investigation of an ancient building: Palazzo d’Accursio study case (Bologna, Italy)." Journal of Cultural Heritage 13, no. 2 (2012): 215–20. http://dx.doi.org/10.1016/j.culher.2011.09.004.

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Villa, Veronica, Tatiana Pignatale, and Ilenia Tramentozzi. "The Lapidary of Palazzo Ancarano, head office of the Archaeological Superintendence of Emilia Romagna." Studies in Digital Heritage 1, no. 2 (2017): 769–84. http://dx.doi.org/10.14434/sdh.v1i2.23252.

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In Italy, in the academic field, there are many cases of collaboration between the University and various institutions protecting Cultural Heritage. It is made possible due to the large amount of archaeological heritage requiring restoration interventions and thanks to the need from students to put their skills into practice. This is the case of the partnership between the Archaeological Superintendence of Emilia Romagna and the Fine Arts Academy of Bologna (Italy) established in 2012. This collaboration has permitted to open an important restoration site in order to recover the Lapidary locat
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Mazzoli, Cecilia, Rachele Corticelli, Lorna Dragonetti, Annarita Ferrante, John van Oorschot, and Michiel Ritzen. "Assessing and Developing Circular Deep Renovation Interventions towards Decarbonisation: The Italian Pilot Case of “Corte Palazzo” in Argelato." Sustainability 14, no. 20 (2022): 13150. http://dx.doi.org/10.3390/su142013150.

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Decarbonisation in the construction sector, consisting of a process based on the abandonment of fossil resources and the achievement of greater resource efficiency, is increasing in both new construction and renovation. The concept of circularity is seen as a strategy to reach this goal. The direct environmental impact of building designs can be quantitatively evaluated by assessing total mass, embodied energy, and embodied CO2 in combination with circularity criteria, such as design for disassembly, materials and product origin, as well as recovering potential. This paper presents a method fo
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Bauer, Aaron M., Alessandro Ceregato, and Massimo Delfino. "The oldest herpetological collection in the world: the surviving amphibian and reptile specimens of the Museum of Ulisse Aldrovandi." Amphibia-Reptilia 34, no. 3 (2013): 305–21. http://dx.doi.org/10.1163/15685381-00002894.

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The natural history collection of the Bolognese polymath, encyclopedist, and natural philosopher Ulisse Aldrovandi (1522-1605) is regarded as the first museum in the modern sense of the term. It was intended as a resource for scholarship and a microcosm of the natural world, not simply a cabinet of curiosities. In addition to physical specimens, Aldrovandi’s zoological material included a large series of paintings of animals (Tavole di Animali) that were integral to the collection. Following Aldrovandi’s death, his collection was maintained by the terms of his will, but by the 19th century rel
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Ballarin, M., C. Balletti, P. Faccio, F. Guerra, A. Saetta, and P. Vernier. "SURVEY METHODS FOR SEISMIC VULNERABILITY ASSESSMENT OF HISTORICAL MASONRY BUILDINGS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W1 (May 12, 2017): 55–59. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w1-55-2017.

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On 20<sup>th</sup> and 29<sup>th</sup> of May 2012, two powerful earthquakes struck northern Italy. The epicentres were recorded respectively in Finale Emilia (magnitude 5.9 Ml) and Medolla (magnitude 5.8 Ml) in the province of Modena, though the earthquake was formed by a series of seismic shakes located in the district of the Emilian Po Valley, mainly in the provinces of Modena, Ferrara, Mantova, Reggio Emilia, Bologna and Rovigo. Many monuments in the city of Mantova were hit by the earthquake and, among these, Palazzo Ducale with the well-known Castello di San Giorg
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Ridgway, F. R. Serra. "Art and Religion in Ancient Italy - Fede Berti, Carlo Gasparri (edd.): Dionysos. Mito e mistero. (Exhibition catalogue: Comacchio, Palazzo Bellini 7 maggio - 17 dicembre 1989.) Pp. 197; colour and black and white plates. Bologna: Nuova Alfa Editoriale, 1989. - Fede Berti (ed.): Dionysos. Mito e mistero: Atti del Convegno internazionale, Comacchio 3–5 novembre 1989. Pp. 444; drawings and black and white figures. Comacchio: Comune di Comacchio, 1991. - Antonella Romualdi (ed.): Populonia in età ellenistica. I materiali dalle necropoli: Atti del Seminario, Firenze 30 giugno 1986. Pp. 222; drawings and black and white figures. Florence: Soprintendenza archeologica per la Toscana, 1992. - Angelo Bottini: Archeologia della salvezza: L'escatologia greca nelle testimonianze archeologiche. (Biblioteca di archeologia, 17.) Pp. 191; maps, drawings and black and white plates. Milan: Longanesi, 1992. L. 32,000." Classical Review 43, no. 2 (1993): 389–91. http://dx.doi.org/10.1017/s0009840x0028791x.

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Mazzoli, Cecilia, Rachele Corticelli, Lorna Dragonetti, Annarita Ferrante, Oorschot Johannes Van, and Michiel Ritzen. "Assessing and Developing Circular Deep Renovation Interventions towards Decarbonisation: The Italian Pilot Case of "Corte Palazzo" in Argelato." October 13, 2022. https://doi.org/10.3390/su142013150.

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Decarbonisation in the construction sector, consisting of a process based on the abandonment of fossil resources and the achievement of greater resource efficiency, is increasing in both new construction and renovation. The concept of circularity is seen as a strategy to reach this goal. The direct environmental impact of building designs can be quantitatively evaluated by assessing total mass, embodied energy, and embodied CO2 in combination with circularity criteria, such as design for disassembly, materials and product origin, as well as recovering potential. This paper presents a method fo
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"Collegium Ramazzini, International Conference, Occupational and Environmental Significance of Chemical Carcinogens, Palazzo della Cultura e dei Congressi, Bologna (Italy), 8–10 October 1985." Mutation Research/Fundamental and Molecular Mechanisms of Mutagenesis 151, no. 1 (1985): 175–76. http://dx.doi.org/10.1016/0027-5107(85)90198-8.

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Książki na temat "Palazzo Fava (Bologna, Italy)"

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Michele, Danieli, and Ravaioli Davide, eds. Palazzo Fava da San Domenico. Minerva, 2008.

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Giancarlo, Benevolo, ed. Palazzo Ghisilardi: Il sogno rinascimentale di un notaio bolognese. Edisai, 2004.

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Marco, Baldassari, Carracci Lodovico 1555-1619, Carracci Agostino 1557-1602, and Carracci Annibale 1560-1609, eds. Le storie di Giasone in Palazzo Fava a Bologna di Ludovico, Agostino, e Annibale Carracci. Bononia University Press, 2010.

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author, Roio Nicosetta, ed. Annibale Carracci esordiente: Le Storie di Europa in Palazzo Fava a Bologna : mito, alchimia e scienza. Etgraphiae, 2021.

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family, Magnani. Palazzo Magnani in Bologna. F. Motta, 2009.

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Sergio, Bettini, Tuttle Richard 1941-, and Vitali Samuel, eds. Palazzo Magnani in Bologna. F. Motta, 2009.

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d'arte, Bologna (Italy) Collezioni comunali. Collezioni comunali d'arte: L'appartamento del legato in Palazzo d'Accursio. Grafis, 1989.

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Hubert, Hans W. Der Palazzo Comunale von Bologna, vom Palazzo della Biada zum Palatium Apostolicum. Böhlau, 1993.

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author, Schofield Richard V., ed. Palazzo Bentivoglio a Bologna: Studi su un'architettura scomparsa. Bononia University Press, 2018.

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Monaco, Valeria Roncuzzi Roversi. L' Archiginnasio: Guida al palazzo e alla biblioteca. Nuova Alfa editoriale, 1988.

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Części książek na temat "Palazzo Fava (Bologna, Italy)"

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Aftab, Awais, and Giovanni Andrea Fava. "The Impoverishment of Psychiatric Knowledge." In Conversations in Critical Psychiatry, edited by Awais Aftab. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/med/9780192870322.003.0005.

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Abstract Giovanni Andrea Fava, MD, served as Associate Professor of Psychosomatic Medicine and then Professor of Clinical Psychology at the University of Bologna in Italy until the end of 2018. He is currently Clinical Professor of Psychiatry at the State University of New York (SUNY) at Buffalo, NY. He is the author of Discontinuing Antidepressant Medications (Oxford University Press, 2021). Fava’s scientific contributions to psychiatry are manifold, but his work on iatrogenic comorbidity and oppositional tolerance in psychopharmacology has received particular attention in the critical psychi
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Porfiri, Francesca. "Interpretative Reading of an Illusory Painted Wall." In Advances in Media, Entertainment, and the Arts. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0029-2.ch017.

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This study concerns architectural representation, and it focuses on the Quadratura issue: an illusory architecture painting where perspective creates the illusion of spatial depth on a flat surface. The main subject of this work is the study of the perspective scenes frescoed in the yards of historical building, during the 18th century in northern Italy, especially in Bologna; they represent architectural scenes, placed at the end of a promenade through the building. One of the most interesting example of these perspective frescoes in Bologna has been designed in 1761 by Antonio Galli Bibiena
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Streszczenia konferencji na temat "Palazzo Fava (Bologna, Italy)"

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Predari, Giorgia. "TRADITION AND INNOVATION IN THE EARLY TWENTIETH CENTURY ECLECTICISM IN ITALY. PALAZZO RONZANI IN BOLOGNA (1911-1915)." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/51/s17.054.

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