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Gotowe bibliografie tematyczne / Patchwork quilting / Artykuły w czasopismach

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Artykuły w czasopismach na temat „Patchwork quilting”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 21 lutego 2023

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Sprawdź 18 najlepszych artykułów w czasopismach naukowych na temat „Patchwork quilting”.

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1

Danet, Brenda. "Pixel Patchwork: “Quilting in Time” Online." TEXTILE 1, no. 2 (June 2003): 118–43. http://dx.doi.org/10.2752/147597503778053072.

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Dewanti, Asih Retno. "Seni Kerajinan "Quilting"." Jurnal Dimensi Seni Rupa dan Desain 11, no. 1 (February 1, 2014): 55–64. http://dx.doi.org/10.25105/dim.v11i1.400.

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AbstractQuilt hand craft is different form of art compared with the other media such of painting or sculpture with the quilter express their imagination and enthusiasm, reasoning, and emotion in quilt craft.Quilt have unique patchwork in the upper layer which combine different pattern, shape, colors and fabric materials AbstrakQuilt ( istilah : selimut tebal) merupakan jenis ketrajinan tangan yang berbeda mediannya dengan bentuk seni kerajinan lain, seperti seni lukis dan seni patung dimana quilter ( pengrajin quilt) akan mengekspresikan imaginasi, antusiasme, pemikiran, emosi dalam karyanya.

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Williams, Gayle. "Patchwork in Print: A survey of Quilting Periodicals." Serials Review 11, no. 3 (September 1985): 15–20. http://dx.doi.org/10.1080/00987913.1985.10763628.

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Nurrahmawati, An, Khresna Bayu Sangka, Dian Perwitasari, Estetika Mutiaranisa Kurniawati, Nur Chayati, Saktiana Rizki Endiramurti, Bagas Narendra Parahita, and Lies Nurhaini. "Kidspreneur initiation through making prayer mats with quilting techniques at Aisyiyah Orphanage Karanganyar." Community Empowerment 7, no. 10 (October 31, 2022): 1709–15. http://dx.doi.org/10.31603/ce.7189.

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Mentally and financially independence are essential matters that should be learned early. Among them are for children who do not have guardians or parents. Solutions designed to encourage independence, by teaching additional skills and instilling an entrepreneurial mentality in children or Kidspreneurs. The team chose to train sewing skills using the quilting technique because it is basic and easy, and the raw materials are inexpensive and readily available. The program focused on making prayer mats considering the simple shape and the uneven age and sewing skills of the children. In addition

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ta, Suja, K. Vasudeva Naik, and Jyoti V. Vastrad. "Consumer Acceptability for the Patchwork Quilt Value Added Products Prepared by Quilting Technique." International Journal of Current Microbiology and Applied Sciences 7, no. 2 (February 10, 2018): 1085–89. http://dx.doi.org/10.20546/ijcmas.2018.702.135.

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Hartanto, Susi, and Rafael Trihardy. "PENELITIAN POTENSI PRODUK HASIL EKSPLORASI LIMBAH POLIESTER DARI INDUSTRI TAS Studi Kasus PT. Tasindo Tassa Industries." Jurnal Dimensi Seni Rupa dan Desain 13, no. 1 (September 1, 2016): 39. http://dx.doi.org/10.25105/dim.v13i1.1777.

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<strong>Abstract</strong><br />As main reference for this research, PT. Tasindo Tassa Industries produces around 3 tons of fabric waste from bags production, in which 80% is of polyester kind. Fabric waste are cheaply bought by local waste collector to be remaked as bucket, as one<br />example. Other simple methods of processing fabric waste, such as patchwork, quilting, resin, and webbing are commonly made into craft products, and can be easily found anywhere. Hence, focus of this research is to explore polyester waste with certain<br />technique with innovative

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Putri, Aulia W. A., Tan Indra Janty, Lois Dennisa, Rosa Permanasari, Angel Octavia Oetomo, Tasha Putri Dafis, and Graciella Natalie Candra. "Pelatihan Recycle Kain Sisa Konveksi dengan Teknik Patchwork Quilting pada Remaja LKSA Rumah Pengharapan Baru." GERVASI: Jurnal Pengabdian kepada Masyarakat 5, no. 1 (May 2, 2021): 84–96. http://dx.doi.org/10.31571/gervasi.v5i1.2059.

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Fast traslate Icon translate Fast traslate Icon translate Fast traslate Icon translate Fast traslate Icon translate Fast traslate Icon translate Fast traslate Icon translate Pandemi Covid-19 ini menuntut semua lapisan masyarakat untuk memilikikesadaran yang tinggi akan kebersihan hingga pengendalian terhadap laju sampahdan limbah dengan tujuan menjaga dan memperpanjang umur bumi dan isinyadalam sebuah gerakan sustainable lifestyle. Limbah tekstil yang dihasilkan dalamproses produksi garmen dan konveksi yang tidak ditangani dengan baik menjadisalah satu penyumbang sampah industri khususnya di K

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Pramono, Andi, Baskoro Azis, Tiara Ika Widia Primadani, and Wahyu Waskito Putra. "PENERAPAN UPCYCLING LIMBAH KAIN PERCA PADA KURSI FLAT-PACK." Mintakat: Jurnal Arsitektur 23, no. 1 (April 10, 2022): 14–27. http://dx.doi.org/10.26905/jam.v23i1.6075.

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Limbah kain perca merupakan limbah anorganik yang memerlukan perhatian khusus dalam penanganannya dengan tujuan untuk keberlanjutan lingkungan. Metode yang sering digunakan dalam pengelolaan limbah adalah 3R (Reduce, Reuse, Recycle). Dari teknik pengolahan Reuse kemudian berkembang menjadi upcycling yang lebih menekankan kepada peningkatan nilai manfaat material. Dalam bidang interior, kain perca di-upcycling menjadi pembungkus busa untuk dudukan dan sandaran pada kursi flat-pack. Konsep dasar pembuatan kursi flat-pack adalah pemanfaatan limbah kardus yang disusun sedemikian rupa sehingga terb

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9

Te Ava, Aue, and Angela Page. "How the Tivaevae Model can be Used as an Indigenous Methodology in Cook Islands Education Settings." Australian Journal of Indigenous Education 49, no. 1 (September 18, 2018): 70–76. http://dx.doi.org/10.1017/jie.2018.9.

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This paper explores an Indigenous research methodology, the tivaevae model, and its application within the Cook Islands education system. The article will argue that the cultural values embedded within its framework allow for the successful implementation of this Indigenous methodology. The model draws from tivaevae, or artistic quilting, and is both an applique process and a product of the Cook Islands. It is unique to the Cook Islands and plays an important part in the lives of Cook Islanders. The tivaevae model will be explained in detail, describing how patchwork creative pieces come toget

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Kobayashi, Yoshikazu, Kenji Shirai, Yasuhiko Hara, Tomohiro Mizoguchi, and Kiyotaka Kawasaki. "Generation and Assessment of Random Surface Texture over a Wide Area." International Journal of Automation Technology 5, no. 2 (March 5, 2011): 185–89. http://dx.doi.org/10.20965/ijat.2011.p0185.

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Product surface textures are designed to improve their aesthetic, tactile, and mechanical quality. Surface texture manufactured with microrough patterns over a wide area differs from common geometric product machining. We have proposed generating a surface texture with regular patterns by milling. Here we propose generating a random-pattern surface texture using image processing. Digital surface-texture data consists of “real” three-Dimensional (3D) machining information. Wide-area digital surface-texture data such as scattered point data, Initial Graphics Exchange Specifications (IGES), and S

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Pramono, Andi, Tiara Ika Widia Primadani, Yudhistya Ayu Kusumawati, Bambang Kartono Kurniawan, and Febby Candra Pratama. "Upcycling Fabric Waste for Home Decoration by Implementing Islamic Art Approach." Journal of Islamic Architecture 7, no. 2 (December 22, 2022): 253–61. http://dx.doi.org/10.18860/jia.v7i2.15795.

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Humanity's activities cause the destruction that occurs in the world as a caliphate, as stated in Surah Ar-Rum (30), verse 41 of the Quran. One of the products that might harm the ecosystem is waste. Various countries, including the Indonesian Government, have competed with numerous initiatives and policies to save environmental sustainability. The author of this study provided training on how to conserve the environment by processing trash, particularly fabric waste. Bina Nusantara University's community development initiative invites numerous assisted MSMEs to participate in a waste manageme

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12

"Quilting, patchwork & applique: a world guide." Choice Reviews Online 45, no. 09 (May 1, 2008): 45–4777. http://dx.doi.org/10.5860/choice.45-4777.

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Zarembo, Liene, and Skaidrīte Romančuka. "Creative use of traditional patchwork motif in the Patchwork & Quilt workshop." Arts and Music in Cultural Discourse. Proceedings of the International Scientific and Practical Conference, September 28, 2013, 205. http://dx.doi.org/10.17770/amcd2013.1263.

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Contemporary quilters use a wide range of Patchwork and Quilt designs and styles, from ancient and ethnic to post-modern futuristic patterns. Unusual quilting designs have increasingly become popular as decorative textiles. During the late 20th century, art quilts became popular for their aesthetic and artistic qualities rather than for functionality. Patchwork &amp; Quilt as a form of art is very popular throughout the world. Patchwork &amp; Quilt technology is based on stitching together, tufted fabric pieces with decorative embroidery patterns and variations on the theme of the arti

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14

Silva, Cristiane A. Fernandes da. "Sentidos sociais da arte têxtil em patchwork: as mulheres, a natureza e a casa." Anais do Museu Paulista: História e Cultura Material 30 (2022). http://dx.doi.org/10.1590/1982-02672022v30e33.

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RESUMO Patchwork é uma arte têxtil com iconografias formadas a partir da costura de pedaços de tecidos sobre telas produzidas por artistas, majoritariamente, mulheres. Em decorrência dessa composição, os temas desta pesquisa englobam o quarteto arte têxtil em patchwork, mulher, natureza e esfera doméstica, categorias estreitamente imbricadas do ponto de vista social e histórico. A ancoragem conceitual do artigo está voltada, essencialmente, para as perspectivas de Jean-Yves Durand, Elaine Hedges, Michel Foucault, Allison Fraiberg, Teri Klassen, Linda Nochlin, Rozsika Parker e Beverly Seaton so

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De Roché, Georgina. "From the Log Cabin: A Call for the Consolidation of Historical and Contemporary Quilts in Canada." IJournal: Graduate Student Journal of the Faculty of Information 5, no. 2 (June 12, 2020). http://dx.doi.org/10.33137/ijournal.v5i2.34468.

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This paper explores the historical significance of quilting in Canada and its evolution into a revived, highly individualistic art form in order to argue for the merits and value of a consolidating digitization project. Piecing together the patchwork of our quilt history reveals the traditionally feminized and criminally undervalued artistic processes and works that, in many cases, were the only medium by which women historically could memorialize, commemorate, or share their and their families’ histories. They are undeniably a crucial part of our cultural record.

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Amiany, Amiany, Titiani Widati, and Harin Tiawon. "Industri Seni Patchwork dan Quilting Motif Batik Dayak sebagai Produk Desain Interior yang Inovatif." Abdimas: Jurnal Pengabdian Masyarakat Universitas Merdeka Malang 6, no. 1 (February 26, 2021). http://dx.doi.org/10.26905/abdimas.v1i1.5041.

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Boateng, Solomon, Benjamin Kwablah Asinyo, Ebenezer Kofi Howard, Edward Apau, and Raphael Kanyire Seidu. "Textile Art Creation as a Tool for Raising Awareness of Corruption in Ghana." Textile & Leather Review, March 26, 2021. http://dx.doi.org/10.31881/tlr.2020.23.

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Textile art possesses the ability to communicate with the viewer in as much as the viewer understands the visual images. It involves art made of textiles or about textiles by utilising techniques such as embroidery, patchwork, quilting, applique, tapestry, dyeing, and painting, among others. This study explores the use of conventional and non-conventional textile materials in a mixed-media technique in the production of artefacts aimed at raising awareness of corruption in Ghana; a national canker that is retarding the country’s growth. It employed a practice-based research approach to gain ne

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Diehl, Heath. "Performing (in) the Grave." M/C Journal 4, no. 3 (June 1, 2001). http://dx.doi.org/10.5204/mcj.1910.

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The following essay constitutes a theoretical journey through the landscape of the NAMES Project AIDS Quilt, one narrated from the perspective of those who live on to mourn, to remember. To some critics, my approach might at once appear radical or unorthodox since I focus on how Quilt spectators engage with the artifact and are thereby implicated in the history of the epidemic, rather than on how the dead are made to speak from beyond the grave. My intent is not to invalidate the claims made or the conclusions reached by other critics who have written persuasively about how the Quilt facilitat

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