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Rozprawy doktorskie na temat „Photograph”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 lipca 2025

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1

De, Lorenzo Nicholas. "Photography Post-Photography: Materiality of the Photograph." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16303.

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This exegesis examines the theoretical framework and artistic context of my studio practice. The primary focus of the work is on the materiality of the photograph. Through alchemical experimentations and abstractions, the work contemplates the question what is photography? in the complex context of a post-photographic world. While not attempting to answer such an elusive question, this paper seeks to investigate some of the relevant ideas and evaluate how they manifest in contemporary practice. I will use this exegesis as a means of recording an exploration of the mediums recent history, as th
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2

Belknap, Geoffrey David. "'From a photograph' : photography and the periodical print press 1870-1890." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609850.

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Johansson, Gustav, and Fredrik Persson. "Photograph labeling application : An Android application for labeling and uploading of photographs." Thesis, Karlstads universitet, Institutionen för matematik och datavetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-42972.

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Projektets mål var att lösa ett tekniskt problem för Värmlands Elonservice, där derastekniker har behov av en uppladdningslösning för märkta fotografier i samband med garantiärenden.Lösningen till problemet var att utveckla en Androidapplikation som märkerfotografier och sedan automatiskt laddar upp dem till en vald lagringstjänst. Slutresultatetav projektet är en fungerande Androidapplikation. Användaren kan ta fotografier viaapplikationen och tvingas sedan att namnge dem på ett korrekt sätt. Applikationen hanterarautomatiskt uppladdning av fotografier och radering av uppladdade fotografier.
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4

Malan, Andre. "The use of historical photographs as source for cultural histor : the Sammy Marks photograph collection." Diss., University of Pretoria, 1996. http://hdl.handle.net/2263/37292.

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During his sojourn on earth man leaves traces behind. Subsequent generations can follow these traces through research in order to find out more about his forebears. The term document can be interpreted much wider than referring to written material so that different types of material can serve as source from which this knowledge can be drawn. Pictorial sources is one subsection underneath which photographic material in turn resorts. This study looks at the use of historical photographs as source from which the cultural historian can draw information .. Historical photographs are often me
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5

McCoy, M. J. "Would You Publish This Photograph?" Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/292240.

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Hontos, Vasiliki. "Conservation survey of the Benaki Museum Photographic Archive in Athens, Greece /." Online version of thesis, 1991. http://hdl.handle.net/1850/11621.

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Bonnell, Sian. "The camera as catalyst, the photograph as conduit : an exploration of the performative role of photography." Thesis, Manchester Metropolitan University, 2013. http://e-space.mmu.ac.uk/336516/.

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This thesis is a retrospective examination of practice based research as constituted by eight published outputs spanning a period of twenty years. The field in which the research began was British feminist photography of the 1980s and 1990s, part of the postmodern response to modernism/formalism. The analytical text that forms part of the thesis argues that the key contribution being made to this field is ‘Wilful Amateurism’, a term I have coined to describe an aesthetic which can be compared, and possibly contrasted with the aesthetic of play and boundary transgression found in artists of the
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8

Smoacà, Andreea. "ID Photograph hashing : a global approach." Phd thesis, Université Jean Monnet - Saint-Etienne, 2011. http://tel.archives-ouvertes.fr/tel-00719585.

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Cette thèse traite de la question de l'authenticité des photographies d'identité, partie intégrante des documents nécessaires lors d'un contrôle d'accès. Alors que les moyens de reproduction sophistiqués sont accessibles au grand public, de nouvelles méthodes / techniques doivent empêcher toute falsification / reproduction non autorisée de la photographie d'identité. Cette thèse propose une méthode de hachage pour l'authentification de photographies d'identité, robuste à l'impression-lecture. Ce travail met ainsi l'accent sur les effets de la numérisation au niveau de hachage. L'algorithme mis
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9

Brown, William H. "The historical photograph, artifact-testament-text." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0009/MQ33980.pdf.

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10

Smoaca, Andreea. "ID Photograph hashing : a global approach." Thesis, Saint-Etienne, 2011. http://www.theses.fr/2011STET4034/document.

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Cette thèse traite de la question de l’authenticité des photographies d’identité, partie intégrante des documents nécessaires lors d’un contrôle d’accès. Alors que les moyens de reproduction sophistiqués sont accessibles au grand public, de nouvelles méthodes / techniques doivent empêcher toute falsification / reproduction non autorisée de la photographie d’identité. Cette thèse propose une méthode de hachage pour l’authentification de photographies d’identité, robuste à l’impression-lecture. Ce travail met ainsi l’accent sur les effets de la numérisation au niveau de hachage. L’algorithme mis
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11

Stoffle, Richard W., and Vlack Kathleen A. Van. "Timber Mountain Caldera Landscape Photograph Collection." Bureau of Applied Research in Anthropology, University of Arizona, 2013. http://hdl.handle.net/10150/303350.

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These photographs offer illustrations of the people, places, and resources along the two prominent pilgrimage trails in the Timber Mountain Caldera region. These photographs were taken during the 2006 Timber Mountain Caldera Landscape Study, the 2001 Shoshone Mountain Wind Farm Environmental Assessment, and 1999 NTS Rock Art study.
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12

Stoffle, Richard W. "Ojibway Traditional Resources Study Photograph Collection." University of Arizona Libraries, Special Collections, 2013. http://hdl.handle.net/10150/305108.

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13

Humayun, Saalem. "Constructing family photograph albums : how the process of archival acquisition writes history." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99722.

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This thesis is about photographic archives. Specifically, it concerns the process of acquisition for family photograph albums as archival texts. It argues that the process of acquisition writes history, and not one sole author. Additionally it argues that the institutional policy of an archive governs this process. Further, it argues that there is a homology between a public and private archive. In this light, it pursues an autobiographical approach, and compares the author's family photograph album with a family photograph album in the McCord Museum of Canadian History.
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14

Cobon, Linda Louise. "Problems and issues in the arrangement and description of photographs in libraries and archival repositories." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/27687.

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Until recent years, archivists have been reluctant to consider photographs as being archival in nature. The evidential value possessed by some photographs was ignored and archivists also failed to see where the informational value of a photographic image could be enhanced when viewed within the context in which it was created. Instead, archivists preferred to arrange and describe photographs as discrete items. For assistance in this endeavor, archivists turned to members of the library profession. Librarians, for their part, found that photographs were not amenable to standard bibliographic fo
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15

Franklin, Patricia Bruce. "Surface Stories." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/2208.

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16

Giles, Kenneth W. "The expectation of narrative in the photograph." Thesis, University of Kent, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267087.

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17

Potter, Jessica. "The photograph as a site of writing." Thesis, Royal College of Art, 2013. http://researchonline.rca.ac.uk/1353/.

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This research project considers the photograph as a common space, a space of encounter that unsettles the relations between word and image. It calls for a thinking of the photograph alongside notions of commonality at a time of increasing fragmentation and alienation in terms of what is communicable. The project is driven by different forms of description as a methodology and mode of enquiry. These methods of description constitute a series of experiments in writing and photography. They are presented in the thesis as image and text works and accompanying the thesis as an installation of photo
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18

West, Joanne. "How to Photograph Desert Plants and Flowers." University of Arizona (Tucson, AZ), 2009. http://hdl.handle.net/10150/556559.

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19

Halsban, Megan. "Stereographs as Scholarly Resources in American Academic Libraries and Special Collections." Thesis, School of Information and Library Science, 2008. http://hdl.handle.net/1901/543.

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This paper examines stereographic images as scholarly resources, and begins with a brief history of the stereograph. A discussion and review of the literature related to the stereograph as well as the preservation of photographic objects follows the introduction. In addition to the literature review, collections of stereographs at four repositories were evaluated for usability: The Keystone-Mast Archive at the University of California, Riverside; The Eliot Elisofon Archive at the Smithsonian Institution; the George Eastman House; the Library of Congress. The paper ends with suggestions for fut
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20

Chapman, Sarah Lesley. "Puncturing the silence : painting over the found photograph." Thesis, University of Plymouth, 2014. http://hdl.handle.net/10026.1/3088.

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Set up as a visual investigation, the research explores how the addition of paint and graphite materials onto the surface of found and discarded photographs, creates a visual and conceptual disjuncture by punctuating and altering the temporal frame of the photograph. The research is positioned in relation to Susan Sontag’s description in On Photography (1977) as to how the photograph can at once “transfix” and “anesthetize” the subject matter, which through the passage of time serves to create an “aesthetic distance,” and Roland Barthes’ observation in Camera Lucida (1980) that the photograph
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21

Magnvall, Andreas, and Alexander Henne. "Real-time Aerial Photograph Alignment using Feature Matching." Thesis, Linköpings universitet, Institutionen för datavetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-176658.

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With increased mobile hardware capabilities, improved UAVs and modern algorithms, accurate maps can be created in real-time by capturing overlapping photographs of the ground. A method for mapping that can be used is to position photos by relying purely on the GPS position and altitude. However, GPS inaccuracies will be visible in the created map. In this paper, we will instead present a method for aligning the photos correctly with the help of feature matching. Feature matching is a well-known method which analyses two photos to find similar parts. If an overlap exists, feature matching can b
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22

Oscar, Sara. "Into this wild abyss learning through fabricated photographs /." Connect to full text, 2007. http://hdl.handle.net/2123/3965.

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Thesis (Ph. D.)--University of Sydney, 2007.<br>"Photomedia"--T.p. Title from title screen (viewed February 18, 2007) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Visual Arts) to the Sydney College of the Arts. Includes bibliography. Also available in print form.
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23

Shirley, Anne. "What a photograph and cannot do exegesis submitted in partial fulfilment of requirements for the degree Master of Art and Design, to Auckland University of Technology, 2008." Click here to access this resource online, 2008. http://hdl.handle.net/10292/455.

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Beard, Sophie. "Collecting Collects: the family photograph in the British newspaper." Thesis, University of the Arts London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650314.

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Birkin, Jane. "Units of description : writing and reading the 'archived' photograph." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/377132/.

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This practice-based PhD takes the institution of the archive as its primary locus, and the position of the photograph within it. This approach opens up an interdisciplinary and post-representational investigation into the photographic image and its relationship to the companion descriptive text, as well as instigating a consideration of the structure and the management of both objects and descriptions in an archive situation. More specifically, the model of the visual content-based archive description is taken out of the confines of the institution and into visual practice. Different kinds of
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26

Stoffle, Richard W., Vlack Kathleen Van, and Nathaniel O'Mara. "Water Bottle Canyon Traditional Cultural Property Study Photograph Collection." Bureau of Applied Research in Anthropology University of Arizona, 2013. http://hdl.handle.net/10150/301169.

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Stoffle, Richard W., and Vlack Kathleen A. Van. "Arizona Strip Landscapes and Place Name Study: Photograph Collection." Bureau of Applied Research in Anthropology, University of Arizona, 2013. http://hdl.handle.net/10150/292607.

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This file contains a sample of photographs taken during the Arizona Strip Landscapes and Place Name Study(2003-2004). The photographs in this slideshow provide the viewer with an overview of places visited and resources examined during this study.
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Stoffle, Richard W., Vlack Kathleen A. Van, Rebecca S. Toupal, Sean O’Meara, and Jessica Medwied-Savage. "The Old Spanish Trail and Hispanic Communities Photograph Collection." University of Arizona Libraries, Special Collections, 2013. http://hdl.handle.net/10150/297034.

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This is a slide show of selected photographs from the Old Spanish Trail and Hispanic Communities Ethnographic Study. These photographs serve as supplemental materials for the two reports and offers illustrations of the people, places and resources.
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Koca, Asli. "Authentication Of Space: The Photograph As A Raw Material For Architectural Production." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12611454/index.pdf.

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This thesis is a critical reconsideration of the relationship of architectural production with its unique mode of representation: &ldquo<br>photography.&rdquo<br>Photography has been interpreted essentially as a technique and a visual medium to document architecture in general. The &ldquo<br>photograph,&rdquo<br>in this sense, is regarded as a representational form of documentation and an artistic and material expression of architecture. Besides this conventional value, this study argues that photography not only provides a new medium for the reinterpretation of architectural space, but also a
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Polk, Randi Lynn. "(Un-)Framing vision: text and image from the new novel to contemporary expressions of identity." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1121274446.

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Thesis (Ph. D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains vii, 217 p. Includes bibliographical references (p. 203-217). Available online via OhioLINK's ETD Center
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Gonçalves, Myra Adam de Oliveira. "A fotografia sem câmera : revelações de especificidades da fotografia através do quimigrama." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/10746.

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Esta dissertação foca um processo de criação de imagens fotográficas a partir de manipulações químicas feitas sobre superfícies fotossensíveis, diretamente sobre o papel ou negativo, sem utilizar para isso o aparato tecnológico – a câmera. A partir dessa abordagem, a dissertação analisa os limites daquilo que conhecemos como fotografia. A pesquisa convergiu para a investigação das possibilidades fotográficas inerentes às superfícies sensíveis e fotossensíveis, às soluções fotoquímicas e para o cruzamento dessas possibilidades fotográficas com outras linguagens artísticas. O trabalho confrontou
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Strandroth, Cecilia. "In search of the pure photograph : a historiographic study of the Farm Security Administration, Walker Evans, and the survey histories of photography /." Uppsala : Fronton, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8347.

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Pelser, Monique Myren. "Roles : "I am as intently observed as the people photograph"." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1007647.

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With this dissertation I propose an investigation of how the photographic portrait attempts to construct and confirm identity through the representation of types. Drawing from theoretical texts by Roland Barthes and Robert Sobieszek and engaging with my own process of self-portraiture, as a means of troubling the usual power relations involved between the photographer and the sitter, I will demonstrate the dialectical nature of these roles involved in photographic portraiture. Looking at Pieter Hugo's portraits of judges in Botswana permits me to deal with issues of masquerade and how fashions
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Vogt, Marion. "Zwischen Ornament und Natur : Edgar Degas als Maler und Photograph /." Hildesheim ; Zürich ; New York : G. Olms, 2000. http://catalogue.bnf.fr/ark:/12148/cb38847527s.

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Maree, Christine Fae. "That-has-been a discussion on the body cast as that which fixes a subject in time, in relation to notions surrounding the photograph." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002208.

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Much like a photograph, a casts creates a replica of its referent, thereby immobilising the subject in time. While the subject continues in time and hence ages and inevitably dies the replica does not. With this basic notion of fixing a subject, I have built an argument to contextualise my sculptures, which are made using casts of elderly people. In this discussion I have looked at my works through the ideas of different theorists. The main theorist I have cited is Roland Barthes, specifically with regards to his notion of the photograph as discussed in his book Camera Lucida. I have also refe
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36

Akyol, Melike. "Photograph As An Architectural Document: A Visual Archive For Metu Campus." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614752/index.pdf.

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This thesis aims at providing a pragmatic and conceptual basis essential for the establishment of an architectural photography archive for METU. The goal is to propose a methodology regarding the formation of an archive, which is physically and intellectually &ldquo<br>accessible,&rdquo<br>and to inquire future possibilities for its extension. The conceptual framework will be established by focusing on two main topics: theories of art, specifically focusing on photograph as a visual document, and architectural history writing, focusing on the term &ldquo<br>archive.&rdquo<br>Photograph as a vi
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Schwan, Minna. "”Photograph the ugly stuff” : En undersökning av William Egglestons fotografiska arbete." Thesis, Uppsala universitet, Institutionen för pedagogik, didaktik och utbildningsstudier, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200961.

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I denna uppsats presenteras vad jag kommit fram till genom undersökning av William Egglestons fotografi. Jag har främst studerat motiv och teknik i hans fotografiska arbete samt vad han inspirerats av. Jag har influerats av Egglestons i den visuella gestaltning som jag arbetat med parallellt med min undersökning. Eggleston arbetar efter konceptet ”The democratic camera” vilket innebär att han fotograferar saker i sin omgivning utan kulturell värdering. Han själv säger att det inte finns någon betydelse eller mening i sina fotografier, vilket ifrågasätts av andra. Tidigt inspirerades
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Kokkinias, Panos. "Existential Exposures : The Manifestation of Existential Motifs within the Art Photograph." Thesis, University of Derby, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518252.

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Ho, Hoi-yan, and 何凱欣. "Application of aerial photograph interpretation in geotechnical practice in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B42577585.

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Brunetti, Tina Marie. "Verbal protocol and eye movements for expert and novice photograph judges." Thesis, This resource online, 1994. http://scholar.lib.vt.edu/theses/available/etd-05042010-020313/.

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Ho, Hoi-yan. "Application of aerial photograph interpretation in geotechnical practice in Hong Kong." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B42577585.

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Hopgood, Roger. "An aesthetic inheritance : investigating the picturesque photograph and its vantage point." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20541/.

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The focus of the investigation is the relationship between photography and The Picturesque. The principles of the Picturesque movement of the 18th century are drawn into a discussion of our current understanding of the picturesque photograph with the aim of revealing continuity in aesthetic values and subjective relationships with landscape. Vantage point is explored as an integral element of the Picturesque effect, with compositional structure being recognised as a means of centring the viewer within a subject/object dynamic. Lacan's notion of a subjectivity initiated by vision, and desirous
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Jolly, Martyn. "Fake photographs : making truths in photography." Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4046.

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Jolly, Martyn. "Fake photographs making truths in photography /." Click here for electronic access to document: http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.

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45

Lobo, Flavia Maria Gonçalves. "A credibilidade da imagem fotográfica na era da tecnologia digital." Universidade Presbiteriana Mackenzie, 2011. http://tede.mackenzie.br/jspui/handle/tede/1823.

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Made available in DSpace on 2016-03-15T19:42:07Z (GMT). No. of bitstreams: 1 Flavia Maria Goncalves Lobo.pdf: 2224138 bytes, checksum: 5e7eae42e14e1b919b36477a4b5b6404 (MD5) Previous issue date: 2011-08-22<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This research tries to elucidate the question of the credibility of the photographic image after the technological age. That is, it is not a research that works pautada in the untiring quarrel if the photograph shows to the real or a trace of the real, this is a philosophical and semiótic bias, however to this research it mo
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46

Pikelytė, Zita. "Lietuvos provincijos fotografija 1918-1940 metais." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20130205_113248-92387.

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Tyrimo objektas yra 1918–1940 m. Lietuvos provincijoje fotografijos verslą plėtojusių fotografų personalijos, jų darbo sąlygos, užfiksuoti vaizdai bei šių vaizdų sklaidos aplinkybės. Tai pirmasis mokslinis darbas, tiriantis Lietuvos provincijos fotografiją, žiūrint iš provincijos fotografų perspektyvos, kompleksiškai nagrinėjantis jų kilmę, išsilavinimą bei profesinę veiklą, jų savivoką, socialinį statusą bei materialinę padėtį, be ko neįmanoma atskleisti fotografavimo paskatų, o taip pat jų užfiksuotų vaizdų funkcionavimą tarpukariu, reikšmę sovietmečiu bei recepciją nepriklausomybės laikotar
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47

Schwartz, Joan Marsha. "Agent of sight, site of agency, the photograph in the geographical imagination." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0021/NQ45269.pdf.

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Daly, Timothy Michael. "Towards a fugitive press : materiality and the printed photograph in artists' books." Thesis, Manchester Metropolitan University, 2016. http://e-space.mmu.ac.uk/617237/.

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The aim of my research is to demonstrate how a practice of hand made books based on the materiality of the photographic print and photo-reprography, could engage with notions of touch in the digital age. We take for granted that most artists' books are made from paper using lithography and bound in the codex form, yet this technology has served neither producer nor reader well. As Hayles (2002:22) observed: We are not generally accustomed to thinking about the book as a material metaphor, but in fact it is an artifact whose physical properties and historical usage structure our interactions wi
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Cruz, Ana Luisa. "The photograph of a loved one : a practice-led investigation through writing." Thesis, Manchester Metropolitan University, 2013. http://e-space.mmu.ac.uk/326220/.

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This written thesis constitutes a practice-led PhD. Many practice-led PhDs in art and design are comprised of two things – artistic practice in some form or other, for example an artist’s book or a film – and an accompanying theoretical text. By contrast, what I present here is a single text. The artistic practice is embedded within this document, taking the form of an intermingling of theoretically-informed and personally-informed writing. The thesis looks at the photograph through writing; and at writing through photography, thereby forming a deterritorialization of both worlds. The contribu
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Iseman, Stephen Dane. "Showing as a way of saying : the photograph and word combinations of Lewis Hine in support of child labor reform /." Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1113497089.

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