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Artykuły w czasopismach na temat "Performance recording"

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Groth Andersson, Signe, and Verner Denvall. "Data Recording in Performance Management." American Journal of Evaluation 38, no. 2 (December 16, 2016): 190–204. http://dx.doi.org/10.1177/1098214016681510.

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In recent years, performance management (PM) has become a buzzword in public sector organizations. Well-functioning PM systems rely on valid performance data, but critics point out that conflicting rationale or logic among professional staff in recording information can undermine the quality of the data. Based on a case study of social service staff members, the authors explore three recording logics. The findings reveal a complexity of recording behavior and show how frontline staff shift between recording logics according to the situation. The actual data recordings depend not only on the ov
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Yamakawa, Kiyoshi, Kaori Taguchi, and Kazuhiro Ouchi. "Recording Performance of Narrow-Trackwidth Perpendicular Recording Head." Journal of the Magnetics Society of Japan 23, S_2_PMRS_99 (1999): S2_29–33. http://dx.doi.org/10.3379/jmsjmag.23.s2_29.

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Ikekame, H., T. Yamashita, H. Ide, H. Takano, N. Nishiyama, T. Tsuyoshi, Y. Shiroishi, and H. Aoi. "Degradation of recording performance in high-speed recording." IEEE Transactions on Magnetics 35, no. 5 (1999): 2259–61. http://dx.doi.org/10.1109/20.800792.

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Negus, Keith. "Bob Dylan's phonographic imagination." Popular Music 29, no. 2 (May 2010): 213–27. http://dx.doi.org/10.1017/s0261143010000048.

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AbstractIn this article I emphasise the deliberate and reflexive way that Bob Dylan has approached studio recording, sketching the features of a phonographic aesthetic, to highlight a neglected aspect of Dylan's creative practice and to counter the view of Dylan as primarily a ‘performing artist’, one who approaches the studio in a casual manner as a place to cut relatively spontaneous drafts of songs that are later developed on stage. Drawing on Evan Eisenberg's discussion of the ‘art of phonography’ and the way recording radically separates a performance from its contexts of ‘origin’ (allowi
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Tanaka, Yoichiro. "Recording performance and system integration of perpendicular magnetic recording." Journal of Magnetism and Magnetic Materials 287 (February 2005): 468–74. http://dx.doi.org/10.1016/j.jmmm.2004.10.077.

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Alex, M., and D. Wachenschwanz. "Thermal effects and recording performance at high recording densities." IEEE Transactions on Magnetics 35, no. 5 (1999): 2796–801. http://dx.doi.org/10.1109/20.800988.

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Iwanaga, Toshiaki, Satoshi Sugaya, Hiroshi Inada, and Tadashi Nomura. "Magnetooptic recording readout performance improvement." Applied Optics 27, no. 4 (February 15, 1988): 717. http://dx.doi.org/10.1364/ao.27.000717.

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Uwazumi, H., T. Shimatsu, Y. Sakai, A. Otsuki, I. Watanabe, H. Muraoka, and Y. Nakamura. "Recording performance of CoCrPt-(Ta, B)/TiCr perpendicular recording media." IEEE Transactions on Magnetics 37, no. 4 (July 2001): 1595–98. http://dx.doi.org/10.1109/20.950911.

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Albrecht, Thomas R., Hitesh Arora, Vipin Ayanoor-Vitikkate, Jean-Marc Beaujour, Daniel Bedau, David Berman, Alexei L. Bogdanov, et al. "Bit-Patterned Magnetic Recording: Theory, Media Fabrication, and Recording Performance." IEEE Transactions on Magnetics 51, no. 5 (May 2015): 1–42. http://dx.doi.org/10.1109/tmag.2015.2397880.

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Gronow, Pekka. "Recording the History of Recording: A Retrospective of the Field." International Journal for History, Culture and Modernity 7, no. 1 (November 2, 2019): 443–57. http://dx.doi.org/10.18352/hcm.565.

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The recording industry is now over 120 years old. During the first half of its existence, however, few archives documented or collected its products. Many early recordings have been lost, and discography, the documentation of historical recordings, has mainly been in the hands of private collectors. An emphasis on genre-based discographies such as jazz or opera has often left other areas of record production in the shade. Recent years have seen a growth of national sound collections with online catalogues and at least partial online access to content. While academic historians have been slow t
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Rozprawy doktorskie na temat "Performance recording"

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Bulut, Hasan. "High performance recording and manipulation of distributed streams." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3274268.

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Thesis (Ph.D.)--Indiana University, Dept. of Computer Science, 2007.<br>Source: Dissertation Abstracts International, Volume: 68-07, Section: B, page: 4582. Adviser: Geoffrey C. Fox. Title from dissertation home page (viewed Apr. 22, 2008).
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Miller, Eric R. "The Influence of Recording Technology on Music Performance and Production." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1367581047.

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Ait, Saidi Adel. "Implementing electronic identification for performance recording in sheep and goat farms." Doctoral thesis, Universitat Autònoma de Barcelona, 2014. http://hdl.handle.net/10803/283364.

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Los costes de implementación de la identificación electrónica (e-ID) para cumplir la legislación europea preocupan el sector ovino y caprino. Con el motivo de cuantificar los beneficios secundarios del uso de la e-ID para el ganadero, se realizaron 4 experimentos para evaluar los resultados productivos, costes y beneficios de implementar un sistema manual (M; crotales visuales y anotación en papel) o semi-automatico (SA; bolos electrónicos y descarga automática de datos) para el registro de producciones in caprino y ovino. En Exp.1, se utilizaron 24 cabras Murciano-Granadina para comparar el
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Yang, Peter D. (Peter Dong Myung) 1978. "Improving the performance of TCP in the presence of packet recording." Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/86752.

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Eom, Han Joo. "Computer-aided recording and mathematical analysis of team performance in volleyball." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/28139.

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The purpose of this study was to develop and test a method to analyze and evaluate team performance in volleyball in terms of individual skill performance as well as sequential skill performances. Seventy-two sample games from the F.I.V.B Cup international men's volleyball competition were video taped, computer recorded, and statistically analyzed. Games were grouped into two categories according to the team standing and game status: Top 4-Bottom 4 teams and Winning-Losing games. MANOVAs and discriminant function analysis were used to investigate the playing characteristics of individual ski
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Jackson, Timothy John. "Multiple track performance of a digital magnetic tape system : experimental study and simulation using parallel processing techniques." Thesis, University of Plymouth, 1991. http://hdl.handle.net/10026.1/2787.

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The primary aim of the magnetic recording industry is to increase storage capacities and transfer rates whilst maintaining or reducing costs. In multiple-track tape systems, as recorded track dimensions decrease, higher precision tape transport mechanisms and dedicated coding circuitry are required. This leads to increased manufacturing costs and a loss of flexibility. This thesis reports on the performance of a low precision low-cost multiple-track tape transport system. Software based techniques to study system performance, and to compensate for the mechanical deficiencies of this system wer
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Smith, Grant M., and Dave Gaskill. "The Need for Standardized Performance Characteristics for Digital Strip Chart Recorders." International Foundation for Telemetering, 1988. http://hdl.handle.net/10150/615243.

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International Telemetering Conference Proceedings / October 17-20, 1988 / Riviera Hotel, Las Vegas, Nevada<br>Digital-based linear-array chart recorders are replacing conventional stylus recorders in telemetry data stations everywhere. They offer advantages in virtually all respects, and are becoming indispensable. But because of the completely different writing method and technology employed, it is difficult to make completely analogous performance comparisons between analog and digital chart recorders. This has led to some confusion when replacing aging stylus recorders is contemplated. Obje
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Michaud, Alyssa R. ""Copies without Originals": Manipulation, Mediation, and Mediatization in Performance and Recording Practices." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23605.

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This thesis examines case studies and historical accounts taken from different periods of the history of recording technology, and addresses questions concerning the impact of mediatization, manipulation, and mediation on listeners' and performers' approaches to music. The project considers the development of the idea of "copies without originals," and of the ideological frameworks that have been used to describe and classify recorded sound. The first case study covers the early days of the phonograph and its development in Victorian society, then contrasts the values and motivations of thos
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Wigent, Mark A., and Andrea M. Mazzario. "Spectrum Savings from High Performance Network Recording and Playback Onboard the Test Article." International Foundation for Telemetering, 2012. http://hdl.handle.net/10150/581609.

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ITC/USA 2012 Conference Proceedings / The Forty-Eighth Annual International Telemetering Conference and Technical Exhibition / October 22-25, 2012 / Town and Country Resort & Convention Center, San Diego, California<br>The Test Resource Management Center's (TRMC) Spectrum Efficient Technologies (SET) S&T program is sponsoring development of the Enhanced Query Data Recorder (EQDR), a network flight recorder that is intended to meet the future needs of the networked telemetry environment. EQDR is designed to support the "fetch" of recorded test data during a test without interrupting the ongoing
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McKinney, Chad. "Collaboration and embodiment in networked music interfaces for live performance." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/65244/.

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Research regarding liveness and embodiment in electronic music has tended to explore the relationship of bodies and instruments, audience perception, interfaces, and shifting definitions, less theoretical and empirical study has considered network situations, perhaps given their relative cultural novelty. Network music has seen many advances since the time of the Telharmonium, including the invention of the personal computer and the widespread proliferation of internet connectivity. These advances have fostered a unique approach to live electronic music that facilitates collaboration in a fiel
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Książki na temat "Performance recording"

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Performing music in the age of recording. New Haven: Yale University Press, 2004.

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Jenny, Bartlett, ed. Recording music on location: Capturing the live performance. Amsterdam: Elsevier Focal Press, 2007.

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United States. Congress. Senate. Committee on the Judiciary. Digital Performance Right in Sound Recordings Act of 1995: Report (to accompany S. 227). [Washington, D.C.?: U.S. G.P.O., 1995.

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United States. Congress. Senate. Committee on the Judiciary. Digital Performance Right in Sound Recordings Act of 1995: Report (to accompany S. 227). [Washington, D.C.?: U.S. G.P.O., 1995.

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International Committee for Animal Recording. Biennial Session. Performance recording of animals: State of the art, 1990. Wageningen: Pudoc, 1991.

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Guellouz, M., A. Dimitriadou, and C. Mosconi, eds. Performance recording of animals: State of the art, 2004. The Netherlands: Wageningen Academic Publishers, 2005. http://dx.doi.org/10.3920/978-90-8686-536-9.

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Figueroa, J. Ludwig. Monitoring and analysis of data obtained from moisture temperature recording stations. Cleveland, Ohio: Case Western Reserve University, Dept. of Civil Engineering, 2001.

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Applicable, Not. Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 2, grade 4 and selections from grade 5. Chicago: GIA Publications, 2003.

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United States. Federal Election Commission. Performance and test standards for punchcard, marksense, and direcetd recording electronic voting systems. [Washington, D.C.]: Federal Election Commission, 1990.

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Vincent, Gordon. Recording achievement: Staff development activities for use in primary and secondary schools. Edited by Hitchin Penny. Lancaster: Framework, 1994.

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Części książek na temat "Performance recording"

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Gallagher, Michael. "Audio Recording as Performance." In Non-Representational Theory and the Creative Arts, 277–92. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-5749-7_18.

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Eargle, John. "Characteristics of Performance Spaces." In Handbook of Recording Engineering, 59–65. Boston, MA: Springer US, 1992. http://dx.doi.org/10.1007/978-1-4757-1129-5_3.

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Eargle, John M. "Characteristics of Performance and Recording Spaces." In Handbook of Recording Engineering, 57–65. Boston, MA: Springer US, 1996. http://dx.doi.org/10.1007/978-1-4684-9919-3_3.

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Eargle, John. "Environmental Effects and Departures from Ideal Microphone Performance." In Handbook of Recording Engineering, 85–93. Boston, MA: Springer US, 1992. http://dx.doi.org/10.1007/978-1-4757-1129-5_6.

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Eargle, John M. "Environmental Effects and Departures from Ideal Microphone Performance." In Handbook of Recording Engineering, 88–96. Boston, MA: Springer US, 1996. http://dx.doi.org/10.1007/978-1-4684-9919-3_6.

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Thompson, Paul. "The Creative System of Studio Performance." In Creativity in the Recording Studio, 149–74. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01650-0_7.

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Hill, Leslie. "(be)longing: A Case Study of Recording and Representation." In Identity, Performance and Technology, 145–59. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284440_10.

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Wolf, Jack Keil. "Modulation and Coding for the Magnetic Recording Channel." In Performance Limits in Communication Theory and Practice, 353–67. Dordrecht: Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-2794-0_21.

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Rayo, Araceli Guadalupe Santana, Luis Héctor Hernández Gómez, Alejandro Tonatiu Velázquez Sánchez, Juan Alfonso Beltrán Fernández, Juan Alejandro Flores Campos, Guillermo Urriolagoitia Calderón, Víctor Manuel Santana Rayo, and Arturo Enrique Flores Peñaloza. "Design and Manufacturing of a Dry Electrode for EMG Signals Recording with Microneedles." In Improved Performance of Materials, 259–67. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59590-0_22.

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Park, Sihwa. "ARLooper: A Mobile AR Application for Collaborative Sound Recording and Performance." In Lecture Notes in Computer Science, 554–62. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70210-6_35.

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Streszczenia konferencji na temat "Performance recording"

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Ikekame, H., T. Yamashita, Hiroshi Ide, and H. Takano. "Degradation of recording performance in high-speed recording." In IEEE International Magnetics Conference. IEEE, 1999. http://dx.doi.org/10.1109/intmag.1999.837408.

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Mengel, Finn, and Tue Moerck. "Prediction of PIV recording performance." In Laser Anemometry: Advances and Applications--Fifth International Conference, edited by J. M. Bessem, R. Booij, H. W. H. E. Godefroy, P. J. de Groot, K. K. Prasad, F. F. M. de Mul, and E. J. Nijhof. SPIE, 1993. http://dx.doi.org/10.1117/12.150521.

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Xiaoping Bian, M. Doerner, Jinshan Li, Kai Tang, Shanlin Duan, and M. Mirzamaani. "High performance laminated longitudinal recording media." In IEEE International Magnetics Conference. IEEE, 1999. http://dx.doi.org/10.1109/intmag.1999.837265.

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Arthurs, A. "Development of a very high performance data recorder." In International Conference on Storage and Recording Systems. IEE, 1994. http://dx.doi.org/10.1049/cp:19941141.

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Jianping Chen, H. J. Richter, and Li-Ping Wang. "Texture noise and its impact on recording performance at high recording density." In IEEE International Magnetics Conference. IEEE, 1999. http://dx.doi.org/10.1109/intmag.1999.837536.

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Chan, K. W., and W. H. Liao. "Shock Performance of a Disk-Drive Assembly Using Active-Passive Piezoelectric Actuators." In 2006 Asia-Pacific Magnetic Recording Conference. IEEE, 2006. http://dx.doi.org/10.1109/apmrc.2006.365931.

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Chumakov, Alexandr G., and Vitalij N. Kurashov. "Karhunen-Loeve basis synthesis for great-capacity signal performance in optical processors." In Holography, Correlation Optics, and Recording Materials, edited by Oleg V. Angelsky. SPIE, 1993. http://dx.doi.org/10.1117/12.165404.

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Lin, S., C. Bi, Q. Jiang, and H. N. Phyu. "Analysis of Three Synchronous Drive Modes for the Starting Performance of Spindle Motor." In 2006 Asia-Pacific Magnetic Recording Conference. IEEE, 2006. http://dx.doi.org/10.1109/apmrc.2006.365890.

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Park, No-Cheol, Yonghyun Lee, Hyung Jun Lee, Kyoung-Su Park, Hyun Seok Yang, and Young-Pil Park. "Design and Analysis of Disk Space to Improve the Unloading Performance in HDD." In 2006 Asia-Pacific Magnetic Recording Conference. IEEE, 2006. http://dx.doi.org/10.1109/apmrc.2006.365892.

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Sheth, N. K., and K. R. Rajagopal. "Performance of Doubly salient Permanent Magnet Motors for Parallel and Tapered Rotor Poles." In 2006 Asia-Pacific Magnetic Recording Conference. IEEE, 2006. http://dx.doi.org/10.1109/apmrc.2006.365921.

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Raporty organizacyjne na temat "Performance recording"

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Derzon, M., and T. Barber. Performance comparison of streak camera recording systems. Office of Scientific and Technical Information (OSTI), July 1995. http://dx.doi.org/10.2172/95259.

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Hanson, J. A. ,. LLNL. Performance of an island seismic station for recording T-phases. Office of Scientific and Technical Information (OSTI), May 1998. http://dx.doi.org/10.2172/289887.

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Wigent, Mark A., and Andrea M. Mazzario. Spectrum Savings from High Performance Recording and Playback Onboard the Test Article. Fort Belvoir, VA: Defense Technical Information Center, February 2013. http://dx.doi.org/10.21236/ada582495.

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Matzen, Laura E., Michael Joseph Haass, Michael Christopher Stefan Trumbo, Austin Ray Silva, Susan Marie Stevens-Adams, Jennifer Taylor White, Anna Ho, and David Eugene Peercy. Using recordings of brain activity to predict and improve human performance. Office of Scientific and Technical Information (OSTI), September 2012. http://dx.doi.org/10.2172/1055638.

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Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.686088.

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Unfolding processes of timbre and memory in improvisational piano performance This exposition is an introduction to my research and practice as a pianist, in which I unfold processes of timbre and memory in improvised music from a performer’s perspective. Timbre is often understood as a purely sonic perceptual phenomenon. However, this is not in accordance with a site-specific improvisational practice with changing spatial circumstances impacting the listening experience, nor does it take into account the agency of the instrument and objects used or the performer’s movements and gestures. In m
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Duch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481276.

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Hanne Darboven’s (1941-2009) Opus 17a is a composition for solo double bass that is rarely performed due to the physical and mental challenges involved in its performance. It is one of four opuses from the composers monumental 1008 page Wünschkonzert (1984), and was composed during her period of making “mathematical music” based on mathematical systems where numbers were assigned to certain notes and translated to musical scores. It can be described as large-scale minimalism and it is highly repetitive, but even though the same notes and intervals keep repeating, the patterns slightly change t
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