Gotowe bibliografie tematyczne / Personal films

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Gotowa bibliografia na temat „Personal films”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 19 lutego 2022

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Artykuły w czasopismach na temat "Personal films"

Journal, Baghdad Science. "Study of Stability of Personal Dosimeter." Baghdad Science Journal 6, no. 4 (December 6, 2009): 698–704. http://dx.doi.org/10.21123/bsj.6.4.698-704.

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The study is carried out by using personal dosimeters (film badge). The films are irradiated to absorbed dose of range (0.01-10000 rad). The calibration curves are drawn by using the ordinary method taking into account the filtration effects in three regions (D (Pb/Sn),D(Du),D(300). The calibration films are stored in ambient condition. It is found that the optical density increases, which is attributed to the photodegradation of the films may induce localized states in the energy gap causing increasing in optical absorption, but optical density decreases, which attributed to the photodegradat

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Maldonado, Nancy S., and Mariann P. Winick. "Films/Videos/DVDs: Public Education and Personal Visions." Childhood Education 81, no. 1 (October 2004): 58–59. http://dx.doi.org/10.1080/00094056.2004.10521298.

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Meade, Melissa R. "Violence, Oppression, and Double Standards in Three Colombian Films." CINEJ Cinema Journal 1, no. 1 (August 4, 2011): 16–23. http://dx.doi.org/10.5195/cinej.2011.13.

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This article compares three Colombian films that tell distinct stories of violence, personal and political oppression, and double standards. The films Confesión a Laura (Confessing to Laura, Jaime Osorio, 1991), La Primera Noche (The First Night, Luis Alberto Restrepo, 2003) and El Rey (The King, José Antonio Dorado, 2004) each highlight the characters’ struggles in the Colombian socio-political landscape. Each film’s content and themes do not merely offer representations of national culture, but also provide a way in which to discuss the political and social struggles of Colombia. The directo

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Bachrach, Bilha, and Ruth Landau. "Reconstructing the Loss: Bereaved Parents in Personal Commemorative Films." Journal of Loss and Trauma 19, no. 5 (July 14, 2014): 484–95. http://dx.doi.org/10.1080/15325024.2013.806841.

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Marczak, Mariola. "Radosława Piwowarskiego podróże nostalgiczne. Kreowanie pamięci wspólnotowej i „realizm pamięci” w narracjach o Dolinie Dzieciństwa i Młodości." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 28, no. 37 (March 31, 2021): 349–63. http://dx.doi.org/10.14746/i.2020.37.21.

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   The article comprises a study of the creative work of the Polish director Radosław Piwowarski, represented by his most characteristic films. The author points out the merger of stylized realism and of the nostalgic (or to be more precise – the realism stylized by means of nostalgia) as constitutive for the film style of this film artist. As a result of film analyses, the narrative structures of Piwowarski’s films appear to be memory structures, as they re-create the reality remembered by the filmmaker, who usually chooses the topos of a trip down memory lane to express his

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Pickering, Barbara A. "Women's Voices as Evidence: Personal Testimony is Pro-Choice Films." Argumentation and Advocacy 40, no. 1 (June 2003): 1–22. http://dx.doi.org/10.1080/00028533.2003.11821594.

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Eken, M. Evren. "How geopolitical becomes personal: Method acting, war films and affect." Journal of International Political Theory 15, no. 2 (March 7, 2019): 210–28. http://dx.doi.org/10.1177/1755088219832328.

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This article is about weaponisation of emotions through visual culture. It interrogates how geopolitics trickles down to everyday life and becomes personal through the embodiment of screen actors. While International Relations is attempting to move beyond the limits of existing disciplinary methods and methodologies to better grasp the emotional depths of world politics, this article delves into the ‘method’ in performance arts to understand how visual culture diffuses emotional narratives of the state to the population and affectively enables people to experience the international from the pe

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Dixon, Wheeler Winston. "“All My Films Are Personal”: An Interview with Pat Jackson." Journal of Popular Film and Television 39, no. 4 (November 30, 2011): 150–61. http://dx.doi.org/10.1080/01956051.2011.585669.

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Moehrle, Matthias, and Claus Garbe. "Personal UV Dosimetry by Bacillus subtilis Spore Films." Dermatology 200, no. 1 (2000): 1–5. http://dx.doi.org/10.1159/000018306.

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Jordan, P. Kimberleigh. "Performing Black Subjectivity." Feminist Media Histories 6, no. 3 (2020): 79–103. http://dx.doi.org/10.1525/fmh.2020.6.3.79.

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This article analyzes Black feminist performance through two recently released live performance films. Set a generation apart, Amazing Grace (recorded 1972, released 2018), featuring Aretha Franklin, and Homecoming (2019), featuring Beyoncé, are artful and personal—both inspired by Black culture and the artists' personal histories, and offer virtuoso performances. The article operates in three modes: scholarly, personal, and remembered. The scholarship draws on the work of Hortense Spillers, bell hooks, Daphne Brooks, and others, while the personal and remembered portions consider significant

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Rozprawy doktorskie na temat "Personal films"

Fernandes, Helmut Paulus Kleinsorgen Paes Ferreira. "Etnografias de si: a emergência dos filmes pessoais." Universidade do Estado do Rio de Janeiro, 2006. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1026.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Ao enfocar o filme de família no contexto da produção pós-moderna, esta dissertação tem por intenção debater a questão da autenticidade, bem como o processo de legitimação cultural de sub-gêneros fílmicos afins surgidos na década de 60, como o filme diário e o filme pessoal. A proliferação deste tipo de produção uma espécie de meio-termo entre auto-etnografias e filmes de arte - desafia as ciências sociais e, mais especificamente, a antropologia visual contemporânea a compreender a emergência de novas formas audiovisuais de repres

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Mikhail, Samia, and fasisami@netspace net au. "The experimental art of Arthur and Corinne Cantrill." RMIT University. Applied Communication, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20061222.094324.

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This thesis analyses the effect of the personal history of Arthur and Corinne Cantrill, two Australian independent filmmakers, on their style of filmmaking. It analyses their representation of film-form experimentation within national Australian art in a range of independent film works. It reflects on their cultural relation to the general history of independent filmmaking in Australia, America and Europe. It studies the circumstances tat resulted in the appearance of the Cantrills' experimental film and their relation to international art theories and film experimentation. This thesis will ex

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Dziekonska, Elzbieta Stefania. "The best of all worlds : public, personal, and inner realms in the films of Krzysztof Kieslowski." Thesis, University College London (University of London), 2002. http://discovery.ucl.ac.uk/1382592/.

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This thesis is a study of the oeuvre of Krzysztof Kielowski. In particular, I examine claims made by Kielowski and many critics that in the 1980s the director moved away from filming the public world, which had been crucial to his work since he began filming in the late 1960s and became instead primarily concerned with the inner world. Although I agree that Kieslowski increasingly shifted his emphasis to the inner life, I argue that any attempt to abandon the public world in his later films was in fact of more limited scope than his claims suggest and his focus on the inner sphere neither abso

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Gartside, William Stanley. "Young Love can be Torture: An Autoethnography Exploring the Making of "High School Sweethearts"." [Milwaukee, Wis.] : e-Publications@Marquette, 2009. http://epublications.marquette.edu/theses_open/3.

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Vitols, Maruta Zane. "From the Personal to the Public: Juris Podnieks and Latvian Documentary Cinema." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1210796660.

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Kapler, Desiree Dawn. "below the neck, above the knees." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4831.

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My thesis explores the act of violation in the context of trauma and healing through the use of personal narratives and experimental film. My research allows personal storytelling to transform into a larger and more universal theme of generational trauma and dysfunction. Through a feminist lens, I challenge social norms of body autonomy for the sick and abused, capitalism’s social effects on the poor, and passed down maternal lessons from the women who are doing the best that they can with the lives and opportunities that they have been given. This work is created in spite of the labels my mo

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Suguiyama, Natália Keiko de Carvalho. "O testemunho no cinema documental: procedimentos criativos no campo da experiência traumática com ênfase em Shoah de Claude Lanzmann e Histoire(s) du Cinéma de Godard." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21434.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-09-26T10:03:55Z No. of bitstreams: 1 Natália Keiko de Carvalho Suguiyama.pdf: 1784993 bytes, checksum: a35d3dad535c11f72868d64d8280222a (MD5)<br>Made available in DSpace on 2018-09-26T10:03:55Z (GMT). No. of bitstreams: 1 Natália Keiko de Carvalho Suguiyama.pdf: 1784993 bytes, checksum: a35d3dad535c11f72868d64d8280222a (MD5) Previous issue date: 2018-08-24<br>Focusing in the documentary cinema as a way of representing the testimony of traumatic experiences in cinema, this project emphasizes the creative procedures found in the fil

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Lathrop, Benjamin A. "Cult films and film cults : the evil dead to Titanic /." Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1090934488.

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Steil, Diana Dorothea. "Personal Choice." Digital Commons at Loyola Marymount University and Loyola Law School, 1986. https://digitalcommons.lmu.edu/etd/663.

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Rutherford, Andrew. "Introducing hippocratic log files for personal privacy control." Thesis, Nelson Mandela Metropolitan University, 2005. http://hdl.handle.net/10948/171.

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The rapid growth of the Internet has served to intensify existing privacy concerns of the individual, to the point that privacy is the number one concern amongst Internet users today. Tools exist that can provide users with a choice of anonymity or pseudonymity. However, many Web transactions require the release of personally identifying information, thus rendering such tools infeasible in many instances. Since it is then a given that users are often required to release personal information, which could be recorded, it follows that they require a greater degree of control over the information

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Książki na temat "Personal films"

Feder, Michael. Star Wars: Your personal fashion consultant. New York: Abrams Image, 2009.

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Malcolm, Derek. A century of films: Derek Malcolm's personal best. London: Tauris Parke Paperbacks, 2000.

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Have you seen?: A personal introduction to 1,000 films. New York: Knopf, 2008.

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French cinema since 1950: Personal histories. London: Duckworth, 1999.

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French cinema since 1950: Personal histories. Lanham, Md: Rowman and Littlefield, 1999.

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Collins, Max Allan. The mystery scene movie guide: A personal filmography of modern crime pictures. San Bernardino, Calif: Brownstone Books, 1998.

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1951-, Mitchell Deborah C., ed. The makeover in movies: Before and after in Hollywood films, 1941-2002. Jefferson, N.C: McFarland, 2004.

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Rothel, David. An ambush of ghosts: A personal guide to favorite western film locations. Madison, NC: Empire Pub., 1990.

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Brill, Steven, Roger Birnbaum, Judd Apatow, Tom McGowan, and Joe Roth. Heavyweights. United States]: Walt Disney Home Video, 1995.

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Galens, Judy. Experiencing the Holocaust: Novels, nonfiction books, short stories, poems, plays, films & music. Edited by Hermsen Sarah. Detroit: UXL, 2003.

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Części książek na temat "Personal films"

Bennett, Jamie, and Victoria Knight. "Starred Up: Prison Cultures and Personal Change." In Prisoners on Prison Films, 39–56. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-60949-8_3.

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Fielke, Giles. "Personal Films and Transcultural Visions: An Interview with the Artist Filmmaker Paul Winkler." In German-Australian Encounters and Cultural Transfers, 83–94. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6599-6_6.

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Moehrle, Matthias, and Claus Garbe. "UV-Exposure of Mountain Guides and Ski Instructors- Personal Uv-Dosimetry by Bacillus Subtilis- Pore Films." In Biologic Effects of Light 1998, 263–65. Boston, MA: Springer US, 1999. http://dx.doi.org/10.1007/978-1-4615-5051-8_44.

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Trencsényi, Klára, and Vlad Naumescu. "Migrant Cine-Eye: Storytelling in Documentary and Participatory Filmmaking." In IMISCOE Research Series, 117–40. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_7.

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AbstractThe so-called European ‘refugee crisis’ has bred a profusion of audiovisual accounts throughout the region, many of which aimed to give voice to hitherto voiceless, uprooted people. But as many of these ‘untold stories’ gain material expression as storylines, we are urged to consider the implications of yet another form of displacement: from the historical person to the film character, from personal stories to media representations. The growing interest into the migrant issue and visual representations of refugees have played an important role in the public construction of the ‘crisis’ but have also, paradoxically, obscured or silenced migrant voices. The authors of this paper, a documentary filmmaker (Trencsényi) and a social anthropologist (Naumescu) seek to explore narrative strategies and ethics of representation in European documentaries made after 2010 as well as their participatory filmmaking project developed in the wake of the 2015 refugee crisis in Hungary. Having collaborated on several documentary films and filmmaking workshops, they approach this issue from the perspective of practitioners, offering a critical reflection as well as possible strategies for those aiming to produce audiovisual works in this field. The inclusion of refugees’ insight and their ways of constructing their own stories as well as their own observations on the receiving societies can open new possibilities for collaboration and creative engagement for social scientists and filmmakers preparing visual fieldnotes, ethnographic and documentary films as well as participatory projects.

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(née Greuling), Kathrin Natterer. "Research Note: Nostalgia as the Future for Branding Entertainment Media? The Consumption of Personal and Historical Nostalgic Films and Its Effects." In Handbook of Media Branding, 199–214. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18236-0_14.

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Hubner, Laura. "Persona: Cinema as Mask." In The Films of Ingmar Bergman, 70–91. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230801387_5.

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JACKSON, PAT. "“ALL MY FILMS ARE PERSONAL”:." In Cinema at the Margins, 147–56. Anthem Press, 2013. http://dx.doi.org/10.2307/j.ctt1gxp9v0.16.

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"Appendix: Sources for Films." In American Ethnographic Film and Personal Documentary, 345–46. University of California Press, 2019. http://dx.doi.org/10.1525/9780520954939-012.

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"Personal Freezing and Stylistic Melting: Hard Labour." In The Films of Mike Leigh, 51–64. Cambridge University Press, 2000. http://dx.doi.org/10.1017/cbo9780511613111.005.

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Jaeckle, Jeff. "Barbara Kopple: A Career of Personal Crises and Creative Tensions." In ReFocus: The Films of Barbara Kopple, 1–14. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439947.003.0001.

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This chapter underscores the longstanding tensions in Kopple’s career. It focuses her complex and often ambivalent relationships with collaboration, including her fluctuating status as an auteur, mentor, and crew member. It examines the tensions in her career between embracing her identity as an independent filmmaker and choosing to join with studios, television networks, and other media outlets in a complex system of commercial patronage. The chapter also considers Kopple’s shifting political stances as both activist and apolitical humanist. Finally, it provides overviews of each section and chapter.

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Streszczenia konferencji na temat "Personal films"

Tanaka, Saburo, Makoto Takiishi, Koji Miyazaki, and Hiroshi Tsukamoto. "Measurements of Thermal Conductivity of Thin Films by 3-Omega Method." In ASME 2008 First International Conference on Micro/Nanoscale Heat Transfer. ASMEDC, 2008. http://dx.doi.org/10.1115/mnht2008-52260.

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In this study, the thermal conductivity of a bismuth-telluride (Bi2Te3) thin film is measured at room temperature by using the 3ω method [1, 2]. The 3ω method for thin films uses a single metal-line as both the heater and thermometer. An alternating-current driving current at angular frequency ω heats the surface of the sample at a frequency of 2ω. Since the resistance of a metal increases with temperature, temperature oscillations produce an oscillation of the electrical resistance at a frequency of 2ω. Consequently, the voltage drop across the metal line has a small component at 3ω that can

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Eunju Lee, Ruirui Zhang, and Giwan Yoon. "Development of FBAR devices based on thermal annealing treatments of nitrogen [N]-incorporated ZnO films." In 2011 IEEE MTT-S International Microwave Workshop Series on Intelligent Radio for Future Personal Terminals (IMWS-IRFPT). IEEE, 2011. http://dx.doi.org/10.1109/imws2.2011.6027208.

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Miasnikova, Marina, and Alexandra Trukhina. "Character, Author, Viewer of Documentaries in the Public Space of New Media." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-54.

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Any screen message usually comprises three components: life drama in the form of a story about a real person as the character; the author’s intention to create an artistic world containing footprints of the creative personality and the author’s concept; and the viewer’s mindset regarding this world. Thus, a screen document is created by three participants of communication: character, author, viewer, though each of them differently manifests itself in turbulent conditions of ongoing media-transformations. Under the new direction named ‘real’, ‘actual’, ‘horizontal’ cinema, the documentary scree

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Schneppenheim, R., H. Plendl, and U. Budde. "LUMINOGRAPHIC VISUALIZATION OF VON WILLEBRAND FACTOR MULTIMERS." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1644082.

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Current methods for visualization of vWF multimers use either autoradiography or enzymatic color development. Radioactive methods bear some risks for laboratory personal and the radioactive antibodies have a relatively short shelf life. Enzyme labelled antibodies used with their usual substrates are less sensitive even with relatively large amounts of antibody.These drawbacks can be overcome by using peroxidase labelled antibodies and luminol for visualization of vWF multimers. Electrophoresis in LGT agarose and immunoblot on nitrocellulose were performed as described in the literature. The ni

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Naser, Aws, Mazlina Abdul Majid, Mohamad Fadli Zolkipli, and Shahid Anwar. "Trusting cloud computing for personal files." In 2014 International Conference on Information and Communication Technology Convergence (ICTC). IEEE, 2014. http://dx.doi.org/10.1109/ictc.2014.6983188.

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Bergman, Ofer, Steve Whittaker, Mark Sanderson, Rafi Nachmias, and Anand Ramamoorthy. "How do we find personal files?" In the 2012 ACM annual conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2207676.2208707.

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Kárpáti, Zoltán. "Professionalization of Family Firms: Striking a Balance Between Personal and Non-Personal Factors." In New Horizons in Business and Management Studies. Conference Proceedings. Corvinus University of Budapest, 2021. http://dx.doi.org/10.14267/978-963-503-867-1_12.

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The amount of research on family businesses’ analysis has increased significantly in recent years, thus showing the high importance of the topic. In most countries, family businesses occupy a prominent place in contributing to the economy with the added value they produce. However, less attention has been paid to the professionalization of family businesses and the exploration and presentation of the related literature. The professionalization of family business is a significant research concern in the entrepreneurship and governance literature. In the context of family businesses, professiona

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Wenyin, Liu, Zheng Chen, Fan Lin, Rui Yang, Mingjing Li, and Hongjiang Zhang. "Ubiquitous media agents for managing personal multimedia files." In the ninth ACM international conference. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/500141.500229.

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Ruíz Suaña, Jose Antonio, and Jesús López Díaz. "El epígono de El Modulor: La serie amarilla en las investigaciones de Rafael Leoz." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.793.

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Resumen: El arquitecto español Rafael Leoz de la Fuente (1921-1976) antes de terminar sus estudios en 1955, comenzó a colaborar con otros compañeros en la realización de proyectos de vivienda social. Su experiencia en la obra del Poblado Dirigido de Orcasitas, le llevó a iniciar un proceso investigador al que dedicó gran parte de su trabajo. Los trabajos teóricos del arquitecto tuvieron una importante difusión y repercusión internacional, en gran parte, fruto de su amistad con Jean Prouvé y Le Corbusier. La sintonía personal y coincidencia de intereses entre ellos llevaron a éste último a prop

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Gent, Ian O., Annela M. Seddon, Nicholas W. Roberts, and Richard S. Trask. "Polychromatic Composite Films for Adaptive Camouflage." In ASME 2014 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/smasis2014-7508.

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Having the correct camouflage for the current surroundings increases the safety of personnel and can provide a tactical advantage. However, theatres of war are rarely homogeneous and this leads to a compromise in order for the pattern to work in different subsets. In this work we take inspiration from the photonic structures found in insects to produce elastomeric composite materials with embedded photonic crystals that suggest a material solution for an adaptive camouflage system. Colour change for these materials is effected through mechanical straining of the produced composite. The procedu

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Raporty organizacyjne na temat "Personal films"

Carroll, Robert, Douglas Holtz-Eakin, Mark Rider, and Harvey Rosen. Personal Income Taxes and the Growth of Small Firms. Cambridge, MA: National Bureau of Economic Research, October 2000. http://dx.doi.org/10.3386/w7980.

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Bożek, Małgorzata. FILM PRODUCTION IN POLAND. STAGES: FROM AN IDEA TO THE SCREEN. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11112.

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The Polish film system is characterized by a variety of forms. Michał Zabłocki, the author of the comprehensive study of the «Organization of the production of feature film in Poland», isolates two models of world cinema: a producer and a producer – director. The first one features the dominant role of the producer, which means the person who is responsible for the work of all the film departments – direction, cinematography, production management, scenography and costume design. The second one, the model which is still the most popular in Poland, assumes close cooperation between the producer

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Wright, Laverne C., Kristin Williams, and Elizabeth J. Willis. 1999 Survey of Active Duty Personnel: Administration, Datasets, and Codebook. Appendix G: Frequency and Percentage Distributions for Variables in the Survey Analysis Files. Fort Belvoir, VA: Defense Technical Information Center, December 2000. http://dx.doi.org/10.21236/ada399482.

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Kramer, Robert. LED Street Lighting Implementation Research, Support, and Testing. Purdue University, 2020. http://dx.doi.org/10.5703/1288284317274.

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This report describes the results of technical analysis, field tests, and laboratory tests that were performed for LED highway lighting options by the Energy Efficiency and Reliability Center (EERC) at Purdue University Northwest for the Indiana Department of Transportation (INDOT). This effort was conducted over the past 3 years to evaluate and test the technology and viability of using modern highway lighting technology to enhance energy efficiency, safety, security, and economic development of communities and roadways. During the testing period there was a continuous discussion between INDO

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