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Artykuły w czasopismach na temat „Philosophical overtones”

Autor: Grafiati
Data publikacji: 2 czerwca 2025
Data aktualizacji: 31 lipca 2025

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1

Kondakov, Igor V. "SERGEI PROKOFIEV OPERA HOUSE: A CYCLE OF BINARY MACROSTRUCTURES." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 7 (2022): 138–52. http://dx.doi.org/10.28995/2686-7249-2022-7-138-152.

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The S. Prokofiev Theater is today considered one of the pinnacles of the world musical theater of the 20th century. This article is devoted to the opera theater of S. Prokofiev and its philosophical overtones. It is important to understand the features of the formation and development of such a theater as a whole, to comprehend the design of the Prokofiev theater as a system of separate theatrical works in the creative mind of the author. The logic of the composer’s theatrical creativity, which in a peculiar way refracted the philosophy of Kant and Schopenhauer, required that each new work of
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2

Bryan, Charles S., Theresa J. Call, and Kevin C. Elliott. "The Ethics of Infection Control: Philosophical Frameworks." Infection Control & Hospital Epidemiology 28, no. 9 (2007): 1077–84. http://dx.doi.org/10.1086/519863.

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Recent developments that are relevant to the ethics of infection control include the patient safety movement, the appearance of new diseases (notably, severe acute respiratory syndrome) that pose threats to healthcare workers, data confirming the suspicion that infection control measures such as isolation may compromise patient care, and, in philosophy, renewed interest in virtue ethics and communitarianism. We review general ethical frameworks and relevant vocabulary for infection control practitioners and hospital epidemiologists. Frameworks for the ethics of infection control resemble those
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Rochnyak, Elena V., and Eleonora V. Barkova. "Eco-futurological ideas in the work of the modern Mexican philosopher E. Leff." Digital Scholar: Philosopher`s Lab 7, no. 1 (2024): 120–30. https://doi.org/10.32326/2618-9267-2024-7-1-120-130.

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The article examines the ideas of the modern Mexican thinker and public figure E. Leff, which have clear eco-futurological overtones. A brief description of the concept “ecofutur-ology”, new to the domestic philosophical discourse, is given as a separate section of ecophilosophy, and its essential features are examined. The authors focus on E. Leff’s works on political ecology, comparative philosophy and philosophy of education, in which the theoretical justification for building a harmonious and fair eco-future is especially clearly visible. The relevance of the article is associated with the
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4

Broadie, Alexander. "Duns Scotus on Sinful Thought." Scottish Journal of Theology 49, no. 3 (1996): 291–310. http://dx.doi.org/10.1017/s0036930600048201.

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Scotland's philosophers of the medieval period, priests almost to a man, were deeply interested in the concept of sin. The concept resonates with philosophical overtones, and our early philosophers found something philosophical to say about it. The greatest of those philosophers, John Duns Scotus, wrote extensively on sin in the course of his Commentary on the Sentences of Peter Lombard. Lombard quotes Jerome's dictum that there is sin in thought, word and deed, and in his Commentary on the Sentences Duns Scotus probes this dictum, since it is not only central to moral theology but also proble
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Tyulin, Dmitry A. "A LAD INSANE / ALADDIN SANE. DAVID BOWIE’S POETRY IN THE CONTEXT OF AMERICAN BUDDHISM." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 5 (2023): 129–37. http://dx.doi.org/10.28995/2686-7249-2023-5-129-137.

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Features of Buddhist philosophy as interpreted by the countercultural writer J. Kerouac play an important role in the artistic self-determination of the British poet and musician D. Bowie and the formation of his creative personality. The article suggests that Kerouac’s motif of the road has Buddhist philosophical overtones, which Bowie adopts to create the poetic “persona” of Aladdin Sane, functioning in a unique way in the album cycle of the same name. Aladdin’s “persona” is presented as schizophrenic, but at the same time embodying the concepts of “transience” and “absence of self”, close t
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Amoroso, Prisca. "Recensione di Gianluca De Fazio, Avversità e margini di gioco. Studio sulla soggettività in Merleau-Ponty." Chiasmi International 25 (2023): 311–16. http://dx.doi.org/10.5840/chiasmi20232534.

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Gianluca De Fazio’s book Avversità e margini di gioco. Studio sulla soggettività in Merleau-Ponty presents precise and original research along several nodes of great importance in Merleau-Ponty’s philosophical production, such as subjectivity, expression, passivity, nature, history. By focusing on, without limiting himself to, the 1950’s period, the author declares that he aims at a denaturalization of nature and a dehistoricization of history: an overcoming of dichotomies which, though faithfully following the Merleau-Pontian path, does not fail to have a Deleuzian overtones. The issues of th
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Qu, Weicheng. "Modern Chinese Scholars' Perspectives on Zhuangzi's Aesthetics." Communications in Humanities Research 4, no. 1 (2023): 491–96. http://dx.doi.org/10.54254/2753-7064/4/20220741.

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Modern Chinese scholars of Zhuangzi's aesthetics can be illustrated by the words of Liu Shaojin in Zhuangzi and Chinese Aesthetics. The aesthetic significance of the book Zhuangzi is not a theoretical summary of beauty and art as objects, but rather, when it comes to its 'Dao', it's understanding of The aesthetic significance of Zhuangzi's book is not a theoretical summary of beauty and art, but a coincidence between its experience and realm of 'Tao' and the aesthetic experience and realm of art. Because of this coincidence, later generations naturally transposed these philosophical questions
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8

Naiko, Natalia M. "SEMANTIC OVERTONES OF D. SHOSTAKOVICH'S NINTH SYMPHONY." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 39 (2020): 170–84. http://dx.doi.org/10.17223/22220836/39/16.

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The ninth symphony, created by D. Shostakovich in 1945 and a few years later defined as the “scherzo symphony”, was met with bewilderment by critics who expected a grandiose work praising the Victory. The deep layers of its content, the direction of the author’s thought, become accessible to understanding only as a result of the analysis of the composer’s work with thematic material having a “secondary” nature. This is material I (sonata allegro), III (scherzo) and V (final). The main themes of parts I and III are generalized in genre, they are characterized by being ori-entated at classicist
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9

Dehon, Pierre-Jacques. "Poètes Latins Et Rondes Des Saisons : Un Thème Et Ses Variations." Acta Antiqua Academiae Scientiarum Hungaricae 60, no. 1-2 (2021): 121–48. http://dx.doi.org/10.1556/068.2020.00009.

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SummaryFrom Ennius onwards, Latin poets have repeatedly described in their verses dances or processions of the seasons. When commenting on the regularity of their cycle or succession, they have given specific overtones to their pictures of this natural phenomenon, inspired by their own perception of life or by proper philosophical systems, such as pythagorism and epicureanism. A close examination and comparison of texts by Ennius, Lucretius, Horace, Ovid, and the anonymous authors of the Laus Pisonis and the Aetna, shows that these poets engaged into a mutual dialogue over the centuries. Not o
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10

Shani, Itay. "Review of Radu J. Bogdan’s Predicative Minds: The Social Ontogeny of Propositional Thinking." Philosophy of the Social Sciences 41, no. 4 (2011): 596–605. http://dx.doi.org/10.1177/0048393110379800.

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In this book, Bogdan offers an empirically informed theory of the emergence and nature of predication with unmistakable pragmatic and developmental overtones. While the emphasis on psycho-pragmatic and developmental factors is most welcome, and while the discussion is informed and informative, Bogdan’s thesis suffers from some major weaknesses, in particular philosophical ones. Chief among these is an insufficient clarity with regard to the problem domain being addressed: Bogdan professes to offer a theory of predication as a general mental faculty but in reality he focuses on a rather narrowe
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11

Meskell, Lynn. "Oh my Goddess!" Archaeological Dialogues 5, no. 2 (1998): 126–42. http://dx.doi.org/10.1017/s1380203800001264.

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This paper suggests that the goddess movement is becoming increasingly intertwined with mainstream archaeology, an illustrative case being Çatalhöyük. This is another salient example of the public's avid consumption of archaeology and its multivalent imagery. Yet there are additional, fundamental issues of a more philosophical nature to consider. For example, feminist practitioners might consider interrogating the very ontological bedrock on which goddess narratives are layered. They reinforce three pervasive dualisms which feminists have sought to dispel: nature:culture, mind:body, reason:emo
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12

Masinde, Moses Wanyama, Masibo Lumala, and Jared Obuya. "How Journalists and Civil Society View Gender Portrayal in Editorial Cartoons in Kenya’s Daily Nation and Standard Newspapers." Journal of Linguistics, Literary and Communication Studies 1, no. 2 (2022): 1–7. http://dx.doi.org/10.58721/jltcs.v1i2.73.

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Diverse views by scholars, policy makers as well as readers of newspapers and magazines, point to one critical issue that the media have of late become conduits for gender stereotyping not only in Kenya but the world over. This fact has been affirmed by public uproar against specific media houses in recent years after publishing cartoons that appeared offensive to sections of society. In some cases, such protests and reactions were very violent and claimed lives besides causing the destruction of property. Hinged on the Agenda setting theory, this paper refers to Kenya’s Daily Nation and Stand
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13

Liu, Yaqi. "The Shift in Research Priorities of the Later Greek Philosophy." Communications in Humanities Research 4, no. 1 (2023): 381–89. http://dx.doi.org/10.54254/2753-7064/4/20220582.

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The later Greek philosophy existed during the Hellenistic and Roman periods. These philosophical thoughts saw new changes in a new social history context, and this change was mainly manifested in the decline of natural philosophy and its ethical overtones. This paper explores the specific reasons for this shift, starting from its social roots. The paper provides an in-depth analysis of the manifestations of ethicalisation by taking the philosophy of Epicureanism and Stoicism as examples to deepen the reader s understanding of this general trend and explicitly analyses the differences and commo
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14

Yastrebov, Аndrey L. "Age self-identification of a creative person in literature." National Psychological Journal 51, no. 3 (2023): 98–105. http://dx.doi.org/10.11621/npj.2023.0310.

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Background. The article touches upon the problems of age self-identification in creative people. The question of the forced influence of the lived years on the interpretation of reality is considered. Questions of the influence of age on the philosophical scenario of texts are analyzed. Objective. The article considers the age-related self-awareness of the author in the context of the role of emotions in cognitive processes and creativity, as they are associated with the history of ideas and the empiricism of the existence of art. Results. For the first time, instrumental approaches are introd
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15

Lasker, Daniel J. "Mary in Jewish Tradition." Veritas (Porto Alegre) 63, no. 1 (2018): 26. http://dx.doi.org/10.15448/1984-6746.2018.1.29652.

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Since Jews rejected the miraculous account of Jesus' birth, they assumed that Mary conceived through illicit sexual activity, sometimes expressed in vulgar terms. Some Jews refuted the possibility of virgin birth by use of philosophical arguments, and others offered scriptural arguments against Mary's perpetual virginity. Despite generally negative views of Mary, there is evidence of an attraction to the idea of a semi-divine female role model and it is possible that certain Kabbalistic interpretations of the divine presence have Marian overtones.***Maria na Tradição Judaica***Uma vez que os j
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16

Langermann, Y. Tzvi. "David Ibn Shoshan on Spirit and Soul." European Journal of Jewish Studies 1, no. 1 (2007): 63–86. http://dx.doi.org/10.1163/187247107780557137.

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AbstractDavid Ibn Shoshan, a Jewish savant and a victim of the Spanish Expulsion of 1492, addresses the question of the status of the human spirit (rūah, rūh, pneuma) in the course of his commentary to Ecclesiastes. Spirit is the substrate of the soul; but as such, is it divine like the soul, so that it too ascends after death? Or is it rather purely material and hence perishable? After reviewing a number of medieval Islamic sources, Ibn Shoshan decides in favor of the view of Ibny Tufayl who, in his "philosophical romance" Hayy Ibn Yaqzān, declares the spirit to be divine. Among the interpret
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17

Sibirnaja, Maria. "Произведения Александра Марданя в контексте „новой драмы”". Kultury Wschodniosłowiańskie - Oblicza i Dialog, № 8 (20 грудня 2018): 207–17. http://dx.doi.org/10.14746/kw.2018.8.17.

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The article attempts to allocate and analyze the most essential characteristics of plays by A. Mardan's, a popular Russian-speaking Ukrainian playwright, and to inscribe his work in the context of the dynamics of the phenomenon of the new drama. The attempt of the author is to understand a complex post-Soviet reality in order to reflect it in the artistic space of the drama. The plays demonstrate the destruction of habitual human values, including moral, ethical, aesthetic, and other norms that guide people in life. At the same time, his plays exploit the techniques and elements of various gen
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18

Kabylov, A. D. "Ideological and Artistic Features of the Poetry of Svetkali Nurzhan." Iasaýı ýnıversıtetіnіń habarshysy 127, no. 1 (2023): 69–86. http://dx.doi.org/10.47526/2023-1/2664-0686.06.

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Svetkali Nurzhan (Aitman) is one of the outstanding poets who came to the world of poetry with their style, won the hearts of readers, determined their place in modern Kazakh poetry. His poems and stories depict various problems of the historical era and the present with a special artistic manner and deep socio-philosophical overtones and give rise to their own thoughts. The poet's desire to reveal the deep layers of social reality and human nature is distinguished by its ideological scope and poetic innovation. In addition to the subtle lyricism that penetrates deep into the human soul, epic
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19

Martek, Igor, David J. Edwards, Stewart Seaton, and David Jones. "An appraisal of Australia's approach to promoting urban sustainability." Built Environment Project and Asset Management 12, no. 2 (2021): 262–76. http://dx.doi.org/10.1108/bepam-07-2020-0130.

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PurposeMuch rhetoric exists on the urgency of transitioning from current practices to a more sustainable society. However, because this imperative is guided by strong ideological overtones, weaknesses and failures in the transition effort attract inadequate scrutiny. This paper reviews Australia's progress with sustainability in an urban domain and identifies key issues hindering the sustainability transition effort.Design/methodology/approachResearch on urban sustainability is ubiquitous but this weight of publications tends to emphasize technical, operational or prescriptive themes. This res
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20

Grba, Dejan. "Art Notions in the Age of (Mis)anthropic AI." Arts 13, no. 5 (2024): 137. http://dx.doi.org/10.3390/arts13050137.

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In this paper, I take the cultural effects of generative artificial intelligence (generative AI) as a context for examining a broader perspective of AI’s impact on contemporary art notions. After the introductory overview of generative AI, I summarize the distinct but often confused aspects of art notions and review the principal lines in which AI influences them: the strategic normalization of AI through art, the representation of AI art in the artworld, academia, and AI research, and the mutual permeability of art and kitsch in the digital culture. I connect these notional factors with the c
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21

Akmaral, Maldybek, and Duisen Nursultan. "PRAGMATISM-MODERNIZATION OF CONSCIOUSNESS." Al-Farabi 80, no. 4 (2022): 47–53. http://dx.doi.org/10.48010/2022.4/1999-5911.04.

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There is a lot of talk and writing about pragmatism today. Pragmatism emerged in the last decade of the XIX century as a philosophical trend. In the XXI century, some directions of modernization of national consciousness were set. The main principles of spiritual modernization are such ideas as competitiveness, preservation of national identity, pragmatism, the triumph of knowledge and non-revolutionary evolutionary development of the country, calling for openness of consciousness. Over the past twenty years, the concept of national competition, which has emerged in the world community, has re
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Pertsova, Inna. "SUBJECT GROUP OF OXYMORONS WITH JOY / SADNESS SEMANTIC LOAD IN POEMS OF VASYL STUS." Research Bulletin Series Philological Sciences 1, no. 193 (2021): 242–46. http://dx.doi.org/10.36550/2522-4077-2021-1-193-242-246.

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Vasyl Stus is a brilliant representative of Ukrainian existentialism, a person of tragic fate. Emotionalism and complexity of his poetic manner, «obscureness» of verses to his contemporaries and even the majority of readers are neither escape from reality, nor deliberate inversion of reality, of which the poet was blamed by the Soviet critics; it is more of a creation of Stus’s own reality, search of new ways for Ukrainian literature to move forward. Finding a solution to the existential problem of meaning in the person’s existence, inner world, spiritual experience in relations with the world
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23

Gravina, Irina V. "The Return to Apophaticism: Neo-Platonism of Alexey Losev and Jacques Derrida." Voprosy Filosofii, no. 9 (2023): 141–50. http://dx.doi.org/10.21146/0042-8744-2023-9-141-150.

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The purpose of this article is to initiate a virtual dialogue between the ideas of two twentieth-century philosophers who turned their interest to the concept of the apophatic unity – A.F. Losev and Jacques Derrida. This thopic, as well as the interest in the concepts of Neo-Platonism in general, one of the basic ones in the works of Losev, turns out to be in the focus of modern European philoso­phy, generating an independent intellectual current – Henology. As Losev re­marked, European scholarship for a long time have been ignored the Neoplaton­ists’ interpretations of Plato, while his philos
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24

Huaichao, Zhao. "BEHIND THE MASK OF IRONY AND BRAVADO HE HID HIS TRAGIC FACE." Arts education and science 1, no. 30 (2022): 186–96. http://dx.doi.org/10.36871/hon.202201022.

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The article is devoted to the work of the outstanding Russian composer Nikolay Nikolayevich Sidelnikov (1930–1992), who made a great contribution to modern Russian music. The composer worked in various genres, each time choosing an extraordinary interpretation for them. The musician's erudition, which was especially noted by his friends, colleagues and students, allowed him to address the topics from various literary sources, whether from the ancient Russian chronicles of the XIIth – XVIth centuries (the oratorio "The Sword Raised"), F. Engels' philosophical work "Dialectics of Nature" (the sy
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25

Buranok, O. M., and G. V. Glukhov. "ON THE QUESTION OF TEACHING RUSSIAN AND FOREIGN LITERATURE OF THE 18th CENTURY IN HIGHER EDUCATION." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 27, no. 101 (2025): 4–12. https://doi.org/10.37313/2413-9645-2024-27-101-98-4-12.

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The article examines the importance and approaches to the study of Russian and foreign literature of the XVIII century in the system of university philological education. This period is characterized as a key stage in the transition from the traditional classical culture, founded by ancient writers, to the ideas of Enlightenment, which had revolutionary transformations in the further development of both European and Russian culture. Special attention is paid to the unique synthesis of scientific approach and literary creativity in Western European culture, represented in the works of prominent
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26

Akhtar, Yasmeen. "نشيد القلب في مواجيد الألم ومراقي الأمل في الشعر العربي الحديث". al-Turāṯ al-adabī 3, № 1 (2025): 98–118. https://doi.org/10.52015/al-turathal-adabi.v3i1.40.

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This study explores the dual theme of complaint and hope in modern Arabic poetry, portraying it as a profound human voice that expresses emotional and spiritual experience in moments of fragility and reflection. Complaint is not treated merely as a lament or expression of suffering, but as a contemplative and artistic mode that elevates personal pain into a search for transcendence and light. The research adopts a critical literary analytical approach with symbolic and Sufi dimensions, focusing on selected poems by notable poets such as Hafez Ibrahim, Abu al-Qasim al-Shabbi, and Abdul Rahman S
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27

Zhu, Fengdaijiao. "The formation of the chamber-vocal style of Zhu Jian’er: early works." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, no. 52 (2019): 173–87. http://dx.doi.org/10.34064/khnum1-52.12.

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Background. The little-known pages of the work of an outstanding Chinese composer are presented. The genesis of chamber-vocal style is explored on the example of early chamber and vocal creativity of the 1940s. This is the stage in the formation of the musical language of the composer, which coincides with the “experimental” period of the formation of Chinese chamber vocal music of the twentieth century. Zhu Jiangier became one of the pioneers in the attempts of creative synthesis of national and European musical experience. Specificity of musical content and features of the intonational langu
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Strzelecki, Radosław. "Przezwyciężenie metafizyki, przezwyciężenie polityki. Martina Heideggera droga do i od narodowego socjalizmu." Principia 69 (December 30, 2022): 57–75. http://dx.doi.org/10.4467/20843887pi.22.004.17315.

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Artykuł ma na celu wskazanie filozoficznych źródeł zarówno akcesu Martina Heideggera do ruchu nazistowskiego, jak i późniejszego zerwania przez myśliciela z zaangażowaniem politycznym. Drogę Heideggera do i od narodowego socjalizmu należy uchwycić nie tylko poprzez biografię filozofa, lecz przede wszystkim na szerszym tle procesu kształtowania się jego rozumienia polityki jako obszaru bytu wydzielonego i zagospodarowanego przez zachodnią metafizykę, co stanowi przejaw wypełnienia istoty metafizyki jako zapomnienia o byciu. Filozofię Heideggera wielokrotnie diagnozowano (por. np. Löwith, Adorno
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Крашенинников, А. Е., Е. В. Нарбут, and В. Э. Щептева. "Modern Chinese poetry: problems of study." Modern Humanities Success, no. 4 (April 30, 2024): 21–26. http://dx.doi.org/10.58224/2618-7175-2024-4-21-26.

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в статье рассматриваются основные характерные черты современной китайской поэзии. Время её возникновения по мнению разных исследователей варьируется от 1916 г. (написание поэтом Ху Ши стихотворения «Бабочка») до 1919 г. (сборник поэта Ху Ши «Эксперименты» и Движение 4 мая). Однако привязка новой китайкой поэзии к тому или иному событию выглядит уже общим местом. В связи с проявлением нового интереса к современной китайской поэзии в обществе, в частности китайском, возникли вопросы, главным из которых является: «Как войти в художественный мир современной китайской поэзии?» Все стихотворения име
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Kozachynska, V. "HUMAN BEING IN THE SPACE OF ANTINOMIES." Philosophical Horizons, no. 46 (January 16, 2023): 8–16. http://dx.doi.org/10.33989/2075-1443.2023.46.271517.

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The idea of antithetical human nature and the concept of man as a bivalent creature are heuristic to reveal the problem of human being.The traditional antinomic splitting of anthropological features into one’s own – another’s, immanent – transcendent, freedom – necessity, good – evil, happiness –misfortune, etc. acquires a specific coloring in the Ukrainian realities. Purpose is to reveal the ambivalence of the image of a person, which acquires special features in the Ukrainian realities. Methodological basis are the principles of the phenomenological description of subjective experience, the
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Van der Poll, Letetia. "But is it speech? Making critical sense of the dominant constitutional discourse on pornography, morality and harm under the pervasive influence of United States first amendment jurisprudence." Potchefstroom Electronic Law Journal/Potchefstroomse Elektroniese Regsblad 15, no. 2 (2017): 416. http://dx.doi.org/10.17159/1727-3781/2012/v15i2a2495.

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Under the pervasive influence of United States First Amendment jurisprudence, adult gender-specific sexually explicit (or “pornographic”) material is conceptualized, and thus protected in the “marketplace of ideas”, as a particular mode of expression; to be viewed as part of the fabric of an open, free and democratic society. The values which free expression are seen to promote centre upon the advancement of political debate and promotion of personal self-fulfilment and autonomy. Attempts to conceptualise sexually explicit material within a gender-specific human rights framework present distin
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Dr., Md. Sazzad Hossain, Md. Abul Kalam Azad Dr., Md. Kamrul Hasan Dr., and Akter Mafia. "Deception and Self-Discovery in R. K. Narayan's The Guide: Analyzing the Themes of Morality." International Journal of Social Science and Human Research 08, no. 05 (2025): 3551–62. https://doi.org/10.5281/zenodo.15501645.

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R.K. Narayan's The Guide (1958) is a transformation journey through the protagonist Raju, which is a masterpiece of profound analysis on human ethics, by intertwining morals, deception, and self-discovery. This paper explores how Raju’s transition away from a duplicitous tour guide to an unexpected spiritual figure illustrates the flexibility of moral norms. Raju's spiritual development, contextualized in the sociocultural milieu of postcolonial India, deals with the tussle between egoism and altruism and the conventions that dictate identity and restitution. Narayan responds t
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Бондарев, Максим Владимирович. "Стилистические доминанты средств репрезентации подтекста в лирике Серебряного века (сравнительно-сопоставительный анализ)". Tomsk state pedagogical university bulletin, № 3(239) (29 травня 2025): 89–97. https://doi.org/10.23951/1609-624x-2025-3-89-97.

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Выявление стилистических доминант в художественном тексте является важной составляющей филологического анализа. Наряду с особенностями поэтики разных направлений можно говорить об уникальности стиля как автора, так и художественного произведения. Анализ различных стилистических доминант позволяет точнее определить тему и идею произведения, раскрыть подтекст. Между тем стилистические доминанты в произведениях авторов Серебряного века исследованы недостаточно, единая классификация стилистических доминант отсутствует. Цель статьи – выявить стилистические доминанты репрезентации подтекста у авторо
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Sitarska, Barbara. "Pansophism as John Amos Comenius' idea of lifelong learning." Siedleckie Zeszyty Komeniologiczne, seria PEDAGOGIKA VII (February 15, 2021): 231–76. http://dx.doi.org/10.5604/01.3001.0014.7102.

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Pansophia (omniscience) is John Amos Comenius' philosophical idea which, related to his idea of lifelong learning, can be described by the words To teach everybody... everything... about everything… with all the senses... with the use of natural methods... forever. These are the key thoughts of John Amos Comenius' two leading and closely interrelated ideas. According to the author, the idea of pansophism does not exist without the idea of lifelong learning, and the other way round: the idea of lifelong learning cannot exist without the idea of pansophism. In the article, the author attempts to
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Dr., S. Chelliah. "PROJECTION OF VEDANTIC THOUGHTS AND RELIGIOUS OVERTONES IN ROBERT BROWNING'S POETICAL WORKS: A BRIEF ANALYSIS." International Journal of Multidisciplinary Research and Modern Education 3, no. 2 (2017): 106–9. https://doi.org/10.5281/zenodo.1034209.

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This paper is an attempt to project Robert Browning as one of the greatest Victorian poets who took the art and vacation of the poet with high seriousness, making poetry as something closely related to life and its problems with no faith in the theory of ‘Art for Art’s sake’ and to show to the public such a view of the poet that poetry and art should be intimately in touch with reality and life with his special focus on defining poetry as nothing but an instrument for unfolding the souls of individuals in all their complex aspects and the purpose of poetry and art was neither social propaganda
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Driss, Hager Ben. "Dis/Graceful Liberties: Textual Libertinism/ Libertine Texts in J.M. Coetzee’s Disgrace." American, British and Canadian Studies 29, no. 1 (2017): 23–45. http://dx.doi.org/10.1515/abcsj-2017-0017.

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Abstract This essay addresses J.M. Coetzee’s Disgrace, a Booker Prize winner in 1999. The novel captures South African political and cultural turmoil attending the post-apartheid transitional period. Far from overlooking the political allegory, I propose instead to expand on a topic only cursorily developed elsewhere, namely liberty and license. The two terms foreground the textual dynamics of the novel as they compete and/or negotiate meaning and ascendency. I argue that Disgrace is energized by Coetzee’s belief in a total liberty of artistic production. Sex is philosophically problematized i
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Černý, Jan. "To Hear the Sound of One’s Own Birth: Michel Henry on Religious Experience." Open Theology 6, no. 1 (2020): 587–605. http://dx.doi.org/10.1515/opth-2020-0103.

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AbstractThe article consists of two parts. The first part outlines two conceptions of religious experience that can be found in the last three philosophical books of Michel Henry: the first, broad conception of religious experience is connected with the transcendental relation of human self to God as proposed by Henry; the second, narrower conception concerns the story of salvation as told in Henry’s Christian trilogy, and acquires the form of the “second birth.” Yet the transcendental disposition of Henry’s phenomenology prevents it from developing hermeneutical tools that would guide the und
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Mykhailova, Rada, and Marianna Koropenko. "Theme and Image in Teo Vozianov's Design Activity." Bulletin of KNUKiM. Series in Arts, no. 38 (August 16, 2018): 237–49. https://doi.org/10.31866/2410-1176.38.2018.141826.

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The purpose of the article is to consider and analyze the creative work of Teo (Fedor) Vozianov as one of the leading Ukrainian fashion designers through the example of catwalk collections which were presented by him at Ukrainian Fashion Week; to identify the theme, the stylistic and the imagery of his design activity; to trace the features of its formation and evolutionary-transformational movement. The research methodology consisted in the application of comprehensive analysis of material (clothing) and non-material (ideological and metaphorical) basis of Teo Vozianov’s
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Krinitsyn, Alexandr B. "Romantic Connotations to the Image of Hippolytus Terentyev (from Fyodor Dostoevsky’s Novel The Idiot)." Dostoevsky and World Culture. Philological journal, no. 2 (30) (2025): 107–42. https://doi.org/10.22455/2619-0311-2025-2-107-142.

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The article examines the image of Hippolytus Terentyev and the motives behind his “necessary explanation” in relation to the ideas of German idealism and Romanticism, offering an analysis that allows us to explore more deeply the theme of nature in its existential relation to man. In German natural philosophy as well as in Christianity, nature is viewed as a process of eternal life and a phenomenon of supreme beauty — an expression of God’s omnipresence in the world. However, in Romantic thought, it acquires a more independent meaning, endowed with spirituality and divinity together with panth
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Kosiewicz, Jerzy. "Hegelian Phenomenology of Spirit and Boxing Fight." Physical Culture and Sport. Studies and Research 77, no. 1 (2018): 48–54. http://dx.doi.org/10.2478/pcssr-2018-0006.

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Abstract In the presented text the author points out to anthropological as well as axiological foundations of the boxing fight from the viewpoint of Hegel’s philosophy. In the genial idealist’s views it is possible to perceive the appreciation of the body, which constitutes a necessary basis for the man’s physical activity, for his work oriented towards the self-transformation and the transformation of the external world, as well as for rivalry and the hand-to-hand fight. While focusing our attention on the issue of rivalry and on the situation of the fight - and regarding it from the viewpoin
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Cannizzaro, Francesco. "Capaneus philosophus? Una nota su Zenone, Filodemo, Stazio (e Lucrezio)." Philologus, September 9, 2024. http://dx.doi.org/10.1515/phil-2023-0058.

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Abstract This short article, which starts with a reconsideration of the philosophical characterization of Statius’ Capaneus, aims at investigating the reception of the mythical figure of Capaneus in Hellenistic philosophy. Both among the Stoics (Zeno and, maybe, Chrysippus, according to Diogenes Laertius and Athenaeus) and the Epicureans (Philodemus in P.Herc. 452 olim 463, fr. 13), Capaneus occurs in the philosophical discourse on the definition of the sage, albeit with different nuances and reference texts. Statius, Neapolitan poeta doctus with Stoic and Epicurean patroni, may have drawn ins
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Boy, John D. "‘The metropolis and the life of spirit’ by Georg Simmel: A new translation." Journal of Classical Sociology, December 10, 2020, 1468795X2098063. http://dx.doi.org/10.1177/1468795x20980638.

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Two previous English translations of this classic essay by Georg Simmel have been in wide circulation, shaping the worldwide reception of Simmel’s urban theory. Both rendered Simmel’s philosophical idiom in psychologistic terms, translating Seele (soul) as ‘psyche’ and Geist (spirit) as ‘mind’. With their overtones of behaviourism, earlier translations bear the clear mark of their time. This translation seeks to return, as much as is possible without sacrificing lucidity, to Simmel’s original idiom, in the hope that this will contribute to an imaginative rediscovery of this classic text. The i
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"PICTORIAL OVERTONES OF GEORGIAN POSTMODERNIST MINIATURE (ON THE EXAMPLE OF ROSTOM CHKHEIDZE'S MINIATURES)." ARTS ACADEMY 5, no. 1 (2023): 76–86. http://dx.doi.org/10.56032/2523-4684.2023.1.5.76.

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The article describes the pictorial overtones of georgian postmodernist miniature. The phenomenon of color is not explained in the dictionary of Sulkhan-Saba Orbeliani, only a list of individual colors is presented (white, red, black, violet, blue) [1, p.188]. Viktor Nozadze dedicated a monumental monograph to the color language of «The Knight in the Panther’s Skin». Moses Gogiberidze especially discusses the music of Rustaveli's color in his monograph «Rustaveli, Petritsi, Preludes». Maya Jaliashvili, while analyzing the miniatures of Sandro Tsirekidze (in the words of the critic, the sleep-w
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Singh, Renuka. "Linking death with marriage: Seeing death through a different lens." Culture & Psychology, November 18, 2024. http://dx.doi.org/10.1177/1354067x241300976.

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Although there is no apparent relation between death and marriage, the discourse of death connotes certain overtones of marriage. The relation between marriage and death entails the culturally shared patterns of interpretation. This study aims at foregrounding the parallels between death and marriage primarily in the religio-cultural framework of Hinduism. It focuses specifically on the relationship between death and marriage and on the questions of how do the seemingly unrelated rituals of marriage and death incorporate a pattern of a coherent and meaningful relationship and how does the inte
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Ferdynus, Marcin Paweł. "Is Dignity Still Necessary in Health Care? From Definition to Recognition of Human Dignity." Journal of Religion and Health, January 13, 2024. http://dx.doi.org/10.1007/s10943-023-01995-1.

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AbstractThe concept of dignity is not, as some scholars claim, an unnecessary moral idea, and nor need it have religious overtones or be characterised by speciesism. In this article, I try to show that dignity can be defined and recognised. The starting point for the argumentation is the four typologies of dignity, which show that the term ‘dignity’ can denote significantly different concepts, and that the different concepts of dignity can have significantly different ontological senses. A unified typology of dignity allows for five categories to be distinguished: inherent dignity, dignity bas
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Patru, Alina G. "Reincarnation or eternal life? A reassessment of the dilemma from a cultural studies perspective and by resorting to the plurality of Christian eschatologies." HTS Teologiese Studies / Theological Studies 78, no. 1 (2022). http://dx.doi.org/10.4102/hts.v78i1.7857.

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The present study starts from the discovery that reincarnationist ideas have spread massively throughout European and Western thought in general, in a framework where the belief in one life was defining. However, the quandary between the two afterlife interpretations in contemporary Western culture is distinct from similar conflicts in other times or places because post-Christian critique of the Christian tradition shapes how reincarnation theory is understood in the West today. Therefore, the present study shifts the debate from the realm of scientific and philosophical arguments to that of h
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Лаврова, А. М. "Representation of Chinese cultural meanings in the film “Everything Everywhere All at Once”." Современная Азия: политика, экономика, общество, no. 2 (August 27, 2024). http://dx.doi.org/10.48647/icca.2024.93.91.005.

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В статье представлен анализ репрезентации китайских культурных смыслов в кинокартине “Все, везде и сразу”. Эти смыслы проявляются как в поверхностных визуальных отсылках — одежде определенного цвета, даосских символах Инь и Ян, — так и в более глубинных смыслах — схожесть жизненного пути главной героини с жизнью принца Гаутамы и т. д. Автор рассматривает элементы традиционной китайской культуры в кинокартине, анализирует влияние философских учений — буддизма и даосизма — на сюжет фильма. В работе также представлен анализ полихронного восприятия времени как отражения китайской картины мира, наш
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Курбанов, А. Г., Р. Б. Кажиакбарова та Б. Қ. Абралиева. "Қ.А. Ясауи шығармашылығындағы танымдық аспектілер". Құтты білік 2, № 1 (2025). https://doi.org/10.71078/40k49s46.

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The article analyzes the activities and worldview of Khoja Ahmed Yasawi, the founder of the Sufi Turkic branch of Islam. Written testimonies are given about the identity and activities of H. A. Yassawi, who characterizes him as one of the founders of Turkic culture. Based on the analysis of his work «Diwani Hikmet», his work as the founder of Sufism is considered, which has such important aspects as the nature of his religious and philosophical worldview, his adaptation of Islam to the Turkic environment, the unification of Turkic-speaking peoples into a single cultural and political community
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Kahn, Michael Jeffrey. "An Exploratory Study of the Social Contract of Research and Innovation in Africa." Frontiers in Research Metrics and Analytics 7 (June 9, 2022). http://dx.doi.org/10.3389/frma.2022.849263.

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This exploratory study adds to the under-developed literature on a Research Topic that laden with epistemological, philosophical, and ideological overtones, and that begs many questions. The literature on political economy generally, and that for Africa, enjoys full disciplinary status. In contrast the political economy of research and innovation remains an emerging interdisciplinary field that examines the overlap between innovation studies and political economy. The pursuit of “science and technology” was expected to play its part in the imperialist and colonial agendas, and in the post-colo
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Masinde, Moses Wanyama, Masibo Lumala, and Jared Obuya. "The Nature of Gender Portrayal in Editorial Cartoons: Analysis of Kenya’s Daily Nation and Standard Newspapers." Journal of Linguistics, Literary and Communication Studies 1, no. 1 (2022). http://dx.doi.org/10.58721/jltcs.v1i1.70.

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Visual images often have lasting memory with the capacity to reveal the anguish of a tormented soul. It can stimulate sexual passion as well as generate intense feelings and excitement to the level of driving people to the bravery and barbaric acts. These images evoke responses in people based on their interpretation of meanings informed by common beliefs and values. In most cases, the victims are subjected to gender-based humiliation in the public eye. This paper investigates the nature of gender portrayal through selected editorial cartoons. This study is anchored on the relativist/interpret
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