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Artykuły w czasopismach na temat „Pandoras box”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Anandh, S. M., MS Raju, Raju Karthikeyan, M. S. Senthil, and L. Lakshmi. "Human abdomen still a pandora’s box." Southeast Asian Journal of Health Professional 7, no. 2 (2024): 43–46. http://dx.doi.org/10.18231/j.sajhp.2024.010.

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The abdomen is called Pandora’s Box by surgeons, because one is not sure what will come out of it when one opens it. Even well experienced surgeons are constantly amazed at the variety of pathology they have encountered on opening up patients’ abdomen. In spite of so many new investigations at our disposal like ultrasound, CT scan and MRI, the human belly defies them all and reveals its secret only when confronted by a surgeon’s scalpel. We have to deal with the mystery inside the tummy on the operating table! Pandora’s box is an artefact in Greek mythology, Pandoras box was a gift from the Go

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2

Ray, Saugat, and Sanjeev Datana. "Discerning observations opening pandoras box in orthopantomograms." Journal of Dentistry Defence Section 16, no. 2 (2022): 183. http://dx.doi.org/10.4103/jodd.jodd_15_22.

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Smagina, Svetlana A. "The Influence of Frank Wedekind’s Work on the German Cinema of the Early XX Century." Journal of Flm Arts and Film Studies 10, no. 4 (2018): 116–24. http://dx.doi.org/10.17816/vgik104116-124.

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Lulu, the heroine of Frank Wedekinds plays, becomes the neurological point in the German cinema of the 1920s marking the shift of moral references in the society connected with the re-evaluation of gender roles. Lulu embodies the conception of a new woman based on sexual equality as the foundation of the renovation of the society and harmonization of the world that emerges at the turn of the XX century. Through the comparative study of the literary source material and the film Die Bchse der Pandora (Pandoras Box) directed by G.W. Pabst, the author examines the cinematic representation of this

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4

Boldt, Simone, and Walter Kolch. "Targeting MAPK Signalling: Prometheus Fire or Pandoras Box?" Current Pharmaceutical Design 10, no. 16 (2004): 1885–905. http://dx.doi.org/10.2174/1381612043384420.

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Wacks, N. P., K. Schoppel, P. J. Sell, and T. Guggina. "Opening Pandoras Box: A Chest Radiograph in a 5-Month-Old With Bronchiolitis." Hospital Pediatrics 6, no. 10 (2016): 642–45. http://dx.doi.org/10.1542/hpeds.2015-0267.

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Fields, Chris. "A whole box of Pandoras: systems, boundaries and free will in quantum theory1." Journal of Experimental & Theoretical Artificial Intelligence 25, no. 3 (2013): 291–302. http://dx.doi.org/10.1080/0952813x.2013.782981.

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Shanmuganandan, Krishnan, and Darshan S. Bhakuni. "Biosimilars in rheumatology; the new kid in the block: Panacea or pandoras box?" Indian Journal of Rheumatology 7, no. 2 (2012): 67–68. http://dx.doi.org/10.1016/j.injr.2012.04.014.

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Chen, Yueqiao. "Pandoras Pixel Box: The Rise of AI Art and the Ethical Dilemma of Creativity." Lecture Notes in Education Psychology and Public Media 28, no. 1 (2023): 135–43. http://dx.doi.org/10.54254/2753-7048/28/20231315.

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The emergence of AI-generated art has sparked a debate on the ethical considerations and social impacts of this new form of creativity. This paper explores the current approaches to AI (Artificial Intelligence) art generators, including the ongoing debate on AI arts creativity and the issues of copyright, ownership, and fair use. Meanwhile, it systematically examines the standard procedures of AI art generators, including machine learning models such as GANs (Generative Adversarial Networks) and text-to-image models. Moreover, the psychological views of art are explored, highlighting the impor

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9

Bauman, Zygmunt. "At søge ly i Pandoras æske eller frygt, sikkerhed og storbyen." Dansk Sociologi 16, no. 3 (2005): 65–77. http://dx.doi.org/10.22439/dansoc.v16i3.721.

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Seeking Shelter in Pandora’s Box. Or Fear, Security and the City  Contemporary urban landscape is radically and drastically undergoing change. This change is instigated by the impact of globalisation and by the creation of a ubiquitous global frontier-land, increasingly characterised by insecurity and uncertainty. Globalisation entails, among other things, the crowding of a vast number of people from rural areas in urban settings, something that is taking place on a global scale and that is transforming previous towns in the Third as well as the Western World into monstrous megalop

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10

Esfandiari, Hossein, MohammadTaghi HajiAghayi, Brendan Lucier, and Michael Mitzenmacher. "Online Pandora’s Boxes and Bandits." Proceedings of the AAAI Conference on Artificial Intelligence 33 (July 17, 2019): 1885–92. http://dx.doi.org/10.1609/aaai.v33i01.33011885.

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We consider online variations of the Pandora’s box problem (Weitzman 1979), a standard model for understanding issues related to the cost of acquiring information for decision-making. Our problem generalizes both the classic Pandora’s box problem and the prophet inequality framework. Boxes are presented online, each with a random value and cost drawn jointly from some known distribution. Pandora chooses online whether to open each box given its cost, and then chooses irrevocably whether to keep the revealed prize or pass on it. We aim for approximation algorithms against adversaries that can c

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11

Flores-Fernández, María. "Identités de Pandore : à la rencontre du paysage comme image de soi." Caietele Echinox 40 (June 28, 2021): 251–68. http://dx.doi.org/10.24193/cechinox.2021.40.20.

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"Considering the postmodern theoretical context of Maxine Sheets- Johnstone’s corporeal turn and la pensée paysagère (“landscaping thought”) in Augustin Berque, the myth of Pandora’s box is defined here as the self-image of landscape through the ecofeminism of Françoise d’Eaubonne (1974) and the identification of women to nature by Carolyn Merchant (1980). This perspective describes how ecofeminism, landscape philosophy and the imaginary of the body introduce the mutable nature of literary myths and, more precisely, the cosmogonic Pandora’s identities assimilated to the archetypal image of the

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12

Aidy, Widya Romasindah, Kardinah Indrianna Meutia, Mic Finanto Ario Bangun, and Amalia Syauket. "Flexing Harta di Media Sosial: Anak Kunci Pembuka Kotak Pandora." KRTHA BHAYANGKARA 17, no. 3 (2023): 505–14. http://dx.doi.org/10.31599/krtha.v17i3.2426.

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Still at the beginning of 2023, various social media shows the phenomenon of showing off wealth or flexing assets carried out by Pandora, such as wives and even children of public officials. Flexing property is a behavior that shows like to show off as a luxurious lifestyle tends to be arrogant and flexing behavior is one of the triggers for greed. Greedy behavior is the cause of corruption. Flexers unknowingly reveal their personalities when creating content on social media, which has the potential to cause various disasters if they go too far and cause unexpected problems. It's like Pandora'

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13

Ismael, Zaid Ibrahim, and Sabah Atallah Khalifa Ali. "Opening the Box of Suffering, Unleashing the Evils of the World’: Pandora and her Representation in Nineteenth-Century American Poetry." JOURNAL OF LANGUAGE STUDIES 3, no. 4 (2023): 297–314. http://dx.doi.org/10.25130/jls.3.4.18.

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Nineteenth-Century American writers endeavored to establish adistinct literary tradition away from the dominant European canon,particularly after the War of Independence. They found in their newenvironment and local color a source of inspiration. Still, they alsodrew on Greek myths to comment on social issues and to frame theirworks within these legendary realities that are noted for theiruniversality and aesthetic nature. For instance, rewriting and allusionsto the myth of Pandora and her box can be found in the poemscomposed by both male and female American poets of the time. Thisresearch de

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14

Edelson, Steven A. "Promethean Business: From Financial Hedonism to Financial Eudaimonia." Journal of Management Inquiry 28, no. 4 (2017): 420–25. http://dx.doi.org/10.1177/1056492617725201.

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The story of Prometheus and Pandora serves as an apt analogical device through which to demonstrate the impact that publicly traded corporations, and the shareholder primacy approach to corporate governance has created unintended consequences. Prometheus’s benevolent gift of fire led to the collateral damage of Pandora’s Box unleashing ills on mankind. Similarly, incorporation was a positive development that supported businesses lasting beyond one generation of owners, and led to businesses thriving and creating innovations that improve our lives. However, with these innovations and the relate

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15

Simons, Ilja, and Ellen de Groot. "Power and empowerment in community-based tourism: opening Pandora’s box?" Tourism Review 70, no. 1 (2015): 72–84. http://dx.doi.org/10.1108/tr-06-2014-0035.

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Purpose – The purpose of this paper is to highlight the different realities blended together in community-based tourism, and how storytelling can help us understand the resulting entanglement of actors and power. This paper combines a discussion of power and empowerment in community-based tourism with storytelling. Design/methodology/approach – The fictional narrative of Pandora’s box is used as a metaphor for power and empowerment in community-based tourism, which can leave communities worse off than before the introduction of tourism. Findings – However, the last thing remaining in Pandora’s

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16

Casado, Jose Carlos, and Harkaitz Cano. "“Reality” Artificial Reproduction, and Sexuality." Leonardo 33, no. 5 (2000): 381–85. http://dx.doi.org/10.1162/002409400552874.

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Multimedia artist Jose Carlos Casado, with the assistance of writer Harkaitz Cano, discusses his work in progress, La Caja de Pandora (“Pandora's Box”), in which digital video, 3D animations, and interactivity merge in a series of installations about “reality” artificial reproduction, and sexuality. His study searches for the boundaries where belief starts and asks what makes us accept what we see. It also investigates the new relationship between the mind and the body, and its relation to technologies.

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PYATINA, I. S., A. A. REYT, O. YU ZHIGUNOV, A. V. KRYUKOVA, I. E. ANISHCHENKO, and Z. KH SHIGAPOV. "COMPLEX ASSESSMENT OF HEMEROCALLIS HYBRIDA HORT. CULTIVARS UNDER THE CONDITIONS OF THE FOREST-STEPPE ZONE OF THE BASHKIR CIS-URALS." Izvestiâ Timirâzevskoj selʹskohozâjstvennoj akademii, no. 4 (2022): 33–47. http://dx.doi.org/10.26897/0021-342x-2022-4-33-47.

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A comprehensive assessment and selection of the most valuable taxa suitable for use in landscaping under certain natural and climatic conditions is one of the most important tasks of introduction studies of ornamental plants. The article presents the results of a comprehensive variety assessment, a study of the seasonal rhythm of growth and development, and morphometric characteristics of 20 hybrid daylily varieties (Hemerocallis hybrida hort.) in the South-Ural Botanical Garden-Institute of UFRC RAS. An assessment of the decorative and economically valuable qualities of daylily varieties was

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18

Gebbie, C. J. "Pandora's box." British Dental Journal 182, no. 3 (1997): 88. http://dx.doi.org/10.1038/sj.bdj.4809309.

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Rousseau, Paul. "Pandora’s box." Annals of Palliative Medicine 6, no. 3 (2017): 297–98. http://dx.doi.org/10.21037/apm.2016.11.08.

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Ng, Vivien. "Pandora's Box." Harrington Lesbian Fiction Quarterly 5, no. 3 (2004): 61–71. http://dx.doi.org/10.1300/j161v05n03_07.

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Carruthers, Bruce G. "Pandora’s Box." Contemporary Sociology: A Journal of Reviews 39, no. 4 (2010): 403–6. http://dx.doi.org/10.1177/0094306110373236b.

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22

L'Huillier, Barbara. "Pandora's box." Accounting, Auditing & Accountability Journal 24, no. 5 (2011): 672. http://dx.doi.org/10.1108/09513571111139148.

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Maxwell, Linda. "Pandora's Box." Physiotherapy 80 (January 1994): 102A. http://dx.doi.org/10.1016/s0031-9406(10)61003-6.

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24

Lewis, Gilbert. "Pandora’s box." HAU: Journal of Ethnographic Theory 9, no. 1 (2019): 213–29. http://dx.doi.org/10.1086/704141.

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Leirner, Adolfo A. "Pandora's Box." Artificial Organs 28, no. 4 (2004): 323–25. http://dx.doi.org/10.1111/j.1525-1594.2004.41027.x.

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Hundy, B. B., and Cyril Atkinson. "Pandora's box." Manufacturing Engineer 71, no. 2 (1992): 7. http://dx.doi.org/10.1049/me:19920017.

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Luschei, Glenna. "Pandora's Box." Prairie Schooner 92, no. 4 (2018): 7–9. http://dx.doi.org/10.1353/psg.2018.0149.

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Lane, Tim. "Pandora’s Box." Annals of The Royal College of Surgeons of England 102, no. 1 (2020): 1–2. http://dx.doi.org/10.1308/rcsann.2019.0175.

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Gascho, Dominic, Stephan A. Bolliger, Markus Enders, Michael J. Thali, and Barbara Fliss. "Pandora’s box." Forensic Science, Medicine and Pathology 14, no. 1 (2018): 120–22. http://dx.doi.org/10.1007/s12024-018-9948-z.

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Unseld, Robert. "Pandora's Box." ATZelectronics worldwide 19, no. 3-4 (2024): 3. http://dx.doi.org/10.1007/s38314-024-1863-3.

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Palazidou, Eleni. "Pandora's Box." BJPsych International 21, no. 1 (2024): 21–23. http://dx.doi.org/10.1192/bji.2023.38.

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Azeez, AmeerK, SujithVarghese Abraham, Padmanabhan Arjun, and KC Shikha. "Pandora's box." PULMON 25, no. 3 (2023): 101. http://dx.doi.org/10.4103/pulmon.pulmon_30_23.

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Smagina, Svetlana A. "The Influence of Frank Wedekind’s Work on the German Cinema of the Early XX Century." Vestnik VGIK 10, no. 4(38) (2018): 116–24. http://dx.doi.org/10.69975/2074-0832-2018-38-4-116-124.

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Lulu, the heroine of Frank Wedekind’s plays, becomes the neurological point in the German cinema of the 1920s marking the shift of moral references in the society connected with the re-evaluation of gender roles. Lulu embodies the conception of a new woman based on sexual equality as the foundation of the renovation of the society and harmonization of the world that emerges at the turn of the XX century. Through the comparative study of the literary source material and the film Die Büchse der Pandora (Pandora’s Box) directed by G.W. Pabst, the author examines the cinematic representation of th

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34

Orrell, Katya. "Corruption of care: A closer look at how risk is managed in organisations." International Journal of Forensic Psychotherapy 6, no. 2 (2024): 162–74. https://doi.org/10.33212/ijfp.v6n2.2024.162.

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The myth of Pandora contains a box which was to remain sealed forever. We know the ending—Pandora, unable to resist, defiantly opens this box unleashing sorrow, disease, vice, violence, greed, madness, old age, and death on the world. "Pandore", a modernised screen version of this myth involves a judge caught up with the police, judiciary, political establishment, and media. It carefully weaves these organisations together via a horrific incident in which one of the characters witnesses a gang rape which he records rather than intervening because he is afraid. This sets off a chain of events l

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35

Fitter, Alastair. "Black box or Pandora's box?" Trends in Ecology & Evolution 10, no. 2 (1995): 88–89. http://dx.doi.org/10.1016/s0169-5347(00)88991-0.

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Allen, Daniel. "Opening pandora's box." Nursing Standard 11, no. 9 (1996): 23. http://dx.doi.org/10.7748/ns.11.9.23.s35.

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Holmgaard, Jørgen. "Pandora's Box Revisited." K&K - Kultur og Klasse 17, no. 65-66 (1989): 122–51. http://dx.doi.org/10.7146/kok.v17i65-66.20530.

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Reeves, Mathew J., Michele C. Fritz, Ifeyinwa Osunkwo, et al. "Opening Pandora’s Box." Medical Care 59, Suppl 4 (2021): S336—S343. http://dx.doi.org/10.1097/mlr.0000000000001592.

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Veiga, Pedro, Ronnie Figueiredo, Sergio Teixeira, and Cristina Isabel I. Fernandes. "Opening Pandora's Box." Journal of Global Information Management 29, no. 1 (2021): 1–21. http://dx.doi.org/10.4018/jgim.2021010101.

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Global strategy research is rapidly increasing in quantity but is found in divergent literature and disciplines. Now is the time to offer a comprehensive review that identifies, synthesizes, and integrates previous research and highlights knowledge gaps and the way forward. This methodical literature search helped to identify 338 articles in the Web of Science database published until 2018. Using a systematic and in-depth content analysis using bibliometric techniques, the authors reviewed the articles and identified the main theories used and the methodological guidelines in these articles. T

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40

Kinagi, R., S. Bali, and E. Haslett. "Abdomen: Pandora's Box." Journal of Obstetrics and Gynaecology 36, no. 2 (2015): 275. http://dx.doi.org/10.3109/01443615.2015.1072807.

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Petitti, Diana B. "Opening Pandoraʼs Box". Epidemiology 3, № 2 (1992): 78–81. http://dx.doi.org/10.1097/00001648-199203000-00002.

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Ebenreck, Sara. "Opening Pandora’s Box." Environmental Ethics 18, no. 1 (1996): 3–18. http://dx.doi.org/10.5840/enviroethics199618138.

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BROOKE, PENNY SIMPSON. "Opening Pandoraʼs box". Nursing 32, № 9 (2002): 66. http://dx.doi.org/10.1097/00152193-200209000-00040.

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BROOKE, PENNY SIMPSON. "Think Pandoraʼs box". Nursing 35, № 4 (2005): 24. http://dx.doi.org/10.1097/00152193-200504000-00014.

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Ash, C. "Opening Pandora's Box." Science 343, no. 6175 (2014): 1058. http://dx.doi.org/10.1126/science.343.6175.1058-a.

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Lynch, Michael. "Pandora's Ballot Box." Social Studies of Science 31, no. 3 (2001): 417–19. http://dx.doi.org/10.1177/030631201031003004.

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Rajendran, R. "The Pandora’s Box." Saudi Dental Journal 22, no. 2 (2010): 45–46. http://dx.doi.org/10.1016/j.sdentj.2010.02.001.

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M.M. "Pandora's administrative box." American Journal of Surgery 165, no. 4 (1993): I—II. http://dx.doi.org/10.1016/s0002-9610(05)80924-9.

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McArthur, Tom. "Pandora's editorial box." English Today 7, no. 2 (1991): 2. http://dx.doi.org/10.1017/s026607840000540x.

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Murphy, Gabrielle. "Pandora's box revisited." Lancet 353, no. 9153 (1999): 680–81. http://dx.doi.org/10.1016/s0140-6736(05)75484-2.

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