Gotowe bibliografie tematyczne / Philosophy of art

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Gotowa bibliografia na temat „Philosophy of art”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Philosophy of art"

Ivan-Haintz, Eva. "Perspective critice asupra heteronomiei artei." Annals of “Dunarea de Jos” University of Galati. Fascicle XVIII: Philosophy 13, no. 1 (2024): 25–36. https://doi.org/10.35219/philosophy.2023.03.

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The heteronomy of art is a philosophical concept that explores the dominance of the socio-cultural norms over artistic creations. Art and society are deeply intertwined, with art reflecting the values, beliefs, and struggles of a society, while simultaneously influencing and shaping it, having a transformative power to challenge the status quo and question prevailing norms and structures. Due to this transformative power, proponents of the heteronomy believe that art should obey extra-aesthetic laws, with the aim of obtaining certain expected effects in society. The debate surrounding the hete

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Süzen, Hatice Nilüfer, and Nuray Mamur. "Reflection of “Philosophy” on Art and Philosophy of Art." Procedia - Social and Behavioral Sciences 122 (March 2014): 261–65. http://dx.doi.org/10.1016/j.sbspro.2014.01.1339.

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Shaw, Beau. "Persecution and the Art of Demonstration." Review of Politics 86, no. 4 (2024): 535–38. https://doi.org/10.1017/s0034670524000287.

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Rasoul Namazi's Leo Strauss and Islamic Political Thought contains patient and perceptive readings of four texts Strauss devoted to Islamic political philosophy. My comments are limited to just one of those readings, that of “Fârâbî's Plato,” and to a single issue within it—the question of the identity of the philosopher or of philosophy. Namazi rightly recognizes the centrality of this question in “Fârâbî's Plato.” As Strauss writes in explaining Alfarabi's view of Plato's philosophy, “the central question concerns . . . the precise meaning of the philosopher” (361), and Namazi claims that it

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Cooper, Neil. "The Art of Philosophy." Philosophy 66, no. 256 (1991): 169–75. http://dx.doi.org/10.1017/s0031819100053043.

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Any account of knowledge has to take account both of the contribution of the world and the contribution of man. Every human endeavour, every activity, every art, every science is a product of a unique interaction between man and the world. Where man is most passive, he merely reflects and reports the world; this is pure discovery, if it ever exists. Where man is most active, the world's contribution lies merely in the provision of the raw material; this is pure invention, if it ever exists. All the arts, all the sciences can be ordered in a continuous array or spectrum ranging from pure discov

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Dahlstrom, Daniel O. "Philosophy and Art." Journal of Aesthetics and Art Criticism 53, no. 1 (1995): 101. http://dx.doi.org/10.2307/431750.

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Somerville, James. "Philosophy of Art." International Philosophical Quarterly 41, no. 3 (2001): 375–77. http://dx.doi.org/10.5840/ipq200141326.

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Goehr, Lydia. "Philosophy Without Art." New Nietzsche Studies 8, no. 1 (2009): 34–57. http://dx.doi.org/10.5840/newnietzsche2009/201081/24.

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D'Amico, R. "Philosophy for Art." Telos 1987, no. 74 (1987): 177–83. http://dx.doi.org/10.3817/1287074177.

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Negrin, Llewellyn. "Art and philosophy." Philosophy & Social Criticism 31, no. 7 (2005): 801–22. http://dx.doi.org/10.1177/0191453705057304.

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Seel, Gerhard. "Rethinking Art and Philosophy of Art." Journal of Philosophical Research 37, no. 9999 (2012): 77–84. http://dx.doi.org/10.5840/jpr201237supplement27.

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Rozprawy doktorskie na temat "Philosophy of art"

Lafferty, Michael Gerald. "Arthur Danto's philosophy of art." Thesis, University of Warwick, 2006. http://wrap.warwick.ac.uk/42211/.

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The thesis is a critical examination of Danto's philosophy of art. It begins with his article 'The Artworld' where he proposes a special is of artistic identification to distinguish artworks. Danto's idea of the artworld is discussed, a historical and contextual theory of art, which arose from his attempt to explain the difference between Warhol's Brillo Boxes sculpture and an indiscernible stack of everyday Brillo boxes. It is argued that Danto unsuccessfully attempts to shore up his artworld concept with the special is. The technique of comparing indiscernible counterparts, from Danto's book

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Gustafsson, Daniel. "A philosophy of Christian art." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/8052/.

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This thesis offers an original and comprehensive philosophical approach to the understanding of Christian art. It draws on a range of sources, from analytic and theological aesthetics, philosophy and theology, to interpret and articulate a vision of the aims and prerogatives of Christian art. Works by William Blake, David Jones, and R. S. Thomas are among those receiving close attention; works which yield a picture of art and creative labour as deeply implicated in the central mysteries and practices of the Christian faith. In five chapters, the thesis addresses the nature and the implications

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Peters, Julia Helene. "Art and philosophy in Hegel's system." Thesis, University College London (University of London), 2009. http://discovery.ucl.ac.uk/18022/.

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My thesis addresses a puzzle concerning Hegel's notion of the value of beauty. On the one hand, the contemplation of beauty, in particular artistic beauty, has the same status for Hegel as philosophical knowledge, since through both, we come to grasp the absolute truth: the unity of spirit and nature, or of the human individual and the world it lives in. On the other hand, Hegel thinks that the aesthetic unity of spirit and nature is in some way deficient, when compared to the unity we come to grasp through philosophical knowledge. Thus Hegel claims that philosophy and art have the same conten

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Thompson, Seth Aaron. "Art Unfettered: Bergson and a Fluid Conception of Art." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248388/.

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This dissertation applies philosopher Henri Bergson's methodology and his ideas of duration and creativity to the definitional problem of art, particularly as formulated within analytic aesthetics. In mid-20th century, analytic aesthetics rejected essentialist definitions of art, but within a decade, two predominant definitions of art emerged as answers to the anti-essentialism of the decade prior: functionalism and proceduralism. These two definitions define art, respectively, in terms of the purpose that art serves and in terms of the conventions in place that confer the status of art onto a

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McGuiggan, James Camien. "This is art : a defence of R.G. Collingwood's philosophy of art." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/407958/.

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Al-Obaid, Hanan. "Philosophy of Islamic ornament in Islamic art." Thesis, Cardiff University, 2005. http://orca.cf.ac.uk/55634/.

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The view of Islamic art as a minor art and its various ornaments as without any purpose or meaning is questionable since such a perspective ignores the great influence of the Islamic religion on it. This study investigates in close detail the philosophy of ornament in Islamic art. Clearly, Islamic ornamentation plays a central role in Islamic art and architecture. It is divided into four main elements: Arabic calligraphy, vegetal and geometric ornament, and human and animal figural representation. Due to the significance of Islamic ornamentation, this study will examine its origins, developmen

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Engstrom, Timothy Hildreth. "Pragmatic rhetoric and the art of philosophy." Thesis, University of Edinburgh, 1988. http://hdl.handle.net/1842/18866.

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Rampley, Matthew. "Dialectics of contingency : Nietzsche's philosophy of art." Thesis, University of St Andrews, 1993. http://hdl.handle.net/10023/14775.

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This thesis examines the function of art in Nietzsche's philosophy. Its primary concern is with Nietzsche's turn to art as the means to counter what he terms metaphysics. Metaphysics is a metonym for the system of beliefs sustaining our culture whereby human judgements about the world are perceived as uncovering an objective truth antecedent to those judgements, with an implicit faith in the possibility of exhausting the totality of these antecedent truths. This thesis consequently has two principal strands. The first is to analyse Nietzsche's criticism of metaphysics. The second is to explore

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Fidalgo, Christopher J. "Art, Gaut and Games: the Case for Why Some Video Games Are Art." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/philosophy_hontheses/5.

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In this paper, I argue that there are some video games which are art. I begin my paper by laying out several objections as to why video games could not be art. After laying out these objections, I present the theory of art I find most persuasive, Berys Gaut’s cluster concept of art. Because of the nature of Gaut’s cluster concept, I argue that video games, as a medium of expression, do not need to be defended as a whole. Rather, like all other media of expression, only certain works are worthy of the title art. I then introduce and defend several games as art. After, I return to the initial ob

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Hanson, Louise Mary. "Conceptual art : what is it?" Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e.

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Conceptual Art (henceforth CA) has the peculiar status of being at once a neglected topic in philosophical aesthetics, and one on which a degree of philosophical weight disproportionate to the attention it has received is placed. On the one hand it is frequently mentioned by philosophers as a problematic case, one that general theories of art have difficulty dealing with, but on the other, there is a notable lack of philosophical research taking CA as its focus. It is largely taken as a given that CA is radically different from other art in various ways and thus poses problems for some of the

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Książki na temat "Philosophy of art"

Taubes, Timothy. Art & philosophy. Prometheus Books, 1993.

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Kunstverein, Neuer Berliner, ed. Kunst und Philosophie: Art and philosophy. Verlag der Buchhandlung Walther König, 2012.

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Tamm, Michael. Art of philosophy. M. Tamm, 1993.

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O, Dahlstrom Daniel, ed. Philosophy and art. Catholic University of America Press, 1991.

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Carroll, Noël. Philosophy of Art. Taylor & Francis Group Plc, 2004.

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Rozok, Stefan. Truth, art, philosophy. [publisher not identified], 2007.

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Ron, Hubbard L. The artist: Art and philosophy of art. L. Ron Hubbard Library, 1998.

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Stephen, Davies. The philosophy of art. Blackwell, 2006.

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Feldman, Edmund Burke. Philosophy of art education. Prentice-Hall, 1996.

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E, Benjamin Andrew, ed. Complexity: Architecture, art, philosophy. Academy Group, 1995.

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Części książek na temat "Philosophy of art"

Michaud, Nicolas. "Are Tattoos Art?" In Tattoos - Philosophy for Everyone. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118252789.ch3.

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Vandenbussche, Hanne, and Elisabeth De Schauwer. "Disability-Philosophy-Art." In The Routledge International Handbook of Transdisciplinary Feminist Research and Methodological Praxis. Routledge, 2024. http://dx.doi.org/10.4324/9781003303558-29.

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Meyer, Ingo. "Philosophy of art." In The Routledge International Handbook of Simmel Studies. Routledge, 2020. http://dx.doi.org/10.4324/9780429297502-12.

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Silberbusch, Oshrat C. "Philosophy of Art, Art of Philosophy: Adorno’s Aesthetic Utopia." In Adorno’s Philosophy of the Nonidentical. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95627-5_4.

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Harrison-Barbet, Anthony. "The philosophy of art." In Mastering Philosophy. Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-03589-9_10.

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Harrison-Barbet, Anthony. "The Philosophy of Art." In Mastering Philosophy. Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20916-3_9.

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Flanagan, Ben, and Owen Flanagan. "Anguished Art." In Blues-Philosophy for Everyone. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118153284.ch7.

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Ghosh, Ranjan K. "Emotions in Art." In SpringerBriefs in Philosophy. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-2460-4_3.

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Johnsen, Hans Christian Garmann. "A king's art." In Science Meets Philosophy. Routledge, 2023. http://dx.doi.org/10.4324/9781003326878-1.

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Kobayashi, Nobuyuki. "Nishida’s Philosophy and Art." In Tetsugaku Companions to Japanese Philosophy. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-41784-4_13.

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Streszczenia konferencji na temat "Philosophy of art"

Tanabayeva, Anar, Alina Urazova, and Adiya Kosseit. "ARTIFICIAL INTELLIGENCE AND ART." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/vs16/93.

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Artificial Intelligence (AI) has changed paradigms of creativity and art, raising questions about the capacity of machines to create works that evoke emotional response and possess originality. This article explores whether AI systems can create �real� art and what this means in terms of philosophy, aesthetics and cultural norms. Examples of AI art such as �Theatre D�opera Spatial� and �Portrait of Edmond de Belamy� are analyzed to assess their emotional and artistic value. The question of originality of AI art is discussed through the lens of copyright, imitation theory and cultural perceptio

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Marcelli, Romolo. "Philosophy, Art, Mathematics, and High-Frequency Applications of Triangular Shapes: from Plato to Sierpinski and beyond." In 2024 International Semiconductor Conference (CAS). IEEE, 2024. http://dx.doi.org/10.1109/cas62834.2024.10736798.

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Bandalo, Visnja. "ECDOTIC APPROACH TO INTERDISCIPLINARY ANNOTATED EDITIONS IN THE CONTEMPORARY ITALIAN PANORAMA." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs10.22.

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The presentation aims to focus from an ecdotic perspective, and from unexplored hermeneutic angles, on potentially prominent features of the annotated editions in which are brought together those genologically varied literary-type writings that are correlated with the analogous artistic fields, such as the visual arts, architecture or music, starting from relevant concrete examples in the Italian cultural landscape. Furthermore, attention will be drawn to how to make an edition of a philological character, scientifically grounded, in which a literary transposition of the philosophical content

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Szymanska-Stulka, Katarzyna. "IGNACY ZALEWSKI�S DIE SPINNERIN AS A CATEGORY OF �COLORFUL MINDEDNESS� IN MUSIC." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs08.20.

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Color is not only a matter of visual arts but also of music. It can influence how we feel, how we perceive the world, and even tell a lot about one�s personal artistic style based on their favorite colors choices. Color is also a powerful means of communication. It can signify action, influence mood, and even physiological reactions. Colors can stimulate creativeness and affect productivity. Some experts tells about the powerful red, restful green, emotional yellow, playful orange or intellectual blue. Colors appear in art as a kind of mix, which is why we can describe art as colourful. Colorf

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Wenting Xie and Ren Peng. "Philosophy of art & arts in philosophy." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730806.

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de Oliveira Gelape, Lucas, and Thiago Álvares Feital. "From Art to Politics: challenging representation." In XXVI World Congress of Philosophy of Law and Social Philosophy. Initia Via, 2015. http://dx.doi.org/10.17931/ivr2013_wg141_03.

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Chistyakova, Olga. "Postmodern Philosophy and Contemporary Art." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.26.

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Chen, Zhentao. "Art in Wittgenstein’s Philosophy of Language." In 2021 6th International Conference on Modern Management and Education Technology（MMET 2021）. Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211011.059.

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Gunther, York H. "Where(of) Art Cannot Speak." In Annual International Conference on Philosophy: Yesterday, Today & Tomorrow. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2382-5677_pytt14.10.

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Sumaryadi and Sumaryadi Sumaryadi. "Esthetics of Lakon Ketoprak in Java Philosophy." In Proceedings of the International Conference on Art and Arts Education (ICAAE 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icaae-18.2019.49.

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Raporty organizacyjne na temat "Philosophy of art"

Kost’, Stepan. THE CONCEPT OF CREATIVITY IN JOURNALISM. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11092.

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The article analyzes some theoretical and practical aspects of creativity. The author shares his opinion that the concept of creativity belongs to the fundamental concepts of philosophy, psychology, literature, art, pedagogy. Creativity is one of the important concepts of the theory of journalism. The author does not agree with the extended definition of creativity. He believes that journalistic activity becomes creativity when it is free and associated with the creation and establishment of new national and universal values, with the highest intensity of intellectual and moral strength of the

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Savater, Fernando. Education and Citizenship in the Global Era. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0007949.

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Kozyreva, Olga, and Ilya Gushchin. Ancient Greek Philosophy and Medieval Philosophy. Федеральное государственное бюджетное образовательное учреждение высшего образования "Уральский государственный медицинский университет" Министерства здравоохранения Российской Федерации, 2024. https://doi.org/10.12731/er0864.12122024.

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The course aims at familiarizing students with the features of Ancient Greek and Medieval philosophies. The course adapts the problematic approach to the history of philosophy, which involves the study of the problems posed in certain periods of philosophy and their possible solutions. The main idea of the course is that studying philosophy does not simply involve assimilation of the material but rather active analysis of arguments, their validity and soundeness, finding objections to these arguments and the ways to defend them from these objections. The works of ancient Greek and medieval p

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Webb, Philip, and Sarah Fletcher. Unsettled Issues on Human-Robot Collaboration and Automation in Aerospace Manufacturing. SAE International, 2020. http://dx.doi.org/10.4271/epr2020024.

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This SAE EDGE™ Research Report builds a comprehensive picture of the current state-of-the-art of human-robot applications, identifying key issues to unlock the technology’s potential. It brings together views of recognized thought leaders to understand and deconstruct the myths and realities of human- robot collaboration, and how it could eventually have the impact envisaged by many. Current thinking suggests that the emerging technology of human-robot collaboration provides an ideal solution, combining the flexibility and skill of human operators with the precision, repeatability, and reliabi

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Obua, Steven. Philosophy of Abstraction Logic. Steven Obua (trading as Recursive Mind), 2021. http://dx.doi.org/10.47757/pal.1.

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Abstraction Logic has been introduced in a previous, rather technical article. In this article we take a step back and look at Abstraction Logic from a conceptual point of view. This will make it easier to appreciate the simplicity, elegance, and pragmatism of Abstraction Logic. We will argue that Abstraction Logic is the best logic for serving as a foundation of mathematics.

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Obua, Steven. Philosophy of Abstraction Logic. Steven Obua (trading as Recursive Mind), 2021. http://dx.doi.org/10.47757/pal.2.

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Ivanyshyn, Petro. BASIC CONCEPTS OF YEVHEN MALANIUK’S NATIONAL-PHILOSOPHICAL INTERPRETATION: ESEISTIC DISCOURSE. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11070.

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The purpose of the research is to outline the structure of the main methodological ideas within the frames of interpretive thinking in the essay of the famous Vistnyk’s writer, critic and essayist Yevhen Malaniuk. Considering the purpose and tasks of the studio, an interdisciplinary methodological base, related to the author’s “national approach”, has been worked out. The epistemological potential of national philosophy as a philosophy of national existence, national science as a theory of nation, hermeneutics as a theory and practice of interpretation and post-colonialism as interpretation of

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Abdula, Andrii I., Halyna A. Baluta, Nadiia P. Kozachenko, and Darja A. Kassim. Peculiarities of using of the Moodle test tools in philosophy teaching. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3867.

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The paper considers the role of philosophy and philosophical disciplines as the means of forming general cultural competences, in particular, in the development of critical thinking. The article emphasizes that the process of forming over-subject and soft skills, which, as a rule, include also critical thinking, gets much more complicated under the conditions of the reduction in the volume of philosophical courses. The paper grounds that one of the ways to “return” philosophy to educational programmes can be the implementation of training, using the e-learning environment, especially Moodle. I

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Lara, Juan. Challenges to Classical Liberalism. Instituto de Libertad Económica, 2023. http://dx.doi.org/10.53095/13582012.

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Which practices put classical liberalism and the free enterprise and free-market philosophy at risk? How do these practices emerge and manifest themselves in an economy? What are the pernicious effects of these practices? What conditions allow or favor the existence of these challenges to classical liberalism?

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Carty, Anthony, and Jing Gu. Theory and Practice in China’s Approaches to Multilateralism and Critical Reflections on the Western ‘Rules-Based International Order’. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/ids.2021.057.

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China is the subject of Western criticism for its supposed disregard of the rules-based international order. Such a charge implies that China is unilateralist. The aim in this study is to explain how China does in fact have a multilateral approach to international relations. China’s core idea of a community of shared future of humanity shows that it is aware of the need for a universal foundation for world order. The Research Report focuses on explaining the Chinese approach to multilateralism from its own internal perspective, with Chinese philosophy and history shaping its view of the nature

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