Gotowe bibliografie tematyczne / Philosophical overtones

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Gotowa bibliografia na temat „Philosophical overtones”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Philosophical overtones"

Kondakov, Igor V. "SERGEI PROKOFIEV OPERA HOUSE: A CYCLE OF BINARY MACROSTRUCTURES." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 7 (2022): 138–52. http://dx.doi.org/10.28995/2686-7249-2022-7-138-152.

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The S. Prokofiev Theater is today considered one of the pinnacles of the world musical theater of the 20th century. This article is devoted to the opera theater of S. Prokofiev and its philosophical overtones. It is important to understand the features of the formation and development of such a theater as a whole, to comprehend the design of the Prokofiev theater as a system of separate theatrical works in the creative mind of the author. The logic of the composer’s theatrical creativity, which in a peculiar way refracted the philosophy of Kant and Schopenhauer, required that each new work of

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Bryan, Charles S., Theresa J. Call, and Kevin C. Elliott. "The Ethics of Infection Control: Philosophical Frameworks." Infection Control & Hospital Epidemiology 28, no. 9 (2007): 1077–84. http://dx.doi.org/10.1086/519863.

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Recent developments that are relevant to the ethics of infection control include the patient safety movement, the appearance of new diseases (notably, severe acute respiratory syndrome) that pose threats to healthcare workers, data confirming the suspicion that infection control measures such as isolation may compromise patient care, and, in philosophy, renewed interest in virtue ethics and communitarianism. We review general ethical frameworks and relevant vocabulary for infection control practitioners and hospital epidemiologists. Frameworks for the ethics of infection control resemble those

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Rochnyak, Elena V., and Eleonora V. Barkova. "Eco-futurological ideas in the work of the modern Mexican philosopher E. Leff." Digital Scholar: Philosopher`s Lab 7, no. 1 (2024): 120–30. https://doi.org/10.32326/2618-9267-2024-7-1-120-130.

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The article examines the ideas of the modern Mexican thinker and public figure E. Leff, which have clear eco-futurological overtones. A brief description of the concept “ecofutur-ology”, new to the domestic philosophical discourse, is given as a separate section of ecophilosophy, and its essential features are examined. The authors focus on E. Leff’s works on political ecology, comparative philosophy and philosophy of education, in which the theoretical justification for building a harmonious and fair eco-future is especially clearly visible. The relevance of the article is associated with the

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Broadie, Alexander. "Duns Scotus on Sinful Thought." Scottish Journal of Theology 49, no. 3 (1996): 291–310. http://dx.doi.org/10.1017/s0036930600048201.

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Scotland's philosophers of the medieval period, priests almost to a man, were deeply interested in the concept of sin. The concept resonates with philosophical overtones, and our early philosophers found something philosophical to say about it. The greatest of those philosophers, John Duns Scotus, wrote extensively on sin in the course of his Commentary on the Sentences of Peter Lombard. Lombard quotes Jerome's dictum that there is sin in thought, word and deed, and in his Commentary on the Sentences Duns Scotus probes this dictum, since it is not only central to moral theology but also proble

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Tyulin, Dmitry A. "A LAD INSANE / ALADDIN SANE. DAVID BOWIE’S POETRY IN THE CONTEXT OF AMERICAN BUDDHISM." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 5 (2023): 129–37. http://dx.doi.org/10.28995/2686-7249-2023-5-129-137.

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Features of Buddhist philosophy as interpreted by the countercultural writer J. Kerouac play an important role in the artistic self-determination of the British poet and musician D. Bowie and the formation of his creative personality. The article suggests that Kerouac’s motif of the road has Buddhist philosophical overtones, which Bowie adopts to create the poetic “persona” of Aladdin Sane, functioning in a unique way in the album cycle of the same name. Aladdin’s “persona” is presented as schizophrenic, but at the same time embodying the concepts of “transience” and “absence of self”, close t

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Amoroso, Prisca. "Recensione di Gianluca De Fazio, Avversità e margini di gioco. Studio sulla soggettività in Merleau-Ponty." Chiasmi International 25 (2023): 311–16. http://dx.doi.org/10.5840/chiasmi20232534.

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Gianluca De Fazio’s book Avversità e margini di gioco. Studio sulla soggettività in Merleau-Ponty presents precise and original research along several nodes of great importance in Merleau-Ponty’s philosophical production, such as subjectivity, expression, passivity, nature, history. By focusing on, without limiting himself to, the 1950’s period, the author declares that he aims at a denaturalization of nature and a dehistoricization of history: an overcoming of dichotomies which, though faithfully following the Merleau-Pontian path, does not fail to have a Deleuzian overtones. The issues of th

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Qu, Weicheng. "Modern Chinese Scholars' Perspectives on Zhuangzi's Aesthetics." Communications in Humanities Research 4, no. 1 (2023): 491–96. http://dx.doi.org/10.54254/2753-7064/4/20220741.

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Modern Chinese scholars of Zhuangzi's aesthetics can be illustrated by the words of Liu Shaojin in Zhuangzi and Chinese Aesthetics. The aesthetic significance of the book Zhuangzi is not a theoretical summary of beauty and art as objects, but rather, when it comes to its 'Dao', it's understanding of The aesthetic significance of Zhuangzi's book is not a theoretical summary of beauty and art, but a coincidence between its experience and realm of 'Tao' and the aesthetic experience and realm of art. Because of this coincidence, later generations naturally transposed these philosophical questions

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Naiko, Natalia M. "SEMANTIC OVERTONES OF D. SHOSTAKOVICH'S NINTH SYMPHONY." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 39 (2020): 170–84. http://dx.doi.org/10.17223/22220836/39/16.

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The ninth symphony, created by D. Shostakovich in 1945 and a few years later defined as the “scherzo symphony”, was met with bewilderment by critics who expected a grandiose work praising the Victory. The deep layers of its content, the direction of the author’s thought, become accessible to understanding only as a result of the analysis of the composer’s work with thematic material having a “secondary” nature. This is material I (sonata allegro), III (scherzo) and V (final). The main themes of parts I and III are generalized in genre, they are characterized by being ori-entated at classicist

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Dehon, Pierre-Jacques. "Poètes Latins Et Rondes Des Saisons : Un Thème Et Ses Variations." Acta Antiqua Academiae Scientiarum Hungaricae 60, no. 1-2 (2021): 121–48. http://dx.doi.org/10.1556/068.2020.00009.

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SummaryFrom Ennius onwards, Latin poets have repeatedly described in their verses dances or processions of the seasons. When commenting on the regularity of their cycle or succession, they have given specific overtones to their pictures of this natural phenomenon, inspired by their own perception of life or by proper philosophical systems, such as pythagorism and epicureanism. A close examination and comparison of texts by Ennius, Lucretius, Horace, Ovid, and the anonymous authors of the Laus Pisonis and the Aetna, shows that these poets engaged into a mutual dialogue over the centuries. Not o

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Shani, Itay. "Review of Radu J. Bogdan’s Predicative Minds: The Social Ontogeny of Propositional Thinking." Philosophy of the Social Sciences 41, no. 4 (2011): 596–605. http://dx.doi.org/10.1177/0048393110379800.

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In this book, Bogdan offers an empirically informed theory of the emergence and nature of predication with unmistakable pragmatic and developmental overtones. While the emphasis on psycho-pragmatic and developmental factors is most welcome, and while the discussion is informed and informative, Bogdan’s thesis suffers from some major weaknesses, in particular philosophical ones. Chief among these is an insufficient clarity with regard to the problem domain being addressed: Bogdan professes to offer a theory of predication as a general mental faculty but in reality he focuses on a rather narrowe

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Książki na temat "Philosophical overtones"

Kodena, François Ngoa. Afrosofian Knowledge and Cheikh Anta Diop. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781666984361.

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Afrosofian Knowledge and Cheikh Anta Diop: Geo-Ethical and Political Implications wrestles with the cultural, epistemological, ethical, and geopolitical conundrums of our contemporary world. The book offers fresh conceptual and dialogical frameworks that allow the reader to explore alternative perspectives on the axiological impasses of philosophia. A cultural slide from Greek to Afrikan terrain offers a novel semantic trove, namely sofia in the Beti Mvett. Therefore, sophia calls for sofia, the trope for subjective and social “solarization.” François Ngoa Kodena argues that sofia is a psychol

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Części książek na temat "Philosophical overtones"

Driver, Julia. "Artificial Ethics." In Philosophers Explore The Matrix. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195181067.003.0012.

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Abstract The significance of The Matrix as a movie with deep philosophical overtones is well recognized. Whenever the movie is discussed in philosophy classes, comparisons are made with Descartes’s Meditations, particularly the dream argument and the evil-genius scenario, both of which are intended to generate skeptical doubt. How do we know, for example, that we are awake now, rather than merely dreaming? How do we know that our thoughts are not being manipulated, and that our perceptions of “reality” are accurate? The Matrix makes these doubts stand out vividly.

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Pomarè, Carla. "Byron and the Critics in the New Millennium." In The Oxford Handbook of Lord Byron. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780198808800.013.30.

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Abstract This chapter surveys the main trends that have surfaced in the field of Byron Studies, intertwining with the developments of literary theory. The dialogue across linguistic, literary, and disciplinary boundaries explored here has provided new approaches to three thematic clusters in Byron criticism. First is the relationship between Byron’s personality and his work, focusing on cultural constructs such as Byron’s masks, his mobility, ‘Byromania’, his takes on gender and race, and his concern for the body as a site of meaning. The second cluster deals with Byron’s ‘thought’, exploring

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Kellner, Menachem. "Four Minor Figures." In Dogma in Medieval Jewish Thought. Liverpool University Press, 2004. http://dx.doi.org/10.3828/liverpool/9781904113218.003.0010.

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This chapter turns to four contemporaries of Abravanel who also explored the question of dogma in Judaism. Yorn Tov Lippmann Muehlhausen (d. after 1450) is the only medieval Ashkenazi Jew known to have commented on the principles of Judaism. Muehlhausen included two lists of principles in his well-known anti-Christian polemic, Sefer Ha-Niẓẓaḥon. Elijah ben Moses Delmedigo (c.1460–1497) was a philosopher and rabbinic scholar active in Italian renaissance circles. In 1496, he composed his Beḥinat ha-Dat, a work with strongly Averroist overtones dealing with the relationship between religion and

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Madrid, Alejandro L. "Understanding Music Studies, Well-Being, and the Humanities in Times of Neoliberalism." In Music and Human Flourishing. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197646748.003.0006.

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Abstract This chapter asserts that a transdisciplinary approach to the study of music that enables scholars to transcend the narrow sets of questions that musicology and music theory have traditionally privileged—concerns with aesthetic value and a perceived intrinsic worthiness of specific musical texts and practices—is essential in defining music studies as an endeavor relevant to larger intellectual projects in the humanities and social sciences. This transdisciplinary approach resonates with James Pawelski’s call for an alliance between the humanities and the science of well-being that wou

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Pesic, Peter. "Descartes’s Musical Apprenticeship." In Music and the Making of Modern Science. The MIT Press, 2014. http://dx.doi.org/10.7551/mitpress/9780262027274.003.0007.

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René Descartes began his career writing about music, which affected his innovative natural philosophy throughout its development. His first book was about music, addressed to another natural philosopher interested in it, Isaac Beeckman. In this book, Descartes used music as an exemplar of the approach he would take to mathematics and physics. This book remained important in Descartes’s correspondence with Marin Mersenne, which included musical as well as scientific topics. This chapter reads this lengthy correspondence as showing the interaction between musical, mathematical, and philosophical

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Gannon, Anna. "Human Figures." In The Iconography of Early Anglo-Saxon Coinage. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780199254651.003.0009.

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Many reverses of the Intermediate and Secondary phases have human figures either singly or in pairs, sitting or standing, and with a variety of attributes. Among the many figures representing Virtues in Roman art and coinage, that of Victory must be counted among the most influential of Roman-inspired reverse coin designs. Quite apart from formal variations, the subtlety with which it could be used as propaganda for military or political achievements facilitated its passage to a more idealized sphere. The move, already effected in stoic circles, where Victory had come to signify abstract philo

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Davis, David J. "‘The foundation of all Knowledge’." In Experiencing God in Late Medieval and Early Modern England. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198834137.003.0008.

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This chapter examines the culture of divine revelation in the context of the Scientific Revolution and early Enlightenment, paying particular attention to certain philosophical challenges to the epistemic validity of divine revelation. Highlighting particular challenges from thinkers like Baruch Spinoza, Thomas Hobbes, and Richard Overton, the chapter charts the responses to challenges to the traditional ideas about the human soul and the relationship of human reason to revelation, which were enumerated by England’s leading scientists, philosophers, and churchmen. Rebutting any simple decline

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Wang, Keping. "Plato’s Psycho-paideia Mythos Again." In Proceedings of the XXIII World Congress of Philosophy. Philosophy Documentation Center, 2018. http://dx.doi.org/10.5840/wcp232018221332.

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As is generally perceived, one of the leading themes in Plato’s Republic is psycho-paideia, education and enculturation of human soul or psyche (ψυχή) from a moralistic standpoint. Interestingly, the overall structure of the dialogue as a whole is philosophically framed to address the problem with the soul through a chain of myths or allegories. It commences with the myth of the magic ring of Gyges (359d-360d) that is deployed to expose the vulnerable nature of the human soul in the choice between the just and unjust deeds; later on it intermediates with the allegorical tripartition of the sou

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Spencer, Nick, and Hannah Waite. "Defining Science." In The Landscapes of Science and Religion. Oxford University PressOxford, 2025. https://doi.org/10.1093/oso/9780198878759.003.0002.

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Abstract This chapter traces the various attempts to define science in the UK and US since its formation as a recognisable discipline, distinct from natural philosophy, in the nineteenth century. It argues that, debates around the demarcation problem notwithstanding, this is an increasingly urgent task on account of the prominence of pseudoscience today, as well as well-attested problems internal to science, such as the apparent rise in ‘fraud, bias, negligence, and hype’. The chapter draws on philosophical sources (including the work of Robert Merton, Karl Popper, Larry Laudan, and Massimo Pi

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